Janez Bernik Art
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Love
By Janez Bernik
Located in Ljubljana, SI
Love. Original color silkscreen, unknown year. Edition of E.A. (artist's proof) signed and numbered impressions on Arches paper.
Janez Bernik was an internationally acclaimed Sloven...
Category
Late 20th Century Post-Modern Janez Bernik Art
Materials
Screen
Abstract Composition - Etching by Janez Bernik - 1970
By Janez Bernik
Located in Roma, IT
Abstract Composition is an original etching artwork realized by Janez Bernik in 1970.
Hand-signed in pencil on the lower right.
Numbered. Artist's proof EA.
Good conditions.
Thi...
Category
1970s Modern Janez Bernik Art
Materials
Etching
Letter Janez Bernik to Nesto Jacometti - 1960s
By Janez Bernik
Located in Roma, IT
Letter written in German by the slovenian painter and graphic artist Javez Bernik to Nesto Jacometti.
Category
1960s Modern Janez Bernik Art
Materials
Paper, Ink
Letter of Janez Bernik - 1960s
By Janez Bernik
Located in Roma, IT
In the letter Bernik, slovenian painter and graphic artist, writes the editor Nesto Jacometti about his regret about some issues, but still by his willingness to help. He hopes to be...
Category
1960s Contemporary Janez Bernik Art
Materials
Ink, Paper
No. 9, Aquatint Etching by Janez Bernik
By Janez Bernik
Located in Long Island City, NY
Artist: Janez Bernik, Yugoslavian (1933 - )
Title: No. 9
Year: 1968
Medium: Etching, signed and numbered in pencil
Edition: 28/100
Image Size: 18.5 x 9.5 inches
Size: 21.5 x 17...
Category
1960s Contemporary Janez Bernik Art
Materials
Aquatint, Etching
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CONRAD MARCA-RELLI Limited ed. Etching & Aquatint American Modern, Contemporary
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Will Barnet: A Timeless World (hand signed, dated and warmly inscribed)
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Softback monograph with stiff wraps (hand signed, dated and warmly inscribed)
Hand signed, dated and warmly inscribed to Margo by Will Barnet on the half title page
12 × 9 × 1/2 inches
We believe the colleague Margo refers to renowned African American artist Margo Humphrey, who also worked at the Rutgers Center for Innovative Printmaking with Will Barnet.
The full inscription reads:
Sep 21 2000
To my colleague -Margo-
with appreciation and
affection
Will Barnet
Book information:
Published by the Montclair Art Museum, New Jersey and Distributed by Rutgers University Press
English; Paperback; 124 pages containing 43 color and 20 black-and-white illustrations
Publisher's blurb:
Painter and printmaker Will Barnet has actively participated in the New York art world for nearly 70 years. A leading figure in the Indian Space painting movement of the late 1940s, Barnet stressed the spatial structures of Northwest Coast Indian art. Throughout the 1950s and into the 1960s, he made a series of hardedged, totemic abstractions marked by their "all-positive" space, which he described as austere, classical expressions of Indian culture. He then moved on to new art forms in the 1960s and 1970s, creating a series of family and art world portraits that achieved a remarkable balance between the formal demands of abstraction and the humanist aspects of representation.
Will Barnet: A Timeless World is the first substantial publications to unify Barnet's prodigious output. Art historian Gail Stavitsky provides an overview of this artist's entire career. Twig Johnson, the museum's curator of Native American Art, discusses the relationship of Barnet's work to this important indigenous artistic tradition. Jessica Nicoll, chief curator at the Portland Museum of Art, explores the profound impact of New England upon Barnet and his work. Many of Barnet's works are beautifully reproduced in this catalog, containing 43 color and 20 black-and-white illustrations.
More about Will Barnet:
Will Barnet was born in Beverly, Massachusetts in 1911. He has taught and exhibited widely over his more than seventy-five year career. His works are in the collection of virtually every American museum, including locally The Guggenheim Museum, The Metropolitan Museum of Art, The Museum of Modern Art, and The Whitney Museum of American. He is an elected member of the American Academy of Arts and Letters. In fall 2011 the National Academy Museum will present a retrospective exhibition being organized by Bruce Weber. Barnet is represented exclusively by Alexandre Gallery...
