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Bryan De Grineau Art

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Artist: Bryan De Grineau
St John’s College, Oxford dining hall drawing by Bryan de Grineau
By Bryan De Grineau
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

1950s Realist Bryan De Grineau Art

Materials

Pencil

St John’s College, Oxford Canterbury Quad drawing by Bryan de Grineau
By Bryan De Grineau
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

1950s Realist Bryan De Grineau Art

Materials

Pencil

Illustration of landing anti-tank guns and jeeps by parachute.
By Bryan De Grineau
Located in New York, NY
Original charcoal and gouache illustration for Illustrated London News. London, 1944.
Category

1940s Realist Bryan De Grineau Art

Materials

Charcoal, Gouache

Bryan de Grineau St John’s College Oxford The Illustrated London News Front Quad
By Bryan De Grineau
Located in London, GB
To see our other views of Oxford and Cambridge, including others by de Grineau, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a...
Category

1950s Modern Bryan De Grineau Art

Materials

Pencil

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Adolph Eduard Otto von Faber du Faur (1828 Ludwigsburg - 1901 Munich). Man sitting in the studio. Watercolour painting, 43 x 27 cm (visible size), 73 x 53 cm (frame), monogrammed at lower right, estate stamp. Upper right corner neatly repaired, small tear in the wall to the left of the sitter. - Thinking about art - About the artwork The sitter, an elderly man, is seated in a studio on a pedestal reminiscent of an academy hall. The earthy, dark tones give the scene a weighty quality. The lightest tones are found in the incarnate parts of the figure, which do not stand out from the other colours of the picture, but are linked to them. As a result, the sitter's face is both part of and the highlight of the colour references in the picture. The colour of the sitter's skin is reflected in his pink coat, while his white-grey hair matches the colour of the wall next to him. This almost monochrome wall surface, in turn, is connected across the portrait to the framed picture standing on the floor, which seems to have been erased by this correspondence with the empty wall surface. Through the palette, which is positioned directly behind the sitter's head, the reference to painting, which is already given by the studio space, is explicitly linked to the sitter, who thus seems to be contemplating the question of the meaning of art. This raises the question of whether Faber Du Faur, who had become lonely in his old age, might have painted a self-portrait here in his later years. In addition to the studio setting, the sitter's explicit reference to the palette and the fact that the picture was part of his estate, the only summary elaboration of the body suggests a self-portrait, while the representation of the face is concretised with the wide-open eyes typical of a self-portrait. This concentration on the face gives the impression of the artist's melancholy introspection, captured by the palette and related to the meaning of painting, whose dark character is reinforced by the concealment of the palette hanging on the right of the picture in the light tones so characteristic of Faber Du Faur. In the course of this resignation, Faber du Faur advises his son Hans, who has also become a painter: "Promise me one thing: never move to Munich, they'll kill you here!" Whoever the sitter may be, the references to painting make the portrait a resigned self-contemplation by Faber Du Faur, focused on art. About the artist After leaving school, Otto Faber du Faur entered the service of the Württemberg army, at the same time cultivating his artistic talent. In 1851, on the recommendation of his father Christian Wilhelm, who was himself a battle painter, he spent six months in Munich as an apprentice to Alexander von Kotzebue. In 1852 he was granted a year's leave of absence from military service to study battle painting in the studio of Adolphe Yvon...
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Bryan De Grineau art for sale on 1stDibs.

Find a wide variety of authentic Bryan De Grineau art available for sale on 1stDibs. You can also browse by medium to find art by Bryan De Grineau in pencil, charcoal, gouache and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Bryan De Grineau art, so small editions measuring 14 inches across are available. Customers who are interested in this artist might also find the work of Hubert Hennes, John Fulleylove, and Adriaan Lubbers. Bryan De Grineau art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,500 and tops out at $4,332, while the average work can sell for $4,144.

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