Conceptual Art

Artist: George Deem Title: Hands of Mayakovsky Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 40 Image Size: 19 x 17 inches Paper Size: 25.5 in. x 21 ...

Reinhard Görner Assemblée Nationale III Library Paris, France 62.5" x 50" Edition of 10 $6,000 75" x 60" Edition of 7 $9,000 87.5" x 70" Edition of 5 $11,000 signed and numbered ...

UV print of digital photograph on pewter leaf on paper & mounted in Japanese silk scroll Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since ...

Original vintage travel poster Car Festival at Puri India. Archival linen-backed lithograph in fine condition, ready to frame. At this festival, the public gathers and pull a chari...

UV print of digital photograph on pewter leaf on paper Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started in 201...

Mixed Media. Woman on ladder in pool. Blue hues. About the Artist: Cabell Molina is a contemporary artist transplanted from California to the east. Where Cabell has proved herse...

Arman is famous for his depictions of musical instruments.

Artist: Arman, French (1929 - 2005) Title: Hydra Year: 1979 Medium: Serigraph on Arches, signed and numbered in pencil Edition: 150 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

From the 2018 Singapore Series, Postcards from afar. This artwork is a limited edition of 25, gloss photographic print. Accompanied by a signed and numbered certificate of authentic...

'Untitled' 2013, Edition of 10 plus 2 Artist Proofs, digital C-Print, based on a SX-70 Polaroid, 8.8 cm x 10.7cm, not mounted, Signed, embossed stamp and artist certificate. Xulong...

"Potatoes & Fruit 2" is an original oil pastel drawing on paper by Tom Shelton. The artist signed the piece lower right. The artist says: “Potatoes and fruit are pictured showing t...

Portrait. Grace Kelly. Has an abstract feel. One of a kind. Sides painted black. About the Artist: Karl has been a fine artist his entire life and...

Invacuo Project #18, 2016 by Koray Erkaya From the series of Invacuo Project Hahnemühle Photo Matt Fibre Duo 210 Image size: 16 in. H x 24 in. W (40 cm H x 24 cm W) Edition of 10 Work is also available framed at an additional cost. All sizes signed, titled, dated, and numbered on artist label verso All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _____________________ JAZZ AND GAS Joyful humour characteristic of the pro-democracy environmentalist Gezi Park protests in June 2013. People of all ages, students, writers, artists, actors, musicians, LGBT activists, Anti-Capitalist Muslims, Marxists, Anarchists, Kurdish and Turkish nationalists were peacefully together in the heart of modern Istanbul: Taksim Square. Then the police attacked with tear gas and their usual equipment. But if they use uneven brutal force, then we use uneven intelligence and creativity: “We are fair: Their gas is fresh air.” Such sarcastic slogans multiplied echoing the positive, hopeful, unyielding and determined character of the our jazz like plural harmony. If Sultanahmet Square is the heart of Classical Istanbul with its Byzantine and Ottoman heritage, Taksim Square represents the modern city: the central statue representing the national liberation war and the formation of the Turkish Republic, Gezi Park, Ataturk Cultural Centre, big hotels, and the historic Istiklal (Independence) Street. Eyes shed tears not only because we laughed due to high quality satirical slogans but also because of the harmful gas and the deaths of several youngsters. Numerous citizens lost an eye or arm. Thanks to international media coverage, the inspiring Gezi Park resistance (or “June Movement”) in Turkey drew attention all over the world -while the pro-government media kept silent. Whether on purpose or not, tear gas –and its canisters at close range- took several lives. Don’t let anybody fool you: Tear gas may kill. And it did. Though “as a nation” we had been used to gas in previous demonstrations, one point was unique: The whole city was gassed. Babies, old people and citizens with asthma suffered in their homes. Before the police attack, maybe most of the young protesters were “merely” environmentalists without a major political orientation. Tear gas brutality transformed most of them into political activists. Since that June, our lungs, souls and future have been full of that gas. Tear gas has been used not only in Turkey but in many other countries as well –since the 1990s. We tend to think that “Every soul shall taste it,” –sounding like a statement from a holy book. The situation is unacceptable: A child on the way to get bread for breakfast may die –in fact be killed by the police using tear gas without proper concern and care. Tear gas is a chemical weapon. It’s vital to comprehend that. The marketing is well-phrased but misleading: “Made from fruit and vegetables, wholly organic.” But when it is used at close range, its metal canister becomes a bullet. Fifty years ago, in late 1960s, 90 countries signed a petition against the usage of tear gas. Our country signed the 1997 Convention on Chemical Weapons, which states that tear gas is considered to be a chemical weapon when it is used in closed places, at close range or in a crowd. Despite this, it has been used time and again in Brasil, Chile, Egypt, Germany, Gaza, Iraq, Ireland, Israel, Panama, the Philippines, South Korea, UK, USA, and Vietnam. The Association of Turkish Medical Doctors and the Initiative Against Tear Gas have been working and reacting diligently on this issue. “But the label says it’s harmless,” say some. But the firms that produce gas bombs put labels according to the demands of governments. Are you Shocked? Global trade has priority over humanitarian concern. But why this introduction? Don’t we all know all these things? We certainly do, but the “agenda” changes so fast that our knowledge does not find time to unite with our action in order to change the ongoing chain of events. Enter arts. With the mission of contributing to collective memory, Artist Koray Erkaya creatively documents experience. In his new photographic art series, Erkaya revolts against individual and social de-sensitivisation. In order to address the memory and to increase awareness, he uses “gas” against everyone –without discrimination. He tests his models with gas in the specifically prepared labyrinth made of mirrors. But of course, the gas he uses is not one of the types of tear gas labeled OC, CS or CN. In any case, the violence the people suffer is not limited to the content of the gas. When he started his voyage to display the violence, loneliness, nakedness, helplessness, spiritual and physical isolation of women, children, gays, transsexuals -all the humiliated people under some form of gas, Erkaya began working with models from various nations in Istanbul. Now he is on his way to show that this issue is a problem for all who live on the same planet. When we see ourselves in the eyes of the models in the mirrors...

