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Bentley Gallery Sculptures

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Improved Pointless Ochre Turquoise
By Jan Maarten Voskuil
Located in Phoenix, AZ
Jan Maarten Voskuil was born in Arnhem in 1964. He currently lives and works in Haarlem. He graduated in Arts at the Rijks University of Groningen and attended the Ateliers Arnhem, t...
Category

2010s Abstract Paintings

Materials

Linen, Acrylic

Standing Grey Spectral Light
By Eric Zammitt
Located in Phoenix, AZ
layered acrylic panels Eric Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion and intell...
Category

2010s Abstract Geometric Abstract Paintings

Materials

ABS

Wedge
By Eric Zammitt
Located in Phoenix, AZ
layered acrylic panel sculpture Eric Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion a...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

ABS

Wedge
By Eric Zammitt
Located in Phoenix, AZ
layered acrylic panel sculpture Eric Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion a...
Category

2010s Abstract Geometric Sculptures

Materials

ABS

Pointing Out As Yellow Grey
By Jan Maarten Voskuil
Located in Phoenix, AZ
Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the circle, the square...
Category

2010s Minimalist Abstract Sculptures

Materials

Linen, Acrylic

Cuts in Orange
By Jan Maarten Voskuil
Located in Phoenix, AZ
Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the circle, the square...
Category

2010s Minimalist Abstract Sculptures

Materials

Raw Linen, Acrylic

Pointing Out As Blue Grey
By Jan Maarten Voskuil
Located in Phoenix, AZ
Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the circle, the square...
Category

2010s Minimalist Abstract Sculptures

Materials

Linen, Acrylic

Pointing Out As Green Grey
By Jan Maarten Voskuil
Located in Phoenix, AZ
Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the circle, the square...
Category

2010s Minimalist Abstract Sculptures

Materials

Raw Linen, Acrylic

10 Degrees
By Jeremy Thomas
Located in Phoenix, AZ
Admirers of Jeremy Thomas’ sculpture should be grateful to a thief. Thomas came to the College of Santa Fe to study Studio Arts as a painter and printmaker, both of which he had been...
Category

2010s Abstract Abstract Sculptures

Materials

Cotton, Resin, Polyester, Vinyl

Snergelly Hose
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of inflation." It is the pragmatic that draws Thomas. Asked about his influences he asserts that his primary influences do not come from the realm of art but rather from everyday living. “I don’t eat, sleep, and breathe art,” he comments. His discovery of metal-working arose in a similar, practical way. Thomas had been sculpting with stone and asked someone to show him how to forge his own chisel. This was the start of his exploration of forging techniques and after a time he gave up working with stone to work with metal. One of the key aspects of blacksmithing that intrigued Thomas was fact that it isn’t instantly gratifying, and it poses questions that aren’t easily solved. He interned with Tom Joyce...
Category

2010s Abstract Abstract Sculptures

Materials

Cotton, Resin, Vinyl

Full Bloom
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category

2010s Abstract Abstract Sculptures

Materials

Vinyl, Cotton, Resin

In the Sea
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of inflation." It is the pragmatic that draws Thomas. Asked about his influences he asserts that his primary influences do not come from the realm of art but rather from everyday living. “I don’t eat, sleep, and breathe art,” he comments. His discovery of metal-working arose in a similar, practical way. Thomas had been sculpting with stone and asked someone to show him how to forge his own chisel. This was the start of his exploration of forging techniques and after a time he gave up working with stone to work with metal. One of the key aspects of blacksmithing that intrigued Thomas was fact that it isn’t instantly gratifying, and it poses questions that aren’t easily solved. He interned with Tom Joyce...
Category

2010s Abstract Abstract Sculptures

Materials

Cotton, Resin, Vinyl

With 2 Heads
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category

2010s Abstract Abstract Sculptures

Materials

Cotton, Resin, Vinyl

Green streak
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category

2010s Abstract Abstract Sculptures

Materials

Cotton, Resin, Vinyl

Pillow Talk
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category

2010s Abstract Abstract Sculptures

Materials

Cotton, Resin, Vinyl

Pinnacle Expectations
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category

2010s Abstract Abstract Sculptures

Materials

Canvas, Resin, Vinyl

Eye for Eye
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category

2010s Abstract Abstract Sculptures

Materials

Cotton, Resin, Vinyl

Prop Green
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category

2010s Abstract Abstract Sculptures

Materials

Cotton, Resin, Vinyl

Chesapeake Blue
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of inflation." It is the pragmatic that draws Thomas. Asked about his influences he asserts that his primary influences do not come from the realm of art but rather from everyday living. “I don’t eat, sleep, and breathe art,” he comments. His discovery of metal-working arose in a similar, practical way. Thomas had been sculpting with stone and asked someone to show him how to forge his own chisel. This was the start of his exploration of forging techniques and after a time he gave up working with stone to work with metal. One of the key aspects of blacksmithing that intrigued Thomas was fact that it isn’t instantly gratifying, and it poses questions that aren’t easily solved. He interned with Tom Joyce...
Category

