Maria Asuncion Raventos Interior Paintings

Wonderful two-sided mid century pulp art figurative painting of a woman at party in black evening gown and formal gloves, and on verso couple dancing by unkno...

Vibrant still-life with apples and various vessels on a bright turquoise table with a two-toned orange and brown background by an unknown California artist (American, 20th Century). ...

A wonderful original figure painting for a 1930's illustration by Charles Kinghan (American, 1895-1984). A woman in a plaid green skirt and mustard yel...

In the realm of discourse, rhetoric reigns, A symphony of words that stirs and strains. With a persuasive power, it paints the scene, Crafting arguments, sharp and keen. Through rhetorics's lens, ideas collide, In the marketplace of thoughts, they reside. Pathos, logos, ehtos entwine, in the dance of life, they intertwine. With eloquence and chart, it captivates, Through eloquence, ideas take flight, Shaping minds, in the realm of light. Leading minds through vast, intellectual states. In the art of rhetoric, stories are untold, and truths unfold. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Orioye Samuel...

"Mood" is a stunning elegant, colourful and textured oil painting. Ekaterina Popova's intimate bedroom and interior series capture the light subtleties and feelings of romanticism an...

Framed 27 X 24 inches Sight 18 X 15 inches Walter Spitzer (Polish/French, 1927 - ) born in Cieszyn, Poland. A Polish Jewish Holocaust survivor, he made his first drawings in a concentration camp. Walter Spitzer has lived and worked since WWII in France, where he studied at the École des Beaux Arts in Paris. Walter Spitzer has achieved great renown as a painter and printmaker. Whether in his paintings of Biblical subjects or in lithographs of Shtetl scenes, His humanity was inspired by the writings of Sartre, Montherlant and Kazantzakis, Walter Spitzer is occupied with two great, interlinked themes: man’s inhumanity to man, and the humanity of man. He will surely be recognized in the future as one of the great witnesses to the twentieth-century experience. Walter Spitzer was born in Chieszyn, Poland, the son of a Jewish liqueur producer, and attended the German school there. He began to draw and paint at an early age. In 1939 the Spitzer family was forcibly removed by the Germans to the town of Strzemieszyce, which was turned into a ghetto in 1942. When the ghetto was liquidated in June 1943 Spitzer’s mother was shot, and the sixteen-year-old Walter was deported to Blechhammer, a subcamp of Auschwitz. There he painted portraits of Wehrmacht soldiers and fellow inmates in exchange for food. He was one of the few to survive the evacuation march from Auschwitz to Buchenwald, where to begin with, in late February 1945, he was held in the Little Camp. To enable him to make drawings documenting life in the camp, the Communists organized his transfer to the main camp. While on a death march in early April he made his escape in the vicinity of Jena and was soon in the hands of the Americans. Spitzer served as an interpreter with an American army unit, and at the same time executed numerous drawings depicting the world of the camps. In June 1945 the Americans took him to Paris, where – following the advice of his father, who had died in 1940 – he began to study art at the École des Beaux-Arts in Par the following year. After completing his training as an artist he produced paintings expressing a critical view of the society of his day. In 1955, in commemoration of the camps and the death marches, he executed a cycle of nine etchings in an edition of thirty, which he gave to various museums in Israel and in France. In the 1960s he established himself as an illustrator of exclusive editions of works by such authors as André Malraux, Jean-Paul Sartre, Joseph Kessel and Nikos Kazantzakis. The Six-Day War prompted him to begin painting subjects from Jewish and Biblical history; At age 19, he was asked to make the scenery for the Edouard VII Theater in Paris, which was showing The Dibbuk of Ansky. In 1947 the same theater asked him to make the scenery for the Hill of Life ( Max Zveig). Spitzer has been a member of the Salon d'Automne since 1952. He was the last remaining survivor of the Montparnasse Ecole de Paris. A group of Jewish expats that included Issachar Ber Ryback, Abel Pann, Abraham Mintchine, Isaac Antcher, Alexandre Altmann, Henri Epstein, Mane Katz, Marcel Janco, Gregoire Michonze...

"School Boy" invites viewers to step into the vibrant realm of a young child's imagination. The artwork skillfully portrays the boy's innocence and his sense of wonder as he embarks on the journey of education. The choice of a school bag as a symbol not only signifies his pursuit of knowledge but also represents the responsibilities and expectations placed upon him. The young boy is depicted sitting on a chair, which becomes his temporary throne, a metaphorical representation of the world he occupies. His posture exudes a sense of confidence, suggesting that he is ready to take on the challenges that lie ahead. The colorful background serves as a reflection of the boy's optimistic outlook, emphasizing his excitement for the adventures awaiting him within the classroom. While "School Boy" is visually striking, it also invites viewers to delve deeper into its underlying symbolism. The artwork subtly hints at the transformative power of education and its potential to shape young minds. The choice of a chair as the boy's seat symbolizes the notion of learning, growth, and progress. The vibrant colors surrounding him further represent the diverse opportunities and experiences that education offers. Furthermore, the absence of other figures in the artwork draws attention to the solitary nature of the boy's journey. It highlights the individualistic nature of education, emphasizing the personal responsibility each child carries to harness their potential. Merenini Williams...

"Conjugal Bond" is a captivating artwork that skillfully portrays the nuanced dynamics of connection and intimacy between a man and a woman. Executed with finesse by the artist, this...

"New Hat" is a figurative, interior portrait painting by Philadelphia born Expressionist painter Bernard Harmon from 195. The 20" x 16" oil on board portrait features a young African...

When I get to work with dandelions, I associate them with our wonderful, beautiful and fragile, like a crystal world. The magic field of solar dandelions from which it is impossible ...

"Solicitude" invites the audience into a world of contemplation and reflection, where the central theme revolves around the power of empathy and its a...