In this self portrait, Savannah Spirit turns the tradition of black and white female portraiture back on itself. The muse is the artist, and the gaze is her own. Spirit believes th...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 85 Year: 1969 Medium: Serigraph, signed and titled in pencil Edition: 300 Size: 25 x 20 in. (63.5 x 50.8 cm)

Inkjet print of digital photograph on Kakejikuya kozo washi Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started i...

Inkjet print of digital photograph on Kakejikuya kozo washi Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started i...

UV print of digital photograph on silver leaf on paper Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started in 201...

Inkjet print of digital photograph on Kakejikuya kozo washi Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started i...

Inkjet print on Kakejikuya kozo washi layered over inkjet print on Awagami kozo usukuchi washi Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan ...

UV print of digital photograph on silver leaf on paper Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started in 201...

UV print of digital photograph on pewter leaf on paper Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started in 201...

Artist: George Deem Title: Primary Vermeer Year: circa 1979 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 40 Image Size: 19 x 17 inches Paper Size: 25.5 in. x 2...

G_XI, 2019 White ink on black cardboard (signed) 39 3/8 H x 27 9/6 W in. 100 H x 70 W cm Alina Aldea's drawings, project all the possible forms which appear to rapidly disappear, w...

Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Tree in Tree Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 125 Size: 41 x 30 in. (104.14 x 76....

#mandala #spiritualart #introspecction #sculpture #nature #landscape #information #outdoors #contemporaryart #stone #color #energy #seed #ambar #wood JUANA MARTÍNEZ...

UV print of digital photograph on aluminum leaf on paper Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started in 2...

Artist: Chryssa, Greek (1933 - 2013) Title: Classified Ad Year: 1977 Medium: Silkscreen and Acrylic Monoprint on Paper, signed, dated and titled in pencil Image Size: 14.5 x 22 inche...

Reinhard Görner Château de Fontainbleue III Library France 50" x 50" Edition of 25 $6,000 60" x 60" Edition of 15 $9,000 70" x 70" Edition of 10 $11,000 signed and numbered on la...

40 x 60 inches ed. of 10 $6,000 50 x 75 inches ed. of 5 $9,000 60 x 90 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photogra...

Artist: George Deem Title: Sienna Vermeer Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 40 Image Size: 19 x 21 inches Paper Size: 22 in. x 30 in. (55...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

This is the third collaborative collection by Natasha Heidler & Richard Heeps, of 20th Century artefacts, following on from the 2014 Vinyl Collection & 2015 Stamp Colour. Today we ph...

Depiction of a kind of life. About the Artists: Animated through an assemblage of analog, digital, and lenticular photographic technologies, these selections from Reisig and Tayl...

Photograph of aged tree that is then brought to life through some acrylic touches. Photograph produced by Dye Sublimation - which means archival inks infused into aluminum. Abou...

Mixed Media on wood featuring the famed Andy Warhol. Photographed by Joester. Images on sides as well. Not framed. About the Artist: Steve Joester is a British-born Rock & ...

UV print of digital photograph on silver leaf on paper, with retouching in acrylic and silver ginder & mounted in Japanese silk scroll Kojun is an self-taught multimédia American ar...

Depiction of a kind of life. About the Artists: Animated through an assemblage of analog, digital, and lenticular photographic technologies, these selections from Reisig and Tayl...

Verve 29/30 Author: Picasso, Michael Leris Year: 1956 Publisher: Harcourt Brace & Company, New York Title: Verve 29/30. Suite de 180 Dessins de Picasso...

Savannah Spirit Reach 24 x 24 inches Archival pigment print on Hahnemühle Photo Rag. Edition 1 of 5 Signed by artist Latest press ARTSY: May 28, 2019: The Photographers Fighting In...

