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Ezio Didone Chandeliers and Pendants

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Creator: Ezio Didone
Arteluce Atomic Space Chrome Disk Lamp Mira "C" Designed by Ezio Didone
By Arteluce, Ezio Didone
Located in Antwerp, BE
Vintage midcentury Arteluce saucer lamp.This Mira C Suspension provides diffused upward and downward light and features aluminum chrome lamp body finish a sandblasted, acid-etched gl...
Category

1980s Italian Mid-Century Modern Vintage Ezio Didone Chandeliers and Pendants

Materials

Aluminum

Ezio Didone “Mira S” UFO Pendant Light for Arteluce / Flos, Italy, 1990s
By Ezio Didone, Arteluce
Located in Niederdorfelden, Hessen
Postmodern UFO or flying saucer pendant light giving diffused upward and downward light. Designed in the 1990s by Ezio Didone and manufactured by Arteluce (in those years division of...
Category

1990s Italian Post-Modern Ezio Didone Chandeliers and Pendants

Materials

Metal, Chrome

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Castiglioni Metal "Light Ball" Italian Sconce for Arteluce and Flos, 1960s
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Incredibly rare first edition of the famous "Light Ball" applique by Castiglioni in white metal and opal glass. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic light is unique because of the materials, made of white enameled metal and opal glass. It can be mounted on the wall or on the ceiling. The wall light has been tested, it uses an E27 light bulb. It is signed on the backplate by both Arteluce and Flos. A fantastic piece that will grace a mid-century living room or bathroom. Measures (cms): diameter - 42 height - 32 Literature: Casa Amica, 27 June 1972, p. 105 Octagon 30 September 1973, p. 149 Sergio Polano, Achille Castiglioni all the works, Electa, Milano, 2001, p. 224 Giuliana Gramigna, repertoire 1950-2000, Allemandi, Torino, 2003, p. 121. The beginnings of Flos (meaning “flower” in Latin) blossomed from a brilliant idea: to create objects, starting with a light bulb, that would change the way of life for both the Italian market and the foreign markets. Dino Gavina and the small Eisenkeil manufacturing facility in Merano, had already been creating furniture alongside design masters such as Achille and Pier Giacomo Castiglioni, Afra and Tobia Scarpa. But by the early 1960s, Gavina became convinced the time had come to create new lamps. Using the same technology – conceived in the USA and tested at Eisenkeil – used for the Cocoon lampthe Castiglioni brothers and the Scarpa duo began creating lamps such as the Taraxacum or the Fantasma, with many other beautiful and surprising lamps to follow. And so, from day one, Flos was already reinventing the idea of artificial lighting. Achille Castiglioni (born February 16, 1918, Milan–died December 2, 2002, Milan) was a prolific furniture, lighting, and product Italian designer renown for his ironic, joyful, creative and functional designs that, at times, intersected with ideas explored by conceptual artists. Achille Castiglioni was born into a family with deep appreciation for the arts, as he was the third son of sculptor and coin engraver Giannino Castiglioni and his wife Livia Bolla. He first studied the classics at the Liceo Classico Giuseppe Parini, but then switched to study art at the Accademia di Belle Arti di Brera in Milan. In 1937, he decided to follow the steps of his two elder brothers, architects Livio and Pier Giacomo Castiglioni, by enrolling in the Faculty of Architecture at the Politecnico di Milano, graduating in 1944–after having to interrupt his studies when he was stationed in Greece and Sicily during World War II. In 1944, immediately after graduating, Achille Castiglioni joined his brothers Livio and Pier Giacomo in the design studio that they had founded with Livio’s classmate Luigi Caccia Dominioni in 1937 in Milan. Fortunately for Achille, from the very beginning Livio and Pier Giacomo decided to focus almost entirely on designing exhibitions, furniture, housewares, and appliances since architectural commissions were difficult to come by during the war. This product-design focus, and the deep fraternal bound among the three brothers, would later allow the young Achille to experiment early in his career with emerging techniques and new materials that could communicate a fresh aesthetic sensibility suited for the positive outlook of the post-war European market. The Castiglioni brothers’ important collaboration with Phonola and Brionvega In 1940, Pier Giacomo Castiglioni, Livio Castiglioni, and Luigi Caccia Dominioni, in collaboration withe the Phonola company, presented in the VII Triennale di Milano (Milan Triennial), titled Exhibition of the Radio, a research study of radio devices that included the Fimi Phonola 547 radio, the first radio encased in Bakelite instead of wood. Shortly after the exhibition, Luigi Caccia Dominioni suspended his professional activity to serve in the military during World War II and left the studio. The development of the FImi Phonola 547 radio would prove fruitful for the three brothers, as it allowed Livio Castiglioni to cement his role as the leading design consultant for Phonola from 1940 until 1960, and for Brionvega, from 1960 until 1964. These relationships brought in further collaboration among the three brothers, and would eventually result in several designs for radio and sound appliances with innovative materials and shapes for which Achille Castiglioni played a key role, such as the RR 226 stereo system for Brinovega (1965), the radio phonograph RR 126 for Brinovega (1965), and the radio and record player RR 128 for Brionvega (1966) In 1952, Livio decided to build his own practice, independent from Achille and Pier Giacomo, to pursue a deeper exploration of radio waves, music, and technology. But the three brothers would continued to collaborate closely in several projects, and the partnership between Achille and Pier Giacomo became so tight that from 1952 until 1968, when Pier Giacomo died, they co-authored most of their designs. Achille Castiglioni Long Career as Light Designer During this period, the Castiglioni brothers participated in the Italian Exhibition of Furniture (RIMA), where they successfully introduced a series of curved-plywood furniture, and presented important designs, such as the Tubino lamp (1949), originally produced by Italian light maker Arteluce from 1949 until 1974, and reintroduced by FLOS since the late 1970s; and the Luminator lamp (1955), originally produced by Gilardi & Barzaghi, but reintroduced by FLOS in the late 1960s. A new, successful, and long-lasting collaboration developed in 1960, when Pier Giacomo and Achille Castiglioni were reached by entrepreneurial Italian designer Dino Gavina and business man Arturo Eisenkeil with the idea to create a completely new kind of lighting fixtures utilizing a polyamide. 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Unique Disk Pendant by Hatsu
Unique Disk Pendant by Hatsu
H 23.63 in W 25.6 in D 25.6 in
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Previously Available Items
Pair of Ceiling Lamps Mira Arteluce Aluminium Italy 1980s
By Ezio Didone, Arteluce
Located in Milano, IT
Pairs of ceiling lamps with adjustable height using a steel cable; chromed aluminum and glass.
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Aluminum

