Marina Abramovic Prints and Multiples

De la serie Suite Ravensburg. Impresión en serigrafía sobre papel japonés Torinoko.

This signed and numbered limited edition print was commissioned by Lincoln Center for the Performing Arts in 2012. This impression has never been framed and is in excellent condition. Note: Framed image is for reference purposes only. Artist's Statement: "When I was asked to make a print to benefit Lincoln Center I was both honored and intimidated. I was reminded of my moving to New York City in 1997. My student loans had yet to kick in and I was so broke that I really couldn’t afford much of a night on the town. So instead, as an alternative, I’d meet friends outside of Lincoln Center. There we’d spend a few hours socializing and drinking alongside the lights, on marble steps and by the fountain. I always remember that time. "When I begin to make a work of art I begin with the concept. I play word games and I try to loosen up my associations and assumptions. I make visual and verbal connections. Sometimes these are very personal and frustratingly obscure and sometimes more public. In this case I got stuck on cheese. Why cheese? I remember noticing when I moved to New York that people in New York (at least in the art world) loved cheese. Whatever the event or occasion there it was. And someone was always explaining what he or she liked about this or that particular cheese. I’m a natural mimic and so I paid attention, it comes from moving around a lot. From being the 'new kid.' So I kept mental notes on what was 'good' and more importantly what was 'bad.' You can tell a lot about a person by their opinions on cheese. (The truth is I’m not a huge fan of cheese. I believe I have a lactose intolerance.) So all this is to say in my mind it’s forever linked with connoisseurship and culture. I know these days things have changed. But much of my art concerns itself with outdated notions of 'fancy.' The status symbols of the past I knew when it felt like it mattered. I’m aware that my insecurities are what drove me forward. But that’s one way to learn. You could say the print is of artisanal cheeses—aspirational cheeses. "And then there’s the fun part—adding the text. Which is like my last word on the my artwork; the punch line—the commentary—the poetry. I had a number of ideas but I went with this one—Immature, Artist. Because artists take time. And some of us need reminding." -Matthew Brannon, December 1, 2012 Permanent Collections: Museum of Modern Art, New York, NY, Whitney Museum of American Art, New York, NY, Rennie Collection, Vancouver, Canada, Ringler Collection, Zurich, Switzerland, Rubell Family Collection, Miami, FL, MADRE Museum, Naples, Italy, The Hammer Museum, Los Angeles, CA The Museum of Modern Art, New York, NY, The Alfond Collection of Contemporary Arts, Cornell Fine Arts Museum, Rollins College...

Offset lithograph on 350gsm paper Numbered on verso 30 x 42 cm (11.81 x 16.54 in.)
 Edition of 100 Anish Kapoor, renowned for his monumental sculptures and innovative use of materia...

Karl Alexander Gerich (English, 23.4.1956 - 4.1.2016) Pollonaise No. 24, 1988 - Etching - Sheet ca. 27.8 X 42 cm - No plate mark - Varnished ('Glossy Antique French') Finished, coloured, backed and varnished print likely to be a spare sheet (over production), which were never used. Possibly at some later stage, Karl experimented by partially painting the back with divering number of layers of pink. Held up as finished cards the pink would then shine through the varnished card. By holding up the sheet, this effect can be observed in areas with and without the pink backing. Sheets is in good condition and suitable to be framed. Karl was a brilliant playing card maker and certainly one of the most genius artist-craftsmen I had the pleasure to learn about his work and know. He could do it all: Come up with the tale, weave meaning(s) into it, fill it with spirited characters of his liking, draw it, etch it, print it, colour it and handcraft the inks, paper and card into wondersome packs of playing cards, each of them living in their own, most exquisitely crafted boxes. Every pack a magical marvel, filled with the spirit of this genius card maker … All this he did using his Adana printing press, very simple hand tools and great skill. When Karl closed down his studio in St.Peter’s Terrace in Bath, England and moved to Poplar Close, he sold off work for which he felt he no longer wanted to be the custodian. So a number of prints reached the market then. Printed sheets by Karl Gerich...

Sku: CB8608 Artist: Romare Bearden Title: Mecklenburg Morning: Sunrise for China Lamp Year: 1993 Signed: No Medium: Serigraph Paper Size: 35 x 43.75 inches ( 88.9 x 111.125 cm ) Imag...

"Cat Family", 2021, digital collage, print, cats, victorian, figurative, Digital Painting and Drawing / Animals / Surrealistic / Dark Colors / Portrait

"Lady Cat", 2019, digital collage, print, cat, victorian, figurative, Digital Painting and Drawing / Animals / Surrealistic / Dark Colors / Portrait

Mike Mitchell - Lucy - Contemporary Artist Edition Details: Year: 2020 Class: Art Print Status: Official Released: 07/03/20 Technique: Giclee Paper: Cot...

The Clan Colquhoun (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descript...

"Both a celebration of nature and a cautionary tale. Waves are beautiful and represent a powerful, hypnotic rhythmic cycle, but when energized by a storm, waves can be incredibly des...

Very charming French mixed media portrait by Frida Khalo's iconic painter with a beautiful frame and a composition of glass and brenchs. On a great natural paper contour where you the can see its texture. Elegant colors. Frida Kahlo was born on July 6, 1907 in the house of her parents, known as La Casa Azul (The Blue House), in Coyoacan. Frida always claimed to be born on 1910, the year of the outbreak of the Mexican revolution, so that people could directly associate her with the modern Mexico. This detail well introduces us to a singular personality, characterized since her childhood by a deep sense of independence and rebellion against ordinary social and moral habits, moved by passion and sensuality, proud of her "Mexicanidad" and cultural tradition set against the reigning Americanization: everything mixed with a peculiar sense of humour. Her life was marked by physical suffering, started with the polio contracted at the age of five and worsen by her life-dominating event occurred in 1925. A bus accident caused severe injuries to her body owing to a pole that pierced her from the stomach to the pelvis. The medicine of her time tortured her body with surgical operations (32 throughout her life), corsets of different kinds and mechanical "stretching" systems. Lots of her works were painted laying in the bed. Drawing on personal experiences, her miscarriages, and her numerous operations, Kahlo's works are often characterized by portrayals of pain. Of her 143 paintings, 55 are self-portraits which often incorporate symbolic portrayals of physical and psychological wounds. As a young artist, Kahlo approached the famous Mexican painter, Diego Rivera, who recognized her talent and her unique expression as truly special and uniquely Mexican. He encouraged her development as an artist and soon began an intimate relationship with Frida. They were married in 1929, despite the disapproval of Frida's mother, divorced and then remarried in 1940. She had also a lot of lovers, men and women, such as Leon...

Pulled from the "L'Atelier Mourlot" exhibition catalog, published by The Redfern Gallery, London, 1965 By Joan Miró Joan Miró was a pioneering Spanish artist celebrated for his whi...