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Light Fading over Times Square, Oil Painting
By Onelio Marrero
Located in San Francisco, CA

Artist Comments
While Onelio was visiting the midtown area of Manhattan on a cold winter day in December, he was inspired to capture this busy cross section on Times Square. ...

Category

21st Century and Contemporary American Realist Feminist Art

Materials

Oil

Noir Pulp Magazine, Dead Man in the Snow, Mid Century, Latin Art Hispanic Artist
By Rafael DeSoto
Located in Miami, FL
A crime drama needs a cover image. What to do? Hire Rafael Desoto to make a powerful visual statement. This Noir Illustration was done on assignment for Dime Detective cover, when "There's a Will There's a Slay", Alternate Version Signed lower left - Elegantly matted with archival board but not framed - Rafael Maria de Soto y Hernandez was born February 18, 1904, in Aguadilla, Puerto Rico. His parents were Milagros and Domingo DeSoto, a noble Spanish banking family descended from the famous conquistador, Hernando de Soto - In 1932 he began to sell freelance cover paintings to pulp magazines...
Category

1940s American Modern Feminist Art

Materials

Gouache, Board

Che Guevara
By Russell Young
Located in Cliffside Park, NJ
Che Guevara, 2010 Silkscreen print with diamond dust Signed by the artist on the back Russell Young’s alluring, larger-than-life portraits of iconic cultural figures explore both glamorous American mythologies and their dark underbellies of crime, addiction, and death. His silkscreen paintings portray celebrities such as Marilyn Monroe, Elizabeth Taylor, and Kurt Cobain; the artist recontextualizes their iconic appearances in high-contrast palettes, often interweaving them with diamond dust to heighten their glittery, sensual allure. In other works, shellac drips and smears in a visceral, wound-like manner. Young has exhibited in New York, London, Paris, Shanghai, Vienna, and Los Angeles. His work belongs in the collections of the ​​Albertina Museum, the Cornell Art Museum, the Saatchi Collection, and the White House Collection. Celebrities including Brad Pitt, Elizabeth Taylor, and Kanye West have all bought his work. Young has also directed music videos, and in recent years, Dutch Golden Age paintings...
Category

21st Century and Contemporary Pop Art Feminist Art

Materials

Silk, Screen

David Bowie as Ziggy Stardust
By Russell Young
Located in Cliffside Park, NJ
"The Jean Genie" David Bowie as Ziggy Stardust, Santa Monica, CA 1972 Acrylic and enamel screen print on linen, 62 x 48 in Russell Young is a pop artist of international acclaim. Ru...
Category

1970s Pop Art Feminist Art

Materials

Enamel

"Inner View Open_Nexus III" Abstract Marble Sculpture by Caroline Ramersdorfer
By Caroline Ramersdorfer
Located in New York, NY
"Inner View Open_ Nexus III" by Caroline Ramersdorfer Three layered, marble slabs on a steel pedestal (each slab is 1.5" thick") Ramersdorfer carves slabs of marble to reveal comple...
Category

2010s Abstract Feminist Art

Materials

Stone, Marble, Steel, Metal, Stainless Steel

Abstract #5 Large Tapestry
By Calman Shemi
Located in Delray Beach, FL
Abstract #5 acrylic on wool. Calman Shemi, sculptor and painter, was born in Argentina in 1939. A graduate of the school of Sculpture and Ceramics in Mendoza, Calman Shemi was a stu...
Category

1980s Abstract Feminist Art

Materials

Wool, Acrylic

Rose II – Nick Knight, Photography, Pink, Rose, Flower, Art, Contemporary
Located in Zurich, CH
NICK KNIGHT (*1958, Great Britain) Rose II 2012 Hand-coated pigment print Sheet 136 x 96.5 cm (53 1/2 x 38 in.) Image 117.5 x 76.2 cm (46 1/4 x 30 in.) Edition of 9, plus 2 AP; Ed. ...
Category

