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Abstract Geometric Art

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Style: Abstract Geometric
Period: 1950s
Untitled (Geometric Composition), 1957
Located in Miami, FL
Untitled (Geometric Composition), 1957 - After the painting "Orphée" by Auguste Herbin 70 x 50 cm Color serigraph on strong wove paper. Signed, dated and numbered, edition of 100 ...
Category

1950s Abstract Geometric Art

Materials

Lithograph

Madam (Fou), 1953
Located in Miami, FL
Madman (Fou) from Art of Today, Masters of Abstract Art, Album I, 1953 - Édition Art d'Aujourd'hui, Boulogne Screenprint in colors, 25.2" H x 19.2” W (64 x 49 cm), signed and dated ...
Category

1950s Abstract Geometric Art

Materials

Lithograph

1959 Geometric Abstraction by Francis Almeida Luzzatto
Located in Larchmont, NY
Francis Almeida Luzzatto (American, 1935-1999) Untitled, 1959 Oil on canvas 40 x 48 1/2 in. Signed and dated lower right: Luzzatto 59 Partial label verso: The Art Rental Gallery, Wa...
Category

1950s Abstract Geometric Art

Materials

Canvas, Oil

'Roofs of Ravello', Mid-Century Abstract, Harvard Fogg Museum, SFAA, Carmel, AIC
Located in Santa Cruz, CA
Initialed lower right, 'M. W.' for Margaret Wentworth (American, 1914-1999) and dated 1959. Exhibited: Feingarten Galleries, Carmel, California, 1960, and titled on label, verso, 'Ro...
Category

1950s Abstract Geometric Art

Materials

Egg Tempera, Postcard, Pen

Midi
Located in Miami, FL
Vendredi - Plate 3 from the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 20 x 26 inches Signed, dated and numbered in ink, edition of ...
Category

1950s Abstract Geometric Art

Materials

Lithograph

Rare Candelabra Sculpture Mid Century Danish Design
By Einar Dragsted
Located in Surfside, FL
Danish mid century modern silverplated candelabrum sculpture. circa 1957 signed E. Dragsted Denmark. Dragsted goldsmiths, established in 1854, was purveyor to the danish royal family...
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1950s Abstract Geometric Art

Materials

Stainless Steel

Vendredi
Located in Miami, FL
Vendredi - Plate 10 from the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 20 x 26 inches Signed, dated and numbered in ink, edition of...
Category

1950s Abstract Geometric Art

Materials

Lithograph

Old Door
Located in New York, NY
Richard Anuszkiewicz Old Door, 1953 Watercolor on paper Signed and dated by the artist on the lower right front 20 × 14 inches Unframed This unique and extre...
Category

1950s Abstract Geometric Art

Materials

Paper, Watercolor

Vintage Mid-Century Abstract Signed Swedish Lithograph - Kinetic Shapes
Located in Bristol, GB
KINETIC SHAPES Size: 52 x 42 cm (including frame) Lithograph on paper A very well presented mid century limited edition (1/211) colour lithograph, signed and numbered in pencil by S...
Category

1950s Abstract Geometric Art

Materials

Lithograph

Musee National d'Art Moderne (after) Wassily Kandinsky - Abstract
Located in New York, NY
This rare lithographic poster was printed in 1957 at the Atelier Mourlot in Paris. It was created to promote an exhibition of artworks by Kandinsky, on loan from the Guggenheim Museu...
Category

