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Artist: Leon Underwood
Leon Underwood, British 20th Century summer landscape
By Leon Underwood
Located in Petworth, West Sussex
Leon Underwood (British, 1890 – 1975) A River landscape in Italy Signed, inscribed indistinctly and dated ’25. Watercolour on paper 10.5/8 x 14.1/2 in. ...
Category

20th Century Abstract Leon Underwood Art

Materials

Paper, Watercolor

Seated Nude by Leon Underwood
By Leon Underwood
Located in London, GB
Seated Nude by Leon Underwood (1890-1975) Pencil and watercolour on paper 51.5 x 35 cm (20 ¹/₄ x 13 ³/₄ inches) Signed and dated lower right, Leon 31 Ex...
Category

1930s Modern Leon Underwood Art

Materials

Paper, Watercolor, Pencil

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A center of innovative work in architecture, art and design with an educational approach built on a mentorship model, it has been home to some of the world’s most renowned designers and artists, including Eero Saarinen, Charles Eames, Daniel Libeskind and Harry Bertoia. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy and sculptor Carl Milles were interrupted by U.S. army service in the Aleutian Islands during World War II. Following his military discharge, Marecak studied on the G.I. Bill at the Colorado Springs Fine Arts Center from 1946 to 1950, having previously met its director, Boardman Robinson, conducting a seminar in mural painting at the Cleveland Institute of Art. Although he did not work with Robinson at the Fine Arts Center, who had become quite ill - retiring in 1947 - he studied Robinson’s specialty of mural painting before leaving to briefly attend the Cranbrook Academy in 1947. 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A year later he was invited to conduct a summer class at the University of Colorado in Boulder, confirming his interest in the teaching profession. In 1955 he received his teaching certificate from the University of Denver. Vance Kirkland, the head of its art department, helped him get a teaching job with the Denver Public Schools so that he and his family could remain in the Mile High City. For the next twenty-five years he taught art at Skinner, Grove, East, George Washington and Morey Junior High Schools. Prior to coming to Colorado, Marecak did watercolors resembling those of Winslow Homer, John Singer Sargent and Charles Burchfield. However, once in Colorado Springs he decided to destroy much of his earlier ouevre, embarking on a totally new direction unlike anything he had previously done. Initially, in the 1940s he was influenced by surrealist imagery and Paul Klee, and in the West by Indian petroglyphs and Kachinas. His first one-person show at the Garrett Gallery in Colorado Springs in 1949 featured paintings and lithographs rendered in the style of Magic Realism and referential abstraction. The pieces, including an oil Witch with Pink Dish, foreshadowed the output of his entire Colorado-based career, distinguished by a dramatic use of color, intricacy of execution and attention to detail contributing to their visual impact. He once observed, "Each time I start a new painting I always fool myself by saying this time keep it simple and not get entangled with such complex patterns, color and design; but I always find myself getting more involved with richness, color and subject matter." An idiosyncratic artist proficient in oil, acrylic, watercolor, gouache and casein, he did not draw upon Colorado subject matter for his work, unlike many of his fellow painters in the state. Instead he used Midwest landscape imagery, bringing to life in it witches and spirits adapted from the Slovakian folk tales he heard growing up in Ohio. A number of his paintings depict winter witches derived from the Slovak custom in the Tatra Mountains of burning an effigy of the winter witch in the early spring to banish the memory of a hard winter. The folk tale element imparts a dream-like quality to many of his paintings. A devote of Greek mythology, he placed the figures of Circe, Persephone, Sybil, Hera and others in modern settings. The goddess in Persephone Brings a Pumpkin to her Mother, attired as a Midwestern farmer’s daughter, heralds the advent of fall with the pumpkin before departing to spend the winter season in the underworld. Train to Olympus, the meeting place of the gods in ancient Greece, juxtaposes ancient mythology with modernity creating a combination of whimsy and thought-provoking consideration for the viewer. Voyage to Troy #1 alludes to the ancient city that was the site of the Trojan Wars, but has a contemporary, autobiographical component referencing the harbor of the Aleutian Islands recaptured from the Japanese during World War II. In the 1980s Marecak used the goddess Hera in his painting, Hera Contemplates Aspects of the Art Nouveau, to comment on art movements in the latter half of the twentieth century Marecak’s love of classical music and opera, which he shared with his wife and to which he often listened while painting in his Denver basement studio, is reflected in Homage of Offenbach, an abstract work translating the composer’s musical colors into colorful palette. Pace, Pace, Mio Dio, the title of his earliest surrealist painting, is a soprano aria from Verdi’s opera, La Forza del Destino (The Force of Destiny or Fate, a favorite Marecak subject). His Queen of the Night relates to a character from Mozart’s opera, The Magic Flute. In addition to paintings and works on paper, he produced hooked rugs, textiles and ceramics. He likewise produced designs for ceramics, tableware and furniture created by his wife Donna, an accomplished Colorado ceramist. Both of them generally eschewed exhibitions and galleries, preferring to quietly do their work while remaining outside of the mainstream. He initially exhibited at the Colorado Springs Fine Arts Center in 1948 receiving a purchase award. The following year he had his first one-person show of paintings and lithographs at the Garrett Gallery in Colorado Springs. In the 1950s and early 1960s he participated in group exhibitions at the Print Club (Philadelphia); Amarillo Public Library (Texas); annual Blossom Festival Show (Canon City, Colorado); Adele Simpson’s "Art of Living" in New York; Denver Art Museum; and the Fox Rubenstein-Serkey Gallery (Denver); but he did not have another one-person show until 1966 at the Denver home of his friends, John and Gerda Scott. 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Previously Available Items
1936 drawing of a nude by Father of Modern British Sculpture Leon Underwood
By Leon Underwood
Located in Petworth, West Sussex
Leon Underwood Stretching nude Signed and dated ‘Leon U / 36’ Pencil heightened with watercolour on buff paper 13.1/4 x 18.1/2 in. (33.8 x 47.2 cm.) Un...
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20th Century Expressionist Leon Underwood Art

Materials

Paper, Watercolor, Pencil

A mid 20th Century British abstracted drawing of a figure by Leon Underwood
By Leon Underwood
Located in Petworth, West Sussex
Leon Underwood (British, 1890 – 1975) Retirement of the Autumn Leaf, 1949 Charcoal and Watercolour with scratching out on paper Signed and dated ‘Leon U...
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Mid-20th Century Abstract Leon Underwood Art

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Leon Underwood art for sale on 1stDibs.

Find a wide variety of authentic Leon Underwood art available for sale on 1stDibs. You can also browse by medium to find art by Leon Underwood in paint, paper, watercolor and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Leon Underwood art, so small editions measuring 14 inches across are available. Customers who are interested in this artist might also find the work of Robert Tavener, Pawel Kontny, and Roger Lersy. Leon Underwood art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,939 and tops out at $2,044, while the average work can sell for $1,992.

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