2010s Contemporary Feminist Art

Materials

Pigment

"PRICKLY PEAR PATH " TEXAS HILL COUNTRY CACTUS Frame Size: 21 x 25
By Porfirio Salinas
Located in San Antonio, TX
Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 12 x 16 Frame Size: 21 x 25 Medium: Oil Dated 1958 "Prickly Pear Path" Texas Hill Country Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican-American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas are in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910 near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions. While a few of his early works have a soft, tonalist quality, with subtle gradations of sunset colors, most were painted in a style that fits well within the currents of the late American Impressionist style, with solid drawing and a warm, chromatic palette. Like Robert Wood's works of the 1930s, the paintings Salinas produced as a young man were usually well composed and detailed views of the spring wildflowers in full bloom in the Texas countryside. In contrast to Wood's work, however, early Salinas compositions were usually pure landscapes without the pioneer farms or dilapidated fences that Wood often used to add visual interest to his wildflower scenes, and he also painted scenes of San Antonio itself as his mentor Jose Arpa had done. To residents of the Hill Country, Salinas was especially adept at accurately capturing the palette of the region and its unique atmosphere. In 1939 Salinas began working with Dewey Bradford (1896-1985), one of the great characters of Texas art. Bradford was a second-generation dealer whose family operated the Bradford Paint Company in Austin, where they sold art supplies, framed artwork, restored paintings and exhibited paintings by Texas artists. Salinas was struggling when he met Bradford, but the older man took the young artist under his wing and began to sell his work reliably, even though the prices that people would pay for a painting were still low due to the lingering effects of the Great Depression. Bradford was a born salesman with a gift for storytelling, and truth be told, a bit of embroidery. The relationship between Bradford and Salinas was often rocky, but it was to last the rest of the artist's life and give him a modest sense of loyalty and security, things which are all too rare in the art world. While Bradford could be critical of his work, Salinas knew that he had a dealer who encouraged him, believed in him and was not shy about singing his praises to anyone who entered Bradford's store on Guadalupe Street. During the early years of World War II Salinas met a pretty Mexican woman from Guadalajara named Maria Bonillas, who was working as a secretary for the Mexican National Railways office in San Antonio. While he was walking downtown with a painting of a bullfighter under his arm, he started a conversation with the young woman, and things progressed rapidly. The couple were married on February 15, 1942 and settled into life in bi-lingual San Antonio and they eventually purchased a tidy stone home on Buena Vista street that had a detached studio in back. By the time the United States entered World War II, Salinas was starting to make a decent living selling his art and beginning to garner recognition across Texas. However, in 1943, like millions of other young men, he was drafted into the service of his country. Fortunately, as an older Army draftee with special talents, after his training he was assigned to Fort Sam Houston, right in San Antonio, allowing him to remain at home while still completing his obligation to "Uncle Sam." Because of his artistic abilities, Salinas was asked to do paintings for the Army as well as a mural for the Officer's Club, which has been re-discovered in recent years. In his spare time he kept working on landscapes and when the war ended in 1945, he was not faced with the same rocky transition from military to civilian life as many veterans. That same year, Salinas became a father as he and Maria celebrated the birth of his only child, Christina Maria Salinas. Like most landscape artists of the era, Salinas was an avid Plein-air painter, and he took his easel and paint box with him on trips throughout Texas and into Mexico. He and his wife traveled deep into her native country, where the artist painted the majestic volcanic peaks of Iztaccihuatl (known as the "Sleeping Woman" because of its unique shape) and Popocatepetl (called the "smoking mountain" because the volcano is still active), south of Mexico City. Salinas also painted studies of rustic villages and their residents. While his most popular paintings were always the scenes of the Texas Bluebonnets and other wildflowers that bloom all over the Hill Country in the spring, he also painted scenes of the twisted Texas oak trees of central Texas, the more arid landscapes of the Texas panhandle and West Texas, and the historic Texas missions; he even sold rapidly executed scenes of bullfights and cockfights for Mexican-American collectors. By the late 1940s, the American economy was finally growing again and wealthier Texans began to collect Salinas paintings, purchasing them from galleries in San Antonio and Dallas and at Dewey Bradford's County Store Gallery in Austin. Salinas also sold work to the Atlanta dealer Dr. Carlton Palmer, who represented Robert W. Wood for many years. In 1948 Palmer sold two large Salinas paintings to the Citizen National Bank in Abilene, Texas. Because Austin was the state capitol, Bradford counted many of the state's elite among his patrons, and due to his interest in history and literature, he played a large role in the cultural history of central Texas. Bradford introduced a number of the major Texas political figures to Salinas' work, including Lyndon Baines Johnson (1908-1973), who was then in the House of Representatives and on his way to winning a controversial election that vaulted him in the United States Senate. Johnson became an enthusiastic collector, as did his political mentor, the legendary House Speaker Sam Rayburn (1882-1961). Johnson decorated his Washington offices with Salinas paintings and he brought a number of them home to his vast LBJ Ranch, near Johnson City, Texas. In spite of his important patrons, Salinas went through a fallow and