Daniel Göttin Abstract Drawings and Watercolors

Richard Garrison collects information from typically overlooked aspects of daily life. Observed data from places like big box stores and parking lots are systematically transformed i...

One in a series of three abstract paintings made in 2023 by Amanda Andersen, initialed on the back. An array of loose geometric shapes: rectangles, triangles and circles converse wi...

One in a series of three abstract paintings made in 2023 by Amanda Andersen, initialed on the back. An array of loose geometric shapes: rectangles, triangles and circles converse wi...

TUSET (1997, A Coruña, España) Mixed media painting on paper Ready to frame One-of-a-kind Signed on back Includes certificate of authenticity 2021 65 x 50 cm. It belongs to the ser...

Richard Garrison collects information from typically overlooked aspects of daily life. Observed data from places like big box stores and parking lots ...

My 80's Hart "Token 4" 2019, gouache, acrylic, graphite, panel, yellow, orange

My 80's Heart "Token 9" 2019, gouache, acrylic, graphite, panel, blue, orange, yellow

Lyman Kipp Unique painting on paper done with paint roller, 1970 Ink roller painting on paper Signed and dated in ink by Lyman Kipp on the lower right Frame included: elegantly framed in a museum quality wood frame with UV plexiglass This is a unique color oil painting created in 1970 with his signature technique of using a roller, by pioneering Minimalist artist Lyman Kipp, one of the founders of Construct Gallery., which included sculptors Kenneth Snelson and Mark di Suvero. Measurements: Frame: 17.5 x 15.25 x 1.75 inches Artwork: 11 x 8.5 inches About Lyman Kipp: The large, powerful sculptures of Lyman Kipp were part of the Primary Structures movement in the 1960s, that transformed the way sculptors worked, and the way in which sculpture was viewed in America. The Constructivism movement, that began in Moscow in the 1920s, espoused the idea that art should be created for the benefit of society and that artists should be involved in industrial design and construction. It viewed the artist as a creator, designer and constructor. The simplicity of design of the Constructivists had a profound effect on the De Stijl movement in the Netherlands and the Bauhaus movement in Germany during the 1920s and ‘30s. Artists in the United States were slowly embracing the ideas of constructivism and minimalism, but it took a group of artists, including Kipp, to change the way artists, and the public, create and view art. Kipp was born in Dobbs Ferry, New York in 1929. He studied at Pratt Institute in New York and then went on the study and teach at the Cranbook Academy in Michigan. He began making large, steel and aluminum sculptures in the 1960s, that had to be transported and welded together on site. He worked in spare, geometric shapes and primary colors. In 1966, the Jewish Museum in New York organized the Primary Structures exhibit, showing large, minimal style works by young American and British sculptors. The show was a huge success, and got rave reviews by art critics, including those of Time and Newsweek. In an effort to get continued recognition, a group of American sculptors, including Lyman Kipp, founded an artist-owned gallery called, ConStruct. They organized exhibitions throughout the United States to promote their large-scale sculptures. The pieces we have in our gallery are maquettes, preliminary models that Kipp made before he built and assembled his huge, finished sculptures. In addition to painting and creating sculptures for public spaces, Kipp dedicated his life to art education. He taught at Bennington College in Vermont, Hunter College in New York and became the chairman of the art department at Lehman College in New York. Kipp’s works are part of the permanent collections of the Whitney Museum of Art, the Philadelphia Museum of Art and the Smithsonian American Art Museum. Lyman Kipp died in Bonita Springs, Florida on March 30, 2014, leaving a legacy of his work in parks and public spaces around Florida and other states throughout the U.S. Courtesy of Vertu Fine Art

Interior design paintings. The work was done with acrylic and watercolor in red and black color on watercolor paper 360g. The work is 11 by 15 inches in size framed (black) with a s...

Anthony Benjamin, 'Seurah', watercolour and acrylic on paper, image size 31cm x 28cm, framed size, 62cm x 58cm, signed and dated 2001 Provenance: From the Artist Estate A Gallery Certificate accompanies the painting Anthony Benjamin was a 20th Century abstract precisionist artist. Born in 1931 he was active throughout the second half of the century. Experimental, talented and obsessive, Benjamin moved fluidly between mediums and refused to be tied to any practise. He was recognised by the Academy, his pier group and leading Galleries who displayed his work. He was also daring. At at time when the art-world was fixated with the St Ives Group of artists, Benjamin, who was part of this group, chose to leave. Although adept at making St Ives abstractionism it did not sit naturally with him. He did not see value in its art. He sought to replicate abstraction in nature and was inspired by others who had also mastered this craft such as the Composer Brian Eno, who he later collaborated with and Gnawa musicians of Morocco. Right the way through his artistic production we can see his engineering draughtsmanship, his formally perfect artworks always infused with an air of technical experimentation and a poetic response to the natural world.The artist was inspired by pattern and obsessed with process. Benjamin made monumental paintings. In the studio he thought a lot and considered every move. It was during these periods of contemplation that he would make warm up paintings that were beautifully loose and almost the antithesis in process of his large works. However it was in these smaller watercolour...

Holds the people together, 2022 by On Hansen Oil wax, acrylic, graphite, organic ink, and crayon on Awagami paper Image size: 35.03 in. H x 25.59 in. W Unfr...

Shape 9 (2019) by Ryan Park of Shapes Only. Abstract geometric art, acrylic on 300gsm archival paper. Abstract muted yellow shape innovated by the artist...