Tribal Art

ca. Contemporary Hand Knotted Wool Moroccan rugs are a handmade creation, woven by the women of Berber tribes in the Atlas mountains. Each kind of berber rug is characterized b...

This art is illustrating the landscape of an accient village Idieaguah acieant village in okpella town Edo State Nigeria

Native American Indian Warriors on Horseback with Dramatic Moonlit Landscape Oil Painting by British Artist. Art measures 49 x 26 inches Born in 1952 in Bournemouth, Alan Langfor...

Mystery Artist Untitled, c. 20th Century Oil on canvas 22 x 30 in. Framed: 28 3/8 x 36 x 1 in. Signed lower right Provenance: Former Humala Pontas collection

An impressive African wooden statue figurine sculpture by Tutsti tribe artist Ndatite Ilo from Rwanda. Featuring a lovely black woman, sort of Madonna, carrying a baby in her arms. S...

George Lilanga (1934-2005) - Tribal dance - Acrylic on board Painting size 61x61 cm. Frameless. George Lilanga was born in 1934 in the city of Kikwetu, in the southeast of Tanzania ...

Unglazed ceramic, hand-crafted and hand-decorated. (plants not included) unknown edition size. New as issued. Due to their hand-finished nature, each sculpture differs slightly. Gra...

Ancient Woodland All the elements used were collected from the first walk with my Mum and stepdad between lockdowns. All from a small woodland in North Norfolk. Ancient Woodland, 202...

Peruvian Figural Wood Carved Sculpture After Moche Stirrup Vessel, Dreamer: A stirrup vessel takes on the shape of a seated man with closed eyes, animated facial features, draped ...

“Feathers are more than pretty; they contain a whole host of spiritual and cultural meanings.... It symbolises trust, honour, strength, wisdom, power, and freedom” Naturally shed fe...

A Songye Male Power Figure, Democratic Republic of the Congo, the male figure resting on one knee, with openwork arms and hands resting by the abdomen which contains various charms a...

A Songye Male Power Figure, Democratic Republic of the Congo, the male figure with openwork arms and hands resting on the abdomen, typical facial features and a waterbuck (kobus elli...

This is a fabulous, very large tribal painting on cloth canvas with dung wash and acrylic paints The depiction of the fishing net and its imagined size represents the importance of f...

This is a fabulous, very large tribal painting on cloth canvas with dung wash and acrylic paints The depiction of the mountain of wheat and grains and the imagined size represents th...

In his series Paleofuturismo, 2023, the artist presents a series of sculptures inspired by the Aztec, Olmec, and Mayan cultures, which are intervened with elements that provide us wi...

A large scale and beautifully carved wooden ceremonial mask from Cameroon. There are traces of colour and decoration to the surface and the mask has a magnificent patina giving it a wonderful presence as a sculptural object. The Batcham Mask or simply the Batcham originated in western Cameroon although its name refers to the place where it was first found: Batcham. This is a ceremonial mask from the Bamileke culture in the western Grasslands of Cameroon. This tall crest (76 cm in height) has clearly defined features, a powerful yet calm visage, sharply chiselled diamond and triangular furrows, and nearly perfect symmetry. Such painstaking craftsmanship underscores the sophistication and control of the sculptor in preparing this ceremonial piece. It shares the elements of Batcham masks including: The general morphology is built on two axes: a symmetrical vertical axis with chiseled furrows, stylized eyes, lips, nostrils, mouth and teeth; a horizontal axis presenting swollen cheeks, an ovular mouth showing multiple teeth, and triangular ears supported on a hollow cylindrical base. One interpretation is that the masks depict a hippopotamus emerging from watery depths, conveying nature’s power conferred to enthroned royalty. The Batcham mask represents the pi, or double animal of a great dignitary of the kingdom. It was used by a great dignitary of the Msop society who intervened only on rare occasions: during the funeral and enthronement of the king and the nine notables, and to perform the Royal Tso dance, elephant dance...

In his series Paleofuturismo, 2023, the artist presents a series of sculptures inspired by the Aztec, Olmec, and Mayan cultures, which are intervened with elements that provide us wi...