difficult period in the late 1950s. He had a volatile temperament, which made relationships difficult, and it took great patience for his wife to help him manage his career. As Salinas entered middle age his work began to sell steadily, but except for tourists who purchased his paintings in San Antonio, he was known primarily only to Texas art collectors. All that changed in 1961 with the election of John F. Kennedy (1917-1963) to the Presidency of the United States and his running mate Lyndon Johnson to the Vice Presidency. Johnson was an expansive, larger-than-life character and his status as a long, tall Texan in a cowboy hat was a large part of his imposing political image. During his storied career in the House of Representatives and the United States Senate, Johnson and Lady Bird Johnson (1912-2007) spent their time in Washington in a modest house on the edge of Rock Creek Park, but this home would not do for a Vice President. So, in 1961, the Johnsons purchased a French chateau-styled home in the Spring Valley section of the Capitol. Obtained from the famed socialite and ambassador Perle Mesta (1889-1975), the house came with a fine collection of French furniture and tapestries, and the designer Genevieve Hendricks was hired to meld the French look with objects from the Johnsons' overseas travels and paintings of the flora and fauna of their native Texas. Featured prominently in the foyer were the paintings of Porfirio Salinas. Because of the Johnsons' patronage, his work was mentioned in Time Magazine and other national publications. Lady Bird Johnson loved her landscapes of the Texas Hill Country and told reporters that, "I want to see them when ever I open the door, to remind me where I come from." After President Kennedy's death thrust Lyndon Johnson into the Presidency, he brought his Salinas paintings into the historic halls of the White House, further enhaning the Texas painter's national reputation. At the time of the President Kennedy's assassination, Salinas had completed a scene of a horse drinking titled "Rocky Creek" that was to have been presented to Kennedy during his ill-fated visit to Dallas. Instead, in an effort to memorialize the fallen President, Salinas painted a symbolic work of a lone horse depicted against foreboding clouds. During his tenure in the White House, President Johnson presented a Salinas landscape as a state gift to the President of Mexico, Gustavo Diaz Ordaz (1911-1979). During the 1960s, Salinas paintings sold briskly and, thanks to Presidential patronage, for escalating prices. In an interview with a writer from the New York Times, President Johnson enthused about the work of "his favorite artist" and said that, "his work reminds me of the country around the ranch." Salinas was invited to the LBJ Ranch frequently during the Johnson administration and his paintings were hung throughout the ranch, in the President's offices and even in the private quarters of the White House. The connection to President Johnson was a great boon to sales of Salinas paintings, and in 1964, when the demand was at its height, Texas Governor John Connelly (1917-1993) was told that all Salinas'work was sold and that he would have to wait for a painting. In 1960, a half century after his birth, Salinas was honored by his home town of Bastrop, a celebration that touched the modest artist. In 1962 Salinas was given a solo exhibition at the Witte Museum in San Antonio that featured more than twenty of his works. By the early 1960s, sales of reproductions of the artist's landscapes by the New York Graphic Society and other publishers grew rapidly, enlarging his audience throughout the United States. In 1967, Dewey Bradford helped to organize the production of a book of Texas stories titled "Bluebonnets and Cactus" (Austin: Pemberton Press: 1967), which was profusely illustrated with paintings by Salinas. His works were still popular when Salinas died after a brief illness in April of 1973, just a few months after former President Johnson's passing. He was memorialized in the City of Austin by Porfirio Salinas Day, which honored him for having "done much to bring the culture of Mexico and Texas together with his paintings." Bastrop, Texas, the city of the artist's birth, has been holding a Salinas Art Exhibition annually since 1981. He painted hundreds of scenes of the wildflowers, including the various varieties of Blue Lupin, the state flower, as well as other flowering flora. These show the influence of his artistic mentors Robert W. Wood and Jose Arpa Y Perea. Salinas also painted a number of scenes of Prickly Pear Cactus that show the influence of the English painter Dawson Dawson-Watson (1864-1939), who painted many such works during his tenure in Texas. He painted the more arid Texas landscape infrequently and these works are very rare today and sought after by collectors from the Texas Panhandle and West Texas. Salinas also painted many river landscapes along the Guadalupe, Rio Frio, the San Antonio and the Rio Grande. On trips to his wife's homeland of Mexico, he painted a number of scenes of the volcanic peaks as well as scenes of peasant villages and villagers. Figurative paintings are rare among Salinas' works and these scenes of bullfights, fandangos and cock fights are probably the least sought after of his paintings. There are also a small number of modest marines, painted on trips to the Texas and California coast. Salinas paintings are highly prized by collectors of early Texas art, with the paintings of wildflowers in greatest demand. Works by Porfirio Salinas can be found in a number of public collections, including the Panhandle Plains Historical Museum in Canyon, Texas; the Texas State Capitol; the Texas Governor's Mansion; the Lyndon Baines Johnson Ranch; the Sam Rayburn Library and Museum in Bonham, Texas; Amarillo High School; the Witte Museum in San Antonio; the historic Joan and Price Daniel House in San Antonio; the Stark Museum in Orange, Texas; the R.W. Norton Art Gallery in Shreveport, Louisiana; the Sangre de Cristo Arts Center in Pueblo, Colorado; Texas A & M University and the Modern Art Museum of Fort Worth. Salinas has been featured in a number of reference works as well as anthologies devoted to American Western Art...
Category

