Conceptual Art

A one of a kind 20x11.25 Conceptually Alternative Cyanotype executed on Hahnemuhle Sumi-E Paper by artist Annalise Neil. A certificate of authenticity will be provided upon its purch...

Robert Booth is a Western New York visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on a journey into the shadows ...

Robert Booth is a Western New York visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on a journey into the shadows ...

"Àgbájo Owó L’Afií S’òya (Togetherness Brings About Progress)" is a striking artwork created by the Nigerian artist Wale Ajayi. This piece embodies the rich...

This lithograph, numbered 49/200, dated 99, and signed on the right bottom is presented in its original silvered frame with an intact label on the reverse. It showcases Corneille's u...

"Gaze is a Powerful Language," a creation by the talented artist Michael Adetula, is a compelling artwork that explores the captivating and expressive power of a young woman's gaze. ...

John Baldessari Pillow Cases in Bespoke Presentation Box (one pillowcase hand signed by John Baldessari) for The Thing Quarterly Issue 22, 2014 Silkscreen on 100% cotton 320 thread count sateen pillowcases (Hand signed by John Baldessari) Boldly signed in ink by John Baldessari on one of the pillowcases (see photo) Unframed One of the pillowcases is hand signed in ink by John Baldessari: John Baldessari was one of the artists who were invited to contribute an object (or "thing") with text for a special project for "The Thing" publication (read on for more on "The Thing") ; the conceptual object therefore had to incorporate text. Baldessari's contribution in 2014 was a silkscreened pillowcase with text. A limited (unknown) number of these pillowcases were marketed and sold as a set of two in a bespoke box. However, exceptionally, Baldessari hand signed a very few of pillowcases in ink. This is one of the very special sets bearing one hand signed pillow case - purchased directly from "The Thing". (a copy of the 2014 receipt is shown here.) The rest of these boxed sets were not hand signed. The pillowcase is brand new, and will look gorgeous once pressed and framed by a professional framer. More about this boxed set: Issue 22 of THE THING Quarterly is by LA-based conceptual artist John Baldessari. It consists of two 100% cotton sateen pillowcases featuring an image of a woman clutching a pillow. The black and white image is taken from a Hollywood film still in Baldessari's collection and has been silkscreened on each pillowcase with environmentally-friendly, water-based ink. The pillowcases are standard-sized and envelope-style. For those who like their thread count high, the issue clocks in at a solid 320 thread count. Measurements: Box 10.5 inches by 13 inches by 2 inches Pillow 20 inches vertical by 26 inches What was The Thing Quarterly? THE THING was an experimental publication created in collaboration with Will Rogan as part of an artist residency. We saw it as a quarterly periodical in the form of an object. Each year, four artists, writers, musicians or filmmakers were invited to create an everyday object that somehow incorporates text. The object is reproduced and hand wrapped at wrapping parties and then mailed to the homes of the subscribers with the help of the United States Postal Service. It began as part of an artist residency in San Francisco’s Southern Exposure. Will and I had met in grad school at UC Berkeley and discovered our mutual affinity for quarterlies. He was a librarian at SFAI for five years and I had been a high school teacher for five years. WE were both interested pushing the boundaries of publication. Our plan was to create a 1 year publication with four artists, but from the very start the project generated so much interest and international excitement that we found ourselves running a publication complete with a brick and mortar storefront and a staff of four individuals. After 10 years, 34 issues, 59 projects and countless live events, we decided to end the publication in order to pursue our individual projects. We are still working together on a less ambitious new project, and hope to launch it at some point in 2021. CONTRIBUTORS: have included John Baldessari, Dave Eggers, Miranda July...

Christopher Williams is a conceptual artist and fine art photographer This image is from the series of pictures of a 1964 automobile on its side ...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester May - 2023 Original Polaroid, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in fr...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Kate - 2023 Original Polaroid, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in f...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Ella - 2023 Original Polaroid, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in f...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Emily - 2023 Original Polaroid, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in ...

Öyvind Fahlström Eddie (Sylvie's Brother) in the Desert (from New York International Portfolio), 1966 Silkscreen on wove paper Pencil signed and numbered from the limited edition of ...

A one of a kind 17x19 Surreal Watercolor and Cyanotype executed on Cotton Sateen by artist Annalise Neil. A certificate of authenticity will be provided upon its purchase or delivery...

A 24" x 30" Naturalist Cyanotype on Cotton Sateen mounted on Wood Panel. A certificate of authenticity will be provided upon its purchase or delivery. Neil’s cyanotype and watercolo...