1950s Abstract Geometric Art

Materials

Lithograph

Staatliche Werkkunstschule Kassel (Prefatio) Poster /// Bauhaus Josef Albers Art
Located in Saint Augustine, FL
Artist: (after) Josef Albers (German-American, 1888-1976) Title: "Staatliche Werkkunstschule Kassel (Prefatio)" Year: 1957 Medium: Original Relief Print (Letterpress), Exhibition Poster on light wove paper Limited edition: Unknown Printer: Staatliche Werkkunstschule Kassel, Kassel, Germany Publisher: Staatliche Werkkunstschule Kassel, Kassel, Germany Sheet size: 24.75" x 17.63" Image size: 11.75" x 15.63" Condition: A few faint handling creases. Never framed, has been professionally stored away for decades. In excellent condition Extremely rare Notes: Provenance: private collection - Nuremberg, Germany. Poster produced for a special exhibition of Albers' work "Early Pictures from the Twenties and New Works" at the Staatliche Werkkunstschule Kassel from May 28 - June 8, 1957. The image featured on this poster is Albers' 1942 lithograph edition "Prefatio", (Danilowitz No. 103, page 76), from his 1942 "Graphic Tectonics" series of 9 lithographs, (Danilowitz No. 100-108, page 74-79). Printer's imprint upper right. This is an extremely rare poster being if not the, one of the, earliest documented Josef Albers exhibition...
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1950s Abstract Geometric Art

Materials

Linocut

Original Arabic Art - Spain vintage travel poster
Located in Spokane, WA
Original Arabic Art – Spain vintage travel poster. Artist: Jose Ortega. Size: 24.5" x 39.5". C. 1950. Original vintage European travel poster...
Category

1950s Abstract Geometric Art

Materials

Lithograph

Original Cinquantenaire Aeronautique Bourget, vintage air show poster
Located in Spokane, WA
Original Cinquantenaire Aeronautique vintage poster. Archival linen backed and ready to frame. Printer: Bedos & Co, Paris. A- condition. (50TH ANNIVERSARY 23E SALON INTERNATIONAL D' AERONAUTICS, JUNE 12 TO 21, 1959 * LE BOURGET AIRPORT.) This mid-century modern original French poster is for an air show...
Category

1950s Abstract Geometric Art

Materials

Lithograph

(after) Sonia Delaunay - Composition - Pochoir
Located in Collonge Bellerive, Geneve, CH
(after) Sonia Delaunay - Composition - Pochoir 1956 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Lazzaro. Unsigned and unumbered ...
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1950s Abstract Geometric Art

Materials

Stencil

Musee National d'Art Moderne (after) Wassily Kandinsky - Abstract
Located in New York, NY
This rare lithographic poster was printed in 1957 at the Atelier Mourlot in Paris. It was created to promote an exhibition of artworks by Kandinsky, on loan from the Guggenheim Museum to the National Museum of Modern in Paris. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot. This certificate guarantees the origin and authenticity of your personal lithograph. About the Artist: Kandinsky was a painter and art theorist, one of the first creators of pure abstraction in modern painting. After successful avant-garde exhibitions, he founded the influential Munich group Der Blaue...
Category

