Albert Marionnet Serveware, Ceramics, Silver and Glass

Original Estate Cut Crystal & Gold Bronze Bowl and Mirrored Plateau Centerpiece with Colorful Glass Flowers and Fruit, Circa 1950's.

Beautiful crystal centerpiece. French production of high quality, crystalline glass. This element has a pretty rounded shape and nice dimensions ideal as a centerpiece, for a fruit ...

Ceramic three-level fruit bowl originally designed by Marco Zanini in 1985 for Memphis Milano. The three geometrical shapes in three colors complete the idea of a trilogy. Marco Zan...

A wonderful Mid-Century Modern Lorin Marsh heavy "French Gold" bronze with inset mirror round serving tray.

A beautiful teak bowl, by Ernst Henriksen, Denmark, circa 1950s. Great patina and warm tone.

19th century papier mâché tray featuring a painted English landscape scene with man fishing.

A Storck & Sinsheimer, Hanau, Germany, c.1880, silver fruit bowl with elaborate baroque style repousse fruit motif panels between florid, pierced panels....

Trigonal ceramic fruit bowl in pastel colors was originally designed by Masanori Umeda in 1983 for Memphis Milano. Was born in 1941 at Kanagawa in Japan. He obtained his diploma fro...

Whiting sterling silver table centerpiece/ fruit bowl decorated with gorgeous, dimensional leaf and flowers motif all around the rim in Art Nouveau style from 1905. It measures 14.1 inches in diameter by 3.8 inches in height, weighs 32.2 ozt, and bears hallmarks as shown. Originally in Massachusetts, Whiting Manufacturing Company relocated to New York in 1875. The company was purchased by Gorham in 1924 and the production transferred to Providence, Rhode Island. Whiting had relatively small production output but produced exceptional handmade silverware in relatively small quantities. The Company's most famous and important designer was Charles Osborne...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonisation. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...

Josef Hoffmann (1870-1956) black fruit bowl / centerpiece / catchall for Bieffeplast, Italy circa 1980s. Modern Wiener Werkstätte design by Josef Hoffmann with perforated grid struct...

A fantastic 19th century American carved walnut tray with sloped sides, and a wonderful patina only one hundred years of age can bestow. Perfect for use on your dining table, holding...