In his series Paleofuturismo, 2023, the artist presents a series of sculptures inspired by the Aztec, Olmec, and Mayan cultures, which are intervened with elements that provide us wi...

Deer Dance, painting by Tonita Pena, Santa Fe, Cochiti, Pueblo, male, female Tonita Peña (born 1893 in San Ildefonso, died 1949 in Kewa Pueblo, New Mexico) was born as Quah Ah (meaning white coral beads) but also used the name Tonita Vigil Peña and María Antonia Tonita Peña. Peña was a renowned Pueblo artist, specializing in pen and ink on paper embellished with watercolor. She was a well-known and influential Native American artist and art teacher of the early 1920s and 1930s. Tonita Peña was born on May 10, 1893, at San Ildefonso Pueblo, to Ascensión Vigil Peña and Natividad Peña of San Ildefonso Pueblo, New Mexico. When she was 12, her mother and younger sister died, as a result of complications due to the flu. Her father was unable to care for her and she was taken to Cochití Pueblo and was brought up by her aunt Martina Vigil Montoya, a prominent Cochití Pueblo potter. Peña attended St. Catherine Indian School in Santa Fe. Edgar Lee Hewett, an anthropologist involved in supervising the nearby Frijoles Canyon excavations (now Bandelier National Monument) was instrumental in developing the careers of several San Ildefonso “self-taught” artists including Tonita Peña. Hewett purchased Peña's paintings for the Museum of New Mexico and supplied her with quality paint and paper. Peña began gaining more notoriety by the end of the 1910s selling an increasing amount of her work to collectors and the La Fonda Hotel. Much of this early work was done of Pueblo cultural subject matter, in a style inspired by historic Native American works, however, her use of an artist's easel and Western painting mediums gained her acceptance among her European-American contemporaries in the art world. At the age of 25, she exhibited her work at museums and galleries in the Santa Fe and Albuquerque area. In the early 1920s, Tonita did not know how much her painting sold for at the Museum of New Mexico, so she wrote letters to the administrators because a local farmer was worried that she got paid too little. In the 1930s Peña was an instructor at the Santa Fe Indian School and at the Albuquerque Indian School and the only woman painter of the San Ildefonso Self-Taught Group, which included such noted artists as Alfonso Roybal, Julian Martinez, Abel Sánchez (Oqwa Pi), Crecencio Martinez, and Encarnación Peña. As children, these artists attended San Ildefonso day school which was part of the institution of the Dawes Act of 1887, designed to indoctrinate and assimilate Native American children into mainstream American society. In 1931, Tonita Peña exhibited at the Exposition of Indian Tribal Arts which was presented at the Grand Central Art Galleries in New York City. Works from this exhibition were shown at the 1932 Venice Biennial. That year is the only time Native American artists have shown in the official United States pavilion at that biennial, and Tonita Peña's paintings were part of that exhibition.[1 Her painting Basket Dance, that had shown in the Venice Biennial was acquired by the Whitney Museum of American Art in New York for $225. This was the highest price paid up to this time for a Pueblo painting...

The Maasai, an ethnic group primarily located in Kenya and Tanzania, have a longstanding tradition of utilizing shields as integral elements of their warrior culture. Symbolically, the Maasai shields...

The Toposa people are a distinct ethnic group residing in Sudan, renowned for their rich cultural heritage and unique traditions. As primarily pastoralists, their livelihood centers ...

Mid-Century Ibibio wood carving of a Great Hornbill or (Kalao) from Nigeria. (The carving is shown in the first photo on a bamboo stand which is available if required.) The Great Ho...

This is a fabulous, very large tribal painting on cloth canvas with dung wash and acrylic paints The depiction of the fishing net and its imagined size re...

Bela Sara (Congo 1920 – 1968), Pappagallo e pesce Dipinto ad olio su tela di cm 63 x 40 firmato in basso a destra. Acquistato a Brazaville negli anni’60.

Bela Sara (Congo 1920 – 1968), Jungle animals Oil painting on canvas measuring 118 x 96 cm, signed lower right. On the back there is the inscription “Re...