1950s Impressionist Feminist Art

Materials

Oil

"Winter in the Park, " Ink on Paper, 2011
By Deng Ying
Located in Chicago, IL
Bejing-based artist Deng Ying decorates the blank expanse of this paper folding fan with a colorful painted scene she calls "Winter in the Park." In China, folding fans have a long h...
Category

21st Century and Contemporary Feminist Art

Materials

Ink, Bamboo Paper

The Three Wisemen, Contemporary Mixed-Media Art by African American Artist Bai
By Bai (Carl Karni-Bain)
Located in New york, NY
The Three Wisemen, 2022 by Carl Karni-Bain (Bai) is a contemporary mixed-media fabric work. The piece 3 wisemen, portraits on watercolor paper, are embellished with pastel and charcoal, acrylic paint, and layers of painted fabric. The piece is installed in a clear plexi shadow box. The 46" x 42" work is mounted on archival board and installed in a clear acrylic box frame: 48" x 44” depth: 2” In the artist's words: "I have been painting faces and figures throughout my career as they are part of an ongoing journey of which neither I nor the viewer will ever tire. The foundation for my portraits comes from the African Mask. As a child, I remember the visual impact it had on me and remains strong in my retained memory to this day. The mask forces a response from the viewer, whether a primitive or contemporary response." ~Carl Karni-Bain (BAI) ***** Artist's Bio: For three decades BAI (Carl Karni-Bain) 1959- has exhibited regularly in the San Francisco Bay Area, North Carolina, and New York City. As an artist in over two dozen international art fairs since 2003, BAI has garnered an audience worldwide. In 2013 Thelma Golden, Director of The Studio Museum...
Category

2010s Contemporary Feminist Art

Materials

Paper, Acrylic, Fabric, Digital, Charcoal, Pastel

Full Moon, Chrysler Building, 42nd St New York City by Roberta Fineberg
By Roberta Fineberg
Located in New york, NY
Full Moon, Chrysler Building, New York City, 2012 by Roberta Fineberg is a 24" x 18" signed archival pigment print in an edition of 5 and 2 artist proofs (a/p I, a/p II). The contemporary color landscape photograph was shot on 42nd St and captures the art-deco Chrysler Building -- one of New York City's beloved buildings -- beneath a full moon. Available: 2/5 Provenance: RF Archive *** Artist's Bio: As a photographer and visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and subjects such as the ephemeral (butterfly series), stolen moments (documentary work), play, timelessness, the enduring, and significance of matter. In July 2022, Roberta Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include: Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2022; 2020), CADAF online art fair (2020), Gallery122 New York pop-up group...
Category

