Charles Augustus Henry Lutyens Animal Paintings

‘In the Lledr Valley’ by Robert Gallon (1845-1925). The painting - which depicts a mother and child outside a Welsh cottage on a summer’s day - is signed by the artist and hangs in a...

Late 19th/early 20th century oil on canvas painting in the manner of Abraham Hulk the Younger (1851-1922), this painting was acquired by Saltire Gallerie with a larger painting signed by Hulk the Younger, (just SOLD). Presented in a period decorative gilt frame, the painting is of a cottage in a woodland with cattle by a pond, a little black dog and man and a woman standing by. In the distance is a glimpse of a river and grasses, framed by trees and an overcast sky. Hulk is renowned for his treatment of the changing season from summer to autumn, and the golden leaves and fading greens in this painting suggest this changing time of year. Hulk is the son of a well known Dutch maritime...

Late 19th century Scottish Highland Lock landscape, with Cattle watering E.Mulready was almost certainly a pseudo name for William Langley a well known English painter of landscapes...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 19.5 INCHES X 31.5 INCHES ** Robert Gallon British, (1845-1925) On a Scotch Hillside & On the Cliffs Oil on canvas, pair, both signed with old labels verso Image size: 11.75 inches x 23.75 inches (each) Size including frame: 19.5 inches x 31.5 inches (each) A lovely pair of Scottish landscape paintings featuring sheep and cattle by Robert Gallon. The first depicts Highland sheep on a hillside with a Scottish loch below. The second painting shows Highland cattle grazing on cliffs overlooking the sea. At the time of these paintings, Gallon was living at 32 Alma Square in St John’s Wood and they were most likely painted during one of his excursions to the Highlands. Robert Gallon was a landscape painter born in Deptford, Kent in 1845 to the artist Robert Samuel Ennis Gallon (1807-1867) and his wife Cecilia Ann Russell. He lived with his family at Evelyn Place in Deptford. He was most likely tutored by his father; however, his subject matter was inspired by artists such as Benjamin Williams Leader and George Vicat Cole. Gallon began exhibiting at the Royal Society of British Artists in 1868 and in 1873 made his debut at Royal Academy from an address at 12, Tavistock Row, Covent Garden. He was a regular contributor to both galleries, continuing to exhibit at the RSBA until 1893 and at the RA until 1903. He also exhibited at some of the smaller establishments including the Hampstead Art Society, Mendoza Gallery and St James’s Gallery as well as at provincial galleries. By 1876, he had moved to 28 Alma Square in St John’s Wood. He married Catherine Elizabeth Atkinson on 18 July, 1877 and together they had 3 children...

'The Parting Day’ by Henry H Parker (1858-1930). The painting – which depicts figures and cattle on a country lane at sunset – is signed by the artist and hangs in a good quality gil...

‘Llyn Idwal, North Wales’ by Sidney Richard Percy (1822-1886). The painting – which depicts cattle watering at the edge of the famous lake in Snowdonia – is signed by the artist and dated 1885. ‘Llyn Idwal, North Wales’ was the final painting of Sidney Richard Percy’s to have been exhibited at the Royal Academy. It is presented in a fine quality, bespoke gold metal leaf frame...

Thomas Blinks British, (1853-1910) Midday Rest Oil on canvas, signed & dated (18)87 Image size: 11.5 inches x 17.5 inches Size including frame: 20.25 inches x 26.25 inches Thomas Blinks was born in Maidstone, Kent on 29 October 1853 to Richard Blinks and Eleanor Poile. His father was a master butcher in Ticehurst and the family lived above the shop, which is still operates as a butchers today. Thomas initially worked for his father but his talent for art soon took him in another direction. He married Louisa Anne Winterbottom on 11 April 1874, at Rye, Sussex and together they had 3 children. They lived in Hawkhurst, Kent before moving to Hackney, London in 1878. Whilst largely self- taught, Blinks would have learnt basic anatomy from working with his father, but he also spent time at Tattersalls canine and horse auctions...

‘Near Moel Siabod, North Wales’ by Sidney Richard Percy (1822-1886). The painting – which depicts a figure herding cattle before an extensive landscape in Snowdonia – is signed by the artist and presented in a fine quality, bespoke gold metal leaf frame...

'The Parting Day’ by Henry H Parker (1858-1930). The painting – which depicts figures and cattle on a country lane at sunset – is signed by the artist and hangs in a good quality gil...

Artist/ School: by Tom Seymour (British 1844-1904), signed lower front Title: 'Highlanders', a fine Victorian oil painting depicting these majestic Highla...

Glen Ogle, Lochearnhead, Antique Scottish Oil Painting Sunset, Signed by F. E. Jamieson (British 1895-1950) signed, lower corner right hand corner, titled verso oil painting on canva...

‘Morning in North Wales’ by Edwin Henry Boddington (1836-1905). This large fine 19th century oil painting is signed by the artist and dated 1867, in which year it was exhibited at th...