Surrealist Art

"Six" Photography 39" x 39" inch Edition 1/3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ship...

Brian Ziff “O, Rose” (FRAMED) Photography 40" x 40"in Edition of 5 by Brian Ziff “O, Rose” (2016) Limited edition of 5 produced using Giclee (Archival Ink) Print on Canson Platine F...

“Does Thy Life Destroy” (FRAMED) Photography 30 x 20 inch Ed. of 5 by Brian Ziff “Does Thy Life Destroy” (2016) Giclee (Archival Ink) Print on Canson Platine Fibre Rag 30” X 20” inc...

Artist: Matta, Roberto Title: Untitled Series: The Obscure Arc of the Hours Date: 1975 Medium: Engraving Framed Dimensions: 33" x 40" Signature: Signed Edition: 33/33 ...

Signed lower right, 'A. Úbeda' for Augustin Úbeda (Spanish, 1925-2007) and painted circa 1965. Formerly in the collection of Jean Negulesco, the artist and Hollywood Film Director....

This artwork titled "Once In A Lifetime" c. 2000 is a giclee print by noted Israeli artist David Najar, born 1962. It is hand signed and numbered P....

Artist: Dali, Salvador Title: The Old Faust Series: Faust Date: 1969 Medium: drypoint Framed Dimensions: 22.5" x 18.5" Signature: Pencil signed Edition: 49 /145 Literature: AF 50 Provenance: Acquired Directly from the Artist, Private Collection, Palm Beach, Fl; DTR Modern Galleries

Original vintage advertising poster for a Salvador Dali exhibition at the Zurich Art House / Kunsthaus from 18 August to 22 October 1989 featuring a su...

Unsigned Graphite on paper

From glorious observations of the everyday to the surreal, Julie Fleming-Williams’ work is as eclectic as it is engaging. Julie has exhibited at the Royal Academy and her paintings h...

Vintage American modernist surreal landscape dog and horse portrait painting. Oil on canvas, circa 1976. Signed. Framed. Image size, 19"L x...

Oil on board by Spanish artist Mariano Andreu Estany (1888-1976). Amazing quality and fine detail. Excellent original condition. Signed lower left, "Mariano Andreu '39". Image si...

Oil on board. Surrealist/Modernist painting with a female nude reaching into a wood burning stove, hilly landscape with barn, houses, still life with a bowl of fruit, stormy sky and a small male figure. Presented in a custom frame, outer dimensions measure 29 ¼ x 35 x ¾ inches. Image size is 24 ¼ x 30 inches. Provenance: Private Collection, Colorado About the Artist: The daughter of a classically-trained pianist mother and a concert violinist father, she had an intellectually stimulating upbringing enhanced by Christian Science values. After graduation from high school in Hannibal, Missouri, she enrolled in the College of Education at Butler University in Indianapolis, Indiana in 1919. Soon, however, she gave up the idea of becoming a teacher and entered at the John Herron Art Institute (whose collections are now part of the Indianapolis Museum of Art). The Institute’s early faculty included artists from the Hoosier Group trained at the Royal Academy in Munich, Germany, who educated artists in the realist tradition. True’s teacher and mentor, William Forsyth, gave her an excellent foundation in drawing and the technical aspects of painting and composition. When the failure of her father’s business in the early 1920s forced her to start earning a living, the Herron Institute hired her as an instructor for its art school, allowing her to support herself while she finished her studies. Following graduation from the Institute in 1925, she received a one-year scholarship to the Pennsylvania Academy of the Fine Arts in Philadelphia. Her former teacher William Forsyth wrote in his recommendation: "I can say without exaggeration that she was one of the best pupils I ever had during the twenty-five years I was a teacher at the John Herron Art School." At the Academy, she studied with Daniel Garber, an impressionist landscape painter associated with the New Hope art colony, and Hugh Breckenridge noted for his bold palette and expressionistic use of color, as well as the abstract work he started doing by 1922. She also studied briefly in the art department at Columbia University, perhaps in1928 when she produced some of her New York street scenes. From Pennsylvania, she returned to Indiana teaching for several years at Shortridge High School in Indianapolis. She also began showing her work at several area venues, including the Herron Institute, the Artists of Indiana, and the Hoosier Salon held early on in Chicago. Among the Salon’s exhibitors were Gustave Baumann, Victor Higgins, and Olive Rush, who either were Indiana natives or whose careers included connections with the state. By the 1920s all three of them had become associated with the Santa Fe and Taos art colonies. In the summer of 1928 True experienced both New Mexico communities and Southwest culture firsthand with Francis Hoar and her husband Clement Trucksess, her friends from the Herron Institute. They had relocated to Boulder in 1927 and were teaching at the University of Colorado. She recorded in her journal her initial reaction to the New Mexico landscape: "Might I preserve on canvas my thrill and deep feeling of the grand things of nature I have beheld today….There’s a wideness in God’s country that expresses peace to me." Inspired by her trip, True created a group of watercolors for her solo exhibition in 1928 at the Lieber Gallery in Indianapolis. They marked a transition from the realist style she learned at the Herron Institute to the more modernist, semi-abstract one she soon adopted. In the summer of 1929, she accepted an instructor’s position on the faculty of the Fine Arts Department at the University of Colorado (CU) in Boulder. She after that joined the Art Association of Boulder founded in 1923 by Mrs. Jean Sherwood, an art patron and club woman who relocated from Chicago to teach at the Boulder Chautauqua. Sherwood helped convince Dean Fred B...

