Emanuel Glicenstein Romano Figurative Paintings

Signed lower right. Inscribed on the reverse 'My first color illustration, Nov. 1954.' Work is unframed, Film Noir in paint

Charming portait with Modernest colors. Provenance: Christie's Mercedes Matter, daughter of the artist, Salander-O'Reilly Galleries, New York. Private Collection. Sale: Skinner, Inc...

WPA Scene American Modernism 20th Century Workers Strike Realism Industrial "Pawns" 16 x 20 inches,. Oil on board, c. 1930’s. Signed lower left. Stowell Sherman...

Waiting for the Bus in a Blizzard- WPA American Scene 1938 NYC Modernism Realism. 16 x 16 inches, Oil on board, Signed and dated 1938 lower left. ...

"Winter" American Modernism WPA Regionalism Landscape Mid-Century Magic Realism. 30 x 40 inches. Oil on canvas, c. 1960s, Signed lower right. As we list the painting now, the work is currently being cleaned, restored and a hand carved frame is being built. Additional photos will be uploaded as soon as possible. Our gallery, Helicline Fine Art, just launched our new digital exhibition: American Art: The WPA and Beyond. Three dozen paintings, works on paper and sculptures which are available here on 1stDibs. In person viewings can be arranged by appointment at our midtown Manhattan gallery. Provenance: "Winter" was originally purchased by Stanley Byer. Mr. Byer owned homes in Key West, New York City, and Washington, D.C. He purchased the painting from Dunning Auction in 1984 in Elgin, Illinois. Mr. Byer was related to Abraham Weiss from Florida. Saul Babbin, now deceased was a cousin of Mr. Weiss. I purchased the painting from Joy Babbin, Mr. Babbin's wife, now living in from New Mexico. Dale Nichols (1905 – 1995) Artist, printmaker, illustrator, watercolorist, designer, writer and lecturer, Nichols did paintings that reflected his rural background of Nebraska where he was born in David City, a small town. Although he did much sketching outdoors, most of his paintings were completed in his studio and often included "numerology, magic squares...

Night Life in the City - Figurative Cityscape Mid 1960s cityscape by an unknown artist. Oil on artists board. Image, 16"H x 20"W

Crying Clown Portrait in Oil on Canvas Portrait of a sad clown by San Francisco artist John Peers (American, 1922-2009). This portrait is closely fra...

"In Soquel (California)" is an original oil on board painting by Jon Blanchette (1908-1987) circa 1955. Farm landscape with figure hanging laundry and silo, painted in colors of blue...

A lovely scene adeptly painted by listed American artist and illustrator Jan Nosek (1876 - 1966) who was active in the late 19th and early 20th Century. This scene created in the ea...

Gloria Vanderbilt Mother and child, ca. 1968 Gouache on paper painting Hand signed by Gloria Vanderbilt lower right recto Unique Frame included Measurements: Framed 37 Vertical by 31 inches. Painting 27 Vertical by 21.5 inches This unique, poignant poignant portrait was done by the legendary Gloria Vanderbilt. It is signed on the front. As this work was done in the mid 1960s, it is believed to be a self portrait depicting the artist, and likely her son, Anderson Cooper. Held loosely in the original damaged vintage Heydenryk frame used by Hammer Galleries...

"East Santa Cruz (California)" is an oil on canvas board by Jon Blanchette (1908-1987) of a yellow farm house with dark gray storm clouds overhead. Presented in a custom frame, outer dimensions measure 21 ¾ x 25 ¾ x 1 ½ inches. Image size is 16 x 20 inches. Painting is in very good vintage condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the Artist: Jon Blanchette Born England, 1908 Died California, 1987 Jon Blanchette was born in Somerset, England on March 29, 1908. He immigrated to Battle Creek, Michigan in 1918. Artistically inclined at age six, he later studied at the Pittsburgh Art...