Corn Kachina, by Riley Sunrise, Quoyavema, Hopi, Kachina, Dancer, painting Artist Signature - Riley Sunrise (1914-2006) Quoyavema “Another of the earlier Hopi artists, Riley Sunrise (Quoyavema) worked with Fred Kabotie and Waldo Mootzka in illustrating John Louw Nelson’s Rhythm for Rain. He is also known as Quoyavema or Kwayeshva, according to Nelson. His paintings are comparable to Fred Kabotie’s, with some of them showing more action and most of them revealing less detail. Sunrise is represented in the collections of the Denver Art Museum, Gilcrease Institute (Tulsa), and the Southwest Museum. The Museum of the American Indian in New York has an extensive collection of his paintings of native Hopi dances.” (Clara Lee Tanner: Southwest Indian...

Acrylic on canvas Shipped rolled in a tube I can do commissioned works

Basket, Panama, Darien, Rainforest, Butterfly, Flower, white, red, yellow, green

This is a fabulous, very large tribal painting on cloth canvas with dung wash and acrylic paints The depiction of an 'ant carousel' replicates the pattern...

Acrylic on canvas Shipped rolled in a tube I can do commissioned works

This is a fabulous, very large tribal painting on cloth canvas with dung wash and acrylic paints The depiction of the fishing net and its imagined size re...

Frog and Spider Basket, Panama Rain Forest, Wounaan Tribe, handwoven, white, red

45x45cm + 5cm of white edge Acrylic on canvas Shipped rolled in a tube I can do commissioned works

Acrylic on canvas Shipped rolled in a tube I can do commissioned works

An elegant African sculpture from the West African Baoulé or Baule people, depicting a young woman wearing a loincloth. Smooth black lightly worn patina.

An extraordinary group of Ibeji "triplets" sculpted by the same master sculptor. Ibeji is name of a very specific type of carved wooden figure from Yoruba in Nigeria. Ibejis repre...

Puma Plaque, Wounaan, Darien Rainforest, Basket, Black, white, red, handwoven

Highly detailed depiction of a Barong Mask dance in Bali. Several people wearing elaborate masks are taking part in a dance or ritual. People are dressed i...

Circle of Prince Twins Seven - Seven (Nigerian, * 3 May 1944 Ogidi, Kogi State, Nigeria – † 16 June 2011, Ibadan, Nigeria) King Sunny Ade 's Jùjú Band making music • Paint on fine canvas or cotton • Recently mounted by me on a modern stretcher, ca. 87 x 60 cm • Inscribed on the drum with ' Ade '83 ' Worldwide shipping is complimentary - There are no additional charges for handling & delivery. It was sold to me as by the artist Prince...

45x45cm + 5cm of white edge Acrylic on canvas Shipped rolled in a tube I can do commissioned works

Ballpoint Pens, Crayons And Colored Pencil On Cardboard Unique piece Hand signed and dated on the reverse

Ballpoint Pens, Crayons And Colored Pencil On Cardboard Unique piece Hand signed and dated on the reverse

Archival Pigment Print, Mounted on Aluminium Dibond, Framed Frame included (options available) 90 x 67.5 cm/ 35.5 x 26.5 in approx. edition of 8 + 2APs Larger size is also available: 49 1/5 × 36 9/10 in 125 × 93.75 cm Edition of 6 + 2AP Please enquire for more info via our profile. The project uses the remains of recently felled trees to construct talismanic 'forest figures'. They are left to slowly fall apart where they stand with the photographic record being the only enduring impression. The forest is in constant flux, with the trees coming and going either of their own accord or through forest management. Nature is a dynamic force that one becomes more aware of as time passes and areas begin to look very diffrent over several years... Where once we stood on Scragged Oak Hill...

Original Title: Forest Figure 02 from the series: Where once we stood on Scragged Oak Hill Archival Pigment Print, Mounted on Aluminium Dibond, Framed Frame i...

