Edouard-Marcel Sandoz Decorative Objects

ROSSO DI VERONA MARBLE SHELL-SHAPED SINK early 20th Century Red Verona pink vein marble. Handmade WIDTH 36cms LENGTH 39cms INTERNAL DEPTH OF THE BASIN 12 cm THICKNESS 15cm WEI...

Art Deco bronze car mascot French bulldog signed by Gaston H. Bourcart. The hood ornament is in gilt bronze and stands on a marble base. France 1925. This mascot is illustrated plate nr. 329 Mascottes passion, Michel Legrand, Antic show éditions. More information: Mascottes automobiles...

Bronze Sculpture Lioness / Roger Godchaux Jewish Artist & Susse Lost Wax Bibelot . An important bronze sculpture By the great Jewish Bronze Master animalier , Estampille 1- Cire perdue Lost Wax Stamp "La Lionne" by Roger Godchaux. See Photo 2- 2- With A Stamp of Susse. See Photo 3- 3- the signature of the Artist on the bronze. See Photo Incredible Executed and very fine details with Dark Brown Patina with a hue of green . The movement of the lionesse is very graceful and sinuous (as most of the lion Sculpture he produced) Mounted on a black stone base 5 1/2" x 11 1/2" Antique Dealer West Hollywood CA Melrose Ave La Cienega Blvd. Godchaux Né à Vendôme le 21 décembre 1878 et mort le 6 mars 1958 à Paris. Roger Godchaux Sculpteur animalier regularly produces animal drawings and paintings. Thus, unlike his sculptures which mainly represent wild animals, especially elephants and felines that he was going to study at the Jardin des Plantes, his paintings are often inspired by farm animals that he could observe in a small village of Brie where lived the mother of his companion. He also paints commissioned portraits or portraits of his family or friends, such as Gaston Switzerland or René Huchet . But it is above all a sculptor. He made some works by direct carving of the wood. However, he mainly worked by modeling the earth. It treats surfaces by smoothing and oblique streaks. In this respect, unlike other animal sculptors like Édouard-Marcel Sandoz , François Pompon or Armand Petersen whose works are smooth, his work is close to the art of Paul Jouve which leaves apparent textures. The lioness is finished with Godchaux’s distinctive surface modeling where the flesh is left textured like a wax model on the artists bench, still being formed and tooled. Godchaux’s animal work is characterized by gentleness and a sensitivity towards his subjects that showcases their playfulness and personality. This is captured beautifully in the present example where her curiosity and intensity of focus are fully developed; the anatomical and muscular realism is noteworthy. The naturalistic base is signed in his standard script “Roger Godchaux” and is also signed “Susse Fres. Edit. Paris” with the Susse cachet; a tiny stamp “France” is impressed into the edge below the cachet. Models in mud are most often cast plaster. It is often in this material that he exhibits in Salons and galleries. The works for sale are cast in bronze. They are entrusted to famous founders like Susse , with whom he signs publishing contracts, or Valsuani . He also works with lesser known smelters like Gatti, Andro or Planquette. Some of his bronzes do not wear a cast iron seal. While there are some large models, most are modest in size, easily finding their place in collectors' homes. Some of his works are terracotta or sandstone. Models were published by Susse both in bronze and terracotta. Terracotta remains raw or is glazed. He also worked at the Sèvres factory in the late 1930s. Roger Godchaux , born in Vendôme on December 21 , 1878 and dead the March 6 , 1958in Paris , is a painter , draftsman and sculptor of animals French . If all domestic and wild bestiary is part of his artistic universe, it is the wild beasts and elephants that have been his favorite subjects. Figurative sculptor, he represents the animal without artifice, in his attitudes of everyday life. Roger Godchaux's father is an antique dealer. His mother, Jeanne Godchaux, is a concert pianist. He has a brother Yvan with whom he studies in Vendôme under the care of his maternal grandparents, music teachers in high school. Having joined Paris, he prepared in 1894 admission to the School of Fine Arts . He soon turned to animal art . He became a pupil of Jules Adler and Jean-Léon Gérôme . In 1896, he is a pupil of the Julian Academy . Great admirer of Antoine-Louis Barye , he will build a collection of works produced in the workshop of the master 1 . In 1905, he began to exhibit in Paris. He regularly participates in the Salon des artistes français . In 1914, he was mobilized in Saint-Lô . Reformed, he is assigned to the offices of the Ministry of War. During this period, he put his drawing skills at the service of propaganda for the Allies. After the war, he saw rue Descombes . He resumes the exhibitions at the Salon des artistes français where, in 1922, he won the bronze medal. The state orders two bronze plates for the Army Museum Library . In 1924, his second companion gives him a daughter, Luce. In 1925, the jury of the International Exhibition of Modern Decorative and Industrial Arts awarded him a silver medal. In 1927, he won the contest of car manufacturer Chenard and Walcker for the creation of an emblem for their cars. In February 1928, the State bought him a bronze sculpture: Elephant , exhibited at the National Salon of animal artists, of which he becomes the treasurer in November of the same year. It was at this time that the Newark Museum in the United States bought him works. It was also in 1928 that he won the silver medal at the Salon des artistes français. In 1929, the state bought him a sculpture ( Pigeon ) again. During the inter-war period, he exhibited regularly in various galleries: Galerie Charpentier , Galerie Georges Petit , Galerie Edgar Brandt , group of animals of the Malesherbes Art Gallery. He has friendly relations with other animals, including Henri Valette and Gaston Switzerland, with whom he regularly works at the Jardin des Plantes . In 1937, he signed a contract with the Manufacture Nationale de Sèvres for the edition of terracotta. During the Second World War , he stayed in Paris and continued to work in his studio on Boileau Street , but was forced to wear the yellow star . He lives with his girlfriend and daughter Avenue de La Motte...

