Ernesto Capdevila

2006, Australian, Betsy Lewis Napangardi (1940-2008), Framed Mina Mina Dreaming, etching on paper. Number 5 of 60 and pencil signed Betsy Lewis with embossed seal. Information on the back of the work from the Warlukurlangu Artists Aboriginal Association and dated 1/11/2007, describes the story behind the work authenticates it. Dimensions: 17.5"w x 23.5"h x 1.5"d (framed) 7.5"w x 13"h (sight) Condition: Good. Not examined out of frame. Shows well. Ready to hang. Biography: Betsy Lewis Napangardi was a traditional Warlpiri woman from the Yuendumu Community region. Betsy was born in the bush just west of Yuendumu in the 1940’s, this was before hospitals and health clinics were available and accessible in the area. Betsy moved to Mount Doreen Station with her family at a young age. She was raised by Paddy Japanangka Lewis and attended the Yuendumu School. She spent her life living in Yuendumu. Betsy began painting full time in 1999 however she had been painting for Warlukurlangu Artists for some time before then. She was considered at the forefront of the move towards more abstract depictions of Aboriginal art however did maintain a strong connection to her Kurruwarri heritage. Her art is bright and textured with thick layers of paint. Some of her family members are also artists such as Margaret Lewis. Betsy is known best for five Dreamtime depictions - Snake Vine, Women’s Dreaming, Edible Fungus, Dreaming Site and Dogwood. The story of Jintiparnta is of the Napangardi and Napanangka women who collect Jintiparnta or Edible Fungus at Karnakarlangu. The area is also known as Mina Mina. The ancestral women would travel from here heading north and east toward Janyinki and Alcoota country. The Mina Mina is a ceremonial place which belongs to the Japanangka and Japangardi men and the Napanangka and Napangardi women. Water soakages, sand hills...

Continental school, 19th-20th century "Cherubs" Gouache and Watercolor on paper Size with frame: 19 x 11 in. (48.26 x 27.94 cm.)  

A contemporary pencil drawing of a woman. This piece is framed in a metal frame covered with glass and signed at the bottom. Dimensions: 24.25 18.25" 1" deep.    

Contemporary artist Jennifer Printz "Quietus" series of four prints blends photography, graphite, and Epson Ultrachrome inks on antique papers. The work is matted and framed in wood,...

Albert Bitran mixed media, (colored pencil, charcoal, and chalk) on paper, signed and dated 1982, in excellent condition. Framed Dimension of the drawing: 52 x 40 cm Albert Bitra...

Contemporary artist Jennifer Printz "More than Memory" series is collection of nine postcard like prints using photography, graphite, and Epson Ultrachrome inks on BFK Rives paper. The work is matted and framed in wood, protected with anti-static, non-glare Plexiglass glazing. The idea for this body of work comes from Jennifer's fascination with the public nature of mourning during the Victorian period. Back then, people used dress...

Colorful chalk drawing of a nude woman in repose unframed. This beautiful piece features bold bright complementary colors on blue paper. This still Life nude painting is a wonderful ...

Contemporary New York artist Patrick Carrara's Divided Lines Drawings Triptych was made in 2010. The D.L. Series (2010 -2011) was created after Gardens of Silence (2009 - 2010). No m...

Contemporary New York artist Patrick Carrara's Garden of Silence Drawings was created in 2009. G.O.S. (2009-2010) was the first series using a mechanical pencil with a hard 5H graphi...

Five black ink on white paper by Artist, Greg Dickerson.

Contemporary artist Jennifer Printz "More than Memory" series is collection of nine postcard like prints using photography, graphite, and Epson Ultrachrome inks on BFK Rives paper. The work is matted and framed in wood, protected with anti-static, non-glare Plexiglass glazing. The idea for this body of work comes from Jennifer's fascination with the public nature of mourning during the Victorian period. Back then, people used dress...

Contemporary artist Jennifer Printz "Quietus I and II" series of four prints blends photography, graphite, and Epson Ultrachrome inks on antique papers. The work is matted and framed...