Striking Ezio Didone “Mira S” Pendant Light for Arteluce
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Located in San Diego, CA
Postmodern UFO or flying saucer pendant light designed by Ezio Didone for Arteluce. Black enameled finish with chrome accents and frosted glass shades large and impressive. Lamp its ...
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Late 20th Century Italian Post-Modern Ezio Didone Chandeliers and Pendants

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Ezio Didone “Mira S” Pendant Light for Arteluce
By Ezio Didone, Arteluce
Located in Miami, FL
Postmodern UFO or flying saucer pendant light designed by Ezio Didone for Arteluce.
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Late 20th Century Italian Post-Modern Ezio Didone Chandeliers and Pendants

Materials

Steel

Ezio Didone chandeliers and pendants for sale on 1stDibs.

Ezio Didone chandeliers and pendants are available for sale on 1stDibs. These distinctive items are frequently made of metal and are designed with extraordinary care. There are many options to choose from in our collection of Ezio Didone chandeliers and pendants, although black editions of this piece are particularly popular. Many of the original chandeliers and pendants by Ezio Didone were created in the mid-century modern style in italy during the late 20th century. If you’re looking for additional options, many customers also consider chandeliers and pendants by Perry King & Santiago Miranda, Mariyo Yagi, and Maestri Muranesi. Prices for Ezio Didone chandeliers and pendants can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $949 and can go as high as $3,550, while a piece like these, on average, fetch $2,249.

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