2010s Contemporary Feminist Art

Materials

Archival Ink, Archival Paper, Digital, Archival Pigment, Digital Pigment

Road to the Dacha
Located in Santa Fe, NM
ROAD TO THE DACHA (with Custom Seamless 24K Gold Frame) This beautiful landscape is an exemplary oil painting by the renowned master, Nikolai Timkov. It is in excellent condition and is framed in custom seamless 24K gold. Road to the Dacha, is being offered for an extraordinary price. Timkov paintings of similar size and quality have sold above $50K, with a record price of $350K in 2002. Nikolai Timkov At his 1993 exhibition, the year of his passing, Nikolai Timkov, one of the most important Russian landscape painters...
Category

1960s Impressionist Feminist Art

Materials

Oil

Modern Sculpture Abstract Mural "Horizontal Infill" Outdoor Metal Wallhanging
By David Marshall
Located in Benahavis, ES
The modern Wall Sculpture " Horizontal Infill ” is a unique metal Mural made from a burnout mold by David Marshall in 2021, sand cast in aluminium and steel in our foundry, handcraf...
Category

2010s Contemporary Feminist Art

Materials

Brass, Steel

1966 Alexander Calder 'Derriere le Miroir No. 156' Surrealism France Lithograph
By Alexander Calder
Located in Brooklyn, NY
Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...
Category

1960s Feminist Art

Materials

Lithograph

1963 Alexander Calder 'Three Legged Figure Lithograph' Modernism Multicolor Lith
By Alexander Calder
Located in Brooklyn, NY
Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...
Category

1960s Feminist Art

Materials

Lithograph

The Duet
By James Abbott McNeill Whistler
Located in San Francisco, CA
Collections in which impressions from this edition can be found: Chicago Art Institute (1 impression); Hunterian Art Gallery, University of Glasgow (6 impressions); British Museum, L...
Category

19th Century Feminist Art

Outdoor Mural Wall Sculpture Brass Figures Mounted on Aluminium
By David Marshall
Located in Benahavis, ES
With more than 50 Years since his first exhibition in Spain, David Marshall has shown his highly individual work throughout Europe and United States. The Wal lSculpture " Climbing Frame...
Category

Early 2000s Contemporary Feminist Art

Materials

Metal, Brass

CAPUT MORTUUM - (Latin - DEAD HEAD)
By Henry Miller
Located in Santa Monica, CA
HENRY MILLER (1891 – 1980) CAPUT MORTUUM (Latin - DEAD HEAD) 1944 Watercolor and gouache, 13 1/4” x 12 1/4” Signed and dated in pen. Irregular sheet 14 ¼ x 12 5/8”. Miller, autho...
Category

1940s Outsider Art Feminist Art

Materials

Gouache, Watercolor

Plante Piquante
Located in Solana Beach, CA
Acrylic on linen painting
Category

2010s Abstract Feminist Art

Materials

Linen, Acrylic

Lovers Tribute to Chagall Murano Glass Sculpture
By Walter Furlan
Located in Delray Beach, FL
Amanti (Lovers) Tribute To Chagall Signed, artist logo stamp, and title. Walter Furlan was born (1931-2018) in Chioggia, a small town near Venice. He started to work in a furnace c...
Category

Early 2000s Expressionist Feminist Art

Materials

Blown Glass

Damier from Derriere Le Miroir #156
By Alexander Calder
Located in Washington, DC
Alexander Calder Damier from Derriere Le Miroir #156 Artist: Alexander Calder Medium: Original lithograph Title: Damier Portfolio...
Category

1960s Abstract Feminist Art

Materials

Lithograph

Structure 11 Acrylic On Wool
By Calman Shemi
Located in Delray Beach, FL
Structure #11 acrylic on wool. Hand signed and titled on verso. Calman Shemi, sculptor and painter, was born in Argentina in 1939. A graduate of the school of Sculpture and Cerami...
Category

1990s Abstract Feminist Art

Materials

Wool, Acrylic

Puppy by Roberta Fineberg, Semi-Abstract Color Photography of Animal Faces
By Roberta Fineberg
Located in New york, NY
Puppy is a contemporary color photograph of an animal face reimagined. Composed of photographs of reflections in an Upstate New York creek, the work is semi-abstract. The photograph ...
Category

2010s Contemporary Feminist Art

Materials

Archival Pigment, Digital, Digital Pigment

Mixed Signals by Roberta Fineberg, Experimental Night Photography in New York
By Roberta Fineberg
Located in New york, NY
This vibrant abstract color panorama is from a series of images, night photography by the artist Roberta Fineberg. On intentional camera movement and light painting, the image Mixed ...
Category

