Ake Fribytter Seating

The “Skrindan” armchair model was designed in 1963 by iconic Swedish designer, Kerstin Hörlin-Homquist. Kerstin Hörlin-Holmquist had a unique and humanistic design vision, and thanks to her uncompromising attitude, she created some of the most famous Swedish models of the era. The unique stained beech frames are a visual delight, with subtle decorative elements that distinguish this pair from other models of the era. Without worrying about short-lived trends and what other people thought, Hörlin-Holmquist created her models with such precision and creativity that still makes them collectible pieces. Thanks to her unique vision, these chairs have unmistakeable backs and sides comprised of symmetrically arranged spindles. As the backs and armrests sit relatively low, the chairs have an open look. The original upholstered, dark green-coloured loose back and seat cushions elevate the visual comfort. The subtle elements of decoration include the tufted buttons on the cushions, the upholstered armrests, and the tapered legs. OPE Möbler, Jönköping produced the furniture designs of some of Scandinavia’s most renowned designers, such as Ib Kofod-Larsen, Ingemar Thillmark, and of course, Kerstin Hörlin-Holmquist. These Skrindan armchairs are exemplary of Swedish mid-century quality and design to their cores, uniting functionality with an understated, yet interesting and elegant design. Condition: In good vintage condition. Wear consistent with age and use. The wood has some scratches and marks. The chairs have their original velvet upholstery. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 28.93 in W x 33.07 in D x 31.88 in H; Seat height 16.92 in; Arm height 23.22 in 73.5 cm W x 84 cm D x 81 cm H; Seat height 43 cm; Arm height 59 cm About the Designer: Kerstin Hörlin-Holmquist was born on May 30, 1925 in Arvika, Sweden. She was a Swedish modernist architect and designer. Hörlin-Holmquist graduated from Stockholm’s Konstfack in 1952, and before that she studied and worked in England. She often worked with her husband Erik Holmquist, and together they modelled and created the pieces together. A key aspect for the couple was always to test their designs in their own home before completing a project. "I think both furniture and textiles, wherever they end up, must be kind, gentle and courteous, but without losing their character. They should have human qualities, not be pompous and only stand alone, but be able to adapt to the environment they end up in..." Hörlin-Holmquist worked and studied in England from 1946-1947 immediately after the war, where she also studied art history and became fascinated with the classic English upholstered furniture...

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