Edward Stott Art
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Artist: Edward Stott
British 19th Century drawing of a nude by Edward Stott
By Edward Stott
Located in Petworth, West Sussex
Edward Stott, ARA (British, 1859 - 1918)
Reclining nude
Pastel and black crayon
8.1/2 x 12.1/4 in. (21.7 x 31.2 cm.)
Provenance: Abbott and Holder, London
A few years after its foundation in 1886, a critic referred to the New English Art Club as that Steery, Starry, Stotty. Stotty referred to William Stott of Oldham and Edward William Stott. The four men had in common the love French plein air painting...
Category
19th Century Academic Edward Stott Art
Materials
Pastel, Crayon
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Free Shipping
H 18.9 in W 13.78 in D 0.08 in
Dusk from the Tomb of Lorenzo di Piero de'Medici - Original Ink Drawing
By Christopher Ganz
Located in Chicago, IL
This particular drawing is a study of the sculpture at the Medici Chapel in Florence, Italy. The artist creates a true to life representation of the sculpture in question by incorporating techniques of classical academic drawing such as cross hatching and gesture based mark making in order to create volumes and give the study an overall three-dimensionality.
Christopher Ganz
Dusk from the Tomb of Lorenzo di Piero de'Medici, by Michaelangelo, in Florence
Ballpoint pen
24h x 13w in
61h x 33.29w cm
CG0064
-ARTIST STATEMENT-
I depict my person in multiplicity with different selves representing dramatis
personae. My likeness is both implicit and symbolic in the portrayal of my
narrative; the drama involved in creating art and the artist’s role in society. I
use realism to invite the viewer into mysterious inner worlds that are layered
reflections of the outer. Dehumanizing environments are imbued with art
historical references as a critique of power structures. The artist is an
Everyman who is at odds with society and his self.
Visually my work is a celebration of society’s dark undercurrents and its
overlooked absurdities. I use charcoal and printmaking media as their
tenebrous values add a fitting metaphor. The nuances of light and shadow
seduce viewers into a world their better judgment would have them avoid.
This provokes a sense of disquietude that causes viewers to assess our world
through the austerity of a colorless, yet not humorless, light.
-BIO-
Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation.
-CV-
EDUCATION
MFA 2001 Printmaking Indiana University-Bloomington
BFA 1995 Drawing and Printmaking University of Missouri-Columbia
TEACHING/PROFESSIONAL EXPERIENCE
2002-13 Associate Professor, Printmaking and Drawing
Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN
2002 Adjunct Professor: Lithography (instructor of record)
Indiana University-Bloomington
1998-00 Associate Instructor: Beginning Drawing (instructor of record)
Indiana University-Bloomington
1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in
the production of an intaglio edition, Bloomington, IN
SOLO OR SMALL GROUP EXHIBITIONS
2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN
Feb. 5 – Feb. 21
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2011 Christopher Ganz; Prints and Drawing
Hendrix College, Hendrix, Arkansas, March 5 - 18
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Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24
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six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23
Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago
2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center
Covington, KY, March 9 - April 6
Alter Egos: Drawings and Prints by Christopher Ganz
Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17
2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz
Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23
2004 Works on Paper: Christopher Ganz and Paul Schumann
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Born in 1836 in the port town of Nantes, Tissot traveled to Paris at the age of 20 in order to join the studios of Hippolyte Flandrin and Louis Lamothe. During this period, he became close with James Abbott McNeill Whistler, Edgar Degas and Edouard Manet, and the impact of these friendships is reflected in his portraits of modern life. Having enjoyed considerable success in Paris during the 1860s, Tissot fought in the Siege of Paris, and after the fall of the Commune in 1871, he went to London, where he stayed for the next ten years. He was met with incredible success there, and he also met the love of his life, Kathleen Newton, a divorcée, with whom he lived from about 1876 until her death in 1882. Today he is regarded among the great masters of Belle Époque painting, and his works can be found in important collections worldwide, including the Metropolitan Museum of Art, the Brooklyn Museum, the National Gallery of Art, the Musée d’Orsay, the Tate Gallery and many others.
This pastel remained in Tissot's private collection until his death in 1902 and is referenced in the posthumous 1902-3 valuation of Tissot's home at 64 avenue du Bois...
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British, 19th Century drawing of a young beauty by Edward Stott
By Edward Stott
Located in Petworth, West Sussex
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10.3/8 x 7.1/2 in. (26.3 x 19 cm.)
Provenance: Abbott and Holder, London
A few years after its foundation in 1886, a critic referred to the New English Art Club as that Steery, Starry, Stotty. Stotty referred to William Stott of Oldham and Edward William Stott. The four men had in common the love French plein air painting...
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A few years after its foundation in 1886, a critic referred to the New English Art Club as that Steery, Starry, Stotty. Stotty referred to William Stott of Oldham and Edward William Stott. The four men had in common the love French plein air painting...
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Edward Stott art for sale on 1stDibs.
Find a wide variety of authentic Edward Stott art available for sale on 1stDibs. You can also browse by medium to find art by Edward Stott in crayon, pastel and more. Not every interior allows for large Edward Stott art, so small editions measuring 13 inches across are available. Customers who are interested in this artist might also find the work of William Edward Frost, Jean Baptiste Édouard Detaille, and Robert Ladou. Edward Stott art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,551 and tops out at $1,551, while the average work can sell for $1,551.