Skip to main content

Rudolf Bauer Art

German, 1889-1953
The true story of Rudolf Bauer is perhaps one of the most complex, tragic, and ironic of 20th century art history. Rudolf Bauer was a pioneering German-born artist who, along with Vasily Kandinsky, was among the first abstract artists in the world. His “non-objective” abstract style would go on to influence virtually all aspects of modern art and serve as a beacon to Pollock, Rothko, and other artists who formed the New York school of Abstract Expressionism. In the first half of the 20th century, Bauer’s works were displayed alongside such luminaries as Picasso, Chagall, Miró, Mondrian, and Kandinsky, in numerous galleries and museums throughout the world. However by the end of World War II, Bauer had stopped painting and fell into obscurity.
(Biography provided by Stone and Press Gallery)
to
12
12
11
5
3
1
1
Fashion Couple
By Rudolf Bauer
Located in Fort Washington, PA
Medium: Gouache and Ink on Paper Dimensions: 17.50" x 10.75" Signature: Signed Lower Right
Category

Early 20th Century Rudolf Bauer Art

Materials

Paper, Ink, Gouache

untitled (Young Woman Washing)
By Rudolf Bauer
Located in Fairlawn, OH
untitled (Young Woman Washing) Lithograph, c. 1910 Signed in pencil lower right; signed in the plate lower right (see photo) Image size: 11 x 5-1/8" Sheet size: 18 7/8 x 12 5/8 inches Condition: Very good Aging to the tan paper it is printed on Provenance: Estate of the Artist Borghi & Company, NYC Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art. Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...
Category

1910s Jugendstil Rudolf Bauer Art

Materials

Lithograph

Reclining Nude on Bed
By Rudolf Bauer
Located in Fairlawn, OH
Reclining Nude on Bed Lithograph, c. 1910 Signed in pencil lower right and in the plate, lower right Image size: 7-1/4 x 13" Sheet size: 12 1/2 x 19 inches Condition: very good Some aging to the tan paper Provenance: Estate of the Artist Borghi & Company, New York Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art. Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...
Category

1910s Jugendstil Rudolf Bauer Art

Materials

Lithograph

untitled (Woman with Hands on Hips)
By Rudolf Bauer
Located in Fairlawn, OH
untitled (Woman with Hands on Hips) Lithograph on tan wove paper, c. 1910's Signed in pencil lower right and in the plate, lower right (see photo) Edition: c. 100 Condition: Excellent Image size: 11-1/4 x 4-1/2 inches Sheet size: 18 1/8 x 11 3/8 inches Provenance: Estate of the Artist Borghi & Company, New York Herb Lerner, Boca Raton, FL Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel...
Category

1910s Expressionist Rudolf Bauer Art

Materials

Lithograph

In the Salon
By Rudolf Bauer
Located in Fairlawn, OH
In the Salon Lithograph on tan wove paper, c. 1910 Signed in pencil lower right; signed in the plate lower right (see photo) Annotated "No. 20" in pencil lower left (see photo) Condition: Excellent Image size: 13-7/8 x 10-1/2 inches Sheet size: 19 x 14 1/4 inches Provenance: Estate of the Artist Borghi & Co., New York Herb Lerner, Boca Raton, FL Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel...
Category

1910s Expressionist Rudolf Bauer Art

Materials

Lithograph

Circle of Life
By Rudolf Bauer
Located in Fairlawn, OH
Circle of Life Lithograph on tan paper, c. 1910's Signed in pencil lower right; signed in the plate lower right (see photo) Annotated "No. 50" in pencil lower left (see photo) Provenance: Estate of the artist Borghi & Company, New York Herb Lerner, Boca Raton, FL Condition: Excellent Image size: 11-3/4 x 17-1/2 inches Sheet size: 19 x 22 1/2 inches Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art. Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...
Category