1950s Abstract Geometric Art

Materials

Lithograph

1950s Abstract Composition in Brown, Orange and Blue with Black Parallel Lines
Located in Denver, CO
Watercolor and ink on paper of an abstract composition of brown, orange and blue shapes between black parallel lines throughout the the piece by Herbert Bayer (1900-1985). Presented in a custom black frame with all archival materials. Framed dimensions measure 17 ⅞ x 22 ⅝ x 1 inches. Image size is 10 ¼ x 15 ½ inches. Painting is clean and in very good condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the Artist: Herbert Bayer enjoyed a versatile sixty-year career spanning Europe and America that included abstract and surrealist painting, sculpture, environmental art, industrial design, architecture, murals, graphic design, lithography, photography and tapestry. He was one of the few “total artists” of the twentieth century, producing works that “expressed the needs of an industrial age as well as mirroring the advanced tendencies of the avant-garde.” One of four children of a tax revenue officer growing up in a village in the Austrian Salzkammergut Lake region, Bayer developed a love of nature and a life-long attachment to the mountains. A devotee of the Vienna Secession and the Vienna Workshops (Wiener Werkstätte) whose style influenced Bauhaus craftsmen in the 1920s, his dream of studying at the Academy of Art in Vienna was dashed at age seventeen by his father’s premature death. In 1919 Bayer began an apprenticeship with architect and designer, Georg Schmidthamer, where he produced his first typographic works. Later that same year he moved to Darmstadt, Germany, to work at the Mathildenhöhe Artists’ Colony with architect Emanuel Josef Margold of the Viennese School. As his working apprentice, Bayer first learned about the design of packages – something entirely new at the time – as well as the design of interiors and graphics of a decorative expressionist style, all of which later figured in his professional career. While at Darmstadt, he came across Wassily Kandinsky’s book, Concerning the Spiritual in Art, and learned of the new art school, the Weimar Bauhaus, in which he enrolled in 1921. He initially attended Johannes Itten’s preliminary course, followed by Wassily Kandinsky’s workshop on mural painting. Bayer later recalled, “The early years at the Bauhaus in Weimar became the formative experience of my subsequent work.” Following graduation in 1925, he was appointed head of the newly-created workshop for print and advertising at the Dessau Bauhaus that also produced the school’s own print works. During this time he designed the “Universal” typeface emphasizing legibility by removing the ornaments from letterforms (serifs). Three years later he left the Bauhaus to focus more on his own artwork, moving to Berlin where he worked as a graphic designer in advertising and as an artistic director of the Dorland Studio advertising agency. (Forty years later he designed a vast traveling exhibition, catalog and poster -- 50 Jahre Bauhaus -- shown in Germany, South America, Japan, Canada and the United States.) In pre-World War II Berlin he also pursued the design of exhibitions, painting, photography and photomontage, and was art director of Vogue magazine in Paris. On account of his previous association with the Bauhaus, the German Nazis removed his paintings from German museums and included him among the artists in a large exhibition entitled Degenerate Art (Entartete Kunst) that toured German and Austrian museums in 1937. His inclusion in that exhibition and the worsening political conditions in Nazi Germany prompted him to travel to New York that year with Marcel Breuer, meeting with former Bauhaus colleagues, Walter Gropius and László Moholy-Nagy to explore the possibilities of employment after immigration to the United States. In 1938 Bayer permanently relocated to the United States, settling in New York where he had a long and distinguished career in practically every aspect of the graphic arts, working for drug companies, magazines, department stores, and industrial corporations. In 1938 he arranged the exhibition, “Bauhaus 1919-1928” at the Museum of Modern Art, followed later by “Road to Victory” (1942, directed by Edward Steichen), “Airways to Peace” (1943) and “Art in Progress” (1944). Bayer’s designs for “Modern Art in Advertising” (1945), an exhibition of the Container Corporation of America (CAA) at the Art Institute of Chicago, earned him the support and friendship of Walter Paepcke, the corporation’s president and chairman of the board. Paepcke, whose embrace of modern currents and design changed the look of American advertising and industry, hired him to move to Aspen, Colorado, in 1946 as a design consultant transforming