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The Rabbi 1977 Soviet Non Conformist Avant Garde Print
By Alek Rapoport
Located in Surfside, FL
Dimensions w/Frame: 25 3/4" x 20 3/4"
Alek Rapoport (November 24, 1933, Kharkiv, Ukraine SSR – February 4, 1997, San Francisco) was a Russian Nonconformist artist, art theorist and teacher.
Alek Rapoport spent his childhood in Kiev (Ukraine SSR). During Stalin's "purges" both his parents were arrested. His father was shot and his mother spent ten years in a Siberian labor camp. Rapoport lived with his aunt. At the beginning of World War II, he was evacuated to the city of Ufa (the Bashkir Autonomous Soviet Socialist Republic). A time of extreme loneliness, cold, hunger and deprivation, this period also marked the beginning of Rapoport's drawing studies.
After the war, Rapoport lived in Chernovtsy (Western Ukraine), a city with a certain European flair. At the local House of Folk Arts, he found his first art teacher, E.Sagaidachny (1886–1961), a former member of the nonconformist artist groups Union of the Youth (Soyuz Molodyozhi) and Donkey's Tail, popular during the 1910s–1920s. His other art teacher was I. Beklemisheva (1903–1988). Impressed by Rapoport's talent, she later (1950) organized his move to Leningrad, where he entered the famous V.Serov School of Art (the former School of the Imperial Society for the Promotion of Arts, OPKh, later the Tavricheskaya Art School).
His association with this school lasted eight years, first as a student, and then, from 1965 to 1968, as a teacher. With "Socialist realism" the only official style during this time, most of the art school's faculty had to conceal any prior involvement in non-conformist art movements. Ya.K.Shablovsky, V.M.Sudakov, A.A.Gromov introduced their students to Constructivism only through clandestine means.
(1959–1963) Rapoport studied stage design at the Leningrad Institute of Theater, Music and Cinema under the supervision of the famous artist and stage director N.P.Akimov. Akimov taught a unique course based on theories of Russian Suprematism and Constructivism, while encouraging his graduate students to apply their knowledge to every field of art design. Despite differences in personal artistic taste with Akimov, who was drawn to Vermeer and Dalí, Rapoport was influenced by Akimov's personality and liberalism, as well as the logical style of his art.
In 1963, Rapoport graduated from the institute. His highly acclaimed MFA work involved the stage and costume design for I.Babel's play Sunset. In preparation, he traveled to the southwest regions of the Soviet Union, where he accumulated many objects of Judaic iconography from former ghettos, disappearing synagogues and old cemeteries. He wandered Odessa in search of Babel's characters and the atmosphere of his books.
He organized a new liberal course in technical aesthetics, introducing his students to Lotman's theory of semiotics, the Modulor of Le Corbusier, the Bauhaus school, Russian Constructivism, Russian icons and contemporary Western art. As a result of his "radicalism," Rapoport was fired for "ideological conspiracy."
He sought to cultivate himself as Jewish artist. This became particularly noticeable after the Six-Day War, when the Israeli victory led intellectuals, including the Jewish intelligentsia, to feel a heightened interest in Jewish culture and its Biblical roots. Rapoport's works of this period include Three Figures, a series of images of Talmudic Scholars, and works dealing with anti-Semitism. In the 1970s Rapoport joined the non-conformist movement, which opposed the dogmas of "Socialist realism" in art, along with Soviet censorship. The movement sought to preserve the traditions of Russian iconography and the Constructivist/Suprematist style of the 1910s. Despite the authorities' persecutions of nonconformist artists (including arrests, forced evictions, terminations of employment, and various forms of routine hassling), they united in a group, "TEV – Fellowship of Experimental Exhibitions." TEV's exhibitions proved tremendously successful.
