Skip to main content

Constructivist Art

to
3
3
1
3
2
2
2
1
1
Overall Height
to
Overall Width
to
2,194
545
378
210
115
104
91
86
24
16
3
4
3
2
2
1
1
1
1
1
1
1
64
108
12
3
1
4
12
9
9
1
4
1
1
1
1
Style: Constructivist
Period: 1930s
City Nocturne
Located in Lawrence, NY
Irving Lehman was a New York School artist whose work was influenced by constructivism and cubism. He exhibited at the Whitney, the Brooklyn Museum, the Pennsylvania Academy of Fine Art, and many other institutions. This work shows an abstracted view of New York rooftops...
Category

1930s Constructivist Art

Materials

Gouache

Constructivist of Futurist gouache painting
Located in Surfside, FL
Ivan Kurach (1909 – 1968) Ukranian-Italian lived and studied in Italy. Russian Constructivist or Futurist style work on paper. there is some creasing to the paper but it should lay f...
Category

1930s Constructivist Art

Materials

Paper

Original Vintage Soviet Documentary Film Poster Energy Link Construction Goals
Located in London, GB
Original vintage Soviet movie poster for the 1930 documentary Energy Link / Звено Энергетики celebrating the grandiose scope of energy construction in the USSR directed by Yakov Pose...
Category

1930s Constructivist Art

Materials

Paper

At the Petrol Station - Vintage Silver Salt Photograph by A. Rodcenko
Located in Roma, IT
At the petrol station is an original vintage silver salts photograph, made by the great Russian Constructivist artist Aleksandr Michajlovic Rodčenko (Saint Petersburg, 1891 - Moscow, 1956) in 1935 ca. Printed later, presumably between the 1940s and the 1950s. In very good conditions, it is rare and precious. A scene of ordinary life is portrayed in an unusual point of view. The oblique cuts, the use of diagonal as the dynamics of this image, the close position of the machine are constants of Rodčenko'style and something of absolutely revolutionary and innovative at that time in the field of photography! Provenance: Museum of Modern Art, Oxford, Great Britain; Forum Auction, London; Private Collection. Bibliography: Alexander Rodchenko. Catalog of the retrospective exhibition published from the Museum of Modern Art, Oxford, 1979. Aleksandr Michajlovič Rodčenko (St. Petersburg, 1891 - Moscow, 1956) Aleksandr Michajlovič Rodčenko was a Russian painter, photographer and graphic designer, a leading figure of the Russian avant-gardes who collaborated in the establishment of the Constructivist movement. In 1924 Rodcenko definitively abandoned painting as the main artistic medium to embrace photography...
Category

1930s Constructivist Art

Materials

Photographic Paper

Original 1934 Leningrad Music Hall Theatre Poster For The Seducer Of Seville
Located in London, GB
Original vintage Russian theatre advertising poster for a play performed at the Leningrad Music Hall in 1934, The Seducer of Seville (aka The Trickster of ...
Category

1930s Constructivist Art

Materials

Paper

Escena de recolección de frutas
Located in Miami, FL
Escena de recolección de frutas BRY-002, 1937 Edition 1/8 Bronze 200 x 113 x 11.5 cm 78.7 x 44.4 x 4.5 in. ABOUT THE ARTIST Narváez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narváez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narváez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narváez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narváez’s public output continued with works such as the statue of Fermín Toro, La Educación, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narváez, Maderas, Piedras y Bronces” (Francisco Narváez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narváez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narváez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narváez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narváez is a path: the path that Venezuelan sculpture...
Category

1930s Constructivist Art

Materials

Bronze

Related Items
Oblivion. Hidden identity - Contemporary black & white photography, Figurative
Located in Warsaw, PL
Signed, numbered out of 10 JOANNA CHUDY Graduated from Academy of Fine Arts in Cracow in 2002, National Film School in Łódź in 2009 and Academy of Fine Arts in Warsaw where she achi...
Category

2010s Constructivist Art

Materials

Photographic Paper, Digital

Silesian Ulisses - Black & white photography, Figurative, Nude, Polish artist
Located in Warsaw, PL
Signed, numbered out of 10 JOANNA CHUDY Graduated from Academy of Fine Arts in Cracow in 2002, National Film School in Łódź in 2009 and Academy of Fine Arts in Warsaw where she achi...
Category