1910s Expressionist Rudolf Bauer Art

Materials

Lithograph

Untitled (Brown and Blue Shapes)
By Rudolf Bauer
Located in Columbia, MO
Untitled (Brown and Blue Shapes) Gouache and watercolor 18.25 x 11.62 inches Framed: 32.5 x 26 inches
Category

Early 20th Century Abstract Rudolf Bauer Art

Materials

Watercolor, Gouache

Woman in a Fur Wrap
By Rudolf Bauer
Located in Fairlawn, OH
Woman in a Fur Wrap Pen and ink heightened with white, c. 1920 Signed in ink lower right (see photo) Estate stamp verso (see photo) Provenance: estate of the artist Borghi & Company, New York Condition: excellent Sheet/Image size: 11 1/8 x 8 1/8 inches Rudolph Bauer 1889-1953 "Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay...
Category

1920s Art Deco Rudolf Bauer Art

Materials

Ink

Woman Walking Away from Gentleman
By Rudolf Bauer
Located in New Orleans, LA
A well dressed woman takes leave of a gentleman. Rudolf Bauer was born in 1889, in Lindenwald, Germany-Poland. The son of a wealthy engineer, Bauer became an essential part of the avant-garde movement and the birth of non-objective art in the early 1920's. Bauer began his studies at the Academy of Fine Arts in Berlin in 1905, where he learned the fundamentals and produced beautifully stylized figurative drawings. In 1912, Bauer met Herwarth Walden, a promoter of the avant-garde movement and founder of Der Sturm Art Gallery. Bauer became a member of Der Sturm, and was represented in group exhibitions along with Kandinsky, Picasso, Chagall, Klee et al. By 1922, Bauer had participated in 80 Der Sturm exhibitions in Belgium, Denmark, Great Britain, Italy, et al. In 1917, Bauer had his first one-man show at Der Sturm Gallery, exhibiting 120 works. By 1921, with his many one-man and group exhibitions, and his significant publications of his theories on art, Bauer became Germany's leading abstract expressionist painter. In 1929, Bauer founded his own private museum, Das Geistreich-Bauer (The Realm of the Spirit). In 1933, Hitler became Chancellor of the German Republic and with that modern art was branded as "sub-human". Walden closed Der Sturm and fled Germany. The purge of modern artists and curators began, but at the same time Bauer was having his work exhibited at the new Museum of Modern Art in New York City. Despite Hitler's proclamations of the "degeneracy" of modern art, Bauer continued his mission, the free expression in art, writing dictums and creating art. Meanwhile, Solomon R. Guggenheim, the famous American philanthropist, had been acquiring Bauer's work; so many pieces in fact that that he could no long fit his work within the confines of his residential suite at the Plaza Hotel in New York. In 1936, Guggenheim decided to exhibit his entire collection of Bauer's work in one venue, at the Gibbes Memorial Art Gallery in Charleston, SC. Later that year, the famous Jeu de Paume, a division of the Louvre, in Paris, honored Bauer with a one-man exhibition. As a result of the show, the Louvre purchased one of Bauer's oil paintings. Upon his return from the show at Jeu de Paume, and despite the fact he was not Jewish, Bauer was arrested and sent to a concentration camp. Filippo Marinetti...
Category