The series ‘SONG BLUES’ is an exploration of what emanates from our feelings and emotions. I am fascinated by the border between our inner world and the external world. Radiation...

Born in 1958. At his first personal exhibition (greeted by "Le Matin"), he is still a high school student. At the workshops of the Ecole des Beaux-Arts in Paris, he prefers the personal research on the questioning of the paint of the painting that he does not hesitate to exhibit in the Salons (Big and Young, May, etc. ...) and which is split up with a mystic and barbarous vision applied to the installation, at Land-art. In 1983, on his first visit to the USA, discovers the Hopi in the heart of the "American Dream". Violence of the figure. He then weaves in New York, Toulouse, Brussels, Paris the conjunction installation-drawing over many galleries. In 1988, he entered the Galerie Krif (Paris) and immersed himself in the myth of Moby Dick. Many exhibitions (Brussels, Tarbes, Lyon, Rennes) while teaching at the School of Fine Arts in Bourges. Henri Basmadjian died in December 1993. Homage to Furea Koral's 40th Year in Art showed with Osman Dinç, Song S, Daniel Buren Ten Artists Ten Works: Henri Basmadjian, Canan Beykal, John Latham, Osman Dinç Sabri Berkel

Artist: Chryssa (Greek, born 1933) Chinatown Portfolio #1 Year: 1978 Medium: Screenprint on wove paper Signed in pencil and numbered 97/250 Edition: 250 Dimension: 38 1/4 x 31 1/4i...

A one of a kind 14" diameter Conceptually Alternative Cyanotype executed on Hahnemuhle Sumi-E Paper by artist Annalise Neil. A certificate of authenticity will be provided upon its p...

A one of a kind 6.5x8.5 Watercolor Acrylic and Cyanotype on Cotton Sateen executed by artist Annalise Neil. A certificate of authenticity will be provided upon its purchase or delive...

Robert Booth is a visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on a journey into the shadows of the human psyc...

Robert Booth is a visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on a journey into the shadows of the human psyc...

A one of a kind 10" x 10" Conceptually Alternative Watercolor Cyanotype Mounted on Wood Panel by artist Annalise Neil. A certificate of authenticity will be provided upon its purchas...

Robert Booth is a visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on a journey into the shadows of the human psyc...

A one of a kind 16" diameter Conceptually Alternative Cyanotype executed on Hahnemuhle Sumi-E Paper by artist Annalise Neil. A certificate of authenticity will be provided upon its ...

John Baldessari The Sprinters, 1982 Limited Edition Offset Lithograph on Parson's Diploma paper Signed in graphite on the front. Accompanied by letter of authenticity from the publisher 36 x 24 inches Unframed Accompanied by a letter of authenticity from the publisher on Olympic Committee letterhead. This is one of 750 hand signed lithographic posters, published in 1982 to celebrate the 1984 Los Angeles Olympics . Even though the signed edition is 750, the publisher is said to have sold fewer than 200 and destroyed the rest; hence signed editions of this print are far more scarce than the edition suggests. The Olympic Committee commissioned 15 nationally known artists, including to create unique designs to promote the event. This was John Baldessari's contribution to the portfolio - cleverly juxtaposing a modern day race, with ancient images, tying old and new and honoring the ancient Olympic tradition. In 2017, the Olympic Museum in Lausanne Switzerland...

Robert Booth is a visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on a journey into the shadows of the human psyc...

Artist: Chryssa (Greek, born 1933) Chinatown Portfolio #6 Year: 1978 Medium: Screenprint on wove paper Signed in pencil and numbered 97/250 Edition: 250 Dimension: 38 1/4 x 31 1/4i...

This piece is from my private collection of 20th Century -21st Century artists, many of which are from the School of Paris era. Pelayo produced this lithograph in colors. The Latin A...

Greg's witty and charming oil painting on aluminium comes framed in a floater frame which adds 1.75 inches all the way around. "Greg Decker is a visionary painter. His work epitomise...

A 12 "x 12" square and a 8" diameter circle diptych. It is a one of a kind Traditional Bleached Watercolor Cyanotype executed on Canson Montval and Hahnemuhle Sumi-E Paper Mounted o...

A one of a kind 39x39 Alternative Cyanotype executed on Hahnemuhle Sumi-E Paper by artist Annalise Neal. A certificate of authenticity will be provided upon its purchase or delivery....

