Kusbudiyanto Art

In the eerily beautiful Reserve, Henriksen highlights ecological peril. "Nature is threatened,” she observes. "I hope this is expressed in my image, which at first glance can be seen...

Covered Parts 2412 is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Sander Martijn Jonker. His reliefs are made by creating a unique single-use mould in which layers of jute-reinforced acrylic resin are meticulously shaped into three-dimensional forms, sometimes more geometric, sometimes more organic. The resin in this mint-greenish relief is filled with a pigmented sand, finished with a high-quality wax and nicely mounted in a bespoke beech veneered mdf frame which enables hanging in four different ways. Sander Martijn Jonker (1977, Netherlands) graduated from the St. Joost School of Art & Design in Den Bosch, The Netherlands. He primarily makes three-dimensional reliefs that play with the tension between abstraction and representation, surface and space. Light, shadow and their elusive ever-changing properties play an important role. Although the resulting works are abstract, he uses everyday reality as a starting and/or reference point. His work is created through forms of manipulation, distortion, repetition and simplification. Some works arise from the repetition of a simple movement or form, others are made by exploring how far he can go with the deformation and manipulation of the material, after which he captures and preserves the shape. He experiences daily life as uncontrollable and at times confusing. In order to cope with that, he is always looking for patterns and has gradually developed various rituals and ways of control, hoping they can offer him certainty and reassurance. His work and person are inextricably connected. He makes the things he makes because he doesn’t have a choice. He is trying to get a grip...

Covered Parts 2411 is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Sander Martijn Jonker. His reliefs are made by creating a unique single-use mould in which layers of jute-reinforced acrylic resin are meticulously shaped into three-dimensional forms, sometimes more geometric, sometimes more organic. The resin in this off-white relief is filled with a pigmented sand, finished with a high-quality wax and nicely mounted in a bespoke beech veneered mdf frame which enables hanging in four different ways. Sander Martijn Jonker (1977, Netherlands) graduated from the St. Joost School of Art & Design in Den Bosch, The Netherlands. He primarily makes three-dimensional reliefs that play with the tension between abstraction and representation, surface and space. Light, shadow and their elusive ever-changing properties play an important role. Although the resulting works are abstract, he uses everyday reality as a starting and/or reference point. His work is created through forms of manipulation, distortion, repetition and simplification. Some works arise from the repetition of a simple movement or form, others are made by exploring how far he can go with the deformation and manipulation of the material, after which he captures and preserves the shape. He experiences daily life as uncontrollable and at times confusing. In order to cope with that, he is always looking for patterns and has gradually developed various rituals and ways of control, hoping they can offer him certainty and reassurance. His work and person are inextricably connected. He makes the things he makes because he doesn’t have a choice. He is trying to get a grip...

This large-scale abstract work features organic and undulating shapes in black, white and red. Modern Colombian-born, Atlanta-based artist Esteban Patino...

„Presence” 2018 Pair of twin handwoven textiles, linen yarn, acrylic textile paint, aluminum construction; textiles: 310 x 67 cm; aluminum construction: 255 x 65 x 55 cm. The object...

this work is framed, signed and with certificate of authenticity. His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fair, Lond...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her ...

Processing Venice is a unique contemporary modern painting relief by renowned Polish-Dutch artist Eliza Kopec. This painting relief is a typical exampl...

This large-scale abstract work features organic and undulating shapes. Red and black - modern. Colombian-born, Atlanta-based artist Esteban Patino crea...

This is an elegant yet modern and abstract work of art. The two artists were inspired by the ups and downs in life. How there is always a light shinning at the end of the tunnel and ...

Guillaume Lachapelle’s artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models – which Lachapelle has recently begun to make with the help of the latest 3-D printing technology – shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle’s work – for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness – these are the artist’s references to spaces and occurrences which may be concealed below the surface of outward semblance. Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa – Centre d’Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...

This hanging fabric piece was hand made in the heart of Mexico City. The neutral colors are perfect for any modern space designed. This art work brings serenity to the viewer. It rel...