Archival Pigment Print, Mounted on Aluminium Dibond, Framed Frame included (options available) 90 x 67.5 cm/ 35.5 x 26.5 in approx. edition of 8 + 2APs Larger size is also available: 49 1/5 × 36 9/10 in 125 × 93.75 cm Edition of 6 + 2AP Please enquire for more info via our profile. The project uses the remains of recently felled trees to construct talismanic 'forest figures'. They are left to slowly fall apart where they stand with the photographic record being the only enduring impression. The forest is in constant flux, with the trees coming and going either of their own accord or through forest management. Nature is a dynamic force that one becomes more aware of as time passes and areas begin to look very diffrent over several years... Where once we stood on Scragged Oak Hill...

Archival Pigment Print, Mounted on Aluminium Dibond, Framed Frame included (options available) 49 1/5 × 36 9/10 in 125 × 93.75 cm Edition of 6 + 2AP Smaller size is also available: ...

Incredibly detailed depiction of the goddess Kali appearing before a hunter by Konci (Balinese, 20th Century). Overflowing with details and imagery, this piece depicts the goddess Kali in the forest along with other godlike figures. A hunter is kneeling before them, wearing a quiver, and with hands folded in prayer. Kali is depicted in a traditional Balinese style, but with a multitude of faces engulfed in flames. The jungle background is full of swirling plants. Signed "Konci" in the lower right corner. Cloth wrapped around wood panel. Unframed. Image size: 35"H x 25.5"W This carved, wooden mask represents the mythical creature known in Bali as Banaspati Raja, meaning “King of the Forest,” also called the Barong Ket. Lion-like masks such as this one are the most common type, but Barong can take on the features of a number of different animals, including wild boar, dog, deer, and tiger, individually or in composite form. In Balinese society, all Barong masks...

Very finely executed ink and watercolor painting depicting the Balinese goddess, Saraswati. Signed lower left “De Mus, keliki-Kawan, Ubud, Bali”. The ...

"Maternity-Bacongo, Zaire," is a carved wood and glass sculpture created in what is now the Democratic Republic of Congo circa 1940. The nude, woman figure rests on her knees. In her...

Hunter Barnes has documented his stay when joining the Tamkaliks Powwow in Wallowa, Oregon. This work is an artist proof, archival silver gelatin, handprinted by the artist and signed on verso. Directly acquired from the artist. The framing is 100% archival, with the use of only acid frame materials. Glazing, Optium non glare museum plexi. Hand finished wooden frame. Hunter Barnes is a documentary photographer whose work captures aspects of culture and communities ignored by the mainstream and often misrepresented in the modern American narrative. Hunter trained in photochemistry and traditional photographic techniques. At a young age, he began a nomadic life on the road. In his early twenties, Hunter self published his first book, Redneck Roundup, documenting the dying communities of the Old West. Other projects followed: four years spent with the Nez Perce tribe; months with a serpent handling congregation in the Appalachain mountains; bikers, lowriders, and street gangs...

An adze is a cutting tool similar to an axe but with a cutting edge perpendicular to the handle rather than parallel. Prehistoric Māori adzes from New Zealand, used for wood carving,...

Within Nigeria's Benue River Valley region, such representations have been associated with a range of functions, including reinforcement of the status of male elders and used by heal...

A stone sculpture by an unknown Indian artist. "Procession with Horses, India, 12th Century" is a royal procession scene from a medieval, Indian temple. ...

Carved wood figure by West African Lobi People. "The Lobi People live in a vast geographical area that stretches from Burkina Fasso, to the Ivory Coast a...

“Scattered across the Ivory Coast, Mali and Burkina Faso, the million and a half Senufo tribespeople live principally off the fruits of agriculture and occasionally hunting. They in...

Millstones are used for grinding wheat and other grains. Initially, people used a rubbing stone to grind the wheat manually on a simple flat grinding stone. Later they grind the grai...

A Japanese Embroidery featuring a dog and wagon, silk and gold thread embroidery by an unknown artist from c. 1890. The artwork is unsigned. Provenance: Private Collection, Los Angeles; Heather James...

Untitled . Offset Lithograph by Izumi Kato Printed in 2020 for the Exhibition at Perrotin Gallery Paris Sheet size: 58.5 × 39 cm (Framed 63 x 43 cm)