Skip to main content

Nell Brinkley Art

Nell Brinkley (USA, 1886–1944)

Nell Brinkley (1886–1944) was a well-known newspaper artist whose drawings of elegant women influenced fashions in America for nearly 30 years. Born in Denver, she began her career as an illustrator at the age of 15, working briefly for The Denver Post, a small local newspaper. After a year of night classes in life drawing, she began working for The Denver Times, producing romantic drawings for which she is credited as being the first such newspaper artist. She had been there for only one year before she received an offer to work for the King Features Syndicate in New York, the comics division of William Randolph Hearst’s newspaper empire, where she remained for 31 years until her retirement in 1938. Thereafter, she illustrated books. Most of her work, consisting of both illustrations and theater reviews, was done for the New York Evening Journal, a daily newspaper founded by Hearst in 1895. The Evening Journal was the first daily publication to run a full page of comics, and Brinkley was the featured artist. Through the King Features Syndicate Brinkley’s work was reproduced in publications throughout the world, including Harper’s and Cosmopolitan. Brinkley lived in New Rochelle, New York, where she was a member of the New Rochelle Art Association. She died in New Rochelle in 1944, and was buried in Denver.


At the Journal, Brinkley worked closely with editor in chief Arthur Brisbane, an influential publishing figure who later acquired and sold to Hearst The Washington Times. Brisbane provided the subjects for many of her illustrations. Together they produced such popular weekly serials as “Betty and Billy — and Their Love Through the Ages.” Brisbane also called upon Brinkley to illustrate contemporary sensational news topics. She covered several famous murder trials, including that of Harry K. Thaw, Stanford White’s murderer.


However, it is Brinkley’s swooping line drawings of slim, coquettish young women in the latest fashions, reminiscent of Aubrey Beardsley, that were the bread and butter of her career. Attesting to her popularity is a song titled “The Nell Brinkley Girl,” written in 1908:


Have you seen the newest girl
with her hair all in a whirl
As if the breezes gave her a kiss
With her pretty tilted nose
And her mouth just like a rose?
There’s a girl you must not miss


I’ve a never failing smile
I’ve a certain air and style
And I wear the smartest clothes
If the wind allows I don’t mind
And I’m really quite resigned
If I show my silken hose


(Chorus)


I’m the latest craze on Broadway
Sweet Nell Brinkley Girl
Ev’ry fellow sighs to kiss me
Fair Nell Brinkley Girl
If you ever found one like me
You would have a pearl
So if you’ll be my Nell Brinkley boy
I’ll be your Brinkley Girl


Should I ever be so rash
as to marry just for cash,
Some nice old man with gold galore
In my carriage I might ride
My old husband by my side
But my life would be a bore


Oh, in such a case as this,
All the joy of life I’d miss,
Better be a poor man’s queen
And my life I’d gladly give
Just one day to love and live,
When I see what I might have been.


(Chorus)


(Harry B. Smith, with music by Maurice Levi, “The Nell Brinkley Girl” [1908]; available in the Hirschl & Adler artist archives.)


Brinkley frequently based her illustrations on mid-19th century newspaper cartoons of women, juxtaposing them with drawings of contemporary women and writing accompanying text comparing the two. Produced in a time of immense social change, Brinkley’s girls remain a visual record of the public debate over the changing roles of women in society. In a 1933 editorial, two of Brinkley’s drawings of girls in bathing suits, one styled after the bathing suits of the 1860s, the other contemporary, were used as a guide for moral behavior:


If any young woman wants to form an opinion concerning the mental processes and moral standards of some young man, let her show him these two pictures and ask: “What do you think of them?” If he thinks the [first drawing], in the old-fashioned bathing suits, ridiculous, and the [second], with girls largely undressed, exactly as they should be, the young woman may feel justified in being a little thoughtful, even suspicious. . . .In other words, MODESTY, in the real sense of the word, a shrinking from the gaze of others, a RESERVE that withholds much of its charm for sacred intimacy, has not entirely gone out of fashion. (New York Evening Journal, June 26, 1933, Editorial Page)


However, Brinkley’s girls are often simply humorous characterizations. Whether they are primping themselves for a night on the town, acting out a Prince Charming fantasy, modeling the latest fashionable hat or expressing horror at the sight of a gray hair, the women in Brinkley’s drawings are droll depictions of the complexities of the modern woman.