Early 20th Century Modern Rudolf Bauer Art

Materials

Lithograph

Non-Objective Drawing (Double sided composition)
By Rudolf Bauer
Located in Fairlawn, OH
Non-Objective Drawing (Double sided composition) Graphite on paper, 1938 Initialed "B" by the artist lower right corner Created while the artist was imprisoned in a Gestapo Prison for his "Degenerate Art" Image size: 7 x 6 3/4 inches Housed in raw silk matting in a reproduction Gugenheim style frame with OP3 Acrylic Frame dimensions: 16 x 17 x 1 1/2 inches Condition: Folded in quarters by the artist to hide the drawing from the Gestapo Irregular margins Provenance: Estate of the artist Phillips Auction, New York Borghi Inc. "Back in Berlin, Das Geistreich had become a lonely island of individualism in a menacing sea of Nazism. The Bauhaus had been closed down by the government in 1933, and artists such as Bauer were increasingly ostracized. Many had already fled the country. Rebay wrote Bauer in August 1937 to report that she had visited the Degenerate Art exhibition in Munich, which featured many artists from their Der Sturm days, including works by Kandinsky, Klee, Moholy-Nagy, and, of course, Bauer. Why Bauer lingered so long in this hostile environment remains a mystery. He was not Jewish, yet his patron was one of the richest Jews in the world. This association would not go unnoticed in Nazi Germany. In July 1937 Bauer traveled to Paris because his work was included in an exhibition called Origines et développement de l'art international indépendant, organized by the Musée du Jeu de Paume. In this large survey of the period, his painting was shown alongside the work of Picasso, Georges Braque, Léger, Chagall, and Joan Miró. It is believed that while he was in Paris he received word from friends that it was too dangerous to return to Berlin; yet he ignored the warning. According to the Rebay documentarian Sigrid Faltin, it is likely that his sister, a Nazi zealot who had disowned him, turned him in to the authorities for his art. Bauer was suddenly a prisoner in Berlin. Defiant, he scavenged scraps of paper and pencils while in prison, so that he could continue to draw." Courtesy Weinstein Gallery...
Category

1930s Abstract Rudolf Bauer Art

Materials

Graphite

La Toilette No. 60.
By Rudolf Bauer
Located in New York, NY
Lithograph printed on tan wove newsprint-type paper. Signed in pencil and in the stone. 15 3/4 x 12 3/4". Sheet Size: Image Size 8 1/4 x 6 3/4". Rudolf Bauer (1889-1953) e...
Category

1920s Brücke Rudolf Bauer Art

Materials

Lithograph

Couple dancing.
By Rudolf Bauer
Located in New York, NY
Couple dancing. Lithograph printed on tan wove newsprint-type paper. Signed in pencil & in the stone. 14 3/8 x 19." Sheet Size, 19 x13" Image Size. Rudolf Bauer (18...
Category

1920s Brücke Rudolf Bauer Art

Materials

Lithograph

Related Items
Lee Hurst (3/4 Figure, Hands Together), Mixed media on Pergamenata parchment
By Howard Tangye
Located in London, GB
Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...
Category

2010s Contemporary Rudolf Bauer Art

Materials

Paint, Paper, Parchment Paper, Charcoal, Crayon, Oil Crayon, Oil Pastel,...

Apeles Fenosa Spanish Sculptor Mourlot Lithograph Abstract Expressionist Figures
By Apelles Fenosa
Located in Surfside, FL
This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...
Category

1970s Expressionist Rudolf Bauer Art

Materials

Lithograph

Flowers on the Window Sill, Lithograph by Guy Charon
By Guy Charon
Located in Long Island City, NY
Flowers on Window Sill Guy Charon, French (1927) Date: circa 1977 Lithograph, signed and numbered in pencil Edition of 250, EA Image Size: 25.5 x 19.5 inch...
Category

1970s Contemporary Rudolf Bauer Art

Materials

Lithograph

BLACK FACE
By Karel Appel
Located in Santa Monica, CA
KAREL APPEL (1921 - 2006) BLACK FACE, 1969 Lithograph in colors signed in pencil. Edition 26/75, Image: 19 3/4 x 25 1/4, sheet: 22 x 30 inches. Just hint of a mat line Appel was a member of the Cobra art movement
Category

1960s Expressionist Rudolf Bauer Art

Materials

Lithograph

Apeles Fenosa Spanish Sculptor Mourlot Lithograph Abstract Expressionist Figures
By Apelles Fenosa
Located in Surfside, FL
This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...
Category

1970s Expressionist Rudolf Bauer Art

Materials

Lithograph

"He Made Fun of Hindenburg" original lithograph
By George Grosz
Located in Henderson, NV
Medium: original lithograph. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition ...
Category