Art Déco painted enameled porcelain cat-shapped box by Édouard Marcel Sandoz for Theodore Haviland By: Édouard Marcel Sandoz, Theodore Haviland Material: ceramic, porcelain, paint, ...

Art Deco bronze nude hoop dancer by Marcel André Bouraine. Bronze with green patina on a green marble base. France ca. 1930. This bronze illustrated on page 44 of the book Art Deco...

Art Deco Bulldog Teapot. French Bulldog Teapot - Jug - Pitcher from the 1930s. A brown with dark brown French bulldog sculpture with a white and orange collar which has even the look of a badger collar. This Frenchie is sitting and has beautiful large brown eyes. Marked under: Germany 6535. This French Bulldog teapot is still in very beautiful condition. Only at the neck inside he does have a rip from beeing turned to tight - it's not a round opening so a paper thin chip has been glued there. The neck is still solid and when the stopper is on you do not see it. Bulldog collectables - Frenchie Collectibles - Dog Sculptures - Dog Teapot - French Bulldog Teapot - Art Deco Teapot - Art Deco Animal Teapot...

An Art Nouveau female bronze figurative bust sculpture of a young woman "Ethne" by Giovanni Schoeman (1940-1980.) Piece is marked at base "ETHNE" as shown in close-up last image. Ver...

French Art Deco ceramic sculpture with fishes, glazed, 1920 by Susse Freres. Unique handmade ceramic sculpture from Paris, France. The pictured fish and underwater landscape is elabo...

A fine Art Deco Swiss Langenthal porcelain model of a lying rabbit designed by Edouard Marcel Sandoz and made in 1948. The porcelain rabbit is ha...

Leather Covered Tobacco Box Wood Brown Jacques Adnet Style France 1940 by Lancel

This exceptional antique Edwardian sterling silver tobacco box has a plain circular rounded form. The underside of this box has a subtly concave form proffering a comfortable fit in the majority of pockets. The surface of this antique silver tobacco box is plain and unembellished. This silver tobacco tin or box retains the original sprung flush hinged hallmarked subtly convex cover, which opens by applying gentle pressure to each side. The interior of the box retains the original gilding. This antique Edwardian piece is an exceptional example for its type. Condition This antique tobacco box is an exceptional gauge of silver, exceptional quality and in exceptional condition. The box has been professionally polished and is in presentation condition. Full hallmarks and part hallmarks struck to the interior of the box are all very clear. Dimensions Diameter 8.7cm/3.4" Height 2.4cm/0.9" Weight 3 troy ounces/92.7g Maker: William M Hayes...

Édouard-Marcel SANDOZ (1881-1971) & THéodore HAVILAND of Limojes Toucan in colorfull porcelain. Theodore Haviland of Limojes, France originally edited this candy box of a toucan aft...