Leigh Palmer Drawings and Watercolor Paintings

Signed and dated (at lower right): BROSEN•20 A native New Yorker, Brosen has spent a lifetime wandering its streets, discovering its long history and witnessing its constant metamor...

Gouache, color pencil and graphite on paper Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being ali...

Sketch for Minoff's painting October 3:30 PM.

A delightful composition by this master watercolourist. William Payne (1760-1830) Figures chating by a cottage and stream, a rivermouth beyond Watercolour and touches of charcoal 5½...

Signed and dated (at lower right): BROSEN•24, titled (at lower left): 9TH STREET AND SIXTH AVENUE A native New Yorker, Brosen has spent a lifetime wandering its streets, discoverin...

"Basilica" is a graphite and watercolor painting of an architectural detail of the San Marco Basilica in Venice, Italy. This piece is 20.5 by 16.25 inches framed. McLean Jenkins is inspired by the work of JMW Turner, Richard Diebenkorn and Louis Khan. McLean Jenkins is a practicing architect with McAlpine and his work derives from and celebrates the classical forms of his trade. Working in graphite, ink and watercolor, McLean employs a gestural approach that frees his hand to explore a subject’s essence. His compositions rely on the quick, decisive sketch and are then given over to the whims and splashes of watercolor. Spontaneity, movement and spirit are all emphasized and his drawings collectively form their own narrative of his passion for architecture. The city of Venice has captured McLean’s imagination since his first trip there as a 12 year old boy. Over the years a kind of courtship with the city has evolved, and its impact has motivated and sustained his development as both architect and artist. His work depicting the city has been recognized within the architectural profession by the Georgia Trust for Historic Preservation in its award to McLean of the J. Neel Reid...

This drawing is part of the current exhibition entitled "The fantastic story of the liquid mountain" at Claire Corcia Gallery in Paris. The liquid mountain is populated by living be...

"Santa Maria della Salute I" is a watercolor painting of the Santa Maria della Salute church and minor basilica in Venice, Italy. This work features hues of blue, orange, green and yellow. This piece is 14.5 by 17.75 inches framed. McLean Jenkins is inspired by the work of JMW Turner, Richard Diebenkorn and Louis Khan. McLean Jenkins is a practicing architect with McAlpine and his work derives from and celebrates the classical forms of his trade. Working in graphite, ink and watercolor, McLean employs a gestural approach that frees his hand to explore a subject’s essence. His compositions rely on the quick, decisive sketch and are then given over to the whims and splashes of watercolor. Spontaneity, movement and spirit are all emphasized and his drawings collectively form their own narrative of his passion for architecture. The city of Venice has captured McLean’s imagination since his first trip there as a 12 year old boy. Over the years a kind of courtship with the city has evolved, and its impact has motivated and sustained his development as both architect and artist. His work depicting the city has been recognized within the architectural profession by the Georgia Trust for Historic Preservation in its award to McLean of the J. Neel Reid...

Signed and dated (at lower right): BROSEN 22 A native New Yorker, Brosen has spent a lifetime wandering its streets, discovering its long history and witnessing its constant metamor...

Signed and dated (at lower right): BROSEN•24, titled (at lower left): BETHESDA FOUNTAIN ESPLANADE A native New Yorker, Brosen has spent a lifetime wandering its streets, discoverin...

City is an original drawing in pencil made by the Hungarian artist Nicolas Czinober in the mid-20th century.The state of preservation is good, the paper presents some small stains. ...

Fred Nagler was born in 1891 in Springfield, Massachusetts, where he first studied wood carving. From 1914 to 1917, he studied at The Art Students League of New York, where his prof...