Bill Henson

Bruce Weber by Bruce Weber. Published by Twelvetrees Press, Los Angeles, 1983. Stated 1st Limited Edition (1/5000) hardcover with dust jacket. Beautifully illustrated with over 50 full-page photogravure plates of male models and actors, a few tinted with halftone colors. Contains subjects: Brothers, Matt...

Classical Furniture by David Linley. New York: Harry N. Abrams, Inc., Publishers, 1993. First edition hardcover with dust jacket. 192 pp. A book on classical furniture by the 2nd Ear...

Decorative Wedgwood by Alison Kelly. Country Life Limited, 1965. 1st Edition hardcover with dust jacket. The book covers: Josiah Wedgwood and the Taste of His Time, Ideas for Interior Decoration, Chimney-Piece Designs, Jasper Chimney-Pieces, Wyatt, Holland & Cameron (architects), Fonts, Furnishing Details, Tiles and Dairies, Furniture Inset with Wedgwood Ware, the Victorian Revival. A study of Wedgwood's decorative production as it relates to the taste of the times in the applied arts. The author describes the whole range of Wedgwood's output in the field of interior decoration, from the basalt figures and wall plaques to the more esoteric fonts and funeral urns...

"Pucci - A Renaissance in Fashion" by Shirley Kennedy, 1st edition, printed in Japan in 1991. All excellent near perfect condition. Cloth cover. First white page...

Van Gogh a Retrospective 1986 1st edition. Large beautiful heavy hardcover coffee table book. New York: Hugh Lauter Levin Associates, 1986. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Dimensions:13.50 X 10.5 X 1.50 inches. * Publisher ‏ : ‎ Hugh Lauter Levin Associates; First edition. (January 1, 1986) * Language ‏ : ‎ English * Hardcover ‏ : ‎ 385 pages Synopsis: This is a very useful book. If you are interested only in the reproductions (good drawings as well as paintings), you will enjoy their high quality--and the breadth of Vincent's work that they cover. If you are interested in primary resources about van Gogh's life--newspaper articles; letters and reminiscences from friends, fellow artists, relatives--this volume is a real treasure. Between the excellent reproductions and the extraordinarily fine collection of biographical materials, this must be the best one-volume source on van Gogh. By the time he died in 1890 at the age of thirty-seven Vincent van Gogh had painted hundreds of pictures, yet sold only a few. Today his paintings sell for millions of dollars each, and his life as an artist is legendary. He is the quintessential modern artist, operating on the edge of his sensibilities, where life and art are inextricably bound together. Van Gogh : a retrospective tells the story of the great Dutch artist as a single volume has never told it before, illuminating his work with a fascination selection of primary texts, including some of Van Gogh's letters. In 125 superb color reproductions and 103 black-and-white illustrations, the struggles and triumphs of Van Gogh's art are surveyed from the early dark landscapes and paintings of Dutch and Belgian laborers to the bright, intense visions of Paris, Arles, Saint Remy, and Auvers, where he took his life. Complementing the works are pertinent photographs from the period and portraits of the artist by Toulouse-Lautrec, Emile Bernard, Paul Gauguin, and others. Vincent Willem van Gogh was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. From Publishers Weekly "He did not paint his pictures; it was like he exhaled them in a gasping, boiling breath," one German critic aptly wrote of Van Gogh. Reminiscences of the artist by friends and passing acquaintances, letters from his brother Theo and appreciations by critics and artists make up the text of this handsomely packaged potpourri. For Margritte, the blind force of Van Gogh's obsessions made the tortured artist an unfree man. To Kokoschka, the tension in the painter's famous sunflowers and undulating cypresses speak of the fragility of an easygoing lifestyle in a mechanized age. Each artist seems to confront his or her own concerns when analyzing Van Gogh. Jean Renoir, Francoise Gilot, Gauguin and Klee are among the commentators. One hundred twenty-five superior color reproductions and 103 halftones remind us that Van Gogh could do a very formal Still Life with Coffeepot, a street scene ablaze with fauve-like color or the solemn, biblical Raising of Lazarus...

Olympic Portraits by Annie Leibovizt - 1st edition 1997.Annie Leibovitz' black and white photographs from the 1996 Atlanta Olympics. Hardcover. Condition: Very Good. No Jacket. First...

"Goodbye Picasso" by David Douglas Duncan. Hardcover, 1st Edition, 1974.

Willard Metcalf, Yankee Impressionist. New York: Spanierman Gallery, LLC, 2003. 1st Ed hardcover with no dust jacket as issued. 151 pp. Exhibition catalogue on the work of Willard Me...

Beaton In Vogue 1st Edition hardcover book. Beaton in Vogue By Josephine Ross. Published by Clarkson N. Potter, First American Edition, 1986. 24...

With glorious color photographs, paintings, prints, and original designs, noted historian and author Sir Roy Strong presents Britain's royal gardens of today and yesterday--magnifice...

Fashion Theory Hardcover by Carol Digrappa 1980s.This vintage hardcover book titled "Fashion: Theory" by Carol Di Grappa is a must-have for any fashion enthusiast. The book, publishe...

Sotheby's Catalog, An Important Russian Imperial Jewel. Geneva 17 November 2005. 1st Ed hardcover. "An impressive and highly important diamond ornament from the collection of the Russian Imperial Family, Russia, second half of the 18th century. This diamond necklace with bowknot clasp is not only a remarkable jewel in itself, but its Russian royal provenance puts it in a class of its own. It evokes the blinding splendour of Catherine II, Empress of Russia: the magnificence of her court, her parks, her palaces, her art collections, and monuments. The most striking and colourful figure on the stage of European political life, for thirty four years she ruled a mighty empire which stretched from Siberia to Poland and left it stronger, larger and richer than when she came to the throne in 1762. After her death in 1796, her friend the Prince de Ligne, who had named her Catherine the Great, declared that this title- which has never been lost- resumed all her genius, courage, sense of justice, and force of character. Using her court as a stage, she played the part of an autocratic but enlightened ruler to perfection, imposing in her public appearances, kind and charming in private. The French ambassador, the Comte de Ségur who noticed how “her majestic head and brow, proud look and dignified deportment made her seem taller than she was”, was also impressed by her feminine grace “ her aquiline nose, well shaped mouth, Saxe blue eyes beneath dark lashes, gentle glance and seductive smile”. In spite of her success, she once confided to the Prince de Ligne that she could have served Russia better if she had been born a man. Ever the courtier, he assured her that being a woman was a positive advantage. “Believe me, you are so much more impressive in your beautiful embroidered orange red velvet dolman or tunic than a man decked out in boots and shoulder sash can ever be. In addition the five huge diamonds blazing out from your hair are far more effective than a man’s hat which is either ridiculously small or ridiculously big”. He was right. Her diamond jewellery proclaimed her power and her rank as Empress and appealed to the Russian taste for sumptuous goods. It impressed the Rev. William Coxe, visiting St. Petersburg in 1778: “the glory and the splendor of the clothing of the court and abundance of precious stones leave the opulence of other European courts far behind” and his opinion was shared by the acute Madame de Stael...