Allie William Skelton Art

This 210 cm by 220 cm mixed media large-scale painting is one of Lazard's most iconic paintings. Alex Lazard, one of Mexico's most noted contemporary artist today, plays with the material load that he uses in this piece. Using asphalt, marble powder, and oil paint, "This is my representation of time... of the navigation of time in humans and how it never stops being there. This magical painting shows a spiritual, dreamy scenery where Lazard portraits what he sees in the world of "Shaman"... fishes swimming downwards, flying in the background, and the owl flying...

Paul Schürch (Swiss, ∗ 14.2.1886 Wangen b. Olten, † 11.12.1939 Bern) Romantic Landscape in area of Solothurn, Switzerland • Charcoal/Pencil drawing delicately heightened in various...

Work : Original Drawing, Handmade Artwork, Unique Work. The work has been treated with an anti-UV varnish and it is not framed. Medium : Soft Pastel and Oil based color pencils on H...

A painting from the popular "black table" series by Darius Yektai.

Oil base Colored Pencils and dry pastel on Hahnemühle paper 300g - Original Drawing, Seascape, Trees along the seafront Work Title : Au bord de l'eau (series) Artist : Gabriel Riesne...

To Shizico, a triptych is a compilation of visual prayers; it embodies a meditative voyage akin to a form of meditation. For her, the repetition of motifs within the triptych serves ...

"Summers View" is an oil painting of the Australian landscape. Painted with a palette knife, the paint is laid on thick. Three dimensional texture of the paint creates realistic forms via shadow and highlights. A somewhat abstract method of painting creates a contemporary realist depiction of nature. A field of green is intersected by a narrow path. Tree spout upward along the hills edges, and a grand blue scape of water floods the background. Framed in a natural wood, floating frame. See images and video for details. Emily Persson is a Melbourne based artist who has been creating oil paintings with a palette knife for three years. Emily is a multi-generational artist with roots in Brisbane, Australia. Although an avid hobbyist painter her whole life, Emily found her style and her new career in 2016 when she began painting landscape, seascape and floral still-life paintings inspired by her surrounds in Queensland. Emily decided in late 2017 that she would give away a successful corporate office job and pursue her life long dream of becoming a full time artist. She relocated to South Yarra in Melbourne and immediately began exhibiting across Australia at galleries such as the Moree Gallery and Satch & Co. Emily participated in many group exhibitions and fundraisers in 2018 including multiple shows in Melbourne, New South Wales and Queensland. Emily has gained most of her notoriety from her popularity on Instagram where she has close to twelve thousand followers. Emily’s art has trended worldwide on social media and she has become a pioneer and mentor for other artists trying to find their online groove. Emily has drawn the eye of some of Australia’s most sought after interior designers including Thomas Hamel, Nina Provan, Lauren Li and has had her work displayed in some of Australia’s biggest lifestyle magazines including Belle and Country Style. Influenced by master artists such as Frederick McCubbin...

Pastel on black paper. Ms. Morgan says: When I finally started riding the subway again during Covid isolation - going down to the ocean was a real treat. The collection of fisherm...

2024, Shizico Yi takes on an innovative project she named it "The Weaver," inspired by the heritage of family's Tartan, the rich lineage and history of the Clan. Within the patterns...

Work : Original Drawing, Handmade Artwork, Unique Work. The work has been treated with an anti-UV varnish Medium : Soft Pastel and Oil based color pencils on Hahnemühle Fine Art paper 300Gsm Artist : Gabriel Riesnert...

Nicely painted mid century abstract expressionist oil painting. Titled in verso, "The Dragonfly and the Flower". Great color and composition. Framed in a simple white wood moderni...

Miniature Landscape Provenance: Virginia Field, Arts administrator; New York, N.Y. Assistant director for Asia House gallery. (she was friends with John von Wicht and Andy Warhol) Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolf Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.” By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition. “Ben-Zion has his hands on the pulse of the common man and his natural world” As he emerged as an artist Ben-Zion never lost his gift for presenting the ordinary in ways that are vital, fresh and filled with emotions that are somber and exhilarating, joyous and thoughtful, and ultimately, filled with extraordinary poetic simplicity. Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Along with ben Shahn, William Gropper, Chaim Gross and Abraham Rattner he was an influential mid century Jewish American...