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Carlo Scarpa Furniture

Italian, 1906-1978

Carlo Scarpa was born in Venice in 1906 and became one of the leading figures of architecture and international design during the 20th century. At merely 21 years old — and still a student at the Academy of Fine Arts — Scarpa began working as a designer for master Murano glassmaker M.V.M. Cappellin. Within a few years, he completely revolutionized the approach to art glass. 

In a short time, under the guidance of Scarpa, the Capellin furnace not only established itself as the top glass company, but above all it introduced modernity and international fame to Murano glassmaking. Scarpa created a personal style of glassmaking, a new vision that irreversibly changed glass production. 

The young Scarpa experimented with new models and colors: his chromatic combinations, impeccable execution and geometric shapes became his modus operandi. Thanks to Scarpa’s continuous research on vitreous matter, Cappellin produced a series of high-quality glass objects, that saw the company revisiting ancient processing techniques such as the watermark and Phoenician decoration. 

When he encountered the challenge of opaque glass, Scarpa proposed introducing textures of considerable chromatic impact, such as glass pastes and glazed glass with bright colors. Scarpa also collaborated in the renovation of Palazzo da Mula in Murano, the home of Cappellin. At the academy, he obtained the diploma of professor of architectural design and obtained an honorary degree from the Venice University Institute of Architecture of which he was director. 

In 1931, Scarpa's collaboration with Cappellin ended, following the bankruptcy of the company because it was not able to withstand the economic crisis linked to the Great Depression. But Scarpa did not go unnoticed by Paolo Venini — in 1933, the young designer became the new artistic director of the biggest glass company in Murano. 

Master glassmakers thought Scarpa's projects and sketches were impossible, but the passionate and curious designer always managed to get exactly what he wanted. Until 1947 he remained at the helm of Venini & Co., where he created some of the best known masterpieces of modern glassmaking. Scarpa’s work with Venini was characterized by the continuous research on the subject, the use of color and techniques that he revisited in a very personal way, and the development of new ways of working with master glassmakers. 

At the beginning of the 1930s, "bubble", "half filigree" and "submerged" glass appeared for the first time on the occasion of the Venice Biennale of 1934. A few years later, at the Biennale and the VI Triennale of Milan, Venini exhibited its lattimi and murrine romane pieces, which were born from a joint idea between Scarpa and Paolo Venini. 

In 1938 Scarpa increased production, diversifying the vases from "objects of use" to sculptural works of art. In the same year he laid the foundation for the famous "woven" glass collection, exhibited the following year. In the subsequent years, Scarpa–Venini continued to exhibit at the Biennale and in various other shows their the "black and red lacquers," the granulari and the incisi, produced in limited series, and the "Chinese," which was inspired by Asian porcelain

Scarpa's creations for Venini garnered an international response and were a great success, leaving forever an indelible mark on the history of glassmaking. The last Biennale in which Carlo Scarpa participated as artistic director of Venini was in 1942. He left the company five years later. 

The time that Scarpa spent in the most important glass factory in Murano would attach a great artistic legacy to the company. His techniques and styles were resumed in the postwar period under the guidance of Tobia Venini, Paolo's son. In the 1950s, after the departure of Scarpa, Fulvio Bianconi was the new visionary at the Biennials with Venini.

On 1stDibs, vintage Carlo Scarpa glass and furniture are for sale, including decorative objects, tables, chandeliers and more.

(Biography provided by Ophir Gallery Inc.)

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Creator: Carlo Scarpa
Carlos Carpa for Vetri Venini. Murano Twisted Cristal and Brass Picture Frame
By Carlo Scarpa
Located in Marcq-en-Barœul, Hauts-de-France
This beautiful Murano picture frame is made of twisted cristal and brass. This is a work by famous italian designer Carlos Carpa for Vetri Venini, circa 1940.
Category

1940s European Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Crystal, Brass

Mid-Century Mod Delfi White Marble Dining Table by Carlo Scarpa & Marcel Breuer
By Carlo Scarpa, Marcel Breuer
Located in Madrid, ES
Dining table mod. Delfi designed by Carlo Scarpa and Marcel Breuer for Gavina. Composed of two sculptural bases and a rectangular top 4 cm thick. Made in Carrara marble. Italy 1968. ...
Category

1960s Italian Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Carrara Marble

Carlo Scarpa lattimo "a fasce" glass Ceiling Lamp by Venini, Murano 1938
By Carlo Scarpa, Venini
Located in Rome, IT
Carlo Scarpa ceiling lamp 1938 Ceiling lamp designed by Carlo Scarpa and manufactured by Venini Murano Clear and Lattimo “ a fasce” gla...
Category