2010s Constructivist Art

Materials

Photographic Paper, Digital

French Contemporary Drawing by Jean-Louis Salvadori - Untitled
Located in Paris, IDF
Jean-Louis SALVADORI, né à Ulm en Allemagne, vit et travaille à Toulon (Var) Dès l’âge de 14 ans, Jean-Louis Salvadori s’exprime dans son art et découpe des personnages dans du bois à l’aide d’une scie et les colorie. Dans les années 70 il rencontre le photographe Henry Hermellin avec qui il réalise des portraits en noir et blanc dans différentes expositions communes. Salvadori troque son appareil photo à nouveau pour le pinceau. Depuis les premières expositions de photos à celles de peintures cet artiste polyvalent s’est orienté vers un travail original... Ses œuvres permettent à la suggestion de prendre une place importante. Ce poète, peintre des couleurs, sensible, imaginatif, aborde avec talent la technique mixte mariée à celle du pinceau. Ce qu’il aime surtout, ce sont les portraits, les silhouettes, teintés d’un soupçon de romantisme. Il excelle dans les mises en scène où l’on peut voir des élégantes en représentation, des musiciens créant la fête, des couples tendrement enlacés, …Salvadori n’appartient à aucune école, son talent lui est personnel. Il a comme l’un de ses personnages, « le nez dans les étoiles », et nous invite à le suivre dans son univers de l’imaginaire. EXPOSITIONS 2015 Galerie St Louis, Toulon - Exposition temporaire oeuvres récentes 2014 Exposition "La Belle de Mai" Galerie St Louis, Toulon Galerie Artop, Lille Galerie des Remparts, Mougins "Les singuliers de l'art, l'expo", Galerie St Louis, Toulon Galerie Maznel, St Valéry sur Somme 2013 Galerie Artop, Lille  Galerie St Louis, Toulon Galerie des Remparts, Mougins 2012 Galerie St Louis, Toulon Exposition personnelle Chapelle du Cercle des Arts à Corignac (Galerie Lévy) Galerie Imagine, Bordeaux 2011 Galerie Bourcier-Bonsaï, Oulioules Galerie Imagine, Bordeaux Exposition visites des ateliers Musée de TOULON (du 22 décembre au 22 novembre 2013) Galerie Schôn (Allemagne) Galerie Lévy à Cotignac 2010 Galerie Elizabeth Couturier, Bourgoin Jallieu Galerie des Remparts, Mougins Galerie Pernet, Château d'Oléron Galerie St Louis, Toulon Banque Barclay, Toulon Galerie Bourcier-Bonsaï, Ollioules Espace 213, Tours Grand Baz'Art, Bézu Galerie Lévy, Correns Festival Art Singulier, Brioude Galerie Art et Zen, Le Lavandou 2009 Galerie Elizabeth Couturier, Bourgoin Jallieu Maison du Cygne, Six Fours Les Plages Richart Galery, Barcelone Galerie Imagine, Bordeaux 2008 1er French ARt Festival, Dubaï et Abu Dhabi Artop, Lille Villa Dracaena, La Ciotat Carré du Port, Toulon Galerie Imagine, Bordeaux 2007 Artop, Lille Galerie Elizabeth Couturier, Bourgoin Jallieu 2006 Festival d'Art Singulier, Banne 2005 Galerie St Pierre, Limoges Galerie Damon, Poitiers Galerie St Pierre, Limoges Galerie La Croisée des Arts, Albi Galerie Imagine, Bordeaux Espace contemporain Marceau, Château d'Oléron La Galerie, complexe Gérard Philipe, La Garde Galerie Artop, Lille 2004 Galerie Imagine, Bordeaux (collective) Galerie Amana, Aix en provence Galerie St Louis, Toulon (collective) Galerie Gravero, Le Pradet Galerie Bœuf, Toulon (collective) Galerie Roger Betti, Toulouse Salon des Arts, Toulon Galerie Cravero, Le Pradet 2003 Galerie Robert Bœuf, Toulon Galerie Roger Betti, Toulouse Galerie Imagine? Bordeaux Espace Pernod, Marseille Travaux école maternelle Jules Ferry, Toulon Galerie SMD, Paris Galerie du Prado, Marseille Galerie Damon, Île de Ré Galerie Beaumel, Cajarc Galerie Imagine? Bordeaux Europ’Art, Genève (Galerie Imagine) Galerie Amana, AIx en Provence Galerie Bœuf (exposition personnelle) 2002 Galerie Imagine, Bordeaux Galerie La Forge...
Category

2010s Constructivist Art

Materials

Paper, Mixed Media

French Contemporary Drawing by Jean-Louis Salvadori - Untitled
Located in Paris, IDF
Jean-Louis SALVADORI, né à Ulm en Allemagne, vit et travaille à Toulon (Var) Dès l’âge de 14 ans, Jean-Louis Salvadori s’exprime dans son art et découpe des personnages dans du bois...
Category