Edward Landon 'Nocturnal Adversary', color serigraph, 1946, edition 50, Ryan 137. Signed in pencil in the image, lower right. Titled, dated, and annotated '6 COLORS EDITION 50' in th...

"I am" Photography 24" x 24" in Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Available size...

Edition of 548 copies including and original xylography by Alexeieff on frontispiece.  Copy in near perfect conditions and uncut, n. 10 belonging to the 73 copies on vélin and Holla...

Chromogenic photo print. hand signed, titled and dated. This is a vintage print, printed in 1987 and editioned 2/10. Jane L. Calvin (born April 27, 1938) is an artist based in Chicago, Illinois. Jane Calvin was born in Chicago, Illinois. Her father was an avid art collector and Calvin was brought up in the art world from the time she was born. She attended classes at the Art Institute of Chicago as a young child and went on to pursue a degree in Art History from Bryn Mawr College in Pennsylvania in 1959. Calvin worked as a private art dealer for some time before deciding to continue her education and become a fine art photographer. She graduated from the Art Institute of Chicago with her MFA in 1982.[1] Calvin later went on to be a Professor of Photography at The School of the Art Institute, Illinois Institute of Technology, and Beloit College. She was Adjunct Professor of Photography at Columbia College in Chicago until 2005. Since she started making photographs, Calvin has had exhibits across the nation as well as in Germany and China. Calvin constructs her photographs by montaging multiple slide projections and found objects into room-sized assemblages in her studio. She then photographs it, making a tableaux into which layers of meaning are woven. She does not use computer editing, just straight photography. Calvin stated, "The images can be seen as my commentary on the political and social roles projected onto society whose desires, manipulated by language and image, conflict with concerns of gender, sexuality, race and female identity." She says,“I make photographs, I don’t take them,” and in so stating she follows in the path of many Dada and Surrealist precursors, for example, German Kurt Schwitters’ famous Merzbau or Junk House (1923 and following), or Joseph Cornell’s metaphorically vast but physically modestly scaled, even private sculptural interiors of boxes (1930s and following). In her use of projected imagery within and upon the setup of her photographs, Calvin gestures toward earlier 20th century American surrealist photographer Man Ray photographic work, one example of which is Space Writing (Self-Portrait) acquired last year by the Bowdoin College Museum of Art. Calvin’s more recent kindred spirit – although comparatively minimalist in nature and junior chronologically – is Sandy Skoglund. The latter’s photographed installations are a hybrid of unnatural, spectral, coloration and suspended narrative. "I am a maker of meaning, not an observer of it. My medium is photography, although it is includes the processes of sculpture and installation . I build room-sized sets onto which I project images and text, recording the final result with the camera. There are no darkroom or digital tricks. The process is straight photography." For over 25 years, Calvin has been exploring contemporary society’s approach to issues of gender, female identity, sexuality, vulnerability, and love & desire. Eschewing linearity, the work stands in opposition to the simplicity and minimalism prevalent in earlier 20th century image-making. Her images are elliptical, fragmented, layered, reflecting the contemporary world as one of discontinuity and ambiguity with myriad connections, a world less temporally and spatially fixed than ever before. Through the content carried in found materials and appropriated texts, –she addresses— the social and political conditions that are just out of sight, but remain like some kind of background radiation exerting a subtle but undeniable influence on our society. Pop and pulp references throw a humorous light on cultural identity and gender roles projected onto society. The subject matter, appearing disconnected from its place and time, mysteriously overlaps our own collective awareness. –She asks the viewer to see what has been there all along.–—/> Exhibition publication, Gallery 210, University of Missouri, St Louis, 2005, 'Jane Calvin Sentences' Introduction by Terry Suhre, Director, and Essay "Jane Calvin's Phantasmagoric Spaces" by Dr. Mark White. This is a Set-Up: fab photo/fictions This exhibition looked at photographers who utilize fabricated imagery and constructed subjects to create their work. These deliberate fictions, and their position in the realms of photography and art, were explored through the work of several highly acclaimed artists: Jane Calvin, James Casebere, Gregory Crewdson, Barbara Kasten, Abelardo Morell, Patrick Nagatani...

