Franco Bocchi Art

Serigraph on paper. Hand signed, titled and numbered by the artist. From the edition of 465. Artwork is in excellent condition. Certificate of Authenticity included. All reasonab...

A bright and vibrant still life by pop artist Hunt Slonem. The silkscreen print is hand-signed and numbered in pencil, nicely framed. Spell III by Hunt Slonem, American (1951) Date:...

Serigraph on paper. Hand signed, titled and numbered by the artist. From the edition of 465. Artwork is in excellent condition. Certificate of Authenticity included. All reasonab...

Jonas Wood Bromeliad, 2020 13 Color Screenprint in colors, on rising museum board, with full margins Signed, dated and numbered 135/200 in pencil front; with publisher's blind stamp ...

Serigraph on paper. Hand signed, titled and numbered by the artist. From the edition of 465. Artwork is in excellent condition. Certificate of Authenticity included. All reasonab...

Artist: John Grillo, American (1917 - 2014) Title: Kaleidoscope I Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 Image Size: 29.5 x 22 inches ...

Wes Lang (American, b. 1972) Thoughts For The Free Life #15, 2023 Medium: Screen print on Somerset 280/gsm paper Dimensions: 58.4 × 91.4 cm (23 x 36 in) Edition of 100 + 15 AP: Hand-...

Artist: Michael Knigin, American (1942 - 2011) Title: Eye of the Storm Year: 1971 Medium: Screenprint, signed and numbered in pencil Edition: 136/200 ...

"SS (Masks We Wear)", 2018, is a limited-edition silkscreen print, double-sided by Andrew Cornell Robinson. This print is an edition of 40. Each print is signed, stamped and numbered. The prints measure 17x17". Note the double-sided printing – surfaces of text, surfaces of image. See the full installation (photo above) as a striking performance in itself with myriad possibilities for color, pattern, language, culture, politics, identity. It's a dynamic body of work that delights in the craft of making and the experience of revealing a tapestry of image and language. Initially inspired by a visit to the Talking...

Serigraph on paper. Hand signed, titled and numbered by the artist. From the edition of 465. Artwork is in excellent condition. Certificate of Authenticity included. All reasonab...

Mur de Huy Eliza Southwood Cycling Print Screen Print 5 colour screen print, edition of 45 Inspired by the Mur de Huy climb Size: H:70 cm x W:50 cm. Artist Bio: Eliza Southwood is ...

The Most Important Film Ever Made, 1972 Color screen print and collage, from the edition of 70. 15 x 17 in 38.1 x 43.2 cm Published by the artist with Marlborough Graphics at the Kelpra studio in 1972. This work is also in the collections of TATE London and the Victoria & Albert Museum. the price reflects the fact that there is no backing page. Stylistically, these are hybrid works, influenced by Pop art and the modernist tradition of the Readymade, a work of art created when a mundane found object is named as an artwork and set in an art context. This avant-garde concept was originally invented by the Dada master Marcel Duchamp early in the twentieth century. In the 1960s it received renewed attention at a time when artistic norms were again being questioned. Reacting to Andy Warhol’s Pop imagery, Kitaj poignantly called his repurposed lithograph and silkscreen book covers “his soup can, his Liz Taylor.” The blatant use of images taken directly from commercial sources situates In Our Time as a precursor of appropriation art. In turning book covers into works of art, Kitaj is offering fragments of a history of knowledge, in which the content of each volume is at once mysterious and absent. Coming from this passionate bibliophile, the series is nothing less than an intellectual self-portrait. R.B. Kitaj, in full Ronald Brooks Kitaj . Ron Kitaj...