Georges D'Espagnat Art
French, 1870-1950
Georges d’Espagnat was born in 1870 in Melun, France. He was a painter, muralist, illustrator and theater designer. His family moved to Paris in the 1880s and at the age of 18 he declined the academic training of the Ecole des Beaux-Arts and chose instead to independently study the works of the Old Masters in the Louvre and attend classes at the free academy.
In 1891 d’Espagnat began exhibiting at the Salon des Refusees and in the following year exhibited four paintings at the Salon des Independants. He later exhibited at the Salon of the Societe Nationale as well. Although associated with many of the greatest names in 20th century art, and though his work has at various times been identified as Fauve, Nabis or Impressionist, he retained his own individuality. He was influential in the art circles of his time with the likes of Matisse, Gauguin, Picasso, Pissarro and Chagall. d’Espagnat also became closely acquainted with many of the Impressionists and Post-Impressionists including Renoir, Vuillard, Andre, Bonnard and Denis. In 1895 he had his first solo show in Paris and three years later a show at Durand-Ruel Gallery. He was part of a group exhibition in 1907 at the Marcel Bernheim Gallery along with Bonnard, Cezanne, Matisse, Pissarro, Rouault, Suerat and Toulouse-Lautrec while in 1926 his works were a part of another exhibition at the same gallery along with Andre, Bonnard, Braque, Chagall, Matisse, Picasso and Signac.
In 1903 d’Espagnat was one of the founding members of the Salon d’Automne and, a year later, became the vice president. In 1906 he collaborated on the illustrations for Remy de Gourmont’s Sixtine, and later worked with Alphonse Daudet on his book, L’Immortel. Traveling extensively throughout his lifetime, D’Espagnat visited Britain, Germany, Italy, Portugal, Morocco and Spain.
His work can be found in many museums including the Museum of Fine Arts, Boston; the Musee Royal des Beaux-Arts, Brussels; the Metropolitan Museum of Art, New York; the Art Institute, Chicago; the Pushkin Museum, Moscow and the Musee d’Orsay.(Biography provided by Wiscasset Bay Gallery)
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Period: Early 20th Century
Enfant dans un berceau
By Georges d'Espagnat
Located in Washington, DC
Signed with initials upper left
Category
Early 1900s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Grand Bouquet de Fleurs - Post Impressionist Still Life Oil - Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
Signed still life oil on canvas circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a white vase filled with red and white tulips. A beautiful piece in the artist's distinctive hand.
Signature:
Signed upper left
Dimensions:
Framed: 33"x28.5"
Unframed: 26"x21.5"
Provenance:
A certificate of authenticity for this work is available from Mr. Jean Dominique Jacquemond upon request
Private French collection
From the beginning of his career it was a constant concern of Georges d'Espagne to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagne was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont...
Category
1920s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Nu allonge - Post Impressionist Nude Figurative Oil - Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
Signed oil on panel nude circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a nude woman laying a patch of green grass on top of a hill with a view of the valley in the distance.
Signature:
Signed lower right
Dimensions:
Framed: 16"x20"
Unframed: 9"x13"
Provenance:
A certificate of authenticity for this work is available from Mr. Jean Dominique Jacquemond upon request
Private French collection
From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948).
D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style.
D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...
Category
1920s Post-Impressionist Georges D'Espagnat Art
Materials
Oil, Panel
Plage a Belle Ile - Post Impressionist Landscape Oil by Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
Signed post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years.
Signature:
Signed lower right
Dimensions:
Framed: 23"x26"
Unframed: 15"x18"
Provenance:
Private French collection
A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request.
This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond
From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948).
D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style.
D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...
Category
Early 1900s Post-Impressionist Georges D'Espagnat Art
Materials
Oil, Panel
Au Jardin - Post Impressionist Floral Landscape Painting by Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
Stunning signed landscape oil on canvas circa 1920 by French post impressionist painter Georges D'Espagnat. This good-sized piece depicts garden filled with blue, red, pink and purple flowers.
