Henri d'Anty Art

Gerhard Cohn Roemers (German, 1900 - 1965) Venice - Ponte Del Rialto • Oil on canvas, ca. 40 x 65 cm • Frame, ca. 57 x 82 cm • Signed and titled lower right corner Worldwide shipp...

Impressionist/Post impressionist style painting 'Sunlit Path' by Scottish contemporary artist JD Henderson, gives us this country garden scene dated 1999 (verso), signed by the artis...

Notre Dame in the snow, early evening, along the Seine by the French artist, Henri Stenn. The painting has a wonderful tonal quality that is characteristic of the artist’s work. The...

When I get to work with dandelions, I associate them with our wonderful, beautiful and fragile, like a crystal world. The magic field of solar dandelions from which it is impossible ...

'The Park', oil on canvas, by M. Phidias (circa 1920s). Painted using this artist's trademark impasto, the effect is to add depth and texture to the exuberant display of hues and ref...

This captivating dock scene in the Port of Muiden, Netherlands is a remarkable display of Van der Plas's true passion for outdoor genre paintings. A wonderfully rich boats scene exec...

Original oil on canvas painting. Hand signed on front; signed and titled on verso by the artist. Canvas is stretched. Artwork is in excellent condition. Stretched. Certificate of au...

Oil on cardstock painting of oil tankers docked in port along with people dockside on a bright clear day by the Long Island American artist, Whitney Myron H...

Signed lower right dated 1944 Signed verso William Malherbe "The Thetford Hill Vermont" Provenance: Palm Beach Galleries Framed in a gold frame

CITY STROLL Size: 44 x 66 cm (including frame) Oil on Canvas A very pleasant modernist oil street scene composition, painted by the established Swedish artist Stig Wernheden (1921-1...

Original oil on canvas panting. Hand signed on front and verso by the artist. Canvas size 30 x 40 in. Framed. Artwork is in excellent condition. Certificate of authenticity include...

This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Jefferson Market Library (Courthouse), c. 1930s, oil on canvas, 30 x 24 inches, signed lower right; presented in a newer silver painted frame About the Painting Writing about an exhibition of Charles W. Adams’ work at the Eighth Street Art Gallery in the mid-1930s, Emily Grenauer observed in The World-Telegram that the artist’s paintings were “distinguished for their solid form, well organized design and sumptuous color” and the art critic for The Herald Tribune found Adam’s work “a strong, formal realization of his subject . . . he paints with vital emphasis on structure and composition.” Although we do not know which works these critics referenced, it is likely they were writing about paintings like Jefferson Market Library (Courthouse). With its carefully designed reality, strong angles, solid forms, and well-disciplined puffs of smoke in the background, Adams presents a highly structured version of the Greenwich Village landmark, the Jefferson Market Library, which was a courthouse at the time Adams completed this work. The Jefferson Market Library was a prized subject for downtown painters, including the Ashcan School painter, John Sloan, the modernist, Stuart Davis, and the precisionist, Francis Criss...