A one of a kind 36x28 Surreal Watercolor Painting executed on Indian Rag Paper by artist Annalise Neal. A certificate of authenticity will be provided upon its purchase or delivery. ...

A 24" x 18" Surreal Conceptual Watercolor Painting executed by artist Annalise Neil. A certificate of authenticity will be provided upon its purchase or delivery. Neil’s cyanotype a...

MARIA DOMPE, (Italian, b. 1958), Gentleman Sculpture, marble and travertine, 1995, height: 20 in. One of a pair, (Gentleman and Lady) being sold separately. Maria Dompe was born in ...

This piece is part of my private collection of 20th Century artists that were part of the School of Paris era. This piece is original and signed by Pelayo and numbered.

MARIA DOMPE, (Italian, b. 1958), Lady Sculpture, marble and fabric, 1995, height: 14 in. One of a pair, (Lady and Gentleman) being sold separately. Maria Dompe was born in Fermo on ...

Greg's witty and charming oil painting on aluminium comes framed in a floater frame which adds 1.75 inches all the way around. "Greg Decker is a visionary painter. His work epitomise...

"City 6" is an original 1968 hand-signed and numbered (9/45) screenprint by Risaburo Kimura, Japanese (1924 - 2014), nicely framed. Image measures 15 x 22 inches. The artist has sp...

Anish Kapoor Poster for Svayambh at the Royal Academy, London (hand signed by Anish Kapoor), 2009 Offset lithograph poster Boldly signed by Anish Kapoor on the lower right front 21 ×...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Mika - 2023 Original Polaroids, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in ...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Page - 2023 Original Polaroids, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in ...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Pip - 2023 Original Polaroids, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in f...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Shosh - 2023 Original Polaroids, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in...

Robert Booth is a Western New York visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on a journey into the shadows ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Michael Adetula...

Aditya Basak - Untitled - 24 x 20 inches (unframed size) Acrylic on Canvas, 2017 ** This work will be shipped in a roll form. "Through the medium of the fantasy, Basak probes the ...

"Goodfellas" is comprised of 3 individual white statues that are meant to be presented as a trio. Each individual statue is 37" x 14" x 14" and weighs approx 15-20lbs, created from l...

SALE ONE WEEK ONLY Jennifer's "Untitled" piece appears to be a landscape with a colorful stripped form arising out of the grasses. It is an iconic image that she incorporates into her work. The following excerpt from her Artist Statement best describes her feeling about it: I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Jennifer Wynne Reeves was known for creating a body of paintings, drawings and photographs that speak to and confront formalist and humanist dilemmas. Beyond her achievements in the art world, Reeves enjoyed a considerable fan-base as a result of her astonishing Facebook presence where she chronicled and interwove her art and diaristic prose. Reeves solo exhibitions included Art & Public in Geneva, Gian Enzo Sperone in Rome; Max Protetch, Ramis Barquet and BravinLee programs, NYC. Reeves was also celebrated for her writing. She produced a graphic novel, The Anyway Ember and Soul Bolt, a book of images and prose. “Profoundly rewarding works” said LA Times writer, David Pagel, in a review her 2015 exhibition at CB1 Gallery. Reeves is a John Simon Guggenheim Fellow recipient. The following is an artist’s statement about her theory off work: “Twenty years ago, I called them slugs. In the beginning, they were like long lumps without arms or legs. Powerless. Difficult. Paralyzed. I thought maybe they were the symbols of sloth or depression or fear. They didn’t do anything. I wondered if I should stop making them? They were not beautiful. Nobody liked them. Nobody wanted to look at them. They were repellent and, worse, they were funny. I hated that. I wanted to be a “serious” artist. I was conflicted. I had to make the images that came to me but I was embarrassed. Maybe it wasn’t a fancy path but painting slugs was more honest than painting flowers (nothing against flower paintings, mind you). It came down to a moral choice. So, I determined to follow the slug road. Maybe it was a road that led somewhere? Or maybe not. After several years, I thought I hit a dead-end. I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Little kids liked them. I hated that. I wanted to be a “serious” artist. I’m not sure, exactly, who they are. They could be our conscience, our psychology, or simply the part inside us that yearns. They could be artists, modernists or the first of “us” that crawled out of the ocean. My best hunch is they are whatever it is that makes us want to make. I hope that’s a good thing and beautiful and seriously funny. Whatever the case, I’d like to know what it’s all about.” Jennifer Reeves...

