Skip to main content

Camille Pissarro Nude Prints

French, 1830-1903

Camille Pissarro was one of the most influential members of the French Impressionist movement and the only artist to participate in all eight Impressionist exhibitions.

Born in July of 1830 on the island of Saint Thomas in the Danish West Indies, Camille was the son of Frédéric and Rachel Pissarro. At the age of 12, he went to school in Paris, where he displayed a penchant for drawing. He returned again to Paris in 1855, having convinced his parents to allow him to pursue a career as an artist rather than work in the family import/export business. Camille studied at the Académie Suisse alongside Claude Monet, and, during this time, he met Paul Cézanne, Édouard Manet and Pierre-Auguste Renoir.

In 1869, Camille settled in Louveciennes. The outbreak of the Franco-Prussian War in 1870 prompted him to move to England, and, with Monet, Camille painted a series of landscapes around Norwood and Crystal Palace, while studying English landscape painting in the museums. Upon returning a year later at the end of the War to Louveciennes, Camille discovered that only 40 of his 1,500 paintings — almost 20 years’ work — remained undamaged.

Camille settled in Pontoise in the summer of 1871, remaining there and gathering a close circle of friends around him for the next 10 years. He reestablished relationships with Cézanne, Manet, Monet, Renoir and Edgar Degas, expressing his desire to create an alternative to the Salon, so that their group could display their own unique styles. Camille married Julie Vellay, with whom he would have seven children. Cézanne repeatedly came to stay with them, and, under Camille’s influence, he learned to study nature more patiently, even copying one of Camille’s landscapes in order to learn his teacher’s technique.

The first Impressionist group exhibition, initiated by Monet in 1874, earned the Impressionists much criticism for their art. While mainly interested in landscape, Camille introduced people — generally, peasants going about their rural occupations — and animals into his works, and they often became the focal point of the composition. It was this unsentimental and realistic approach, with the complete absence of any pretense, which seemed to stop his work from finding appreciation in the general public.

One of the few collectors who did show interest in Camille’s work was a bank employee named Paul Gauguin, who, after acquiring a small collection of Impressionist works, turned to Camille for advice on becoming a painter himself. For several years, Gauguin closely followed his mentor, and, although their friendship was fraught with disagreement and misunderstandings, Gauguin still wrote shortly before Camille’s death in 1906: “He was one of my masters, and I do not deny him.”

In the 1880s, Camille moved from Pontoise to nearby Osny, before Eragny, a small village much further from Paris. At a time when he was dissatisfied with his work, in 1885, Camille met both Paul Signac and Georges Seurat. He was fascinated by their efforts to replace the intuitive perceptive approach of the Impressionists with a “Divisionist” method, or scientific study of nature’s phenomena based on optical laws. Despite having reached his mid-50s, Camille did not hesitate to follow the two young innovators. The following year, he passed on this new concept to Vincent Van Gogh, who had just arrived in Paris and was keen to learn of the most recent developments in art. However, after a few years, Camille felt restricted by Seurat’s theories and returned to his more spontaneous technique while retaining the lightness and purity of color acquired during his Divisionist phase.

In the last years of his life, Camille divided his time between Paris, Rouen, Le Havre and Eragny, painting several series of different aspects of these cities, with varying light and weather effects. Many of these paintings are considered among his best and make for an apt finale to his long and prodigious career.

When Camille Pissarro died in the autumn of 1903, he had finally started to gain public recognition. Today his work can be found in many of the most important museums and collections throughout the world.

Find original Camille Pissarro art on 1stDibs.

(Biography provided by Stern Pissarro Gallery)

to
2
1
1
2
2
Overall Height
to
Overall Width
to
2
2
2
2
2
3
38
103
62
53
49
2
1
1
Artist: Camille Pissarro
Quai des menetriers a bruges
By Camille Pissarro
Located in Los Angeles, CA
"Quai des Ménétriers à Bruges" is a remarkable etching created by the renowned French Impressionist artist, Camille Pissarro. This exquisite artwork captures the beauty and charm of ...
Category

Late 19th Century Camille Pissarro Nude Prints

Materials

Aquatint, Etching

Baigneuse vue de dos
By Camille Pissarro
Located in Barbizon, FR
Etching , fifth state , numbered 14/50, signed with stamp used for the edition of 50 by Lucien Pissarro on 1920.
Category

1890s Impressionist Camille Pissarro Nude Prints

Materials

Etching

Baigneuses a L’Ombre des Berges Boisees (Women Bathing in the Wooded Shade...)
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), Baigneuses a L’Ombre des Berges Boisees (Women Bathing in the Shade of Wooded Banks), 1894, lithograph, signed in pencil lower right. Reference: Delteil...
Category

1890s Impressionist Camille Pissarro Nude Prints

Materials

Lithograph

Related Items
Baigneuse Debout à Mi - Jambes - Etching by Pierre Auguste Renoir - 1910
By Pierre Auguste Renoir
Located in Roma, IT
Cagnes-sur-Mer 'Baigneuse Debout à Mi-Jambes' (1910) is an artwork realized by Pierre-Auguste Renoir (1841 Limoges - 1919). Etching and drypoint on paper. Image size 20.5 x 15 cm,...
Category