1930s Italian Modern Vintage Carlo Scarpa Furniture

Materials

Brass

Rare Venini Reticello Pendant by Carlo Scarpa, 1940
By Carlo Scarpa
Located in Rome, IT
Amazing and rare pendant with a precious hand blown reticello Murano glass sphere designed by Carlo Scarpa, 1940. Excellent original condition. One E27 Light bulb 60 Watt.  
Category

1930s Italian Art Deco Vintage Carlo Scarpa Furniture

Materials

Blown Glass

Carlo Scarpa & Marcel Breuer Naxos Marble “Delfi” Table for Studio Simon, 1969
By Carlo Scarpa, Marcel Breuer, Studio Simon
Located in Vicenza, IT
Delfi” dining table, designed by Carlo Scarpa and Marcel Breuer and produced by the Italian manufacturer Studio Simon in 1969. Made of white Nax...
Category

1960s Italian Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Marble

Carlo Scarpa Cognac Leather “Kentucky” Dining Chair for Bernini, 1977, Set of 5
By Carlo Scarpa, Bernini
Located in Vicenza, IT
Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...
Category

1970s Italian Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Walnut, Leather, Plastic

Carlo Scarpa and Hiroyuki Toyoda for Simon Gavina Large Table
By Simon Gavina Editions, Carlo Scarpa, Hiroyuki Toyoda
Located in Waalwijk, NL
Carlo Scarpa and Hiroyuki Toyoda for Simon Gavina, conference table, fabric top, chromed steel, Italy, design 1973 Elegant conference table was initially designed by Carlo Scarpa in...
Category

1980s Italian Post-Modern Vintage Carlo Scarpa Furniture

Materials

Chrome, Brass, Steel

20th Century Carlo Scarpa Venini Lattimo Vase "a Mezza Filigrana", 50s
By Carlo Scarpa, Venini
Located in Turin, Turin
In 1921 Venini and Cappellin opened a glass factory called Vetri Soffiati Muranesi Cappellin Venini & C. on the islands of Murano, the historic glass production centre in the lagoon of Venice, Italy. With Luigi Ceresa and Emilio Hochs as investors, they arranged to purchase the recently closed Murano glass factory of Andrea Rioda, hire the former firm's glassblowers, and retain Rioda himself to serve as technical director of the venture. Venini embarked on collaborations with architects and designers such as Cini Boeri, Tomaso Buzzi, Gio Ponti, Carlo Scarpa, Ettore Sottsass, Tapio Wirkkala, Gae Aulenti, and Massimo Vignelli. The ethos was to "take the Murano tradition of glass blowing and combine it with the French fashion industry's tradition of using designers". Here you can see a small lattimo vase "a mezza filigrana" realized by Venini on Carlo Scarpa...
Category

1950s Italian Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Murano Glass

Pair of Zibaldone bookcases by Carlo Scarpa
By Carlo Scarpa
Located in Piacenza, Italy
Iconic bookcases designed by Carlo Scarpa for Bernini in 1974. Signed Bernini in brass details. The bookcases have 3 compartments: two accessible thanks to the sliding glass by mea...
Category

1970s Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Glass, Wood

Carlo Scarpa Oval table clear glass and beige open travertine base Italy 1970
By Carlo Scarpa
Located in Paris, FR
Model "Samo" table oval slab of clear glass on travertine frame designed by Carlo Scarpa and edited by Simon. Italy, 1970s. Particular version made with natural beige travertine, and...
Category

Mid-20th Century Italian Mid-Century Modern Carlo Scarpa Furniture

Materials

Travertine

Carlo Scarpa, Poliedri Chandelier, 1969 Murano Glass Light, Ø 85cm, 110cm height
By Carlo Scarpa, Venini
Located in Munster, NRW
Called "Poliedri" in Italian and known as "Polyhedral" in English, this design was created by Carlos Scarpa (1906-1978) for Venini when he was their art...
Category

1960s Italian Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Blown Glass

Carlo Scarpa Big “Poliedri” Chandelier in Murano Opaline Glass for Venini, 1958
By Carlo Scarpa, Venini
Located in Vicenza, IT
“Poliedri” chandelier designed by Carlo Scarpa and produced by the Italian manufacturer Venini in, 1958. Made of opaline Murano glass. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...
Category

1950s Italian Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Glass, Murano Glass