On heavy Arches deckle edged paper. This combines text or poetry in calligraphy on the side. Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May Williams and Lester Hughes Hansmann. He grew up in Encinitas and served in the Army in the early 1960s. Gary Hansmann, San Diego artist, teacher and gallery owner, was known for his Surrealist nude and animal drawings and graphics. He spent time working in Paris and exhibiting his art throughout Europe, but San Diego was home until he moved to Washington state. His life partner was fellow artist, Jill Hosmer. Mr. Hansmann, a respected printmaker and prolific artist, created thousands of drawings, prints and paintings as well as hundreds of poems. His interest in bullfighting led to a book of poetry and illustrations on the subject, “La Corrida, The Run”, a collection of poetry & artwork written as he was preparing for his first bullfight. Prologue written by famous Mexican Matador Antonio Lomelin. The book is written in English and translated into Spanish on opposing pages and was published in 1983. Mr. Hansmann taught intaglio and monotype at the Academy of Fine Arts in San Diego from 1977 to 1980 and at the San Diego Museum of Art in 1980. He also gave lectures and demonstrations throughout the art community, including at the San Diego Art Guild in Del Mar and Artist Equity in San Diego. Although he attended Palomar College in San Marcos and studied lithography at the San Diego Academy of Fine Arts, Mr. Hansmann was mostly self-taught and self-educated. Mr. Hansmann had shows in several art-world capitals, including Paris; Lisbon, Portugal; Cologne, Germany; Brussels, Belgium; and New York. he had one-person exhibits at the Loft Gallery in Clarkston, the Lewis-Clark State College Center of Arts & History, the Carnegie Art Center in Walla Walla and the Valley Art Center in Clarkston. During his long, distinguished career as an artist he had numerous one-person exhibits all over the world and the United States. His group shows are too numerous to mention, but his one-person exhibits were in Koln, Germany; Bruxelles, Belgium; Paris, France; Viana do Castelo, Portugal; Lisbon, Portugal; Tecate, Mexico; and British Columbia, Canada; and many states at home. Palomar College, San Marcos, Calif. San Diego Academy of Fine Arts Brooklyn Museum, Brooklyn, N.Y. University of Southern California, Idyllwild (ISOMATA) University of San Diego San Diego Museum of Art James Copley Library, La Jolla, Calif. Biblioteca Nazionale Marciana, Venice, Italy Centre de Arte Moderna Gulbenkian Foundation, Lisbon, Portugal Museo Taurino de la Communidad de Madrid, Madrid, Spain Atelier Lacouriere et Frelaut, Paris, France Gordon Gilkey Collection Portland Art Museum, Portland, Or. Coos Art Museum, Coos Bay...

Artist: Dali, Salvador Title: Marie Curie Series: Medicine and Science Date: 1970 Medium: drypoint Framed Dimensions: 20.25" x 17.5" Signature: Pencil signed Edition: /125 Li...