2010s Contemporary Feminist Art

Materials

Archival Pigment, Digital, Digital Pigment

Changing the proportions, Hand Printed Work, Woodcut
By Barbara Kuebel
Located in Yardley, PA
I arranged two figures in a state of movement - one steps over the other. I think this is an every day situation that people are in very close density with each other they even feel ...
Category

21st Century and Contemporary Realist Feminist Art

Materials

Woodcut

City Abstraction, mid modern abstract oil painting Circa 1950’s
By Donald Roy Purdy
Located in New York, NY
In the 1950’s Donald Purdy embraced an abstract style of painting which was pervasive at the time. This painting is a perfect compliment to a room with mide modern furniture. In Ci...
Category

Mid-20th Century Abstract Expressionist Feminist Art

Materials

Canvas, Oil

"Street of Terrasse, Old Geneva" by Aimé Moret - Oil on cardboard
Located in Geneva, CH
Work on wood
Category

1940s Modern Feminist Art

Materials

Oil

"Gershwin" Large-Scale, Abstract Metal Sculpture in Brushed Aluminum
By Richard Pitts
Located in New York, NY
"Gershwin" by Richard Pitts Brushed aluminum Richard Pitts works in many media, from steel to wood to bronze to aluminum, not to mention his paintings. His often colorful, abstract ...
Category

2010s Abstract Feminist Art

Materials

Metal

"Back from the Yellow Brick Road" Large-Scale, Abstract Metal Sculpture, Yellow
By Richard Pitts
Located in New York, NY
"Back from the Yellow Brick Road" by Richard Pitts Powder-coated aluminum Richard Pitts works in many media, from steel to wood to bronze to aluminum, not to mention his paintings. ...
Category

2010s Abstract Feminist Art

Materials

Metal

"Happy Clouds" Contemporary Mixed Media on Canvas
By Amber Goldhammer
Located in Baltimore, MD
"Happy Clouds" is a framed mixed media work on canvas by Amber Goldhammer, with layers of spray-painted flowers, hearts, and embellishing drips in many colors. This piece evokes a pl...
Category

2010s Contemporary Feminist Art

Materials

Canvas, Mixed Media

powder coated aluminum
By Richard Pitts
Located in Bantam, CT
powder coated aluminum
Category

21st Century and Contemporary Contemporary Feminist Art

Materials

Metal

20th Century French Modernist Signed Oil Boats Moored on Beach
Located in Cirencester, Gloucestershire
Beached Boats by Lucien Gondret (French b. 1941) signed oil painting on canvas, unframed canvas: 18.5 x 22 inches provenance: private collection, France condition: very good and soun...
Category

Late 20th Century Modern Feminist Art

Materials

Oil

FACE TO FACE Signed Stone Lithograph, Black White Abstract Face, Expressionist
By Knox Martin
Located in Union City, NJ
FACE TO FACE is an original hand drawn stone lithograph by the American abstract painter Knox Martin. Printed from a lithography stone in rich black ink on archival Arches printmakin...
Category

1970s Contemporary Feminist Art

Materials

Lithograph

Study of a hand and landscape, on the back, study of cow legs and hooves
By Jean François Millet
Located in Barbizon, FR
Black pencil drawing, stamp from the widow’s sale in 1894 (Lugt L. 3728), dimensions 10.5x14.2cm. This is a detail study of the hand of the peasant holding a lunge rein, represented...
Category

19th Century Barbizon School Feminist Art

Materials

Pencil

Stream Through a Field in Spring - Earthy tones with spots of crimson and umber
By James Lahey
Located in Bloomfield, ON
This abstracted landscape by James Lahey features a stream pushing through a grassy field in what appears to be a spring thaw. The image is built up with many fine layers and finishe...
Category

Early 2000s Contemporary Feminist Art

Materials

Oil, Board

White Encounter, perfect piece for modern spaces
By Arozarena De La Fuente
Located in Mexico City, MX
The two artists and industrial designers, Ampi Arozarena and Elena De La Fuente describe form and color as their core of exploration. They admire the dual identity the two elements c...
Category