Vaso a Bollicine
By Venini, Carlo Scarpa
Located in Milano, MI
Vaso a Bollicine Carlo Scarpa Venini & C. 1932 Measures: height cm 34, diameter cm 25 XVIII Biennale di Venezia del 1932 Bibliography: Murano Mi...
Category

1930s Italian Vintage Carlo Scarpa Furniture

Materials

Murano Glass

Carlo Scarpa Murrine Serpente Bowl for Venini
By Carlo Scarpa
Located in Hamden, CT
An icon of Italian Design. Using one of the most ancient decorative techniques - "Murrine", small individual tiles are cut from canes ("canne") produc...
Category

Mid-20th Century Italian Mid-Century Modern Carlo Scarpa Furniture

Materials

Glass

Carlo Scarpa "Argo" Oval Table for Simon Gavina, 1975
By Carlo Scarpa, Simon Furniture
Located in Lonigo, Veneto
Carlo Scarpa "Argo" oval table for Simon Gavina, Roman travertine, Italy, 1975. The "Argo" travertine console-table is part of the 'Ultrarazionale' ...
Category

1970s Italian Post-Modern Vintage Carlo Scarpa Furniture

Materials

Travertine

Carlo Scarpa Venini Murano Signed Bollicine Gold Leaf Italian Art Glass Ashtray
By Carlo Scarpa, Venini
Located in Kissimmee, FL
Beautiful antique Murano hand blown Sommerso clear bubbles in champagne or caramel color with gold flecks Italian art glass ashtray. Documented to Venini company, and created by mast...
Category

Mid-20th Century Italian Art Deco Carlo Scarpa Furniture

Materials

Gold Leaf

Carlo Scarpa Sommerso a Bollicine Bowl
By Carlo Scarpa
Located in Brooklyn, NY
Elegant sommerso a bollicine Murano glass bowl, designed by Carlo Scarpa for Venini. Hundreds of air bubbles in the case glass form create a light-catching...
Category

1940s Italian Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Murano Glass

Carlo Scarpa Mid-Century Brown Walnut “Scuderia” Dining Table for Bernini, 1977
By Carlo Scarpa, Bernini
Located in Vicenza, IT
“Scuderia” dining table, designed by Carlo Scarpa and produced by the Italian manufacturer Bernini in 1977. Originally, Carlo Scarpa designed the table to restore the stable of Villa Valmarana in Vicenza in 1972. The table features a solid walnut structure. Available also five “Kentucky” dining...
Category

1970s Italian Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Walnut

Carlo Scarpa Venini Murano Bollicine White Gold Flecks Italian Art Glass Vase
By Carlo Scarpa, Venini
Located in Kissimmee, FL
Beautiful antique Murano hand blown Sommerso clear white bubbles and gold flecks Italian art glass mini vase / vide poche. Documented to the Venini company, and created by master des...
Category

Mid-20th Century Italian Art Deco Carlo Scarpa Furniture

Materials

Gold Leaf

21st Century Serpente Glass Sculpture in Black/Coral by Carlo Scarpa
By Venini, Carlo Scarpa
Located in murano, IT
Ancient murrine form the pattern of a snake coiling up on glass. Conceived, redesigned and skilfully reinterpreted with rich contrasting colours, they reflect the highest craftsmansh...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Glass

21st Century Murrine Opache Bowl in Black/Coral by Carlo Scarpa
By Venini, Carlo Scarpa
Located in murano, IT
Countless Black and Coral pieces are woven together to form a symmetric yet imperfect pattern on slanted surfaces. VENINI’s glass grinding technique creates a typical shading effect ...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Glass

1960s Hand Blown Glass Sconce by Carlo Scarpa for Venini
By Venini, Carlo Scarpa
Located in Amsterdam, NH
If you like vintage lighting then you will love this glass sconces by Carlo Scarpa for Venini. Designed with four vertical tubes and metal centre with one E14 bulb. In full working ...
Category

Mid-20th Century Italian Carlo Scarpa Furniture

Materials

Glass

‘Poliedri’ Italian Lamp Designed by Carlo Scarpa and Edited by Venini 1950
By Carlo Scarpa
Located in Ibiza, Spain
Suspension lamp model “Poliedri” designed by Carlo Scarpa, edited by Venini. Composed by Murano crystal pieces over a structure made in white lacquer metal. Italy 1950. Excellent vi...
Category