1920s Expressionist Rudolf Bauer Art

Materials

Lithograph

Judaica Jewish Shtetl Etching Yeshiva Talmudic Study Vintage Chassidic Art Print
By Paul Jeffay
Located in Surfside, FL
"Qui a raison?" Chassidic boy, Yeshiva student with open book. Judaica, Jewish scenes from a ghetto. Saul Yaffie, a.k.a. Paul Jeffay, (1898–1957) was a Scottish Jewish artist. Known for his charming French street scenes as well as his judaica work. This is signed in the plate and dated 1931 in the print. This is done in a style similar to the works of the early Bezalel School artists Hermann Struck and Jakob Steinhardt. This lithograph, by artist Paul Jeffay depicts a Judaic Shtetl interior scene with great charm and sensitivity. Saul Yaffie was born in Blythswood, Glasgow on 29 April 1898. His mother was Kate Yaffie (née Karkonoski), and his father, Bernard Yaffie, was a master tailor. Like many Russian Jews, Kate and Bernard Yaffie fled persecution in Russia during a wave of anti-Jewish pogroms triggered by the assassination of Tsar Alexander II in 1881. Saul's father was naturalised as a British citizen by the time that Saul himself was three; a Bernard Yaffie is recorded as living at Abbotsford Place in the old Gorbals, where the young Saul spent the early years of his childhood. The Yaffies were not unique in their situation: the Gorbals was the centre of Scotland's Jewish community and home to a large proportion of Glasgow's immigrants throughout the early 20th century. Over time, there was a movement to some of the more affluent communities in Glasgow, such as Pollokshields and Garnethill, as many Jewish families gradually improved their social and economic situation. Like these, the Yaffies also experienced a time of good fortune, moving to a more agreeable address on Sinclair Drive, Cathcart as Bernard's tailoring business prospered. Saul attended day classes in drawing and painting, modelling, and life drawing at The Glasgow School of Art from 1912 to 1919. During the First World War, he was required to interrupt his studies to serve in the King's Own Scottish Borderers in 1916/17. Although subject to military conscription, Yaffie reached the rank of corporal during his service. Prior to his conscription Yaffie engaged in munitions work, something that was recorded in the GSA's student registers. The post-war economic depression that affected the country during the 1920s, also affected the Yaffie family directly: Bernard Yaffie's business suffered greatly, and the family eventually emigrated to Canada. Saul did not emigrate with his family, choosing instead to stay in Europe, and relocate to jazz age Paris where he continued his artistic practice. Now married, Saul sought to escape persecution in Europe by returning to the UK before the Second World War with his wife, Estusia. The two settled in Manchester, but returned to France after the war. In his memoires ‘Bronze in My Blood’, German-born sculptor Benno Schotz describes a Saul ‘Yaffe’, one of only three other Jewish students who attended The Glasgow School of Art at the time. (Schotz himself was exempt from joining the forces because he was ‘not yet a British subject’, and was engaged in war work in the drawing office of John Brown’s shipyards). On the outbreak of the war, Schotz writes, Yaffie won a poster competition to be displayed in Glasgow tramcars at the beginning of the 1914-18 war – his winning design depicted a woman with a child in her arms, fleeing from a fire behind her. While on leave from service, the young Saul told Schotz he had briefly been stationed in the same unit as Jewish American sculptor Jacob Epstein. This was most likely the 38th Battalion of the Royal Fusiliers, also known as ‘the Jewish Legion’, one of five Jewish battalions raised during WW1. ‘He told me how incongruous it was’, remembers Schotz, ‘to See Epstein scrubbing the floor of their hut, with a large diamond ring on his finger’. His work is included in the collection of the Ben Uri Museum in London along with Lucian Freud, David Bomberg, Mark Gertler, Josef Herman, Jankel Adler, Feliks Topolski...
Category