Untitled (Portrait of Bessy Lyon, Artist Wife) is an oil on canvas painting by Hayes Lyon (1901-1987) from 1945. Presented in a wood frame, outer dimensions measure 35 ¼ x 29 ¼ x 1 ¾ inches. Image size is 30 x 24 inches. About the Artist: A native of Athol, Kansas, Lyon is primarily associated with Colorado. After several summer vacations at the Boulder Chautauqua and at Manitou near Colorado Springs, his family relocated in 1920 to Boulder where his father had a lumber business. Nine years later they settled in Denver where his father owned the Acme Lumber Company. To comply with his desire for his son’s financial self-reliance, Lyon graduated from the University of Colorado at Boulder in 1931 with a B.A. degree in economics. But shortly thereafter he returned to his first love – art – that ultimately became his career. His interest in the arts was nurtured by his mother, herself a talented amateur artist, and by two of his aunts who served as role models. Beginning in 1932, he pursued a five-year course of study at the Chappell School of Art in Denver which by then had become part of the University of Denver. During his time at the school he studied with John E. Thompson and Santa Fe artist, Józef Bakoś. He also met two other Santa Fe-based artists, Willard Nash and B.J.O. Nordfeldt, when they exhibited at Chappell House, then the home of the Denver Art Museum. Lyon likewise attended the Cooke-Daniels Lecture Series there on the arts in the 1930s. Following graduation with a B.F.A. degree from the University of Denver in 1937, he studied privately for about a year with Andrew Dasburg in Taos, New Mexico, that redirected his attention to the rugged Rocky Mountain landscape, which he saw with directness and painted with an economy of means. His canvas, Winter Vista, done following his study with Dasburg, received the Edward J. Yetter Memorial Prize at the 45th Annual Exhibition of the Denver Art Museum in 1939. The painting was reproduced in the September 1939 issue of the Magazine of Art (Washington, DC). That same year his painting, Mount Evans, was included as one of Colorado’s entries in the American Art Today Pavilion at the 1939 World’s Fair in New York. The money he received from the Yetter Prize financed his trip to Mexico City and Guadalajara in 1939 to see firsthand the frescoes of José Clemente Orozco and Diego Rivera and the easel paintings of David Alfaro Siqueiros. Their work was admired by many Americans who participated in the WPA-era mural projects in the United States in the 1930s and early 1940s. The economic fallout from the Great Depression affecting many American artists at the time likewise resulted in Lyon’s participation in the Colorado Art Project, part of the WPA’s national program. Under its auspices he produced three murals in 1940 about the pioneer era of Fort Lupton, Colorado, which were installed in the auditorium of the local high school. Covering 367 square feet of wall space, one of the murals – Behold the West (the largest one) – incorporates the old fort for which the town is named. Before Lyon painted the murals, the students at Fort Lupton High School researched the history of their community and contributed to their cost, facilitating the murals’ allocation to their school under the Colorado Art Project. In the early 1940s Lyon shifted his focus to two new subjects – bathers, and canyons with conifers – reflecting his ongoing search for personal artistic growth. However, his reliance on structure to create form in his paintings and works on paper alienated some of his longtime followers. Nonetheless, his painting Conifers and Canyons won recognition at the 47th Annual Exhibition at the Denver Art Museum. The watercolor version of the piece was among three hundred works in that medium selected by John Marin, Charles Burchfield and Eliot O’Hara from a national competition held by the Section of Fine Arts (Federal Works Agency) and shown at the National Gallery of Art in Washington, DC, in 1941. Later that year Lyon spent time in California where he saw Orozco’s Prometheus, influencing him to increase his range of originality and expression. In 1942 Lyon enlisted in the U.S. Army, spending almost three years in the Mediterranean Theater – Africa and Italy – preparing camouflage operations and scale models of proposed landing sites. He used his free time in Italy to expand his artistic vocabulary by seeing cultural masterpieces in Rome, Florence, Siena and Milan, and through his extensive contact with Giorgio de Chirico, founder of the scuola metafisica art movement, and Gino Severini, a leading member of the Futurist movement. Because of Lyon’s low army rank and pay, de Chirico did a small watercolor for him signing it, "For Mr. Lyon; G de Chirico, 1944." Lyon often visited de Chirico and his wife, Isa, at their apartment near the Spanish Steps in Rome. Following his Army discharge in 1945 fellow Kansas native, Ward Lockwood, invited him to join the Art Department at the University of Texas at Austin where he taught painting from 1946 to 1951. During this period some of Lyon’s work employed the palette of the School of Paris which he had seen while stationed in Europe, while other paintings had a certain flatness found in some of Lockwood’s work from the 1930s. From 1951 to 1953 he was affiliated with the Lower Colorado River Authority in Austin as an illustrator and editor of the employee magazine. In 1953, following time spent in Mexico, he returned to Denver, working as an illustrator at Lowry Air Force Base until retirement in 1961. During that time he did little of his own art because he also was designing and building a home in Arvada, Colorado, and re-establishing himself in the Denver art community after a decade-long absence. His painting, Autumn Aspens (1953-present location unknown) illustrates his experimentation with abstraction. In the early 1960s he began painting from memory that continued until the steadily degenerative effects of Alzheimer’s disease took their toll a decade later. He depicted scenes from his wartime European sojourn and from his early adulthood. The latter include Souvenir of Boulder (1962), a nostalgic return to his boyhood home in Boulder; and Holly Mayer and Friends, a painting of Glenn Miller and his musicians, inspired by Lyon’s first encounter with jazz in Boulder in the 1920s. His lifelong passion for vintage cars and automobile racing...