1950s Italian Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Metal

21st Century, Serpente Glass Sculpture in Black / Milk-White / Turquoise
By Venini, Carlo Scarpa
Located in murano, IT
Ancient murrine form the pattern of a snake coiling up on glass. Conceived, redesigned and skilfully reinterpreted with rich contrasting colours, they reflect the highest craftsmansh...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Glass

Rare Venini Design Carlo Scarpa Poliedri Chandelier Pendant about 1950
By Carlo Scarpa
Located in taranto, IT
rare huge and majestic chandelier by venini, design carlo scarpa, made by 205 poliedri transparent glasses, with 19 bulb holder height 1 meter, diameter cm 70. no lost poliedri, on...
Category

1950s Italian Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Iron

21st Century Murrine Opache Bowl in Black/Coral by Carlo Scarpa
By Venini, Carlo Scarpa
Located in murano, IT
Countless Black and Coral pieces are woven together to form a symmetric yet imperfect pattern on slanted surfaces. VENINI’s glass grinding technique crea...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Glass

Carlo Scarpa "Samo" Oval Table for Simon Gavina, 1971
By Simon Gavina Editions, Carlo Scarpa
Located in Lonigo, Veneto
Carlo Scarpa "Samo" oval table for Simon Gavina, white Carrara marble, Italy, 1971. The Scarpa's way of thinking the architecture is particularly visible in this piece. The “Samo” d...
Category

1970s Italian Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Carrara Marble

'Delfi' Marble Dining Table by Marcel Breuer and Carlo Scarpa for Gavina, Italy
By Marcel Breuer, Carlo Scarpa, Gavina
Located in Los Angeles, CA
This incredible 'Delfi' dining table designed by Carlo Scarpa and Marcel Breuer is composed of two sculptural Carrara marble bases and a matching thick rectangular marble top which h...
Category

20th Century Italian Modern Carlo Scarpa Furniture

Materials

Marble

21st Century Murrine Romane Glass Vase in Multicolour by Carlo Scarpa
By Venini, Carlo Scarpa
Located in murano, IT
In these murrineworks, purity of form and essential geometry blend together to create rare, precious and timeless objects, just like the art of ancient Rome. In his quest for new gla...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Glass

21st Century Poliedri Wall Light in Crystal by Carlo Scarpa
By Venini, Carlo Scarpa
Located in murano, IT
Poliedri 951.27 APPLIQUE CR Additional Information: Color: Crystal Light Source: 2 x max 8W LED E14 Finishes: Chrome metal Dimensions: W 27 x D 27 x H 39 cm.
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

21st Century Murrine Romane Glass Vase in Multicolour by Carlo Scarpa
By Carlo Scarpa, Venini
Located in murano, IT
In these murrineworks, purity of form and essential geometry blend together to create rare, precious and timeless objects, just like the art of ancient Rome. In his quest for new gla...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Glass

Mid-Century Modern Carlo Scarpa Cream Travertine Dining Table "Argo", 1970
By Carlo Scarpa
Located in Le Grand-Saconnex, CH
Mid-Century Modern oval travertine dining room table, model Argo. Designed in 1970 by Carlo Scarpa (1906-1978) for the "Ultrarazionale" collection, produced and sold by Cattelan Ital...
Category

1970s Italian Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Travertine

Italian mid-century Black wood Orseolo dining table by Scarpa for Gavina, 1970s
By Simon Gavina Editions, Carlo Scarpa
Located in MIlano, IT
Italian mid-century Black wood Orseolo dining table by Scarpa for Gavina, 1970s Dining table mod. Orseolo with rectangular top in black lacquered wood, like the entire structure. The...
Category

1970s Italian Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Aluminum

21st Century Murrine Romane Glass Bowl in Multicolour by Carlo Scarpa
By Carlo Scarpa, Venini
Located in murano, IT
In these murrineworks, purity of form and essential geometry blend together to create rare, precious and timeless objects, just like the art of ancient Rome. In his quest for new gla...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Glass

21st Century Battuto Bicolore Glass Vase in Light Green/Red by Carlo Scarpa
By Carlo Scarpa, Venini
Located in murano, IT
The liveliness of sea bubbles meets the murmur of bright red sand waves on the surface of this work. The raw power of the elements enclosed in an archaic shape recalling a small tali...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Blown Glass

21st Century Tessuti Battuti Small Vase in Coral by Carlo Scarpa
By Carlo Scarpa, Venini
Located in murano, IT
Alternating light and dark coloured lines on shades of Coral, harmoniously following the guidelines produced by Carlo Scarpa. And reproduced by VENINI’s master glassblowers by using ...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Blown Glass