2010s Abstract Abstract Sculptures

Materials

Steel

L V Silver
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category

2010s Abstract Abstract Sculptures

Materials

Resin, Vinyl, Canvas

Strawberry Shortcake
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of inflation." It is the pragmatic that draws Thomas. Asked about his influences he asserts that his primary influences do not come from the realm of art but rather from everyday living. “I don’t eat, sleep, and breathe art,” he comments. His discovery of metal-working arose in a similar, practical way. Thomas had been sculpting with stone and asked someone to show him how to forge his own chisel. This was the start of his exploration of forging techniques and after a time he gave up working with stone to work with metal. One of the key aspects of blacksmithing that intrigued Thomas was fact that it isn’t instantly gratifying, and it poses questions that aren’t easily solved. He interned with Tom Joyce...
Category

2010s Abstract Abstract Sculptures

Materials

Cotton, Resin, Vinyl

Horse Blue
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category

2010s Abstract Abstract Sculptures

Materials

Cotton, Resin, Vinyl

Space Dust
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category

2010s Abstract Abstract Sculptures

Materials

Cotton, Resin, Vinyl

Betegeuse Purple
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of inflation." It is the pragmatic that draws Thomas. Asked about his influences he asserts that his primary influences do not come from the realm of art but rather from everyday living. “I don’t eat, sleep, and breathe art,” he comments. His discovery of metal-working arose in a similar, practical way. Thomas had been sculpting with stone and asked someone to show him how to forge his own chisel. This was the start of his exploration of forging techniques and after a time he gave up working with stone to work with metal. One of the key aspects of blacksmithing that intrigued Thomas was fact that it isn’t instantly gratifying, and it poses questions that aren’t easily solved. He interned with Tom Joyce...
Category

2010s Abstract Abstract Sculptures

Materials

Cotton, Resin, Vinyl

When It's Said You're Square
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category

2010s Abstract Abstract Sculptures

Materials

Cotton, Resin, Vinyl

Napthalene Magenta
By Jeremy Thomas
Located in Phoenix, AZ
Thomas's current inflatable steel sculpting technique is something he stumbled upon during a demo for one of his sculpture classes. Steel, Thomas says, has a clay-like malleability a...
Category

2010s Abstract Abstract Sculptures

Materials

Stainless Steel

Sky Grey (Just Wait)
By Jeremy Thomas
Located in Phoenix, AZ
Thomas's current inflatable steel sculpting technique is something he stumbled upon during a demo for one of his sculpture classes. Steel, Thomas says, has a clay-like malleability a...
Category

2010s Abstract Abstract Sculptures

Materials

Stainless Steel

Isolation Blue
By Jeremy Thomas
Located in Phoenix, AZ
Thomas's current inflatable steel sculpting technique is something he stumbled upon during a demo for one of his sculpture classes. Steel, Thomas says, has a clay-like malleability a...
Category

2010s Abstract Sculptures

Materials

Stainless Steel

Bi-Fold IX
By Mark Pomilio
Located in Phoenix, AZ
charcoal on paper mounted to silk foam core and wood Mark Pomilio’s work focuses on the research of fractals, cloning, and single cell manipulation. His mathematics-based drawings serve as a metaphor for naturally occurring systems of reproduction and growth. When Pomilio begins a piece, he doesn’t know where it will lead; although his tools and marks are precise, the layering, repetition, rotation, and distribution of basic shapes are improvised to emulate a single cell dividing and compounding into a complex form. The process of cell growth influences Pomilio’s practice and is emphasized through his own process, the use of erasure, faint outlines, opacity and translucency, and deliberate marks. The resulting compositions are balanced, unified, and harmonious. His work is included in the collections of the University of Arizona Museum of Art, Baylor University Martin Museum of Art, Dupont Corporation, University of Michigan...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Archival Paper, Silk, Wood, Charcoal, Foam Board

The Alphabet of Silly Colors
By Jan Maarten Voskuil
Located in Phoenix, AZ
b. 1964, Arnhem Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the c...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

Mobile Exhibition Unit - Part II
By Jan Maarten Voskuil
Located in Phoenix, AZ
b. 1964, Arnhem Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the c...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

