Jules Agard Furniture

Roger Capron (1922-2006) Stylized woman ceramic bottle "Lavande" signed by Roger Capron, Vallauris, 1950s Nice condition, with original glass bottle inside.  

Beautiful midcentury hand painted ceramic vase. Italy, circa 1950s.

Fabulous design of a chocolate brown and gold Vallauris ceramic coffee set complete with coffee pot, sugar, creamer and ten cups and saucers circa 1...

Vintage glass in very good condition. The bottle looks like it has just been taken out of the box. No jags, defects etc. Stopper have some cut - as on pictures. Only one unique piec...

Glazed ceramic Excellent condition. "Portanier" signed.

Portugal ceramic, perfect condition, produced in 1960s.

A beautiful Norwegian ceramic charger by Elle, ca' 1960's with interesting, abstract decoration. Large size at 11.5" diameter.

Beautiful and large Mid-Century Modern fish serving plate in vallautis ceramic signed by Morvan. Great combination of colors. France, 1950s In an ...

"CERF À LA BRANCHE NO. 2" PIERRE JULES MENE (FRENCH, 1810-1879) An atelier lifetime sand-casting Patinated bronze signed in cast "P.J. MENE" Item # 011TEQ14P Offered in Mêne's 18...

An excellent mid 19th Century French Animalier bronze study of a falcon perched on a branch using its outspread wings to balance and with its beak open. The bronze exhibiting excellent intricate hand chased surface detail and very fine rich brown lightly rubbed patination, signed J Moigniez. ADDITIONAL INFORMATION Height: 23 cm Width: 23 cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Paine Page no. 79 SKU: 9000 ABOUT Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...

An equestrian sculpture after Pierre-Jules Mêne A naturalistic, carefully detailed and beautifully patinated bronze model of a jockey on his galloping horse, the realistic topogr...

This is an Italian neo-classical Grand Tour ram’s head form stirrup cup. The composition is pottery with an almost bisque-like finish.