the moribund mountain town into a ski resort and a cultural center. Over the next twenty-eight years he became an influential catalyst in the community as a painter, graphic designer, architect and landscape designer, also serving as a design consultant for the Aspen Cultural Center. In the summer of 1949 Bayer promoted through poster design and other design work Paepcke’s Goethe Bicentennial Convocation attended by 2,000 visitors to Aspen and highlighted by the participation of Albert Schweitzer, Arthur Rubenstein, Jose Ortega y Gasset and Thornton Wilder. The celebration, held in a tent designed by Finnish architect Eero Saarinen, led to the establishment that same year of the world-famous Aspen Music Festival and School regarded as one of the top classical music venues in the United States, and the Aspen Institute for Humanistic Studies in (now the Aspen Institute), promoting in Paepcke’s words “the cross fertilization of men’s minds.” In 1946 Bayer completed his first architecture design project in Aspen, the Sundeck Ski Restaurant, at an elevation of 11,300 feet on Ajax Mountain. Three years later he built his first studio on Red Mountain, followed by a home which he sold in 1953 to Robert O. Anderson, founder of the Atlantic Richfield Company who became very active in the Aspen Institute. Bayer later designed Anderson’s terrace home in Aspen (1962) and a private chapel for the Anderson family in Valley Hondo, New Mexico (1963). Transplanting German Bauhaus design to the Colorado Rockies, Bayer created along with associate architect, Fredric Benedict, a series of buildings for the modern Aspen Institute complex: Koch Seminar Building (1952), Aspen Meadows guest chalets and Center Building (both 1954), Health Center and Aspen Meadows Restaurant (Copper Kettle, both 1955). For the grounds of the Aspen Institute in 1955 Bayer executed the Marble Garden and conceived the Grass Mound, the first recorded “earthwork” environment In 1973-74 he completed Anderson Park for the Institute, a continuation of his fascination with environmental earth art. In 1961 he designed the Walter Paepcke Auditorium and Memorial Building, completing three years later his most ambitious and original design project – the Musical Festival Tent for the Music Associates of Aspen. (In 2000 the tent was replaced with a design by Harry Teague.) One of Bayer’s ambitious plans from the 1950s, unrealized due to Paepcke’s death in 1960, was an architectural village on the outskirts of the Aspen Institute, featuring seventeen of the world’s most notable architects – Walter Gropius, Marcel Breuer, I.M. Pei, Minoru Yamasaki, Edward Durrell Stone and Phillip Johnson – who accepted his offer to design and build houses. Concurrent with Bayer’s design and consultant work while based in Aspen for almost thirty years, he continued painting, printmaking, and mural work. Shortly after relocating to Colorado, he further developed his “Mountains and Convolutions” series begun in Vermont in 1944, exploring nature’s fury and repose. Seeing mountains as “simplified forms reduced to sculptural surface in motion,” he executed in 1948 a series of seven two-color lithographs (edition of 90) for the Colorado Springs Fine Arts Center. Colorado’s multi-planal typography similarly inspired Verdure, a large mural commissioned by Walter Gropius for the Harkness Commons Building at Harvard University (1950), and a large exterior sgraffito mural for the Koch Seminar Building at the Aspen Institute (1953). Having exhausted by that time the subject matter of “Mountains and Convulsions,” Bayer returned to geometric abstractions which he pursued over the next three decades. In 1954 he started the “Linear Structure” series containing a richly-colored balance format with bands of sticks of continuously modulated colors. That same year he did a small group of paintings, “Forces of Time,” expressionist abstractions exploring the temporal dimension of nature’s seasonal molting. He also debuted a “Moon and Structure” series in which constructed, architectural form served as the underpinning for the elaboration of color variations and transformations. Geometric abstraction likewise appeared his free-standing metal sculpture, Kaleidoscreen (1957), a large experimental project for ALCOA (Aluminum Corporation of America) installed as an outdoor space divider on the Aspen Meadows in the Aspen Institute complex. Composed of seven prefabricated, multi-colored and textured panels, they could be turned ninety degrees to intersect and form a continuous plane in which the panels recomposed like pieces of a jigsaw puzzle. He similarly used prefabricated elements for Articulated Wall, a very tall free-standing sculpture commissioned for the Olympic Games in Mexico...
Category