21st Century Tessuti Battuti Large Vase in Coral by Carlo Scarpa.
By Carlo Scarpa, Venini
Located in murano, IT
Alternating light and dark coloured lines on shades of Coral, harmoniously following the guidelines produced by Carlo Scarpa. And reproduced by VENINI’s master glassblowers by using ...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Blown Glass

21st Century Murrine Opache Carlo Scarpa Plate in Black/Coral by Carlo Scarpa
By Carlo Scarpa, Venini
Located in murano, IT
Countless Black and Coral pieces are woven together to form a symmetric yet imperfect pattern on slanted surfaces. VENINI’s glass grinding technique creates a typical shading effect ...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Glass

Lattimo Velato Vase by Carlo Scarpa for Venini Murano, ca. 1936
By Carlo Scarpa, Venini
Located in Berghuelen, DE
Lattimo Velato vase by Carlo Scarpa for Venini Murano ca. 1936 A rare lattimo velato vase designed by Carlo Scarpa ca. 1936. Manufactured by Venini Murano Venice in the 1930s. Thin ...
Category

Mid-20th Century Italian Mid-Century Modern Carlo Scarpa Furniture

Materials

Art Glass, Murano Glass

21st Century Battuto A Nido D'ape Vase in Horizon by Carlo Scarpa
By Carlo Scarpa, Venini
Located in murano, IT
Inspired by nature and designed by Carlo Scarpa, it turns into Battuto a Nido D'Ape only in the hands of master glassmakers, who skilfully shape glass into a honeycomb pattern using ...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Glass

Corroso a Bugne vase
By Venini, Carlo Scarpa
Located in Milano, MI
A beautiful Corroso a Bugne vase by Carlo Scarpa for Venini. With acid signature "Venini Murano" Literature: "Venetian Art Glass: An American Collection 1840 - 1970", Barovier, pag...
Category

1930s Italian Vintage Carlo Scarpa Furniture

Materials

Glass, Murano Glass

Set of 12 Red Velvet Carlo Scarpa Theatre Chairs, from the Auditorium Roma, 1960
By Carlo Scarpa
Located in Rome, IT
An iconic set of 12 chairs designed by Carlo Scarpa for the Auditorium in Via della Conciliazione, Rome on a project by Architect Marcello Piacentini 1950 this set from the first a...
Category

1960s Italian Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Metal

21st Century Carlo Scarpa 99.37 16-Light Chandeliers in Crystal
By Venini, Carlo Scarpa
Located in murano, IT
An innovative designer with a passion for experimentation, Carlo Scarpa turned this work into the utmost expression of his artistic and artisanal knowledge. The linearity of glass me...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Glass

21st Century Carlo Scarpa 99.37, 12-Light Chandeliers in Crystal
By Venini, Carlo Scarpa
Located in murano, IT
An innovative designer with a passion for experimentation, Carlo Scarpa turned this work into the utmost expression of his artistic and artisanal knowledge. The linearity of glass me...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Glass

21st Century Carlo Scarpa 99.37 8-Light Chandeliers in Crystal
By Venini, Carlo Scarpa
Located in murano, IT
An innovative designer with a passion for experimentation, Carlo Scarpa turned this work into the utmost expression of his artistic and artisanal knowledge. The linearity of glass me...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Glass

21st Century Battuto a Nido D'ape Vase in Straw-Yellow by Carlo Scarpa
By Venini, Carlo Scarpa
Located in murano, IT
Inspired by nature and designed by Carlo Scarpa, it turns into Battuto a Nido D'Ape only in the hands of master glassmakers, who skilfully shape glass into a honeycomb pattern using ...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Glass

21st Century Carlo Scarpa 99.37 3-Light Wall Sconce in Crystal by Carlo Scarpa
By Venini, Carlo Scarpa
Located in murano, IT
An innovative designer with a passion for experimentation, Carlo Scarpa turned this work into the utmost expression of his artistic and artisanal knowledge. The linearity of glass me...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Glass

21st Century Murrine Opache Centerpiece in Black/Coral by Carlo Scarpa
By Venini, Carlo Scarpa
Located in murano, IT
Countless black and coral pieces are woven together to form a symmetric yet imperfect pattern on slanted surfaces. VENINI’s glass grinding technique creates a typical shading effect ...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Glass