2010s Contemporary Feminist Art

Materials

Varnish, Acrylic, Gesso, Resin

Strata 23-A
By Francie Hester
Located in New York, NY
Acrylic, aluminum leaf, and wax on aluminum panel.
Category

2010s Abstract Feminist Art

Materials

Wax, Acrylic, Panel

Strata 22 Set 2
By Francie Hester
Located in New York, NY
Acrylic, aluminum leaf, and wax on aluminum panel.
Category

2010s Abstract Feminist Art

Materials

Wax, Acrylic, Panel

Calla Lily - lush, dark, detailed, realist, floral, still life, oil on canvas
By James Lahey
Located in Bloomfield, ON
This gorgeous bouquet of sunny yellow Calla Lilies is a mixed media piece by James Lahey. Light appears to illuminate this casual arrangement. The clear glass vase sits against a jet...
Category

2010s Contemporary Feminist Art

Materials

Canvas, Oil

"Reserved Horizon XI" Contemporary Abstracted Landscape Oil on Panel Framed
By Eric Abrecht
Located in Baltimore, MD
"Reserved Horizon XI" is a framed oil painting on panel by Eric Abrecht, depicting an abstracted coastal landscape. The artist's technique of painterly, rough brushstrokes gives this...
Category

2010s Contemporary Feminist Art

Materials

Paint, Wood Panel, Panel, Oil

Cloud - bright, calm, realist, landscape, oil and acrylic on canvas on panel
By James Lahey
Located in Bloomfield, ON
The airy, ethereal quality of a white cloud rising in a deep blue sky is beautifully rendered in this mixed media composition by James Lahey. Known for his realistic landscapes, Lahe...
Category

Early 2000s Contemporary Feminist Art

Materials

Canvas, Oil, Acrylic, Wood Panel

Outstanding Elegant Art Piece for wall hanging: "Techtonic Formations"
By Arozarena De La Fuente
Located in Mexico City, MX
This outstanding art work was carefully traced and assembled in order to create a combination of organic forms and textures. The white color and silver touch contrasts perfectly with...
Category

2010s Contemporary Feminist Art

Materials

Concrete

Afternoon on the River
By Louis Aston Knight
Located in Nutfield, Surrey
Louis Aston Knight (1873–1948) was a French-born American artist noted for his paintings of landscapes. One of his paintings, The Afterglow, was purchased by U.S. President Warren G. Harding in 1922 to hang in the White House. Aston Knight, the son of Daniel Ridgway Knight and Rebecca Morris...
Category

20th Century Impressionist Feminist Art

Materials

Oil

Sunset on the River
By Louis Aston Knight
Located in Nutfield, Surrey
Louis Aston Knight (1873–1948) was a French-born American artist noted for his paintings of landscapes. One of his paintings, The Afterglow, was purchased by U.S. President Warren G. Harding in 1922 to hang in the White House. Aston Knight, the son of Daniel Ridgway Knight and Rebecca Morris...
Category

20th Century Impressionist Feminist Art

Materials

Oil

WITH HONORS Signed Lithograph, Graduation Ceremony, Cap Gown Tassel, Education
By Synthia Saint James
Located in Union City, NJ
Synthia Saint James (American, b. 1949), WITH HONORS is a hand drawn limited edition color lithograph(not a photo reproduction or digital print) printed using hand lithography techniques on archival Arches paper, 100% acid free. WITH HONORS is a rainbow colored figurative composition rendered in a contemporary style (reminiscent of Jacob Lawrence-Migration), depicting a multicultural graduation ceremony viewed from the audience perspective, with colorfully dressed men, women and children seated in stadium...
Category

1990s Contemporary Feminist Art

Materials

Lithograph

"A Day in March"
By John Fulton Folinsbee
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John F...
Category

1920s American Impressionist Feminist Art

Materials

Canvas, Oil

Aqua Jar with Engraved Detail - decorative, handcrafted, porcelain vessel
By Loren Kaplan
Located in Bloomfield, ON
Intricate patterns reminiscent of ancient ceramics adorn Loren Kaplan’s newest porcelain jars. This piece in jewel-toned aqua contrasts beautifully wi...
Category

2010s Contemporary Feminist Art

Materials

Ceramic, Porcelain

FLINCH 6, Painting, Oil on Canvas
By Bill Stone
Located in Yardley, PA
Why do we flinch when someone raises their hand? :: Painting :: Abstract Expressionism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready ...
Category