Signature:
Signed lower left
Dimensions:
Framed: 39"x46.5"
Unframed: 32"x39.5"
Provenance:
Galerie Des Granges - Geneva - May 1982
Christie's - London 21st June 1993
A certificate of authenticity for this work from Mr. Jean-Dominique Jacquemond is available upon request
This work will be included in the forthcoming catalogue raisonne of the work of Georges D'Espagnat under preparation br Mr. Jacquemond
From the beginning of his career it was a constant concern of Georges d'Espagne to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagne was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont...
Category
1920s Post-Impressionist Georges D'Espagnat Art
Materials
Oil, Canvas
Nu avec des fleurs - Post-Impressionist Oil, Nude & Flowers - Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
A beautiful oil on original canvas circa 1910 by French post impressionist painter Georges D'Espagnat. The work depicats a nude woman in a yellow shawl standing by a blue vase filled with pink, red and white flowers.
Signature:
Signed lower right
Dimensions:
Framed: 28"x20"
Unframed: 21"x13"
Provenance:
Doyle New York - May 2003
From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948).
D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque...
Category
1910s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
La Toilette - Post-Impressionist Nude Oil Painting by Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
Signed oil on original canvas nude circa 1914 by French post impressionist painter Georges D'espagnat. The work depict a nude woman standing beside a wash basin in a boudoir.
Signature:
Signed lower right
Dimensions:
Framed: 45"x34"
Unframed: 37"x26"
Provenance:
Private collection - Netherlands
From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948).
D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style.
D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...
Category
1910s Post-Impressionist Georges D'Espagnat Art
Materials
Oil, Canvas
Vase de Fleurs - Post Impressionist Still Life Oil Painting - Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
Signed still life oil on canvas circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a ceramic vase placed on a wooden stall filled with pink peonies and yellow flowers. A beautiful piece in the artist's distinctive hand.
Signature:
Signed: Signed lower left
Dimensions:
Framed: 24"x21"
Unframed: 16"x13"
Provenance:
To be included in the forthcoming Georges d’Espagnat Catalogue Raisonné being prepared by Jean-Dominique Jacquemond.
From the beginning of his career it was a constant concern of Georges d'Espagne to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagne was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont...
Category
Early 20th Century Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Pommes et poires
By Georges d'Espagnat
Located in Washington, DC
Signed with monogram lower left
* The Robert Lehman Collection at the Metropolitan Museum of Art contains more paintings (nine) by Georges D’Espagnat than any other nineteenth- or ...
Category
Early 1900s Post-Impressionist Georges D'Espagnat Art
Materials
Oil, Wood Panel
Femme lisant dans un jardin
By Georges d'Espagnat
Located in Washington, DC
Signed with monogram lower left
* The Robert Lehman Collection at the Metropolitan Museum of Art contains more paintings (nine) by Georges D’Espagnat than any other nineteenth- or ...
Category
1910s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Nu avec des fleurs - Post-Impressionist Oil, Nude & Flowers - Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
Signed nude oil on original canvas circa 1910 by French post impressionist painter Georges D'espagnat. The work depict a nude woman seated on a stall turned away from the artist. Paintings hang on the wall and there's a vase filled with pink and red flowers on the wooden mantlepiece beside her.
Signature:
Signed upper left
Dimensions:
Framed: 30"x26"
Unframed: 22"x18"
Provenance:
Private French collection.
Exhibition stamp verso
From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948).
D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier...
Category
1910s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Boats on the Shore, Watercolor Painting circa 1910 by Georges d'Espagnat
By Georges d'Espagnat
Located in Long Island City, NY
Artist: Georges d’Espagnat, Attributed to, French (1870 - 1950)
Title: Boats on the Shore
Year: circa 1910
Medium: Watercolor on Paper, signed
Size: 4.5 x 7 in. (11.43 x 17.78 cm)
Fr...
Category
Early 20th Century Impressionist Georges D'Espagnat Art
Materials
Paper, Watercolor
"Vases Des Fleurs" 20th Century Impressionistic Oil Painting on Canvas
By Georges d'Espagnat
Located in New York, NY
Georges d'Espagnat was born August 14, 1870 in Melun, France. He was a French Post-Impressionist painter, muralist, illustrator, and theater designer. His family moved to Paris when ...
Category
Early 20th Century Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Le Piège à Oiseaux
By Georges d'Espagnat
Located in Sheffield, MA
Georges D'espagnat
French, 1870 - 1950
Le Piège à Oiseaux
Signed gdE (lower right)
Oil on canvas
66 3/4 by 48 1/2 in. W/frame 70 ¾ by 52 ½ in.
