Michelle Howard Paintings

Signed lower left: H. GASSER

Late 19th century figurative painting of the battle of Trevilians Station and of the wounding of Colonel Sackett June 11, 1864. Oil on canvas in giltwood frame. Signed or notated indistinctly lower right. Image, 20.25"H x 36.25"W. Military History Prior to 1865 The 9th New York Cavalry contained two companies from Cattaraugus County. It was mustered into the service October 1, 1861 and, until mustered out in July, 1865, lost 619 officers and men out of a total enlistment of a little less than two thousand. It participated in many battles and skirmishes and lost its colonel, William Sackett, who was killed at Trevilian Station, Virginia, on June 11, 1864. From the Albany Evening Journal, July 20, 1864: Another name is added to the list of hero martyrs who have fallen in the service of their country. Col. WILLIAM SACKETT, of the Ninth New-York Cavalry, (son of Hon. W.A. SACKETT,) was mortally wounded in the engagement, under Gen. SHERIDAN, at Pavillion Station, Va., and died on the 14th ult. As he was left behind, the sad intelligence of his decease has but just been received. Col. SACKETT had seen much service. He entered the army on the 22d of April, 1861, was appointed Major of the Ninth New-York Cavalry in October of the same year, was promoted to Lieutenant-Colonelcy in August, 1862, and in March, 1863, became commander of the regiment. He was with Gen. MCCLEELAN in the Peninsula campaign, was in all the cavalry actions of the campaign which followed, was with the army in its advance after the battle of Antietam, and in almost constant conflict with the enemy until after the battle of Fredericksburgh. He participated in most of the cavalry engagements under Gen. HOOKER's command, was in all the principal cavalry actions during LEE's invasion of Maryland and Pennsylvania in 1863, and was among the first engaged in the terrible conflict at Gettysburgh, where he performed distinguished service in holding a rebel brigade in check a long time while our forces were getting into position on the crest of the hill. He was active in the cavalry skirmishes which ensued in the latter part of the Summer. During the present campaign he was with Gen. SHERIDAN in all his brilliant expeditions up to the time when he fell. He died while leading a charge against the enemies of his country -- died, as he wished to die, doing his whole duty. He was brave, he was generous, he was unflinchingly faithful to the cause of the Union. He loved the old flag with a love that was stronger than life, and esteemed it glorious to fall in its defense. He was born in Seneca Falls, and was 25 years of age. When the great civil war broke out [William Sackett] was practicing law at Albany, N. Y., having a short time previous been admitted to the bar. In December, 1861, he was commissioned Major of the 9th Regiment of New York Cavalry, and taking the field served with credit in several engagements in which that command participated. On June 27, 1862, his immediate superior, Lieutenant- Colonel Hyde, resigned and three days later Major Sackett was commissioned to fill the vacancy. On the 30th of the following May he was advanced to the Colonelcy of his regiment, with rank from March 15, 1863. It is stated in "Battles and Leaders of the Civil War" that the cavalry pickets commanded by Colonel Sackett fired the first shot at the battle of Gettysburg. He subsequently led his command, in a gallant manner, in numerous engagements, including the battle of Trevilians Station, fought June 10, 1864. There he received a mortal wound and died inside of the enemy's lines some three days later. The report that he had been severely wounded and was in the hands of the enemy soon reached his wife, who immediately determined to make an effort to reach and care for him, not knowing that he was already dead when the report reached her. The following correspondence, copied from Official Records published by the War Department, tells in most emphatic terms of her devotion. City Point, Va., July 7, 1864. General R. E. Lee, Commanding Confederate Army, Mrs. Sackett, the wife of Colonel William Sackett, who was wounded on the 11th of June, near Trevilians Station, Va., is here in deep distress and feeling great anxiety to learn the fate of her husband. Colonel Sackett was left at a house some two miles and a half from the station, in charge of...

Multi-colored figurative oil painting of a woman in bikini bathing in the California sun by listed California artist Jon Blanchette (American, 1908-1987). The colorful background is...

Artist/ School: August Pietri, French mid 20th century, signed Title: attic room interior scene with a window overlooking winter snow rooftops Medium: signed oil painting on board...

Simon Karczmar, Polish (1903 - 1982) Born in Warsaw, Poland, in 1903, Simon Karczmar studied art in Paris, where he lived for twenty years. Although he left France for Israel in 196...