1950s Abstract Geometric Art

Materials

Paper, Ink, Mixed Media, Watercolor

Untitled (Noir/Blanc)
Located in Toronto, Ontario
Guido Molinari (1933-2004) is one of Canada's most beloved abstract painters. Among his accomplishments, Molinari represented Canada at the Venice Biennale in 1968. A disciple of Barnett Newman, Molinari's most iconic works depict alternating bands or blocks of solid color. While Molinari is not immediately associated with international movements such as "Hard-Edge Abstraction", Minimalism, or Op Art; his work can be understood in relation to either. (With this in mind, it would be interesting to compare and contrast Molinari with Gene Davis, another artist famous for stripes). Molinari was one of the key figures (along with Yves Gaucher...
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1950s Abstract Geometric Art

Materials

Screen

Venice
Located in London, GB
ZAO WOU-KI 1921- 2013 Beijing 1921 - 2013 Switzerland (Chinese) Title: Venice Venise, 1951 Technique: Original Hand Signed, Dated and Numbered Etching on BFK Rives Wove Paper Pap...
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1950s Abstract Geometric Art

Materials

Etching

1950s Abstract Oil Painting, Blue, Pink, Yellow, Black, Vertical Horizontal
Located in Denver, CO
Abstract painting in blue, pink, yellow, green, and black by Paul Kauvar Smith (1893-1977). Oil on board. Presented in a custom frame, outer dimensions measure 29 ½ x 23 ¾ x 2 inche...
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1950s Abstract Geometric Art

Materials

Oil, Board

Interiors
Located in Lawrence, NY
Casein on board In American art circles in the second decade of the twentieth century, Cramer was an early emissary of European modernism. Born in Wurzburg, Germany, in 1888, Cramer...
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1950s Abstract Geometric Art

Materials

Casein

Geometric Abstraction Oil Painting on Masonite by Juliette Steele, Framed
By Juliette Steele
Located in Encino, CA
Untitled Geometric Abstraction, an original oil on masonite by Juliette Steele, is a piece for the true collector. Steele's use of color and patterns immediately captivates the viewe...
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1950s Abstract Geometric Art

Materials

Oil

Landscape in Winter
Located in Miami, FL
At a time when Abstract Expressionism was raging, realist painterJohn Atherton nods his head to the movement with a semi-abstract work. Meticulously rendered and carefully thought o...
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1950s Abstract Geometric Art

Materials

Oil

Quarrelling Gulls - Flock of Birds
Located in Miami, FL
This beautiful semi-abstract harbor scene of a flock of birds is rendered in Martin's signature style
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1950s Abstract Geometric Art

Materials

Oil

Blueprints into Reality - Building Construction Rebar Concrete Forms
Located in Miami, FL
Blueprints into Reality - Full-page ad for United Engineers that ran in Fortune Magazine, March 1958, and other business magazines. As Fred Taraba stated, this image is symbolic of optimism and potential. Work includes the original issue of Fortune Magazine with the ad in which United Engineers mentions Stanley Meltzoff. "Here Stanley Meltzoff dramatizes with tools and massive concrete forms...
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1950s Abstract Geometric Art

Materials

Canvas, Oil

Alberto Magnelli - Composition - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Alberto Magnelli Composition Lithograph Conditions: excellent 32 x 24 cm 1951 Executed for XXe siècle Published by San Lazzaro, Paris Unsigned and unnumbered as issued
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1950s Abstract Geometric Art

Materials

Lithograph

Les Competiteurs, American Modernist, Abstract Figurative Oil on Canvas, 1952
Located in Doylestown, PA
"Les Competiteurs" by American modernist painter Leonard Nelson is a 36" x 26" oil on canvas abstract figurative painting, created in 1952. The work is framed in classic black and si...
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1950s Abstract Geometric Art

Materials

Canvas, Oil

Wassily Kandinsky (after) - Small World - Lithograph
Located in Collonge Bellerive, Geneve, CH
Wassily Kandinsky (after) - Small World - Lithograph Conditions: excellent 32 x 24 cm 1952 From the art review XXe siècle, San Lazzaro Unsigned and unumber...
Category

1950s Abstract Geometric Art

Materials

Lithograph

Abstract Linocut Print, circa 1955 by Eric Newton
Located in Long Island City, NY
Artist: Eric Newton, British (1893 - 1965) Title: Untitled - Abstract with Red and Yellow Year: circa 1955 Medium: Linocut Print, signed and numbered in pencil Edition: EA Image Size...
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1950s Abstract Geometric Art

Materials

Linocut

Alberto Magnelli (after) - Composition
Located in Collonge Bellerive, Geneve, CH
Alberto Magnelli (after) Untitled (Composition) Linoleum cut (after the original) on yellow wove paper 32 x 24 cm 1959 From XXe siècle (No. 13) Published in Paris by San Lazzaro, th...
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1950s Abstract Geometric Art

Materials

Linocut

(after) Robert Delaunay - La fenêtre no. 2 - Pochoir
Located in Collonge Bellerive, Geneve, CH
(after) Robert Delaunay - La fenêtre no. 2 - Pochoir From the literary review "XXe Siècle" 1957 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro.
Category

