WOODSPORT Table Lamps

The Bethel’s organic curves complement the strong grain of walnut. The base is warmed with amber shellac, and paired with earthy green details. Turned walnut base with olive green-dyed ash neck and finial. Brass socket with rotating, dimmer switch, black fabric-covered cord, and trimless, natural linen shade. This piece holds one 60W max 120V E26 lamp...

The Delhi II balances a strong, vertical posture with a large, buoyant shade. Turned cherry base with a olive navy-dyed ash neck and finial. This piece is 28” with a 14” diameter trimless, natural linen shade, brass hardware, and a black fabric-covered cord. Holds two 75W max 120V E26 lamps...

A Marbro turned green glass table lamp retaining its original lamp shade with Greek key design. Excellent original condition. Base measures 7' diameter. Marbro Lamp Company The company was founded by Morris Markoff and his brother, hence the name Marbro from Markoff brothers. They started the company shortly after WWII. The company was located in a 3 story brick building in the garment district of Los Angeles, just south of Downtown right by the Santa Monica Freeway. During the time they ran the company, they sold almost as many antiques as they did lamps. They also had a sizeable business in decorative accessories such as tables and a lot of animal figurines. There were quite a few dog figurines that were life-size. One dog figurine was a life-size Great Dane purchased by the actor Jack Webb who starred as Sgt. Joe Friday in the 1951 TV hit series, Dragnet. There were quite a few celebrities that came in to their shop. One actress who shopped there repeatedly was Deborah Shelton who at the time played the part of “Mandy” on the TV series Dallas (remember J.R.). Marbro sold their products mainly through interior designers and a few upscale furniture stores. You would not find a Marbro product in a chain furniture store or a discount store. Most of the products were built to order. A typical order from a designer or retailer took between 75 and 90 days to complete. Most of the components that made up the lamp bodies (ceramic, brass, glass, etc) were purchased from small companies around the world. In the later years almost all of the brass came from India. For the most part, none of the bodies were made on site. Marbro was well-known for importing a variety of unique lighting components from all-over the world. Italy was the source for alabaster, Japan and China for Porcelain, Brass in India and Crystal from Germany and France. Lamps would also be made from sculptures that customers brought to in to the shop. Once the lamp bodies arrived, a group of Marbro employees would make the wood bases, spin the metal caps, make the shades, and do the painting and tinting. With the help of about 20-40 other true world class artisans, metal workers, finishers and handmade shade makers, they produced lamps and shades that were truly some of last of their kind of art. For example, Marbro brass was never just plain brass. It was stained with a tinting that was homemade and kept secret by the company which is reminiscent of the Handel Lamp Co. of the early 1900s. There were quite a few of these preparations all kept in one of those little metal boxes on a 3 x 5” file card just like a recipe. It was truly a unique method of making lamps. Many of the lamp bodies that the company bought were not exactly matched as pairs. Sometimes 10-20 crystal vases would have to be sorted through to get 2 of the exact same height so that if the lamps were purchased as a pair, they would match. All of the shades were made by hand by a group of women on the second floor of the building with very little automation. The manufacturing plant was closed in Los Angeles in December 1990 and the inventory and equipment were moved to Labarge Mirrors in Holland, Michigan. At the time Labarge Mirrors was a Masco Corp subsidiary. Some time later, the Marbro product line was discontinued. Eventually, Masco sold most of their home furnishings manufacturing holdings. Marbo assembled a very talented, experienced and unique group of artists and craftsmen and many of their Fine lamps exhibit a certain unique signature style. Most of the employees were in their 50’s and older. There were quite a few employees in their late 1960s and 1970s. Today their lamps are collectible and sought after especially by certain knowledgeable collectors who are familiar with the company's lamps and history. Many of Marbro lamp are commonly referred to as “Hollywood Regency” style. This rather lavish style of decorative arts is currently in the midst of a tremendous and accelerating revival. It is obvious from the company's careful selection of art objects and their unique proprietary methods of lamp making that their goal was to design beautiful unique and very high quality lamps. Their success is obvious from the very Fine collectible Marbro lamps that are still sought after today. Marbro lamps present a particular appraisal Challenge due to their very unique style and market conditions. Generally, there are fewer collectors of Marbro lamps as compared to many other lamp companies of the 1900 - 1950’s era. This in no way devalues your lamp but implies a special category of a more limited number of buyers and collectors. During the 1950s, Marbro sold to many very affluent customers including movie stars and others connected to the film industry. Their lamps were considered very exclusive and definitley high end for that period. The key to selling vintage Marbro lamps...

A nod to mid century modern styling, the Marilie Lamp has a small profile perfect for the bedside or desk. Each lamp is handmade to order in our Connecticut studio. It combines the smoothness of high quality porcelain with hand-turned walnut for the base. The boucle barrel...

The Delhi III balances a strong, vertical posture with a large, buoyant shade. Turned maple base with an olive green-dyed ash neck and finial. This piece is 28” with a 14” diameter t...

Statuesque Hanni is tall and slender. With a nod to mid-century styling the the handcrafted base is cast in porcelain topped with a turned walnut neck and finial. The shade is made o...

Meet Bella. Inspired by Mid-Century Modern design, Bella is both curvy and tapered, making her substantial but quite elegant. A hand poured porcelain base is topped with a hand turned walnut neck and finial. Nubbly boucle shade. Nickel hardware, black cloth cord and plug. Designed by Daniel Oates and Dana Brandwein in 2008. * Shown in Vanilla Bean glaze. Dimensions Lamp: 23" high with shade x approx 9" diameter base Shade: 17" diameter x 10" high About the Glaze We developed our own glaze recipes and mix them in small batches regularly. There will be variation. Our vanilla bean glaze is a semi-matte, almost satin finished white glaze with specs that remind us of vanilla bean ice-cream. Because this is a drippy glaze we dip the bottom of the lamp a few inches up with our snowflake to catch the drip. Our oyster glaze is a beautifully neutral cream colored gloss glaze that is quite drippy. You may see some layering drips and the bottom is dipped a few inches up with our glossy white glaze to keep the cream glaze from hitting the kiln shelf. Our indigo glaze is more technique than glaze. The first...

Small with a big presence, the Marty inhabits intimate spaces, scaled for the bedside or tabletop. This model has a matte black surface inspired by satin black hot rod paint jobs. Tu...

The Beacon 18" small table lamp features a handcrafted walnut body and black linen shade. Its modern Silhouette is perfectly balanced with clean, proportional lines and curves that r...

Table lamp crystal smart with nickel finishes and black lamp shade. With carved crystal base.  

Contour’s revealing and elegant open framed architecture captures warm LED illumination within a remarkably slender extruded aluminum structure. Intelligent and highly efficient, Con...

Possibly by Stiffel but, it’s unmarked. Lamp is in great shape. I didn’t notice any dents and no discoloration. It’s in overall very good condition and includes a lamp shade. Height...