"Don Quixote," an original silver edition bas relief with previous metal patina by Salvador Dalí, is a piece for the true collector. Cervantes' novel, Don Quixote, is perhaps one of Dalí's most famous recurring themes – his muse, only secondary to that of his wife, Gala. Dalí's ability to capture emotion in its simplest form is evident in this exceptionally executed work. This piece of art would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for Dalí's works, surrealism, Don Quixote, Cervantes, Spanish literature, or figurative art. Not so easily seen from the images is the unique three-dimensionality of the work, with the main subject projecting out at the viewer. This is a highly collectible work, which includes its original presentation case. Forty-one years after it was produced, it is rare to find Dalí bas reliefs...

Salvador Dali - Strawberry Heart - Original Hand-Signed Lithograph 1970 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned, EA (Epreuve d'Artiste) Excellent Condition Reference:...

"Ballet" Photography 31" x 31" in Edition of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Available siz...

Artist: Dali, Salvador Title: Iseult of the White Hands (duplicate) Series: Tristan et Iseult Date: 1970 Medium: drypoint printed in color Framed Dimensions: 25.5" x 20" Signat...

"Ballet" Photography 39" x 39" in Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Available siz...

Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire 1, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in ...

This artwork beautifully portrays the poignant story of a young girl who bravely faces the absence of her father at home, as he fulfills his honorable duty as a soldier. It delves into the complex emotions she experiences, capturing the resilience she must summon to navigate the challenges of growing up without his presence. Through this touching depiction, the artist sheds light on the sacrifices made by military families and the profound impact it has on the lives of children. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Daniel Oguche...

size uncludes frame. Lucien Mathelin, born in 1905 in Binche, A province of Hainaut, in Wallonia, Belgium, and died in 1981 in Paris. French painter. His work was influenced by surrealism andtinged with irony. Lucien Mathelin was born in a family of artists and has benefited from artistic training since childhood. He made his first oil on canvas at the age of 15 in 1920. In 1924, he exhibited at the Salon d'Automne which he became a member. He did not study plastic arts, but traveled to Morocco (1925-1926) and Greece (1933-1934), where he enriched his palette. In 1937, Mathelin worked for a while for Raoul Dufy to realize the gigantic painting...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Candy Prism introduces a mesmerizing symphony of form and color, where a rainbow candy gum structure transcends the ordinary. This artwork beckons with elegance, revealing layers of ...

Couture Castle stands as an innovative masterpiece, harmonizing architectural magnificence with the whimsy of anime fashion. This artwork fuses the essence of an iconic character's d...

Excellent quality printed piece, the material is laminated photographic paper with a black frame Hand signed and numbered. Limited edition of 100. "Azure Observer" presents a capt...

Jo Ann Callis (American, b. 1940); Gelatin silver print; Signed, dated and numbered 3/10 Jo Ann Callis (born Cincinnati, Ohio 1940) is an American artist who works with photography and is based in California. Though Callis initially pursued a degree at Ohio State University in 1958, she dropped out in her second year when she got married. She and her husband moved to Southern California in 1961. Her father died after the birth of her first son Stephen in the same year. In 1963, her second son Michael was born. By 23, she was married with two children; she later separated from her husband. Callis enrolled at University of California, Los Angeles (UCLA) in 1970 initially in graphic design. When she took a course from Robert Heinecken...

Oil on canvas depicting an abstract subject by Tristan Fabris. He is a painter from italy where he was born in 1927. He moved early to France and there he attended the Ecole des Beaux Arts in Lyon. His work is influenced by the cubism and surrealism. He worked with Le Corbusier and his activity was mostly making decors for theatres. He died 1989...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport and are unforgettable. Taylor's images are built, layer by layer and object by object, through a ...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport and are unforgettable. Taylor's images are built, layer by layer and object by object, through a ...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport and are unforgettable. Taylor's images are built, layer by layer and object by object, through a ...

"Mother" Photography 24" x 24" inch Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Available ...

Contemporary figurative oil on board painting by Polish artist Mariusz Zdybal. It is a surrealistic female nude of woman sleeping. On the right side of the composition there is paint...

“Smoke and Mirrors” (FRAMED) Photography 30" x 24" in Edition 1/12 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag American Dreams - From "Playboy" series. ...