Early 2000s Feminist Art

Materials

Oil

Jose Parla "The Founders" Print Street Art Contemporary Street
By José Parlá
Located in Draper, UT
Jose Parla "The Founders" Time Limited Edition of 1368 Dimensions: 20.5in x 32.7in Medium: Archival pigment print on 305 gsm Hahnemühle Photo Rag Ultra Smoo...
Category

2010s Street Art Feminist Art

Materials

Screen

Remember These Days XL 1, Painting, Acrylic on Canvas
By Peter Nottrott
Located in Yardley, PA
The colors white, yellow, orange, magenta, pink, blue, purple, green, beige-brown, gray and black form a powerful, intense and modern composition. It was inspired by the impression ...
Category

21st Century and Contemporary Feminist Art

Materials

Acrylic

Smoker Study
By Tom Wesselmann
Located in London, GB
Tom Wesselmann Smoker Study 1973 Oil on canvas 20.3 x 24.1 cms (8 x 9.5 ins) TW5082 Provenance: Acquired directly from the artist Exhibited: Bernard Jacobson Gallery, London, So...
Category

1970s Pop Art Feminist Art

Materials

Oil

Castelo 3, Painting, Oil on Canvas
Located in Yardley, PA
Studio painting done after the plain air on the location :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready t...
Category

21st Century and Contemporary Impressionist Feminist Art

Materials

Oil

Wandering, Painting, Oil on Wood Panel
By Laverne Chisan
Located in Yardley, PA
Leisurely moving through a peaceful and uncomplicated evening. :: Painting :: Fine Art :: This piece comes with an official certificate of authenticity signed by the artist :: Ready ...
Category

21st Century and Contemporary Feminist Art

Materials

Oil

Belgian Contemporary Art by Hugo Pondz - L'Arrivée du Printemps
By Hugo Pondz
Located in Paris, IDF
Original artwork = $13,000 Limited editions 30 - Square format: 100 x 100 cm - 39,4 x 39,4 in artwork rolled up in a tube 110 x 10 cm, 950 g = 990 Eur artwork framed 106 x 106 x 8 ...
Category

2010s American Realist Feminist Art

Materials

Paper, C Print

Indian Contemporary Art by Sumit Mehndiratta - Composition No.320
By Sumit Mehndiratta
Located in Paris, IDF
Indian ink on archival paper, artwork can be shipped in a tube or framed in a crate
Category

2010s Abstract Feminist Art

Materials

India Ink, Archival Paper

The Shape of Water III
By Carla Sutera Sardo
Located in New York, NY
ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...
Category

2010s Feminist Art

Materials

Photographic Paper

Tom Kelley 'Woman with Umbrella'
By Tom Kelley
Located in New York, NY
Tom Kelley Woman With Umbrella c. 1950's C print 38 x 32 inches Caption: Woman in bikini sitting on beach holding umbrella, smiling, portrait. Tom Kelley’s interesting career spans more than four decades: first started as an apprentice in a New York photo studio that catered to the city's upper 400 (i.e. photographing the Vanderbilts, the Astors, the Harrimans, the Morgans, etc.). One of his biggest spot news assignments was covering the Lindbergh kidnapping case. Coming to California, Kelley was retained to photograph the stars created by David 0. Selznick and Samuel Goldwyn including Ingrid Bergman. A few of his other most famous subjects have been Gary Cooper, Greta Garbo, James Cagney, Clark Gable, Winston Churchill, Bob Hope, Marlene Dietrich, Joan Crawford, Jack Benny, John F. Kennedy, Dwight D. Eisenhower, Franklin D. Roosevelt and, of course, Marilyn Monroe, with and without clothes. His easiest photo subject? Clark Gable. His toughest? Joan Bennett. Following a long and profitable career helping to publicize motion picture personalities, he drifted the commercial advertising/photography field where he has remained as one of the leading exponents in the business. Of course, his most famous image was of Marilyn Monroe nude...
Category

1950s Modern Feminist Art

Materials

C Print

Illumination Red Abstract Painting
By Keith Carrington
Located in Delray Beach, FL
Illumination Nitro-acrylic, acrylic on canvas gallery wrap. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and...
Category

2010s Abstract Expressionist Feminist Art

Materials

Canvas, Acrylic

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