1920s Impressionist Camille Pissarro Nude Prints

Materials

Etching

Vérité (Truth) /// French Modern Impressionist Art Lithograph Nude Figurative
By Henri Fantin-Latour
Located in Saint Augustine, FL
Artist: Henri Fantin-Latour (French, 1836-1904) Title: "Vérité (Truth)" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1900 (third state of three) Medium: Original Lithograph on chine appliqué on wove paper Limited edition: Unknown Printer: A. Clot, Paris, France Publisher: Revue de l'Art Ancien & Moderne, Paris, France Reference: Floury No. 156; Hediard-Mason No. 156; L No. 139 Sheet size: 11.5" x 8.5" Image size: 7.5" x 5.5" Condition: In excellent condition This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Henri Fantin-Latour, in full Ignace-Henri-Jean-Théodore Fantin-Latour (born Jan. 14, 1836, Grenoble, France—died Aug. 25, 1904, Buré), French painter, printmaker, and illustrator noted for his still lifes with flowers and his portraits, especially group compositions, of contemporary French celebrities in the arts. Fantin-Latour’s first teacher was his father, a well-known portrait painter. Later, he studied at the school of Lecoq de Boisbaudran and attended the École des Beaux-Arts. He exhibited at the official French Salons, but in 1863 he also showed his work in the rebel Salon des Refusés. Although academic in manner, Fantin-Latour was independent in style. He had numerous friends among the leading French painters of his day, including J.-A.-D. Ingres, Eugène Delacroix, Camille Corot, Édouard Manet, and Gustave Courbet. His portrait groups, often arranged in rows of heads and figures like 17th-century Dutch guild...
Category

Early 1900s Impressionist Camille Pissarro Nude Prints

Materials

Lithograph

Jean Gabriel Domergue - Lying Woman - Original Etching
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Jean-Gabriel Domergue Jea...
Category

1920s Impressionist Camille Pissarro Nude Prints

Materials

Lithograph

'Baigneuse Debout, à Mi-Jambes' — French Impressionism
By Pierre-Auguste Renoir
Located in Myrtle Beach, SC
Pierre Auguste Renoir, 'Baigneuse Debout, à Mi-Jambes (Woman Bathing, Standing Up to Her Knees in Water)', 1910, etching, edition not stated, Delteil 23. Unsigned as published. A fin...
Category

1910s Impressionist Camille Pissarro Nude Prints

Materials

Etching

Canards Surpris (Surprised Ducks) /// Antique Impressionist Nude Animal Forest
By Félix Bracquemond
Located in Saint Augustine, FL
Artist: Félix Bracquemond (French, 1833-1914) Title: "Canards Surpris (Surprised Ducks)" *Signed by Bracquemond in pencil lower right. It is also initial signed in ink lower left Year: 1882 Medium: Original Drypoint Etching on cream Japanese paper Limited edition: 100 Printer: Imprimerie Lemercier, Paris, France Publisher: likely the artist Bracquemond himself, Paris, France Reference: "Les graveurs du XIXe siècle: Guide de l'amateur d'estampes modernes", Vol. XII, Paris, 1885–1892 - Henri Béraldi: cat. No. 778; "Inventaire du Fonds Francais Apres 1800" - Jean Adhémar, Jacques Lethève: cat. No. 394, page 383; Laran No. 394 Framing: Recently framed in a gold Baroque moulding and rag matting from Holland Framed size: 23.75" x 19.75" Sheet size: 15.25" x 11.5" Image size: 14" x 10.5" Condition: In excellent condition Notes: "B" inscribed by Bracquemond in ink lower left. There is an example of this work in the permanent collection of the Metropolitan Museum of Art, New York, NY. Biography: Félix Bracquemond was born in Paris. He was trained in early youth as a trade lithographer, until Guichard, a pupil of Ingres, took him to his studio. His portrait of his grandmother, painted by him at the age of nineteen, attracted Théophile Gautier's attention at the Salon. He applied himself to engraving and etching about 1853, and played a leading and brilliant part in the revival of the etcher's art in France. Altogether he produced over eight hundred plates, comprising portraits, landscapes, scenes of contemporary life, and bird-studies, besides numerous interpretations of other artist's paintings, especially those of Jean-Louis-Ernest Meissonier, Gustave Moreau and Jean-Baptiste-Camille Corot. After having been attached to the Sèvres porcelain factory in 1870, he accepted a post as art manager of the Paris atelier of the firm of Haviland of Limoges. He was connected by a link of firm friendship with Édouard Manet, James McNeill Whistler, and all the other fighters in the impressionist cause, and received all the honors that await the successful artist in France, including the grade of Officer of the Legion of Honor in 1889. Bracquemond was a prominent figure in artistic and literary circles in the second half of the 19th century. He was close to writers such as Edmond de Goncourt and critic Gustave Geffroy, and numbered among his friends Millet and Corot, Henri Fantin-Latour, Degas and the Impressionist circle, and Auguste Rodin. He was one of the more prolific printmakers of his time and he was awarded the grande medaille d'honneur at the Universal Exhibition of 1900. He was also a painter, ceramist, and an innovator in decorative arts. Gabriel Weisberg called him the "molder of artistic taste in his time". Indeed, it was he who recognised the beauty of the Hokusai woodcuts used as packing around a shipment of Japanese china, a discovery which helped change the look of late 19th-century art. He married French Impressionist artist Marie Bracquemond...
Category