I wish I could figure out who this super-talented artist of the 1800's "Mort R.", was. He painted this gorgeous swamp scene in 1872, but his signature did not include his last name and so we don't know who he was! At any rate, if you have ever visited Louisiana, or the Carolina coast, or even parts of Texas, you will understand how beautifully the artist has captured the special light coming up over a swamp early in the morning. A pirogue has been pulled up at the edge of a small island. The sun is just peeking over the horizon, gently shedding its subtle light. Comes in an exquisite gilt and plaster 19th...

The painting is in good condition and artist Lynn signed the lower right.

Every now and then, even we dealers get fooled. This painting was sold to me as by George Gardner Symons. It bears his signature. At some point, the FBI (yes!) showed up at my door t...

EXPECT Size: 43 x 53 cm (including frame) Oil on Canvas A mid-century modernist style interior still life painting that captures a moment of tranquil elegance, executed in oil onto...

Vibrant coastal landscape of Pescadero, California by San Francisco artist Weston Rose (American, 20th century). Presented in a wooden frame. Signed "Weston Rose" lower right. Image,...

Beautiful landscape of a village in Tuscany, with visual texture from use of color and impasto, by B. Ignacio, c.1950. Signed "B. Ignacio" lower right. Presented in a wood frame. Ima...

Framed oil on linen, ''Lower Rhine,'' by Carl Barth (German, 1896-1976), signed ''Barth'' lower left, bears Hearst Art Gallery, Moraga, California label verso, overall: 26''h x 30''w. Provenance: Deaccession of Hearst Art Gallery, St. Mary's College, Moraga, California Carl Barth was a German visual artist who was born in 1896. Carl Barth has had several gallery and museum exhibitions, including at the Galerie Remmert und Barth. Many works by the artist have been sold at auction, including 'Mythos' sold at Ketterer Kunst Munich 'Old Masters & Modern Art/ Marine Art ' in 2003. There have been many articles about Carl Barth, including 'Getty Brings Together Over 40 Drawings Selected Solo Exhibitions 2017 Carl Barth: Works 1920 - 1970, Galerie Remmert und Barth, Germany, Düsseldorf Selected Group Exhibitions 2016 Overview 2016, Galerie Remmert und Barth, Germany, Düsseldorf 2014 Überblick 2014, Galerie Remmert und Barth, Germany, Düsseldorf Watercolors: Emil Nolde to Otto Dix and Beyond, Galerie Remmert und Barth, Germany, Düsseldorf 2011 Spirit of an Age: Drawings from the Germanic World, 1770–1900, J. Paul Getty Museum at the Getty Center, USA, Los Angeles Overview 2011, Galerie Remmert und Barth, Germany, Düsseldorf which included artists August Macke,Carl Barth, Conrad Felixmuller, George Grosz,Hannah Hoch, Oskar kokoschka and others CARL BARTH 1896 to 1976 The Rhine painter CARL BARTH has created a work rich in developmental stages that stretches from the 20s to the 70s of the last century. After late-Expressionist beginnings in the 20s, he created in the early 30s, probably the most-respected part of his work, those strictly built, color-sparing tempera images that are the New Objectivity and the Magic Realism assigned, Barth's paintings of the early 1930s seem to express the loneliness of man in the face of a colder and more threatening social situation. The constructivist rigor of these works is transformed in the American paintings of 1936 into a more painterly style with a richer modeling of the subject matter, without abandoning the theme: the images reflect the loneliness and emptiness of the not only American "way of life" - they became repeatedly compared to works by Edward Hopper. Select Exhibitions: 1925 First exhibition of watercolors and printmaking in Munich. Return to the Rhineland. Initially own studio in his parents' house in Haan. In the fall admission to study at the Kunstakademie Düsseldorf. 1926 Exhibition with the group "The New West". 1927 First study trip to southern France (via Paris and Chartres). Master student with Heinrich Nauen. 1928 First exhibition with the artist group "Das junge Rheinland" 1933 Solo exhibition in the Kunsthalle Düsseldorf. 1936 Travel to the USA at the invitation of his uncle Ferdinand Kortlücke. Origin of the series of "American" images based on motifs in New York and Long Island. 1940 Solo exhibition of the "Roman pictures" at Galerie Alex Vömel in Düsseldorf. 1948 The monograph "The Painter Carl Barth" by Hans Peters appears. Exhibition at the Kölnischer Kunstverein together with Gerhard Marcks and Peter Herkenrath. 1951 Solo exhibitions in Wuppertal, Marl and Duisburg. The Museum Münster shows the exhibition "Carl Barth - Otto Pankok...