20th Century Interiors Denver

A monumental ceramic jardinière in a beautiful beige cream finish, unusually subtle and sophisticated for Roseville Pottery Company produced ceramics. Hand glazed. Stamped "Rosevil...

Elevate your living space with this iconic pair of 1960s "Scissor" chairs in chrome and leather by the renowned New York-based designer Ward Bennett for Brickel. Crafted during the h...

Teak bachelor's chest or tall sideboard by Peter Hvidt and Orla Mølgaard-Nielsen for Søborg Møbelfabrik. This lovely pair of stacked cabinets have been well cared by their origin...

A set of 4 Knoll "X3" chairs by Marco Maran for home or office, and everyday use or comfortable seating for occasional guests. Each chair is comprised of a clear polycarbonate she...

This beautiful grand piano was built by Erard in Paris in 1895. With irreplaceable original cabinet art created and signed by an artist named Finel - specifically commissioned by th...

This Erard parallel-strung grand piano, crafted in Paris in 1845, has been extraordinarily well-tended, restored and maintained, enduring today as not only a spectacular example of the pinnacle of 19th Century piano design - characterized by its innovative construction and exceptional sonoral qualities - but also as a premium instrument by the most advanced modern standards, concert-ready for world-class, discriminating performers and their audiences. Erard was a renowned piano manufacturer established by Sébastien Erard, and for much of the 19th Century, the company produced some of the most exquisite and innovative European pianos of the era. The sound produced by this parallel-strung grand piano is characterized by a clarity and transparency that distinguishes it from its contemporaries. The parallel arrangement of strings contributes to a more direct transfer of sound energy, resulting in a balanced and articulate tone across the instrument's registers. This piano's tone is beloved for its sweetness in the treble range and a robust quality in the bass, while also allowing for an especially nuanced and expressive interpretation of the musical repertoire of its era. The ebony and ivory keyboard is a testament to the meticulous attention Erard paid to the tactile experience of playing. Each key is precision-weighted, providing a responsive touch that allows the pianist to articulate a wide range of dynamics and expressiveness. An interior faux tableau latches to the outer case lid in an open position for maximum concert volume, and rests in a lowered position to maintain a softer, more muted experience. The year 1845 places this Erard instrument in the heart of the Romantic era, a period marked by a surge in musical creativity and emotional expression. Composer/performers like Chopin and Liszt were drawn to Erard grand...

A gorgeous pair of mid-century Italian ceramic lamps by Alvino Bagni for Bagni Ceramiche, imported to the U.S. by Raymor. Brilliant reds, greens, yellows and black on a sand ivory pa...

A grand longcase clock produced in Italy in the 1970s in a rococo Louis XV style with dore bronze ormolu mountings and wood inlay decorating a black-lacquered wood case. The Germa...

Seductive simplicity in a stoneware teapot. Bronze handle wrapped in plastic ‘rattan’. Edith Heath for Heath Ceramics, Sausalito, CA, 1949-1951. Excellent vintage condition. In 1949...

This Pleyel concert grand piano crafted in Paris in 1870 is a timeless masterpiece that embodies the elegance and craftsmanship of 19th-century French piano manufacturing. Pleyel ins...

An elegant floor lamp with a classic tulip base by Bill Curry for Laruel Lamp Company. Gold chrome with a Fenchel 18" white linen shade. Weighted base is 10" in diameter.

Two-seat sling sofa by Bruce Hannah and Andrew Morrison for Knoll in vibrant 1970s red orange faux leather. The steel frame has been freshly powder-coated in July 2022 and bears no ...