1880s Impressionist Camille Pissarro Nude Prints

Materials

Etching, Intaglio, Drypoint

Jean Gabriel Domergue - Women's Love - Original Etching
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Unsigned and unnumbered as ...
Category

1920s Impressionist Camille Pissarro Nude Prints

Materials

Lithograph

The Drunkard in Spring —after Gustav Mahler's 'The Song of the Earth'
Located in Myrtle Beach, SC
Arthur Paunzen, 'Der Trunkene im Frühling' (The Drunkard in Spring) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower right. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 1/4 to 4 1/4 inches), in good condition. Image size 12 3/8 x 9 1/8 inches; sheet size 19 5/8 x 13 5/8 inches. Matted to museum standards, unframed. ABOUT THIS WORK Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...
Category

1920s Vienna Secession Camille Pissarro Nude Prints

Materials

Etching, Drypoint, Aquatint

Jean Gabriel Domergue - Happiness - Original Etching
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Jean-Gabriel Domergue Jea...
Category

1920s Impressionist Camille Pissarro Nude Prints

Materials

Lithograph

Jean Gabriel Domergue - Women's Love - Original Etching
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Unsigned and unnumbered as ...
Category

1920s Impressionist Camille Pissarro Nude Prints

Materials

Lithograph

Nude IX - XXI Century, Contemporary Figurative Aquatint Etching Print
By Marta Wakula-Mac
Located in Warsaw, PL
MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...
Category

2010s Contemporary Camille Pissarro Nude Prints

Materials

Paper, Etching, Aquatint

Resurrection (aka Flying Figures; Border of the Lake)
By Arthur B. Davies
Located in New York, NY
Arthur B. Davies (1862-1928), Resurrection (aka Flying Figures; Border of the Lake), drypoint and aquatint on zinc, 1916, signed with the estate stamp lower right. Reference: Price 2...
Category

1910s American Impressionist Camille Pissarro Nude Prints

Materials

Drypoint, Aquatint

Femme debout dans sa baignoire
By Pierre Bonnard
Located in New York, NY
A very good, richly-inked impression of this extremely scarce lithograph. First state (of 4), with the remarqués in the lower margin. One of only 5 proofs in this state, aside from t...
Category

1920s Impressionist Camille Pissarro Nude Prints

Materials

Lithograph

Previously Available Items
Femmes Nues
By Camille Pissarro
Located in New York, NY
A very good impression of this scarce lithograph printed in black on light tan Chine appliqué. Numbered 2/18 in pencil, and with the artist's initials ink stamp, lower left recto.
Category

1890s Impressionist Camille Pissarro Nude Prints

Materials

Lithograph

Femmes nues
By Camille Pissarro
Located in Barbizon, FR
lithograph on zinc , signed with the stamp used for the editions 1922 ( 10) and 1923 ( 18) under the control of Lucien Pissarro. Provenance : collection H.M. PETIET ( stamp in the ba...
Category

1890s Impressionist Camille Pissarro Nude Prints

Materials

Lithograph

Camille Pissarro nude prints for sale on 1stDibs.

Find a wide variety of authentic Camille Pissarro nude prints available for sale on 1stDibs. You can also browse by medium to find art by Camille Pissarro in etching, lithograph, aquatint and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the Impressionist style. Not every interior allows for large Camille Pissarro nude prints, so small editions measuring 7 inches across are available. Customers who are interested in this artist might also find the work of Henri Fantin-Latour, Pierre-Auguste Renoir, and Jean-Gabriel Domergue. Camille Pissarro nude prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,850 and tops out at $8,000, while the average work can sell for $3,027.

Artists Similar to Camille Pissarro

Questions About Camille Pissarro Nude Prints
  • 1stDibs ExpertFebruary 13, 2024
    Camille Pissarro was born in the Danish West Indies to Jewish parents of Portuguese and French descent. At the age of 12, he went to school in Paris, where he displayed a penchant for drawing. Pissarro would go on to become one of the most influential members of the French Impressionist movement and the only artist to participate in all eight Impressionist exhibitions. On 1stDibs, shop a variety of Camille Pissarro art.
  • 1stDibs ExpertApril 5, 2022
    Camille Pissarro was a Dutch-French painter whose primary style of painting was French Impressionism, although he explored a variety of styles, including Realism and Neo-Impressionism. His brilliant canvasses are covered with splashes of pure pigment in energetic brushstrokes. Find a collection of Camille Pissarro art from top sellers on 1stDibs.

Recently Viewed

View All