20th Century Expressionist Rudolf Bauer Art

Materials

Etching

Conchita, Color Etching by Louis Icart 1929
By Louis Icart
Located in Long Island City, NY
Artist: Louis Icart, French (1888 - 1950) Title: Conchita Year: 1929 Medium: Etching, signed in pencil Image Size: 20 x 13 inches Frame Size: 32.5 x 25 inches Reference: Figure 361 ...
Category

1920s Art Nouveau Rudolf Bauer Art

Materials

Etching

Nag Arnoldi , Switzerland - Drawings (1974) : Falling Icarus and Crouching Angel
By Nag Arnoldi
Located in Meinisberg, CH
Nag Arnoldi (Swiss, * 18.9.1928 Locarno, † 10.2.2017 Lugano) 1. Falling Icarus • Drawing - Mixed media (Indian ink, coloured pencil & gouache) on paper ca. 22 x 26 cm • Signiert & ...
Category

Late 20th Century Abstract Expressionist Rudolf Bauer Art

Materials

Paper, India Ink, Gouache

Chez Panisse Restaurant Birthday Celebration: Original Goines Graphic Art Poster
By David Lance Goines
Located in Alamo, CA
This original graphic art lithographic poster entitled "Chez Panisse Restaurant and Cafe" was created by David Lance Goines in 1989 in his Berkeley studio...
Category

Late 20th Century Rudolf Bauer Art

Materials

Lithograph

American Modernist "Feast of Pure Reason" Aquatint Mezzotint Etching WPA Artist
By Jack Levine
Located in Surfside, FL
Jack Levine, American, 1915–2010 The Feast of Pure Reason, 1970 Etching, mezzotint and aquatint on copper in black ink. 20 w. 25 in., sight overall: 27 x 31.75 in., matted. Depict...
Category

1970s Expressionist Rudolf Bauer Art

Materials

Mezzotint, Etching, Aquatint

CLÉMENT CYCLES Lithograph, Woman on Bicycle, Moon, French Advertising Art 52"
By Pal (Jean de Paléologue)
Located in Union City, NJ
CLÉMENT CYCLES is a fine art lithograph re-creation after the original French advertising poster created by PAL(Jean de Paleologue) for Fernand Clément Bicycle Co., France. Hand craf...
Category

1990s Art Nouveau Rudolf Bauer Art

Materials

Lithograph

Previously Available Items
Reclining Nude on Bed
By Rudolf Bauer
Located in Fairlawn, OH
Reclining Nude on Bed Lithograph, c. 1910 Signed in pencil lower right and in the plate, lower right Image size: 7-1/4 x 13" Sheet size: 12 1/2 x 19 inches Condition: very good Some aging to the tan paper Provenance: Estate of the Artist Borghi & Company, New York Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay...
Category

1910s Jugendstil Rudolf Bauer Art

Materials

Lithograph

The Artist and His Wife
By Rudolf Bauer
Located in Fairlawn, OH
The Artist and His Wife Pen and ink heightened with white Signed in ink lower right Estate stamp verso Image size: 19 1/4 x 11 7/8 inches Provenance: Estate of the Artist Borghi & Company, New York Rudolph Bauer 1889-1953 "Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay...
Category

1920s Art Deco Rudolf Bauer Art

Materials

Gouache

Profile of a Woman - Study
By Rudolf Bauer
Located in Berlin, MD
Rudolf Bauer (German, 1881 - 1953). "Profile of a Woman". Pencil drawing. c1905. A study work showing the artist attempting to find the right pose to enhance the figure: several diff...
Category

Early 1900s Rudolf Bauer Art

Materials

Paper, Graphite

Seated Nude / Arms Raised (Head reclines on back of chair)
By Rudolf Bauer
Located in New Orleans, LA
A full frontal nude sits in a chair with head resting and upraised arms. Her large breasts and pubic hair are both visible. It is signed and numbered No. 3 in pencil. It is also s...
Category