Cut In Greys
By Jan Maarten Voskuil
Located in Phoenix, AZ
b. 1964, Arnhem Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the c...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

Cuts In White
By Jan Maarten Voskuil
Located in Phoenix, AZ
b. 1964, Arnhem Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the c...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

The Skies of Sky #3 (white)
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

The Skies of Sky #2 (blue)
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

The Skies of Sky #1 (black)
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvas...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

Clumsy Sky Grey
By Jeremy Thomas
Located in Phoenix, AZ
cold rolled steel, powder coat, and urethane
Category

2010s Abstract Abstract Sculptures

Materials

Steel

Don't You Forget About Me, Grey
By Jeremy Thomas
Located in Phoenix, AZ
cold rolled steel, powder coat, and urethane
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Steel

All the Summers are Hers
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

The Quiet Breath
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

Return to Me
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

Days Sliding By
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

The Daisy and the Marigold
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and ...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

Life on the Shelf
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

90 To Shore Yellow Left
By Eric Zammitt
Located in Phoenix, AZ
laminated acrylic plastic
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Plastic

90 To Shore Yellow Right
By Eric Zammitt
Located in Phoenix, AZ
laminated acrylic plastic
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Plastic

HAZE 5
By Eric Zammitt
Located in Phoenix, AZ
laminated acrylic plastic Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion and intellect. It is simultaneously abou...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Plastic

YELLOWPINK Wedge
By Eric Zammitt
Located in Phoenix, AZ
laminated acrylic plastic Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion and intellect. It is simultaneously abou...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Plastic

BLUEGREEN 3 AQUA Wedge
By Eric Zammitt
Located in Phoenix, AZ
laminated acrylic plastic Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion and intellect. It is simultaneously abou...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Plastic

BLUEGREEN 2 AQUA Concave
By Eric Zammitt
Located in Phoenix, AZ
laminated acrylic plastic Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion and intellect. It is simultaneously abou...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Plastic

The Sun Also Rises Yellow
By Jeremy Thomas
Located in Phoenix, AZ
stainless steel, vinyl emulsion
Category

2010s Abstract Sculptures

Materials

Stainless Steel

Red Maple Globe
By Matt Moulthrop
Located in Phoenix, AZ
turned wood
Category

Early 2000s Contemporary Abstract Sculptures

Materials

Wood

Acura Gold
By Jeremy Thomas
Located in Phoenix, AZ
forged mild steel and acrylic urethane Jeremy Thomas is a maker. His work explores objecthood; how a sculpture interacts with its surroundings, how the viewer interacts with a sculp...
Category

2010s Contemporary Abstract Sculptures

Materials

Metal, Steel

Two Story
By Peter Millett
Located in Phoenix, AZ
painted wood Peter Millett is a seasoned traveler, who draws inspiration from his extensive trips through North America, South America, Southeast Asia, and the Middle East; explorin...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Wood, Paint

Red Button
By Peter Millett
Located in Phoenix, AZ
painted wood Peter Millett is a seasoned traveler, who draws inspiration from his extensive trips through North America, South America, Southeast Asia, and the Middle East; explorin...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Wood, Paint

White Post
By Peter Millett
Located in Phoenix, AZ
painted wood Peter Millett is a seasoned traveler, who draws inspiration from his extensive trips through North America, South America, Southeast Asia, and the Middle East; explorin...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Wood, Paint

Four Square
By Peter Millett
Located in Phoenix, AZ
painted wood Peter Millett is a seasoned traveler, who draws inspiration from his extensive trips through North America, South America, Southeast Asia, and the Middle East; explorin...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Wood, Paint

Log On
By Peter Millett
Located in Phoenix, AZ
painted cedar Peter Millett is a seasoned traveler, who draws inspiration from his extensive trips through North America, South America, Southeast Asia, and the Middle East; explori...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Wood, Cedar, Paint

Aromatic Carbon I
By Jeremy Thomas
Located in Phoenix, AZ
forged mild steel and acrylic Jeremy Thomas is a maker. His work explores objecthood; how a sculpture interacts with its surroundings, how the viewer interacts with a sculpture, and...
Category

2010s Contemporary Abstract Sculptures

Materials

Metal, Steel

Jenda Magenta
By Jeremy Thomas
Located in Phoenix, AZ
forged mild steel and acrylic urethane Jeremy Thomas is a maker. His work explores objecthood; how a sculpture interacts with its surroundings, how the viewer interacts with a sculp...
Category

2010s Contemporary Abstract Sculptures

Materials

Metal, Steel

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