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Mid-Century Modern Abstracted Cubist Table Still-Life
Located in Soquel, CA
, highlighted by texture in white by E. A Blake (American, 20th century). Signed "E.A. Blake" lower right
Category

1970s Synthetic Cubist Still-life Paintings

Materials

Masonite, Acrylic

E. Blake - Early 20th Century Oil, The Ruffian
Located in Corsham, GB
A wonderfully striking portrait in oil from the early 20th Century showing an angry red faced man. His bearded face is lined with emotion. The portrait has an air of Goya's black por...
Category

Early 20th Century Portrait Paintings

Materials

Oil

Fables - Vintage Rare Book Illustrated by William Blake - 1793
By William Blake
Located in Roma, IT
Fables is an original Modern Rare book engraved by Sir William Blake (London, 1757 - London, 1827
Category

1790s More Art

Materials

Paper, Etching

James E Blake Sterling Silver Heart Napkin Clip with Monogram
Located in Washington Depot, CT
Sterling silver napkin clip by James E Blake, with monogram. Monogram appears to be LM. This
Category

20th Century Flatware and Serving Pieces

Materials

Sterling Silver

James E Blake Co Sterling Silver and 14 Karat Inlaid Vanity Case
Located in Washington Depot, CT
Vintage sterling silver and 14K inlaid vanity case with chain loop by James E Blake. James E Blake
Category

20th Century Pendant Necklaces

Materials

Sterling Silver

Netherton Chapel
By Frederick Landseer Griggs, R.A., R.E.
Located in Storrs, CT
and worked for two years 1896-8 in the architectural office of C.E. Mallows, the architectural
Category

Mid-20th Century Modern Landscape Prints

Materials

Etching

A Boy Climbing a Tree - Original Etching by James Neagle - 1810
Located in Roma, IT
elucidated through examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able
Category

1810s Old Masters Figurative Prints

Materials

Etching

Cat with Red Claws and a Bird
By Colin Self
Located in New York, NY
Once a peer of David Hockney and Peter Blake during school, Colin Self is an important contemporary
Category

Early 2000s Animal Prints

Materials

Drypoint

Microwave Oven (A Couple in the Sea)
By Colin Self
Located in New York, NY
A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker
Category

Early 2000s Expressionist Nude Prints

Materials

Drypoint

Portrait of a Man - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
could be elucidated through examining their “lines of countenance" i.e. tracing a profile outline
Category

1810s Modern Figurative Prints

Materials

Etching

A Drunk Man - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
could be elucidated through examining their “lines of countenance" i.e. tracing a profile outline
Category

1810s Modern Figurative Prints

Materials

Etching

Portrait of a Man - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
. On the rear, a portrait engraved by William Blake. This artwork portrays a man. On the back of this
Category

1810s Old Masters Figurative Prints

Materials

Etching

Measuring a Profile - Original Etching by Thomas Holloway - 18th Century
By Thomas Holloway
Located in Roma, IT
a person could be elucidated through examining their “lines of countenance" i.e. tracing a profile
Category

18th Century Old Masters Figurative Prints

Materials

Etching

Profile Of A Woman - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
a person could be elucidated through examining their “lines of countenance" i.e. tracing a profile
Category

1810s Modern Figurative Prints

Materials

Etching

Profile of a Man - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
could be elucidated through examining their “lines of countenance" i.e. tracing a profile outline
Category

1810s Modern Figurative Prints

Materials

Etching

Head of a Man - Original Etching by John Hall - 1810
Located in Roma, IT
examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside
Category

1810s Old Masters Figurative Prints

Materials

Etching

Portrait of a Man - Original Etching by John Hall - 1810
Located in Roma, IT
examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside
Category

1810s Old Masters Figurative Prints

Materials

Etching

Portrait of a Man - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside
Category

1810s Old Masters Figurative Prints

Materials

Etching

Portrait of a man - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside
Category