In the same period, Rapoport became one of the initiators of another anti-establishment group, ALEF (Union of Leningrad's Jewish Artists). In the United States this group was known as "Twelve from the Soviet Underground." Rapoport's involvement with this group increased tension with the authorities and attracted KGB scrutiny, including "friendly conversations," surveillance, detentions and house arrests. It became increasingly dangerous for him to live and work in the USSR. In October 1976, Rapoport with his wife and son were forced to leave Russia.
In Italy, Rapoport exhibited at the Venice Biennale, "La Nuova Arte Sovietica-Una prospettiva non-ufficiale" (1977), participated in television programs about nonconformist art in the Soviet Union, and created lithographic works continuing his theme of Jewish characters from Babel's play Sunset.
In 1977, Rapoport's family was granted U.S. immigration status and settled in San Francisco. a significant event in Rapoport's life occurred in his meeting with San Francisco gallery owner Michael Dunev, who became his friend and representative, organizing all his exhibitions until the artist's death.
Toward the end of the 1980s and beginning of the 1990s, Rapoport completed his most ambitious works on the theme of the Old Testament prophets: Samson Destroying the House of the Philistines (1989), Lamentation and Mourning and Woe (1990), the four paintings Angel and Prophets (1990–1991) and Three Deeds of Moses (1992).
In 1992, the artist's friends in St. Petersburg organized the first exhibition of his works there since his departure into exile, with works patiently gathered from collectors and art museums. This exhibition, held in the City Museum of St. Petersburg and accompanied by headlines such as "A St. Petersburg artist returns to his town," was followed by much larger ones in 1993 (St. Petersburg and Moscow), organized in collaboration with Michael Dunev Gallery under the name California Branches – Russian Roots.
He Exhibited in "Soviet Artists, Jewish Themes...
Category
1970s Post-Modern Janez Bernik Art
Materials
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'Danse du Soleil' (Sun Dance; Sun Dancer) — Mid-century Modernism, Atelier 17
By Stanley William Hayter
Located in Myrtle Beach, SC
Stanley William Hayter, 'Danse du Soleil (Danseuse du Soleil; Sun Dance; Sun Dancer)', color engraving, soft-ground etching and scorper; 1 of 10 artist's proofs, edition 200, 1951, Black & Moorhead 197. Signed and annotated 'Epreuve d’Artiste II/XII' in pencil. Inscribed 'Pour Nesto Jacometti avec amitié' in pencil, in the artist’s hand. A superb, richly-inked impression, with fresh colors, on handmade Arches cream wove paper; full margins (2 3/4 to 4 inches), in excellent condition. Image size 15 7/16 x 9 7/16 inches; sheet size 22 1/4 x 15 inches. Matted to museum standards, unframed.
Printed by Hayter and Atelier 17. Published by La Guilde Internationale de la Gravure, Geneva.
Impressions of this work are in the permanent collections of the British Museum and the Yale University Art Gallery.
ABOUT THE ARTIST
Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall.
The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated included Samuel Beckett and Georges Hugnet.
Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen Phillips...
Category
1950s American Modern Janez Bernik Art
Materials
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Cacophonous PACE Gallery exhibition catalogue (hand signed by Robert Irwin)
By Robert Irwin
Located in New York, NY
Robert Irwin
Cacophonous (hand signed by Robert Irwin), 2015
Softback exhibition catalogue with stiff wraps (hand signed by Robert Irwin)
Hand signed by Robert Irwin on the title pag...
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2010s Contemporary Janez Bernik Art
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H 9 in W 11.75 in D 0.33 in
Carmen, Aquatint Etching by Antoni Clave
By Antoni Clavé
Located in Long Island City, NY
Artist: Antoni Clave, Spanish (1913 - 2005)
Title: Carmen
Year: 1978
Medium: Intaglio Etching with Aquatint, signed and numbered in pencil
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1970s Modern Janez Bernik Art
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The Talmudists Post Soviet Non Conformist Avant Garde Judaica Lithograph
By Alek Rapoport
Located in Surfside, FL
Dimensions w/Frame: 18.5 X 14.5
Alek Rapoport (November 24, 1933, Kharkiv, Ukraine SSR – February 4, 1997, San Francisco) was a Russian Nonconformist artist, art theorist and teacher.
