Poggi Case Pieces and Storage Cabinets

library, Franco Ablini for Poggi, Italy, 1950. Elegant Franco Albini library or room divider. Shelves and units can be adjusted or put in different positions. The feet are in lacque...

A Franco Albini rare bookcase , edited by Poggi in the. 60s.It works as a wall unit or room divider.One single column upholds three shelves , one of them capable to rotate. Exce...

A three modular bookcase designed by Fanco Albini and edited by Poggi in the 50s.It is composed of three modules and 15 shelves.The central module measures 90 cm length and the two l...

Franco Albini for Poggi, wall unit, model 'LB7', teak, metal, brass, Italy, 1957 A multi-functional design doubling both as wall unit and room divider, created by the Italian Franco...

Mb 48 Case piece by Franco Albini for Poggi. Capable modular piece to be used standing alone or connected to more elements of the same project.

Modern sideboard by Franco Albini for Poggi - 1950s Italy. This design features a simplistic aesthetic with sharp lines. It has four compartments with doors. The sculptural legs giv...

Italian dark wood shelves bookcase with floor and ceiling uprights, designed by Franco Albini in 1956 for Poggi Pavia, shelves and container with wood veneer adjustable in height and...

LB7 bookcase composed of a single module with shelves and a storage unit with two doors, made in veneered solid teak wood, and black lacquered metal details. Designed by Franco Alb...

Franco Albini for Poggi, cabinets, model MB51, teak, Italy, circa 1957. Well-designed pair of cabinets by Franco Albini for Poggi, which features a simplistic design with sharp lin...

Franco Albini for Poggi, sideboard model MB 15, teak, Italy, design 1957 Well-designed sizable sideboard by Franco Albini for Poggi in the 1950s in Italy. This design features a sim...

Franco Albini (1905-1977) lived in Milan where he stuied Architecture at the Politecnico. He started his career at Gio Ponti's studio, with whom he collaborated before getting in tou...

Italian Mid-Century Modern design credenza sideboard designed by Franco Albini and produced by Poggi Pavia from 1958, four doors with sliding shelves and a pull-out shelf / tray, sol...

Wooden structure painted in white polyurethane color. Black skai cover on the top (light defects at some corner). Large chest of drawers: cm 34,5h x 107w x 53,5d Small chest of dra...

Chest of drawers model CS49 with four frontal drawers and four doors revealing inner shelves with structure in black lacquered wood and top upholstered with black skai or faux leather. Designed by Vico Magistretti and produced by Poggi in 1970s Ludovico Magistretti was born in Milan on 6 October 1920. He went to Parini High School and in autumn 1939 enrolled in the Faculty of Architecture at the Royal Polytechnic in Milan. After 8 September 1943, to avoid being deported to Germany, he left Italy during his military service and moved to Switzerland, where he took some academic courses at the Champ Universitaire Italien in Lausanne, taught at the local university. During his stay in the Swiss city he met Ernesto Nathan Rogers, the founder of the BBPR firm who had taken refuge in Switzerland after racist laws were passed in Italy. This was a key encounter in Magistretti’s intellectual and professional development, since the architect from Trieste turned out to be his maestro. He returned to Milan in 1945, where he graduated in Architecture at the Polytechnic on 2 August. He then immediately began his career working with the architect Paolo Chessa at the firm owned and run by his father, who died prematurely that same year. Here, in his father’s small firm, he spent his entire career in partnership with Franco Montella. During reconstruction operations in Milan from 1949-59, Magistretti designed and constructed about 14 projects for INA-Casa in conjunction with other architects. He was involved with Mario Tedeschi in the joint project for the QT8 neighbourhood, designing houses for veterans from the African campaign and also Santa Maria Nascente Church. In 1946 he participated in the R.I.M.A. exhibition (Italian Assembly for Furniture Exhibitions), held at the Palazzo dell’Arte, designing some small almost self-made pieces of furniture and then, in 1947 and 1948, he took part together with Castiglioni, Zanuso, Gardella, Albini and others in the exhibitions organized by Fede Cheti, a furniture fabric maker, held at her own workshop. The young architect was involved in plenty of activities and came up with lots of new ideas and proposals in the 1950s. Over the following years he also designed a number of other important projects, including the Towers in piazzale Aquileia (1961-64), Bassetti House in Azzate (1960-62), Cassina House in Carimate (1964-65), and the house in via Conservatorio in Milan (1963-66). In 1956 he was one of the founding members of the ADI, Industrial Design Association, and during the same year he was a member of the panel of judges for the Golden Compass Award for the first time. His work as an architect was almost totally focused on the issue of housing and living from the 1960s onwards, as he developed his own extremely expressive idiom, which, even though it was heavily criticised at times, made a real impression on the architectural scene in Lombardy during that period, making him one of its leading figures. This is the context in which he took part in the CIAM Congress (International Modern Architecture Congress) held in Otterlo in the Netherlands in 1959, during which the Italians presented Velasca Tower designed by the BBPR, the Olivetti canteen designed by Ignazio Gardella, Arosio house designed by Vico Magistretti (1956-59), and the houses in Matera designed by Giancarlo De Carli...

Rare of walnut sideboard model "Mb15" by Franco Albini for Poggi. Perfect condition.

A two modular teak bookcase, Designed by Franco Albini and edited in 1956 by Poggi, Pavia, Marked. Composed of two modules with storages units an...

Impressive and unique Ugo La Pietra modular bookcase for Poggi from Italy in the 1970s. This bookcase consists of eleven elements in three different sizes. These stacking, double-sided, shelves in white lacquered wood can be stacked and positioned in any type of unit you desire; generating multiple configuration possibilities. Due to the fact that the back and front are identical, it is also ideal to use as a room divider. The elements are equipped with special locks at the base, are made of plywood with polyurethane resin. The bookcase is in excellent condition with only minor traces of usage. Publications: * Domus n. 484, March 1970...

This set is composed by one chest of drawers and one cabinet. They were designed by Vico Magistretti and produced by Poggi, circa 1970. They can be used as a separate units or as a u...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard fo...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...