2010s Constructivist Art

Materials

Paper, Mixed Media

Chicken Ballet (Chicks and Chicks and sometimes Cocks) - Polaroid, Contemporary
Located in Morongo Valley, CA
Chicken Ballet (Chicks and Chicks and sometimes Cocks) - 2017 20x24cm, Edition of 10. Digital C-Print, based on a Polaroid. Artist inventory 20028. Signature label and Certificate. ...
Category

2010s Constructivist Art

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Maiden Dance (Chicks and Chicks)
Located in Morongo Valley, CA
'Maiden Dance' (Chicks and Chicks and sometimes Cocks) Edition 5/10, 20x20cm, 2017 Based on a Polaroid not mounted, Artist inventory 20216.05 The 'Chicks and Chicks' series is part...
Category

2010s Constructivist Art

Materials

Photographic Paper, C Print, Color, Polaroid

Korean Contemporary Art by Hyun Deok-Sik - It rains from the Sky
Located in Paris, IDF
Ink on Jang-Ji paper, dye, pigment & Ottchil on panel Hyun Deok-Sik is a Korean artist born in 1979 who lives and works in Jeju Island, South Korea. He is graduated from the departm...
Category

2010s Constructivist Art

Materials

Paper, Dye, Ink, Panel, Pigment

French Contemporary Art by Sandra Detourbet - Promise Indécise
Located in Paris, IDF
Ink on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in 1997 from ENSAD in Paris, Art-Sp...
Category

2010s Constructivist Art

Materials

Canvas, Handmade Paper, Ink

Bubble Dreams Bursting (Cyndi Lauper) - record cover shoot, Artist Proof 1/2
Located in Morongo Valley, CA
Bubble Dreams Bursting (Cyndi Lauper) from the 'Bring Ya to the Brink' record Album shoot) - 2009 20x20cm, sold out Edition of 5, Artist Proof 1/2. Archival C-Print based on a Pol...
Category

Early 2000s Constructivist Art

Materials

C Print, Color, Archival Paper, Polaroid, Photographic Paper

white -Contemporary, Abstract, Modern, Pop art, Surrealist, Landscape, Nature
Located in London, London
White flower , 2019 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His wor...
Category

2010s Constructivist Art

Materials

Paper, Inkjet, Pigment, Archival Pigment

From a long forgotten Dream (Chicks and Chicks and sometimes Cocks)
Located in Morongo Valley, CA
From a long forgotten Dream (Chicks and Chicks and sometimes Cocks) - 2019 20x20cm, Edition of 10. Digital C-Print, based on a Polaroid. Artist inventory 21582. Signature label and ...
Category

2010s Constructivist Art

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Contemporary British Abstract Original Painting Three Dancing Figures Surrealist
Located in Cirencester, Gloucestershire
Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed ( frame used in photos are for display purposes only. Not including in purchase.) measurement...
Category

1990s Constructivist Art

Materials

Gouache

Previously Available Items
June 1937
Located in Toronto, Ontario
Ben Nicholson (1894-1982) was one of the leading British Modernist artists who had a significant influence on the direction of sculpture. This iconic print was made after his epony...
Category

1930s Constructivist Art

Materials

Lithograph

Woodcut for Editions “Cahiers d'Art”
Located in San Francisco, CA
Original woodcut printed in three colors (yellow, red, black) from three blocks on Torpes wove paper Signed in the block with the artist's monogram (a “K” in an angle) lower left. ...
Category

1930s Constructivist Art

Materials

Woodcut

June 1937
Located in Toronto, Ontario
Ben Nicholson (1894-1982) was one of the leading British Modernist artists who had significant influence on the direction of sculpture. This iconic print was made after his epony...
Category

1930s Constructivist Art

Materials

Lithograph

Original vintage USSR propaganda poster: complete the 5 Year Plan in 4 years
By Ganf (Yang) Iosif Abramovich
Located in London, GB
Original vintage propaganda poster issued in the USSR to motivate completion of the Five Year Plan in four years. Joseph Stalin's economic plan was based on his policy of Socialism i...
Category

1930s Constructivist Art

Materials

Paper

Constructivist of Futurist gouache painting
Located in Surfside, FL
Ivan Kurach (1909 – 1968) Ukranian-Italian lived and studied in Italy. Russian Constructivist or Futurist style work on paper. there is some creasing to the paper but it should lay f...
Category

1930s Constructivist Art

Constructivist art for sale on 1stDibs.

Find a wide variety of authentic Constructivist art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Antony Squizzato, Ryan Sarah Murphy, Natalia Roman, and Henk van Putten. Frequently made by artists working with Paint, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Constructivist art, so small editions measuring 4 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $850,000, while the average work sells for $1,950.

Recently Viewed

View All