Alek Rapoport spent his childhood in Kiev (Ukraine SSR). During Stalin's "purges" both his parents were arrested. His father was shot and his mother spent ten years in a Siberian labor camp. Rapoport lived with his aunt. At the beginning of World War II, he was evacuated to the city of Ufa (the Bashkir Autonomous Soviet Socialist Republic). A time of extreme loneliness, cold, hunger and deprivation, this period also marked the beginning of Rapoport's drawing studies.
After the war, Rapoport lived in Chernovtsy (Western Ukraine), a city with a certain European flair. At the local House of Folk Arts, he found his first art teacher, E.Sagaidachny (1886–1961), a former member of the nonconformist artist groups Union of the Youth (Soyuz Molodyozhi) and Donkey's Tail, popular during the 1910s–1920s. His other art teacher was I. Beklemisheva (1903–1988). Impressed by Rapoport's talent, she later (1950) organized his move to Leningrad, where he entered the famous V.Serov School of Art (the former School of the Imperial Society for the Promotion of Arts, OPKh, later the Tavricheskaya Art School).
His association with this school lasted eight years, first as a student, and then, from 1965 to 1968, as a teacher. With "Socialist realism" the only official style during this time, most of the art school's faculty had to conceal any prior involvement in non-conformist art movements. Ya.K.Shablovsky, V.M.Sudakov, A.A.Gromov introduced their students to Constructivism only through clandestine means.
(1959–1963) Rapoport studied stage design at the Leningrad Institute of Theater, Music and Cinema under the supervision of the famous artist and stage director N.P.Akimov. Akimov taught a unique course based on theories of Russian Suprematism and Constructivism, while encouraging his graduate students to apply their knowledge to every field of art design. Despite differences in personal artistic taste with Akimov, who was drawn to Vermeer and Dalí, Rapoport was influenced by Akimov's personality and liberalism, as well as the logical style of his art.
In 1963, Rapoport graduated from the institute. His highly acclaimed MFA work involved the stage and costume design for I.Babel's play Sunset. In preparation, he traveled to the southwest regions of the Soviet Union, where he accumulated many objects of Judaic iconography from former ghettos, disappearing synagogues and old cemeteries. He wandered Odessa in search of Babel's characters and the atmosphere of his books.
He organized a new liberal course in technical aesthetics, introducing his students to Lotman's theory of semiotics, the Modulor of Le Corbusier, the Bauhaus school, Russian Constructivism, Russian icons and contemporary Western art. As a result of his "radicalism," Rapoport was fired for "ideological conspiracy."
He sought to cultivate himself as Jewish artist. This became particularly noticeable after the Six-Day War, when the Israeli victory led intellectuals, including the Jewish intelligentsia, to feel a heightened interest in Jewish culture and its Biblical roots. Rapoport's works of this period include Three Figures, a series of images of Talmudic Scholars, and works dealing with anti-Semitism. In the 1970s Rapoport joined the non-conformist movement, which opposed the dogmas of "Socialist realism" in art, along with Soviet censorship. The movement sought to preserve the traditions of Russian iconography...
Category
1970s Post-Modern Janez Bernik Art
Materials
Lithograph
CONRAD MARCA-RELLI Limited ed. Etching & Aquatint American Modern, Contemporary
By Conrad Marca-Relli 1
Located in Madrid, Madrid
Conrad Marca Relli - Composition XV
Date of creation: 1977
Medium: Etching and aquatint on Gvarro paper
Edition number: 47/75
Size: 56 x 76 cm
Condition: In very good conditions and ...
Category
1970s Modern Janez Bernik Art
Materials
Paper, Etching, Aquatint
H 22.05 in W 29.93 in D 0.08 in
Janez Bernik art for sale on 1stDibs.
Find a wide variety of authentic Janez Bernik art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of orange and other colors. You can also browse by medium to find art by Janez Bernik in etching, ink, paper and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Janez Bernik art, so small editions measuring 6 inches across are available. Customers who are interested in this artist might also find the work of Bruno Conte, Felix Labisse, and Jan Voss. Janez Bernik art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $223 and tops out at $950, while the average work can sell for $279.