General Idea was formed in 1967 in Toronto and over the next nearly 30 years, the trio made a remarkable contribution to post-modern art. With their subversive approach and intere...

Robert Booth is a Western New York visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on a journey into the shadows ...

This striking conceptual abstract oil painting is by British artist Penelope Ellis. It was painted in 1963 in black on a grey background. The shapes appear to be floating or flying, ...

Joseph Beuys Blatt auf Karteikarte (from Columbus: In Search of a New Tomorrow), 1992 Color silkscreen on vellum parchment paper, held in original portfolio sleeve Signed by Eva Beuys, the Executor of the Beuys estate, in blue ink on the reverse and annotated P.P.; and bears publisher's blind stamp 30 × 22 3/4 inches Held in the original, removable portfolio sleeve (see photograph) Originally published by Domberger in collaboration with Artists Unlimited for Nature to support the conservation of the tropical rainforest. The text says: 1000 Stk. hh DIN A4 EVP 33,00 M This is one of five Printers Proofs aside from the regular edition of 100, signed by Eva Beuys, the Executor of the Beuys estate, and annotated PP on the front, with the publisher's blind stamp, from the original portfolio Columbus: In Search of a New Tomorrow, housed in the rarely seen original protective sleeve. The portfolio was created to raise funds to help save the rainforest. “Before the world is changed it would perhaps be more appropriate not to destroy it” - Paul Claudel This color silkscreen signed and annotated on the reverse by the artist's widow is Joseph Beuys contribution to the portfolio, "Columbus: in Search of a New Tomorrow" - to raise funds and awareness about saving the Rainforest. 35 artist from around the world were invited to contribute mainly silkscreens, but also photography, literature, drama and music. This ambitious project was sponsored by His Majesty King Juan Carlos of Spain and Mr. Hoet, manager of “documenta IX”. Besides Beuys, other artists who participated in this portfolio are: Kenny Scharf, Max Bill, Sandro Chia, Eduardo Chillida, Joe Cocker, Christo, Hanne Darboven...

I like modern Japanese painting. One of the most famous artists is Yayoi Kusama. Her image and paintings inspired me to this work.

The focal point of the artwork, the man's free-flowing dreadlocks, serves as a potent symbol of individuality and cultural diversity. In many cultures, dreadlocks have deep-rooted historical and spiritual significance, representing a unique connection to heritage, self-expression, and identity. By emphasizing the man's hair in the portrait, Adetula calls attention to the fact that discrimination often arises from superficial judgments based on appearance, whether it be hairstyles, clothing choices, or language differences. The artwork's title, "I Need Some Love," conveys a heartfelt plea for compassion and understanding. It reminds us that discrimination and prejudice have no place in a harmonious and inclusive society. Adetula's creation urges us to break free from these harmful mindsets and cultivate a culture of empathy and acceptance toward one another. The message of the artwork resonates strongly with the call to let love prevail, irrespective of one's origin or outward appearance. Discrimination, whether conscious or unconscious, hinders our collective progress as a society. It erects barriers between individuals and communities, fostering mistrust and animosity. Adetula's artwork encourages us to dismantle these barriers and build bridges instead. Embracing diversity enriches our lives, broadens our perspectives, and fosters a climate of respect and unity. The man's free-flowing dreadlocks symbolize the beauty of embracing cultural differences and recognizing the uniqueness that each individual brings to the table. Moreover, "I Need Some Love" emphasizes the power of love as a transformative force. The artwork reminds us that by approaching others with love, compassion, and understanding, we can create an environment where everyone feels valued, respected, and heard. Correcting people with love, rather than judgment or hostility, allows us to foster meaningful connections and open up constructive dialogues, thereby nurturing a culture of growth and understanding. The man depicted in the artwork is a poignant reminder that every person deserves happiness and love, irrespective of their appearance, background, or language. Embracing diversity not only enhances our interpersonal relationships but also contributes to the betterment of society as a whole. When we treat one another with kindness and empathy, we foster a sense of belonging and acceptance that empowers individuals to thrive and contribute positively to their communities. In conclusion, "I Need Some Love" by Michael Adetula...

Daniel Buren Blue, from 1000 Placements, 1977 Rubber stamp lithograph Numbered on the back of the artwork, hidden behind the frame Limited Edition of 250 Frame Included: elegantly fr...

Mark Wallinger It's the Thought that Counts, 2001 Mixed media Christmas cracker, colored paper/ cardboard and ribbon with snap Plate signed by Mark W...

Paper Collage