(Biography provided by Hirschl & Adler)


Applied Filters5 results
Creator:Nell Brinkley
to
Item Ships From
5
Height
to
Width
to
3
5
2
2
1
5
10,175
2,532
2,154
1,635
5
5
4
1
1
It's A Big World For A Baby
By Nell Brinkley
Located in Minneapolis, MN
Nell Brinkley, the "Queen of Comics" and successful American illustrator and comic artist, was known for her ability to personify the 1920s female movement towards modernity while in...
Category

1920s American Realist Nell Brinkley Art

Materials

Ink, Illustration Board, Pen

I'll Never Speak to You Again
By Nell Brinkley
Located in Minneapolis, MN
Category

1930s Art Deco Nell Brinkley Art

Materials

Paper, Ink, Pen

The New Year
By Nell Brinkley
Located in Fort Washington, PA
Medium: Pen and Ink on Paper Dimensions; 19.50" x 13.25" Signature: Signed Lower Center
Category

1910s Nell Brinkley Art

Materials

Paper, Ink, Pen

The Tango Girl
By Nell Brinkley
Located in Minneapolis, MN
Category

1910s Art Deco Nell Brinkley Art

Materials

Paper, Ink, Pen

Three Stages of Life
By Nell Brinkley
Located in Minneapolis, MN
Category

1920s Art Deco Nell Brinkley Art

Materials

Paper, Ink, Pen

Related Items
I'll Never Speak to You Again
By Nell Brinkley
Located in Minneapolis, MN
Category

1930s Art Deco Nell Brinkley Art

Materials

Paper, Ink, Pen

The Tango Girl
By Nell Brinkley
Located in Minneapolis, MN
Category

1910s Art Deco Nell Brinkley Art

Materials

Paper, Ink, Pen

Three Stages of Life
By Nell Brinkley
Located in Minneapolis, MN
Category

1920s Art Deco Nell Brinkley Art

Materials

Paper, Ink, Pen

Very Wearable
By Charles Sheldon
Located in Minneapolis, MN
Category

1910s American Realist Nell Brinkley Art

Materials

Ink, Board, Pen, Pencil

A Knot Hole Game
By Orson Lowell
Located in Minneapolis, MN
Category

1910s American Realist Nell Brinkley Art

Materials

Illustration Board, Graphite

Lest We Forget
By B. Cory Kilvert
Located in Minneapolis, MN
Category

Early 1900s American Realist Nell Brinkley Art

Materials

Watercolour, Illustration Board

Jewel Flowers In Hawaiian Lei
By Rolf Armstrong
Located in Minneapolis, MN
Category

1950s American Realist Nell Brinkley Art

Materials

Pastel, Illustration Board

Final Preliminary Study for Delightful
By Rolf Armstrong
Located in Minneapolis, MN
Category

1950s American Realist Nell Brinkley Art

Materials

Pastel, Illustration Board

Puppy Love
Located in Minneapolis, MN
Category

1930s American Realist Nell Brinkley Art

Materials

Pastel, Illustration Board

Dr. Jekyll and Mr. Hyde
Located in Minneapolis, MN
Category

1980s American Realist Nell Brinkley Art

Materials

Pastel, Illustration Board

The Tourists
Located in Minneapolis, MN
Category

1970s American Realist Nell Brinkley Art

Materials

Ink, Gouache, Colour Pencil

The Airlines
Located in Minneapolis, MN
Category

1970s American Realist Nell Brinkley Art

Materials

Ink, Gouache, Colour Pencil

Artists Similar to Nell Brinkley