Françoise Duprat Figurative Paintings

Signed symbolist figure in landscape oil on original canvas circa 1890 by French painter Edmond Francois Aman-Jean. The work depicts a lone woman carrying a load on a rural path. In ...

Cornish Blue by Mary Scott Hand signed by the artist Original Semi Abstract Painting Acrylic Paint on Board Board size H 30 cm x W 30 cm x D 0.5 cm Frame...

Floral Confetti [2022] original Acrylic on Canvas Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:4.5cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Floral Confetti is an original signed acrylic painting on canvas by Jan Rogers of a bright and colourful sunset floral scene. Pink and yellow flowers...

Once Upon A Paradise #2 – By Lucy Moore [2022] original and hand signed by the artist Acrylic on canvas Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 ...

This is one of the most loved and iconic paintings by Shizico Yi to date. Shipping would be fully insured for worldwide Free Shipping. We offer the origina...

Floral Daydream by Jan Rogers [2022] original Acrylic on Canvas Image size: H:61 cm x W:45.5 cm Complete Size of Unframed Work: H:1.5 cm x W:61 cm x D:45.5cm Sold Unframed Pleas...

Signed symbolist oil on panel circa 1910 by French Les Nabis painter Ker-Xavier Roussel. This beautiful painting depicts nudes and figures dressed in robes in a wooded landscape. Signature: Signed lower left Dimensions: Framed: 31"x40" Unframed: 23"x32" Provenance: JPL Fine Arts - London c. 1985 Ker-Xavier Roussel met Édouard Vuillard at the Lycée Condorcet, which they both attended. Together they visited Eugène Ulysse Napoléon Maillard's studio, where Roussel became acquainted with Charles Cottet, going on to study at the Académie Julian under Bouguereau and Jules Lefebvre. There, he became interested in the Synthetism promoted by Sérusier, following Sérusier's heeding of the line Gauguin had adopted in Pont-Aven. He joined the Nabis group. He and his friends form a link between the Impressionists - he knew Cézanne, Degas, Renoir and Monet - and the Fauves and Cubists. In his earliest paintings, Roussel adopted a dark palette for Realist still-lifes. Later, his work bore the influence of Gauguin, Sérusier, the Nabis and Cézanne, in Intimist scenes painted in flat tints not yet clearly delineated. Their dull, saturated tones are reminiscent of Cézanne. In about 1900 he started painting mythological scenes full of nymphs and fauns and set in his home region of Île-de-France. After a bicycle trip in Provence with Maurice Denis, during which he met Cézanne, he lightened his palette, much taken by the cloudless skies below which he would now set the mythological and idyllic compositions which link him to Poussin and Corot. This wondrous, unreal world found its way into large-scale works, including the stage curtain of the Champs-Élysées theatre in 1913, a large Pax Nutrix for the Palais des Nations in Geneva and Dance for the Palais de Chaillot in 1937. He is best remembered for: Silenius' Triumph, Polyphemus, Diana, The Abduction of the Daughters of Leucippus. The nymphs and fauns of a mythology quite his own appear in clearings and woods from the outskirts of Paris, but the sun they rejoice in is Mediterranean. To capture the vibration of bright colours under a permanent sun, he later turned to pastels. He was more a Symbolist than a Nabi and signed himself K.-X. Roussel. He also produced lithographs. He took part in exhibitions from 1891 with the Groupe des Vingt at le Barc de Bouteville's gallery in Brussels. Then he exhibited in Revue Blanche Painters ( Les Peintres de la revue blanche) in Paris; with the Nabis at Café Volponi in Paris; before World War I with Free Aesthetics in Brussels; from 1901 at the Salon des Indépendants and the Salon d'Automne; in the 1930s in Revue Blanche Painters ( Les Peintres de la Revue blanche) hosted in Paris by designer Bolette Natanson, the daughter of the Revue Blanche's owner. He took part in The Masters of Contemporary Art ( Les Maîtres de l'art contemporain) at the Musée du Petit Palais in Paris, and at the 1938 Venice Biennale and 1939 New York World Fair. He featured posthumously in Toulouse-Lautrec and the Nabis ( Toulouse-Lautrec et les Nabis) at Bern Kunsthalle; From the Revue Blanche ( Autour de la revue blanche) in the Galerie Maeght, Paris, and in Tokyo and Brussels. He had one-man shows in Paris before his death in 1944. Retrospectives were mounted in the 1960s in London and Bremen. Museum and Gallery Holdings: Geneva (Petit Palais): Haystacks on the Seaside Paris (BNF): Training the Dog; Landscapes (engraving); Nymph and Faun (c. 1895, etching) Paris (Louvre): Poject for a Screen (drawing) Paris (MNAM-CCI): The Road (c. 1905); The Cyclops (1908); Venus and Cupid on the Seafront (1908); The Abduction of Leucippus' Daughters (1911); Pastorale (1920); Diana at Rest (1923); Portrait of Vuillard (1934) Paris (Mus. d'Orsay): The Gate (pastel); Woman in Profile with Green Hat; In Bed; Félix Valloton...

Signed and dated symbolist figure in landscape oil on board by French painter Alphonse Osbert. The piece depicts a blonde woman in a full length purple...

48" x 48" acrylic and graphite on 1/8" birch panel Hermzoo on this series of work "These paintings are my vehicle to poke around the hills and valleys where I live, and see what ...

Woman figure depicting climate change. About the artist: Lisa M. Shimko’s paintings reveal the influences of sundry research topics, old memories, and daydreaming. Growing up in York County, Pennsylvania, Shimko spent her childhood collecting rocks and exploring the terrains of forests and farms. Colors, forms, and textures from nature and the simple designs of Pennsylvania German folk art infused the foundation of her artistic aesthetic. In 1994, Shimko earned a BFA in painting with a minor in art therapy from the University of the Arts in Philadelphia. The urban landscapes of the Northeast supplied a different kind of nature for her to explore—architecture, social issues, history, and all the music in between. Hilton Head...

Magdalena Nałęcz (b. 1970) She graduated from the Academy of Fine Arts in Cracow in 1995. She received numerous scholarships and prizes: in 1997 the scholarship of the city of Cracow...

Woman figure depicting climate change. About the artist: Lisa M. Shimko’s paintings reveal the influences of sundry research topics, old memories, and daydreaming. Growing up in York County, Pennsylvania, Shimko spent her childhood collecting rocks and exploring the terrains of forests and farms. Colors, forms, and textures from nature and the simple designs of Pennsylvania German folk art infused the foundation of her artistic aesthetic. In 1994, Shimko earned a BFA in painting with a minor in art therapy from the University of the Arts in Philadelphia. The urban landscapes of the Northeast supplied a different kind of nature for her to explore—architecture, social issues, history, and all the music in between. Hilton Head Island...