Lithograph numbered and signed by hand 19/60 edition From Israel collection

Marino Marini - Horses - Original Lithograph 1951 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

"Mirrors" Photography 24" x 24" inch Edition 1/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Available ...

Artist: Dali, Salvador Title: Untitled II (Le Tricorne) Series: Le Tricorne (The Three-Pointed Hat) Date: 1959 Medium: Wood engraving Framed Dimensions: 20" x 17.5" Signature: Unsigned Edition: 24/30 Literature: AF 20...

In this mesmerizing surrealist image, the artist delves into the realms of the subconscious and the juxtaposition of unexpected elements. A colossal eye gazes upon the towering prese...

The Knight. 1993. Canvas, oil, 75x42 cm Vladimirs Pavlovs (1950) Born May 6, 1950 in Riga. In 1981 he graduated from the department of artistic construction of the Academy of Arts. ...

Artist: Dali, Salvador Title: Mountain of Peace Series: Poems de Mao-Tse-Tung Medium: Etching on Japon Paper Framed Dimensions: 22" x 18.5" Signature: Pencil signed Edition: ...

"The Scar by China Miéville is a novel which has been a part of my life for many years, and has travelled as my companion through since adolescence. I've attempted to depict the Avan...

Artist: Dali, Salvador Title: Sator Series: Faust Date: 1969 Medium: drypoint with color Framed Dimensions: 22.5" x 18.5" Signature: Pencil signed Edition: 49/145 Literature: AF 50 Provenance: Acquired Directly from the Artist, Private Collection, Palm Beach, FL; DTR Modern Galleries

Artist: Dali, Salvador Title: Untitled XIX (Le Tricorne) Series: Le Tricorne (The Three-Pointed Hat) Date: 1959 Medium: Wood engraving Framed Dimensions: 20" x 17.5" Signature: Unsigned Edition: /30 Literature: AF 20...

LOOK FOR FREE SHIPPING AT CHECKOUT. Dreams in Pink was recently painted by the Cuban artist Brian Sanchez in 2023. It is oil and mixed media on linen .Dreams in Pink by Brian Sanchez shows the hyperrealism of modern Cuban art...

Bulb of Africa was not just a hairstyle; it was a celebration of African heritage and a testament to the resilience of its people. Passed down through generations, it represented strength, beauty, and the rich tapestry of African traditions. The Bulb showcased the natural texture and volume of African hair, transforming it into an intricate masterpiece of braids, twists, and coils. The Bulb of Africa became a symbol of empowerment, reminding people of their strength, resilience, and the beauty of their shared heritage. It served as a reminder that hair was more than a physical attribute; it was a connection to something greater—a connection to their ancestors, their community, and celebrating the beauty within themselves. Beyond their physical beauty, African women possess an immeasurable inner strength that resonates through "Bulb of Africa." Odunayo masterfully captures this strength, highlighting the resilience and determination that have defined African women throughout history. The women depicted in the artwork emanate confidence, wisdom, and a sense of purpose. Their gaze speaks volumes, embodying the stories of countless African women who have overcome adversity, shattered barriers, and carved out their own paths to success. In "Bulb of Africa," Iyiola Odunayo...

This is a possible self portrait by the famed female surrealist artist. It is also strikingly similar in style with it's exaggerated eyes to her portrait of Jean Genet, ( Leonor F...

Many people feel that life is heavy with all its problems and complexities. Whereas the beauty of life can be found in simple things such as the sight of small children playing in th...

Artist: Dali, Salvador Title: Untitled VII (Le Tricorne) Series: Le Tricorne (The Three-Pointed Hat) Date: 1959 Medium: Wood engraving Framed Dimensions: 20" x 17.5" Signature: Unsigned Edition: 24/30 Literature: AF 20...

Artist: Dali, Salvador Title: Untitled V (Le Tricorne) Series: Le Tricorne (The Three-Pointed Hat) Date: 1959 Medium: Wood engraving Framed Dimensions: 20" x 17.5" Signature: Unsigned Edition: 24/30 Literature: AF 20...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport, and are unforgettable. Taylor's images are built, layer by layer and object by object, through a...

Smart people learn from their own mistakes while wise people learn from the mistakes of others. Options have always existed throughout the history of human life. Sometimes the choice...