1950s Abstract Geometric Art

Materials

Stencil

(after) Alberto Magnelli - Composition - Pochoir
Located in Collonge Bellerive, Geneve, CH
(after) Alberto Magnelli Untitled (Cubist Composition) after the collage Pochoir on paper Conditions: excellent 32 x 24 cm 1956 Printed by Daniel Jacomet for XXe Siecle (issue number...
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1950s Abstract Geometric Art

Materials

Stencil

Mountains
Located in Long Island City, NY
An early painting by Omar Rayo from 1955. An abstract geometric work with multi-colored shapes on a surrealist horizon. Artist: Omar Rayo, Colombian (1928 - ) Title: Mountains Year:...
Category

1950s Abstract Geometric Art

Materials

Paper, Acrylic

Jean Fautrier - Naked Annabelle - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Jean Fautrier - Naked Annabelle - Original Lithograph 1957 Dimensions: 32 x 24 cm Signed in the plate From the art review XXe siecle Unumbered as issued
Category

1950s Abstract Geometric Art

Materials

Lithograph

Snowy Egret
Located in Fairlawn, OH
Signed, dated, and titled in pencil by the artist Dedicated: "To Jon From Ray" Edition: 100 in two printings A studio proof from the second printing by Jon Clemens, master printe...
Category

1950s Abstract Geometric Art

Materials

Engraving

Untitled (pour XXe Siecle)
Located in Fairlawn, OH
Linocut, printed on yellow wove paper Unsigned as is usual From: XXe Siecle, Volume 13, 1959 Published by G. San Lazzaro for A. Maeght, Paris Printed by...
Category

1950s Abstract Geometric Art

Materials

Linocut

Nue
Located in Saint Ouen, FR
From the 12-plate album published by Galerie Denise René in 1961, after orginal works executed by Herbin from 1951 through 1960, in an edition of 100 numbered coies. Only four of the...
Category

1950s Abstract Geometric Art

Materials

Lithograph

(after) Alberto Magnelli - Composition - Pochoir
Located in Collonge Bellerive, Geneve, CH
(after) Alberto Magnelli - Composition - Pochoir Conditions: excellent 32 x 24 cm 1957 From XXe siècle, San Lazzaro Unsigned and unumbered as issued
Category

1950s Abstract Geometric Art

Materials

Stencil

Connecticut Hills
Located in Miami, FL
Executed in 1950 during the heyday of Abstract Expressionism and non-representational art, Feininger reduces a landscape to the bare minimums of lines and wash. Moeller Fine Art
Category

1950s Abstract Geometric Art

Materials

Watercolor, Pencil

Composition 56
Located in Buffalo, NY
An original oil on canvas painting by American female painter Irene Zevon.
Category

1950s Abstract Geometric Art

Materials

Canvas, Oil

Preliminary drawing for a sculpture
Located in Fairlawn, OH
Signed and dated middle right Provenance: Estate of the artist Michael and Alan Lipton (sons) Wilkes University, Wilkes Barre, PA De-accessed 2017 Note: Lipton did a large number of preliminary...
Category

1950s Abstract Geometric Art

Materials

Crayon

Geometric Abstract
Located in Buffalo, NY
A mid century modernist oil painting. No signature found. Circa 1960. Image size, 48"L x 32"H
Category

1950s Abstract Geometric Art

Materials

Canvas, Oil

Destin
Located in Miami, FL
Destin- Plate 9 from the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 20 x 26 inches Numbered in ink, edition of 150 copies AUGUSTE H...
Category

1950s Abstract Geometric Art

Materials

Lithograph

Abstract Geometric art for sale on 1stDibs.

Find a wide variety of authentic Abstract Geometric art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Mitchell Funk, Josef Albers, Mauro Oliveira, and Claudia Fauth. Frequently made by artists working with Paint, and Synthetic Resin Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Abstract Geometric art, so small editions measuring 0.04 inches across are also available.

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