Venini Original Pink and Ice Poliedri Chandelier by Carlo Scarpa, 1955
By Carlo Scarpa
Located in Rome, IT
Fabulous original Venini Poliedri chandelier by Carlo Scarpa. Rare combination of light pink and Ice colored Murano glass. Chrome frame in very good original condition. Available ...
Category

Mid-20th Century Italian Mid-Century Modern Carlo Scarpa Furniture

Materials

Blown Glass

Pair of Venini Wall Lights by Carlo Scarpa
By Venini, Carlo Scarpa
Located in London, GB
Beautiful textured opalescent glass wall lights by Carlo Scarpa.
Category

1940s European Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Murano Glass

21st Century Carlo Scarpa 99.37 Floor Lamp in Crystal by Carlo Scarpa
By Venini, Carlo Scarpa
Located in murano, IT
An innovative designer with a passion for experimentation, Carlo Scarpa turned this work into the utmost expression of his artistic and artisanal knowledge. The linearity of glass me...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Glass

21st Century Carlo Scarpa 99.37 Small Table Lamp in Crystal Blown Glass
By Venini, Carlo Scarpa
Located in murano, IT
An innovative designer with a passion for experimentation, Carlo Scarpa turned this work into the utmost expression of his artistic and artisanal knowledge. The linearity of glass me...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Blown Glass

21st Century Carlo Scarpa 99.37 Large Table Lamp in Crystal Blown Glass
By Venini, Carlo Scarpa
Located in murano, IT
An innovative designer with a passion for experimentation, Carlo Scarpa turned this work into the utmost expression of his artistic and artisanal knowledge. The linearity of glass me...
Category

21st Century and Contemporary Italian Carlo Scarpa Furniture

Materials

Blown Glass

Collectable Vintage Carlo Scarpa Murano Murrine Millefiori, Glass Vase Amphora
By Carlo Scarpa, Venini
Located in Paris, France
Vintage small vase green, burgundy and white runoff inlay in a form of amphora, design Carlo Scarpa Fratelli Toso Murano Murrine Millefiori. Murrine...
Category

Mid-20th Century Carlo Scarpa Furniture

Materials

Art Glass, Murano Glass

Italian Modern Wooden Glass Bookcase Zibaldone by Carlo Scarpa for Bernini, 1974
By Bernini, Carlo Scarpa
Located in MIlano, IT
Italian modern Wooden and glass Bookcase mod. Zibaldone by Carlo Scarpa for Bernini, 1974 Bookcase mod. Zibaldone with structure in veneered wood and glass. This particular bookcase ...
Category

1970s Italian Modern Vintage Carlo Scarpa Furniture

Materials

Metal

Venini Glass Sconces Poliedri By Carlo Scarpa, 1950, Italy
By Carlo Scarpa
Located in Vienna, AT
Set of 2 glass wall lamps by Carlo Scarpa for Venini, Italy, mid-century Sold and priced individually Impressive 22" wall lamps with clear textured glass and slightly yellowish gla...
Category

1950s Italian Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Brass

Large Travertine Pedestal "Argo" Dining Table by Carlo Scarpa for Simon/Gavina
By Simon Gavina Editions, Carlo Scarpa
Located in Danville, CA
This is the largest, single-pedestal version of this iconic design by Carlo Scarpa for Simon c. 1975. This most desirable piece is constructed of solid, beautifully figured Cream col...
Category

1970s Italian Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Travertine

Carlo Scarpa Oval Table for Simon Gavina 1970s
By Carlo Scarpa
Located in Byron Bay, NSW
The Scarpa's way of thinking the architecture is particularly visible in this piece. The “Samo” dining table, designed in 1971 for 'Ultrarazionale' collection by Simon Gavina, consists of two grooved solid Granite pillars...
Category

1970s Italian Mid-Century Modern Vintage Carlo Scarpa Furniture

Materials

Granite

Carlo Scarpa furniture for sale on 1stDibs.

Carlo Scarpa furniture are available for sale on 1stDibs. These distinctive items are frequently made of glass and are designed with extraordinary care. There are many options to choose from in our collection of Carlo Scarpa furniture, although brown editions of this piece are particularly popular. We have 192 vintage editions of these items in-stock, while there is 45 modern edition to choose from as well. Many of the original furniture by Carlo Scarpa were created in the mid-century modern style in europe during the 20th century. If you’re looking for additional options, many customers also consider furniture by Paolo Venini, Flavio Poli, and Alfredo Barbini. Prices for Carlo Scarpa furniture can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $333 and can go as high as $63,453, while a piece like these, on average, fetch $8,791.

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