1810s Old Masters Figurative Prints

Materials

Etching

Portrait of a Man - Original Etching by John Thornthwaite - 1810
By John Thornthwaite
Located in Roma, IT
elucidated through examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able
Category

1810s Old Masters Figurative Prints

Materials

Etching

Portrait of a Man - Original Etching by John Hall - 1810
Located in Roma, IT
examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside
Category

1810s Old Masters Figurative Prints

Materials

Etching

Heads of a Man - Original Etching by Anker Smith - 1810
By Anker Smith
Located in Roma, IT
elucidated through examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able
Category

1810s Old Masters Figurative Prints

Materials

Etching

Portrait of a Man - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside
Category

1810s Old Masters Figurative Prints

Materials

Etching

Portrait of a Child - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside
Category

1810s Old Masters Figurative Prints

Materials

Etching

Portrait of a Man - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside
Category

1810s Old Masters Figurative Prints

Materials

Etching

Portrait of a Man - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside
Category

1810s Old Masters Figurative Prints

Materials

Etching

Portrait of a Man - Original Etching by John Hall - 1810
Located in Roma, IT
elucidated through examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able
Category

1810s Old Masters Figurative Prints

Materials

Etching

Portrait of a Man - Original Etching by Thomas Trotter - 1810
By Thomas Trotter
Located in Roma, IT
examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside
Category

1810s Modern Figurative Prints

Materials

Etching

Portrait of a Man - Original Etching by John Thornthwaite - 1810
By John Thornthwaite
Located in Roma, IT
elucidated through examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able
Category

1810s Old Masters Figurative Prints

Materials

Etching

Portrait of a Man - Original Etching by Thomas Trotter - 1810
By Thomas Trotter
Located in Roma, IT
elucidated through examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able
Category

1810s Modern Figurative Prints

Materials

Etching

Portrait of a Man - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
that the character of a person could be elucidated through examining their “lines of countenance" i.e
Category

1810s Old Masters Figurative Prints

Materials

Etching

Portrait of a Man - Original Etching by James Caldwall - 1810
Located in Roma, IT
elucidated through examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able
Category

1810s Modern Figurative Prints

Materials

Etching

Arm of a Man - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
a person could be elucidated through examining their “lines of countenance" i.e. tracing a profile
Category

1810s Modern Figurative Prints

Materials

Etching

Portrait of a Man - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
could be elucidated through examining their “lines of countenance" i.e. tracing a profile outline
Category

1810s Old Masters Figurative Prints

Materials

Etching

Portrait of a Boy - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the inside
Category

1810s Old Masters Portrait Prints

Materials

Etching

Profile of a Woman - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was
Category

1810s Modern Figurative Prints

Materials

Etching

he Portrait Of a Young Woman - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
character of a person could be elucidated through examining their “lines of countenance" i.e. tracing a
Category

1810s Modern Figurative Prints

Materials

Etching

The Profile of a Baby - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside
Category

1810s Modern Figurative Prints

Materials

Etching

Portrait of A.R. Mengs - Original Etching by James Neagle - 1810
Located in Roma, IT
a person could be elucidated through examining their “lines of countenance" i.e. tracing a profile
Category

1810s Old Masters Portrait Prints

Materials

Etching

Head of a Man Throughout the Years - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the inside
Category

1810s Modern Figurative Prints

Materials

Etching

H.H. Kohlsaat by Carlo de Fornaro
Located in Bristol, CT
1880, Kohlsaat married Mabel E. Blake (1861–1959) and became a junior partner of Blake, Shaw in charge
Category

20th Century Prints and Multiples

Materials

Lithograph

Final Voyage: The Death of Captain Cook at Kealakekua Bay, Hawaii, 1779
Located in Langweer, NL
engraver's name appears to be "E. Scott, sculp." which indicates that E. Scott was the engraver (the term
Category

