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Charles Schneider Centerpieces

French, 1881-1953

The Schneider Glassworks (Verreries Schneider), established by brothers Charles and Ernest Schneider in Epinay-sur-Seine, France, in 1917, was among the leading producers of fine-art glass between the two world wars, creating exuberantly colorful vessels and lighting fixtures in both the Art Nouveau and Art Deco styles. The factory’s highpoint was the 1920s, when it created iconic chandeliers and exquisitely decorated cameo glass vases that are still in high demand today.

Born in the last quarter of the 19th century in Château-Thierry, near Paris, Charles and Ernest Schneider moved with their family at a young age to Nancy, a major center of Art Nouveau design, particularly known for glass. Among the city’s master makers was the crystal studio Daum, where both brothers worked at the turn of the 20th century, Ernest in sales, and Charles receiving training in the engraving and decoration workshop, while concurrently learning drawing and modeling with Henri Bergé and attending the École des Beaux-Arts in Nancy. In 1904, he enrolled at the École Nationale Supérieure des Beaux-Arts, in Paris, where he studied painting and metal engraving and regularly showed in the engraving section of the Salon de la Société des Artistes Français, twice receiving a prize.

Around 1912 the brothers and their friend, architect Henri Wolf, bought a small glass factory specializing in lightbulbs, renaming it Schneider Frères et Wolff. The partners enticed a group of about 20 workers from the Daum workshop to join the company, which produced high-quality cameo vases and lamps until the outbreak of World War I, in 1914, when Charles, Ernest and most of the workers were called up to fight. The Schneiders were demobbed in 1917 and reopened the factory, initially making practical glassware for hospitals. After the war, to fund their reentry into the art-glass market, they sold shares in the company, now named the Société Anonyme des Verreries Schneider. The success of the elegant drinking glasses and Art Nouveau-style cameo vases they produced allowed the brothers to buy back the shares, at which point they renamed the factory Verreries Schneider.

When a fire destroyed the Gallé studios in 1918, the Schneiders offered space to a group of the company’s artists so they could continue production. In return, they taught Charles marqueterie de verre. Similar to wood marquetry, this process involves cutting sections out of a glass surface and filling them with pieces of a contrasting color. In 1921, Schneider trademarked his technique for making cameo glass lamps and vases — exemplified in this piece from the early 1920s — which he signed “Le Verre Français” or “Charder,” the latter perhaps a portmanteau combining his first and last names. These works were popular and sold well at France’s top department stores, including Galeries Lafayette and Le Bon Marché. More elaborate, one-of-a-kind pieces from the studio were signed “Schneider” and offered at Paris art galleries like Au Vase Etrusque and Delvaux.

The Schneiders participated in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Moderne in Paris, at which Charles was a member of the jury. The company was at its peak, expanding both its design repertoire and the number of workers, to 500. During this period, it began moving away from the organic shapes of Art Nouveau to the more geometric designs of Art Deco, with some pieces embodying a kind of transitional style, such as this chandelier. Charles also began experimenting with pigmented powders, fine crushed glass mixed with metal oxides, which yielded brilliant, iridescent colors when applied to a glass surface.

A large portion of the factory’s art glass production was sold in the United States. When the U.S. stock market crashed in 1929, demand was all but obliterated, and the company struggled to stay afloat throughout the 1930s. Ernest died in 1937, and during World War II, the factory was seized by German troops and used as a canteen. In 1950, Charles and his son set up a new factory called Cristalleries Schneider in Epinay-sur-Seine, which for several years produced free-blown glass vases, small sculptures and lighting fixtures to some acclaim. Charles Schneider died in 1952, and the factory eventually closed in 1981.

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Creator: Charles Schneider
Charles Schneider, Art Deco centerpiece, Le Verre Français, France, 1940
By Charles Schneider, Le Verre Francais
Located in Firenze, IT
Charles Schneider, Art Deco violet glass centerpiece / bowl France 1930- 1940 8.5 cm H x 40 cm diam. Signed on the base. “Le Verre Francais” Conditions: excellent consist...
Category

1940s French Art Deco Vintage Charles Schneider Centerpieces

Materials

Art Glass

Charles Schneider Art Deco Centerpiece in Glass
By Charles Schneider
Located in Tilburg, NL
Great centerpiece in glass by 'Verreries Schneider'. Charles and Ernest Schneider, Epinay-sur-Seine, France, early 20th century. A collector's item made by one of the masters of Fren...
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Mid Century Modern Signed Schneider Large Bubble Glass Centerpiece Bowl 1950s
By Charles Schneider
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Beautiful clear Schneider Art Glass with captured bubbles large and heavy centerpiece bowl. Thousands of bubbles suspended in clear crystal! Etched SCHNEIDER FRANCE on the bottom; ci...
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1950s French Minimalist Vintage Charles Schneider Centerpieces

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Blown Glass

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Charles Schneider centerpieces for sale on 1stDibs.

Charles Schneider centerpieces are available for sale on 1stDibs. These distinctive items are frequently made of glass and are designed with extraordinary care. There are many options to choose from in our collection of Charles Schneider centerpieces, although gray editions of this piece are particularly popular. Many of the original centerpieces by Charles Schneider were created in the Art Deco style in france during the mid-20th century. If you’re looking for additional options, many customers also consider centerpieces by and Daum. Prices for Charles Schneider centerpieces can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $475 and can go as high as $3,500, while a piece like these, on average, fetch $1,669.

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