Born at Melun on 14th August 1870, G...
Category
1910s Post-Impressionist Georges D'Espagnat Art
Materials
Oil
"Jeune Femme Assise, " Original Blue Pencil Drawing by Georges d'Espagnat
By Georges d'Espagnat
Located in Milwaukee, WI
"Jeune Femme Assise" is an original pencil drawing by Georges d'Espagnat. The title translates to "young woman sitting" and as indicated a young woman sits facing the viewer with her...
Category
Early 1900s Impressionist Georges D'Espagnat Art
Materials
Pencil
Les Vendanges
By Georges d'Espagnat
Located in Sheffield, MA
Georges d'Espagnat
French, 1870 - 1950
Les Vendanges
Signed gdE (lower left)
Oil on canvas
67 by 43 in. W/frame 71 by 47 in.
Born at Melun on 14th August 1870, Georges d’Espagnat...
Category
1910s Post-Impressionist Georges D'Espagnat Art
Materials
Oil
"Buste de Jeune Femme, " a Conte Crayon Drawing by Georges D'Espagnat
By Georges d'Espagnat
Located in Milwaukee, WI
"Buste de Jeune Femme" or "Bust of a Young Woman" is an original conte crayon drawing by Georges d'Espagnat. It is initialed in the lower right. ...
Category
Early 20th Century Post-Impressionist Georges D'Espagnat Art
Materials
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Mid-20th Century Post-Impressionist Georges D'Espagnat Art
Materials
Board, Oil
H 19.25 in W 17.25 in D 1.5 in
Pointillist - Scandinavian Winter Landscape, 1907 by Arthur Percy
Located in Stockholm, SE
Introducing "Scandinavian Winter Landscape, 1907" a mesmerizing painting by the artist Arthur Percy Carlsson, later known as Arthur C:son Percy (1886-1976). Born in Vickleby, Öland, Percy's artistic journey was one defined by unwavering determination and exceptional talent.
This landscape painting presents a winter landscape, likely set during the early spring season. The canvas portrays a vast, snow-filled meadow, blanketed in pristine white. Above, the sky comes alive in a captivating pointillist style, with hues of blue, turquoise, and yellow forming delicate, scattered dots, while small clouds grace the horizon.
The scene unfolds with an enchanting backdrop of a distant forest, its trees adorned with a touch of winter's charm. Between the enchanting forest and the expansive meadow, a few humble houses...
Category
Early 1900s Pointillist Georges D'Espagnat Art
Materials
Canvas, Oil
H 13.19 in W 20.28 in
Previously Available Items
Flowers and Fruits
By Georges d'Espagnat
Located in Austin, TX
"Flowers and Fruits"
Artist: Georges d'Espagnat
Medium: Oil on Canvas
Size: 28.75" x 23.6
A gorgeous depiction of a classic still life featuring a glorious bouquet of flowers, color...
Category
Early 20th Century Georges D'Espagnat Art
Materials
Canvas, Oil
Nature Morte - Post Impressionist Oil, Still Life of Fruit by Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
A wonderful oil on panel by French post impressionist painter Georges D'Espagnat. The work depicts a wooden table in an interior with a jug, teacup and saucer and red and green apple...
Category
1920s Post-Impressionist Georges D'Espagnat Art
Materials
Oil, Panel
Fleurs & Fruit - Post Impressionist Oil, Still Life Flowers - Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
A beautifully painted oil on canvas circa 1920 by French post impressionist painter Georges D'Espagnat. The piece depicts a still life scene. To the right a white ceramic vase is filled with red, white and yellow flowers and to the left there is a blue and white china cup and saucer...
Category
1920s Post-Impressionist Georges D'Espagnat Art
Materials
Oil, Canvas
Flowers & Matroyshka - Post Impressionist Oil, Still Life by Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
A wonderful still life oil on canvas circa 1925 by French post impressionist painter Georges D'Espagnat. The work depicts a white jug filled with white and red blooms, placed on a re...
