Tom Otterness

Woman with Oil Barrel

2007

Linda Ridgway's formal education includes an M.F.A. from Tulane University and a B.F.A. from Louisville School of Art. She was trained as a printmaker but has since expanded her tech...

Linda Ridgway's formal education includes an M.F.A. from Tulane University and a B.F.A. from Louisville School of Art. She was trained as a printmaker but has since expanded her tech...

Text reads: "He turned out the light and went into Jem's room. He would be there when Jem waked up in the morning." - Harper Lee "To Kill A Mockingbird"

Text portion is the poem "The Sound of Trees" by Robert Frost: I wonder about the trees. Why do we wish to bear Forever the noise of these More than another noise So close to our dw...

Born in Shanghai, China in 1933, Mark di Suvero emigrated to the U.S. in 1941. Raised in San Francisco, he attended the University of California, Santa Barbara and graduated from U.C. Berkeley in 1956 with a B.A. in Philosophy. His sculpture, generally classified as Abstract Expressionist, has been shown in galleries and museums in the U.S., Europe, Asia and Australia since the 1960's. Outdoor exhibitions have taken place in the Netherlands, Germany, France, Italy, Spain and a number of cities in the U.S. citywide shows include Paris, France; Venice, Italy; and New York City. In the U.S., cities with permanent installations of di Suvero's sculpture include Baltimore, Dallas, Grand Rapids, Houston, Los Angeles, Minneapolis, St. Louis, San Francisco, South Bend, and Toledo. In New York, di Suvero's work is in the permanent collections of the Museum of Modern Art, the Whitney Museum, the Metropolitan Museum of Art and the Storm King Art Center (Mountainville, NY). In 1977, di Suvero created the Athena Fountain to assist artists; composer Philip Glass and sculptor Ursula von Rydingsvard...

Arman Hommage à Nadar, 1986 Bronze with black patina, sliced movie camera 22 x 9 x 12.63 inches AP from edition of 75

2021 Bronze 18 x 11 x 18 1/2 inches Unique Signed and dated, base

Spar, 2021 Bronze 18 x 11 x 18 1/2 inches Signed and dated, lower right

Sherry Owens Windows and Maidens #6, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 11 x 14 3/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Windows and Maidens #5, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 9 1/4 x 14 1/4 x 9 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Grandfather's Land, 2021 Bronze, patina, crepe myrtle, paint, wax 30 x 46 x 18 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...