'The Sorcerers Apprentice’, 2017, 24 x 20 cm, edition of 2/10, Archival C-Print based on a Polaroid, Numbered and signed on the back by the artist. Not mounted. A piece from T...

Reinhard Görner, Ganymed, Palazzo Grimani, Venice, Italy. In this monumental photograph, a sculpture depicting the Kidnapping of Ganymed is suspended in the center of the vault, decorated by lacunae. The image combines the unique geometric abstraction of the architecture with the organic form of the sculpture and the floor. What is so unique about this artwork? Compositionally, all lines radiate to the the center of the room, where the energy is thrust upwards again by the mythical figure. The wings of Ganymed direct the eye back to the perimeter of the room, where the attention flows inwards once again. The floor radiates with an earthy ktenic energy, which compliments the vertical push of the sculpture. The result is a living, pulsing composition, set within the unusual warm classicism of this unique Venetian Palazzo. This beautiful palace was the residence of the Doge Antonio Grimani. It is one of the most unique examples of Venetian architecture in transition from Gothic, well-rooted in the local culture, to the Renaissance. German large-scale photographer Reinhard Görner is known for his stunning, monumental-scale photography, which combine a sense of grandness with intimacy. He was born in 1950 in Leipzig, Germany, and he lives and works in Berlin, Germany. He studied drama, german literature and sinology in Munich and Berlin, and has been photographing architecture, interiors, and public spaces since 1981. Condition: New. Images are crisp and sharp. Images are not shown at full resolution for the protection of the artist. 50 x 49 inches ed of 10 $6,000 60 x 59 inches ed of 7 $9,000 70 x 68.8 inches ed of 5 $11,000 signed and numbered on label, verso Reinhard Görner with his large format architectural photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles’s ceremonial rooms have an edge on Renaissance paintings; here even a sense of world history arises within the viewer – one which continues to exert an influence today". Horst Klöver Paper is trimmed to the image: actual image size listed More about the Palazzo: Newly restored, the Palazzo Grimani also includes Camerino di Callisto, with stucco by Giovanni da Udine...

UV print of digital photograph on brass leaf on paper Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started in 2010...

Eduardo Costa is one of the key figures in global conceptual art. He was born in Buenos Aires in 1940. He graduated in Literature and Art at the University of Buenos Aires in 1965 where he took courses with Jorge Luis Borges in the late fifties. His practice developed into Conceptual POP with the Fashion Fictions Series, 1966-to the present. He is also credited with creating Conceptual Geometry which he showed internationally starting in 1995 at the Elga Wimmer Gallery, NY, and in 2001 at Cecilia de Torres LTD., NY. With Cecilia de Torres he exhibited a fully developed edition of his Volumetric Paintings, which use painting to such a volume that it stands by itself without any cloth or other support.Eduardo Costa lived twenty-five years in New York and over four years in Rio de Janeiro where he met almost daily with Hélio Oiticica, Lygia Pape...

Untitled VI, XI, and VII from the series of La Costilla Roja, 2016 by Jose Sierra Untitled VI Image size: 23.62 in. H x 35.44 in. W Untitled XI Image size: 23.62 in. H x 23.62 in. W ...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 145 Year: 1970 Medium: Silkscreen, signed in pencil Edition: AP Size: 28.5 x 22.5 in. (72.39 x 57.15 cm)

Red Lips, part of Richard's 2016 Hong Kong series, this artwork captures the essence of Kowloon. The bold typography makes cool original pop art. This artwork is a limited edition o...

Morgan Library II New York 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to the image: actual image size listed

Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio II, Image 1 Year: circa 1978 Medium: Serigraph, signed and numbered in pencil Edition: 150 Size: 40 in. x 30.5 in. (...

False Diamonds is a beautiful color photographic print realized by the German artist Martina Schumacher (1972-) in 1998. Dye transfer. Hand-signed, numbered, dated and titled in pen...

An innate and atypical landscape artist, Eric Pérez is an intellectual who paints. He knows and loves Mexican and world history, from which he derives his contemporary context. His p...

Artist: Joe Tilson, British (1928 - ) Title: Water Year: 1972 Medium: Silkscreen and Collage on Rice Paper, signed and numbered in pencil Edition: 26/70 Size: 38 in. x 26.5 in. (96.5...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects and textures arranged meti...

This is part of a series Richard shot in Kong Kong in 2013 where he wanted his photographs to be metaphors for the layered, dense living in the City, which is perfectly captured here...

Bode-Museum, Berlin 62 1/2 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 7 $9,000 87 1/2 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, ...

The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma. His pencil drawing is a technique so exquis...

The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to control the composition of his image. For many years he has photographed ...

Artist: Richard Davies Title: One Green Wave Year: 1991 Medium: Watercolor, graphite, colored pencil, collage, signed in pencil Size: 60 x 40 in. (152.4 x 1...