Category
1920s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Fleurs - Post Impressionist Oil, Still Life Flowers by Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
A beautiful still life oil on canvas circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts red and pink ornamental poppies in a tall white and blue vase.
Signature:
Signed upper right
Dimensions:
Framed: 31"x27"
Unframed: 24"x20"
Provenance:
Private French collection
From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948).
D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque...
Category
1920s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Orchard - Post-Impressionist Oil, Figures in Landscape by Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
A wonderful oil on canvas circa 1901 by popular French post impressionist painter Georges D'Espagnat depicting a summer landscape. A mother in pink dress and head scarf holds her chi...
Category
Early 1900s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Vernouillet - Post-Impressionist Oil, Autumn Landscape by Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
A stunning oil on canvas by French post impressionist painter Georges D'Espagnat depicting a tree-lined path. The colours of the leaves are changing from green to red as the season m...
Category
Early 1900s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Nu avec des fleurs - Post-Impressionist Oil, Nude & Flowers - Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
A beautiful oil on original canvas circa 1910 by French post impressionist painter Georges D'Espagnat. The work depicats a nude woman in a yellow shawl standing by a blue vase filled with pink, red and white flowers.
Signature:
Signed lower right
Dimensions:
Framed: 28"x20"
Unframed: 21"x13"
Provenance:
Doyle New York - May 2003
From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948).
D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque...
Category
1910s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Flowers & Fruit - Post Impressionist Oil, Still Life by Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
A wonderful still life oil on canvas circa 1920 by French painter Georges d'Espagnat. The piece depicts vases of flowers, a blue and a red teapot and a plate of fruit on a table in a blue interior. Titled "Fleurs, Pommes et Prunes" on original artist's label verso.
Signature:
Signed lower right
Dimensions:
Framed: 35"x42"
Unframed: 29"x36"
Provenance:
Private collection - Geneva
To be included in the forthcoming Georges d’Espagnat Catalogue Raisonné being prepared by Jean-Dominique Jacquemond.
From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948).
D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier...
Category
1920s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
'Along the Seine' by Georges d'Espagnat, French Post Impressionist, 1870-1950
By Georges d'Espagnat
Located in Ft. Lauderdale, FL
'Along the Seine'
By Georges d'Espagnat, French 1870-1950.
Measures: 18 x 21.75 in. without frame, 25.5 x 29.25 including frame.
Oil on relined canvas, signed in lower left corner.
Housed in a newer impressionist style gallery frame.
Georges d'Espagnat:
Georges d'Espagnat was a French Post-Impressionist painter known for his depictions of nudes, still lifes, and landscapes. Made in the tradition of his mentor Pierre-Auguste Renoir, d’Espagnat believed that paintings should adhere to the formal concern of artists like Tintoretto, while also taking cues from nature. Born on August 14, 1870 in Melun, France, he moved with his family to Paris in the 1880s, where he studied the work of Old Masters in the Louvre Museum. He would go on to exhibit in the Salon des Refusés and in the company of Henri Matisse and Pierre Bonnard in the years that followed. During his career, the artist also illustrated books by the authors Alphonse Daudet and Remy de Gourmont...
Category
Early 20th Century French Georges D'Espagnat Art
Materials
Canvas, Wood
H 25.5 in W 29.25 in D 3 in
Children in a Park
By Georges d'Espagnat
Located in New Orleans, LA
French painter Georges d’Espagnat eloquently captures a fleeting moment of childhood innocence in this charming composition. Rendered with a studied use of complementary colors and ...
Category
Early 20th Century Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
"Portrait of a Woman" by Georges D'Espagnat
By Georges d'Espagnat
Located in Bridgeport, CT
An original by the French artist, this oil on canvas is initialed in the upper right and comes in a traditional gold frame.
Category
Early 20th Century French Georges D'Espagnat Art
Georges D'espagnat art for sale on 1stDibs.
Find a wide variety of authentic Georges D'Espagnat art available for sale on 1stDibs. You can also browse by medium to find art by Georges D'Espagnat in paint, oil paint, canvas and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Post-Impressionist style. Not every interior allows for large Georges D'Espagnat art, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of Elie Anatole Pavil, Victor Charreton, and Édouard Leon Cortès. Georges D'Espagnat art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $4,000 and tops out at $248,500, while the average work can sell for $11,500.