Early 20th Century Modern Rudolf Bauer Art

Materials

Lithograph

On the Dance Floor (a couple dances)
By Rudolf Bauer
Located in New Orleans, LA
Rudolf Bauer depicts a dancing couple in another vignette of German society in the early 20th Century. Rudolf Bauer was born in 1889, in Lindenwald, Germany-Poland. The son of a wea...
Category

Early 20th Century Modern Rudolf Bauer Art

Materials

Lithograph

Woman Reclining on Pillows (Lady of leisure in German society of early 20th C)
By Rudolf Bauer
Located in New Orleans, LA
Rudolf Bauer depicts a nude woman reclining on pillows in another vignette of German society in early 20th Century. Rudolf Bauer was born in 1889, in Lindenwald, Germany-Poland. The...
Category

Early 20th Century Modern Rudolf Bauer Art

Materials

Lithograph

A Woman and her shoe
By Rudolf Bauer
Located in New Orleans, LA
Rudolf Bauer depicts a woman adjusting one shoe in another vignette of German society in the early 20th Century. Rudolf Bauer was born in 1889, in Lindenwald, Germany-Poland. The so...
Category

Early 20th Century Modern Rudolf Bauer Art

Materials

Lithograph

Seated Woman with Crossed Legs
By Rudolf Bauer
Located in New Orleans, LA
Rudolf Bauer depicts a confident young woman in a corset and garters seated with crossed legs in another vignette of German society in the early 20th Century...
Category

Early 20th Century Modern Rudolf Bauer Art

Materials

Lithograph

Dancing (a couple dances)
By Rudolf Bauer
Located in New Orleans, LA
Rudolf Bauer depicts a dancing couple in another vignette of German society in the early 20th Century. Rudolf Bauer was born in 1889, in Lindenwald, Germany-Poland. The son of a wealthy engineer, Bauer became an essential part of the avant-garde movement and the birth of non-objective art in the early 1920's. Bauer began his studies at the Academy of Fine Arts in Berlin in 1905, where he learned the fundamentals and produced beautifully stylized figurative drawings. In 1912, Bauer met Herwarth Walden, a promoter of the avant-garde movement and founder of Der Sturm Art Gallery. Bauer became a member of Der Sturm, and was represented in group exhibitions along with Kandinsky, Picasso, Chagall, Klee et al. By 1922, Bauer had participated in 80 Der Sturm exhibitions in Belgium, Denmark, Great Britain, Italy, et al. In 1917, Bauer had his first one-man show at Der Sturm Gallery, exhibiting 120 works. By 1921, with his many one-man and group exhibitions, and his significant publications of his theories on art, Bauer became Germany's leading abstract expressionist painter. In 1929, Bauer founded his own private museum, Das Geistreich-Bauer (The Realm of the Spirit). In 1933, Hitler became Chancellor of the German Republic and with that modern art was branded as "sub-human". Walden closed Der Sturm and fled Germany. The purge of modern artists and curators began, but at the same time Bauer was having his work exhibited at the new Museum of Modern Art in New York City. Despite Hitler's proclamations of the "degeneracy" of modern art, Bauer continued his mission, the free expression in art, writing dictums and creating art. Meanwhile, Solomon R. Guggenheim, the famous American philanthropist, had been acquiring Bauer's work; so many pieces in fact that that he could no long fit his work within the confines of his residential suite at the Plaza Hotel in New York. In 1936, Guggenheim decided to exhibit his entire collection of Bauer's work in one venue, at the Gibbes Memorial Art Gallery in Charleston, SC. Later that year, the famous Jeu de Paume, a division of the Louvre, in Paris, honored Bauer with a one-man exhibition. As a result of the show, the Louvre purchased one of Bauer's oil paintings. Upon his return from the show at Jeu de Paume, and despite the fact he was not Jewish, Bauer was arrested and sent to a concentration camp. Filippo Marinetti...
Category