Antique 1770s Prints

Materials

Paper

Victorian Marquetry Tip-Top Center Table Attributed to Edward Holmes Baldock
By Edward Holmes Baldock
Located in Los Angeles, CA
E.H.Baldock and the Blake family: Further evidence, in furniture history society newsletter No. 158, May 2005
Category

Antique 19th Century English Victorian Center Tables

Materials

Bronze

Antibes
By Ernest David Roth
Located in Storrs, CT
E.D. Roth, lower left. Housed in an elegant 12 1/2 x 13 3/4 gold frame. Antibes is a seaside city in
Category

Mid-20th Century American Impressionist Landscape Paintings

Materials

Oil, Pencil

Antibes
Antibes
H 12.5 in W 13.75 in D 1 in
Graham Sutherland signed original lithograph 'Thorn Structure', British mid cent
By Graham Sutherland
Located in Petworth, West Sussex
in engraving and etching. Sutherland's formative influences on his early work were Blake, Samuel
Category

20th Century Modern Abstract Prints

Materials

Lithograph

Chessplayer & Other Essays, Whittington Press Illustrated Edition
Located in Middletown, NY
spine titling, t.e.g.; Whittington marbled endpapers and matching slipcase. A fine copy in a fine
Category

Late 20th Century English Books

Materials

Paper

Elephants - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
could be elucidated through examining their “lines of countenance" i.e. tracing a profile outline
Category

1810s Old Masters Animal Prints

Materials

Etching

Bust and Cupid - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the inside
Category

1810s Modern Figurative Prints

Materials

Etching

Sea Creatures - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was
Category

1810s Modern Figurative Prints

Materials

Etching

Horses - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the
Category

1810s Modern Figurative Prints

Materials

Etching

Skulls - The Physiognomy - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the
Category

1810s Modern Figurative Prints

Materials

Etching

Heads of Animals - Original Etching by John Barlow - 1810
By John Barlow
Located in Roma, IT
countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the
Category

1810s Old Masters Animal Prints

Materials

Etching

Heads of Birds - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the
Category

1810s Old Masters Animal Prints

Materials

Etching

Heads of Men - Original Etching by James Neagle - 1810
Located in Roma, IT
countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the
Category

1810s Old Masters Portrait Prints

Materials

Etching

Portraits - The Physiognomy - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
character of a person could be elucidated through examining their “lines of countenance" i.e. tracing a
Category

1810s Modern Figurative Prints

Materials

Etching

Mary Sister Of Martha - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside
Category

1810s Modern Figurative Prints

Materials

Etching

Portraits - The Physiognomy - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was
Category

1810s Modern Figurative Prints

Materials

Etching

Portrait of the Clemency - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside
Category

1810s Modern Figurative Prints

Materials

Etching

Hands - The Physiognomy - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the inside
Category

1810s Modern Figurative Prints

Materials

Etching

Figures - The Physiognomy - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
be elucidated through examining their “lines of countenance" i.e. tracing a profile outline portrait
Category

1810s Modern Figurative Prints

Materials

Etching

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E A Blake For Sale on 1stDibs

You are likely to find exactly the e a blake you’re looking for on 1stDibs, as there is a broad range for sale. In our selection of items, you can find modern examples as well as an Old Masters version. Making the right choice when shopping for a e a blake may mean carefully reviewing examples of this item dating from different eras — you can find an early iteration of this piece from the 18th Century and a newer version made as recently as the 21st Century. Adding a e a blake to a room that is mostly decorated in warm neutral tones can yield a welcome change — find a piece on 1stDibs that incorporates elements of white, gray, beige, brown and more. A e a blake from Thomas Holloway, Colin Self, Laura Von Rosk, Mary Corita (Sister Corita) Kent and Ruth Pastine — each of whom created distinctive versions of this kind of work — is worth considering. Artworks like these — often created in etching, paint and paper — can elevate any room of your home.

How Much is a E A Blake?

The average selling price for a e a blake we offer is $151, while they’re typically $76 on the low end and $174,500 for the highest priced.

Finding the Right prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.