Early 20th Century Modern Rudolf Bauer Art

Materials

Lithograph

Woman with Hand on Her Hip
By Rudolf Bauer
Located in New Orleans, LA
Rudolf Bauer depicts a confident young woman standing with her hand on her hip in another vignette of German society in the early 20th Century. Rudolf Bauer was born in 1889, in Lin...
Category

Early 20th Century Modern Rudolf Bauer Art

Materials

Lithograph

Nude Washing at Basin
By Rudolf Bauer
Located in New Orleans, LA
Rudolf Bauer depicts a nude woman washing up at a basin in another vignette of German society in the early 20th Century. Rudolf Bauer was born in 1889, in Lindenwald, Germany-Poland...
Category

Early 20th Century Modern Rudolf Bauer Art

Materials

Lithograph

Couple looking through binoculars (man and woman look skyward toward the stars)
By Rudolf Bauer
Located in New Orleans, LA
Rudolf Bauer portrays a man and woman looking through binoculars skyward toward the stars. Rudolf Bauer was born in 1889, in Lindenwald, Germany-Poland. The son of a wealthy engineer, Bauer became an essential part of the avant-garde movement and the birth of non-objective art in the early 1920's. Bauer began his studies at the Academy of Fine Arts in Berlin in 1905 where he learned the fundamentals and produced beautifully stylized figurative drawings. In 1912, Bauer met Herwarth Walden, a promoter of the avant-garde movement and founder of Der Sturm Art Gallery. Bauer became a member of Der Sturm and was represented in group exhibitions along with Kandinsky, Picasso, Chagall, Klee et al. By 1922, Bauer had participated in 80 Der Sturm exhibitions in Belgium, Denmark, Great Britain, Italy, et al. In 1917, he had his first one-man show at Der Sturm Gallery, exhibiting 120 works. By 1921, with his many one-man and group exhibitions, and significant publications of his theories on art, Bauer became Germany's leading abstract expressionist painter. In 1929, he founded his own private museum, Das Geistreich-Bauer (The Realm of the Spirit). In 1933, Hitler became Chancellor of the German Republic and with that modern art was branded as "sub-human". Walden closed Der Sturm and fled Germany. The purge of modern artists and curators began, but at the same time Bauer was having his work exhibited at the new Museum of Modern Art in New York City. Despite Hitler's proclamations of the "degeneracy" of modern art, Bauer continued his mission, the free expression in art, writing dictums and creating art. Meanwhile, Solomon R. Guggenheim, the famous American philanthropist, had been acquiring Bauer's work; so many pieces in fact that that he could no long fit his work within the confines of his residential suite at the Plaza Hotel in New York. In 1936, Guggenheim decided to exhibit his entire collection of Bauer's work in one venue, at the Gibbes Memorial Art Gallery in Charleston, SC. Later that year, the famous Jeu de Paume, a division of the Louvre, in Paris, honored Bauer with a one-man exhibition. As a result of the show, the Louvre purchased one of Bauer's oil paintings. Upon his return from the show at Jeu de Paume, and despite the fact he was not Jewish, Bauer was arrested and sent to a concentration camp. Filippo Marinetti...
Category

Early 20th Century Modern Rudolf Bauer Art

Materials

Lithograph

Rudolf Bauer art for sale on 1stDibs.

Find a wide variety of authentic Rudolf Bauer art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of orange and other colors. You can also browse by medium to find art by Rudolf Bauer in lithograph, paint, gouache and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Expressionist style. Not every interior allows for large Rudolf Bauer art, so small editions measuring 4 inches across are available. Customers who are interested in this artist might also find the work of Lovis Corinth, Paul Klee, and Emil Nolde. Rudolf Bauer art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $225 and tops out at $285,000, while the average work can sell for $800.

Artists Similar to Rudolf Bauer

Recently Viewed

View All