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Realist Sculptures

REALIST STYLE

Realist art attempts to portray its subject matter without artifice. Similar to naturalism, authentic realist paintings and prints see an integration of true-to-life colors, meticulous detail and linear perspectives for accurate portrayals of the world. 

Work that involves illusionistic techniques of realism dates back to the classical world, such as the deceptive trompe l’oeil used since ancient Greece. Art like this became especially popular in the 17th century when Dutch artists like Evert Collier painted objects that appeared real enough to touch. Realism as an artistic movement, however, usually refers to 19th-century French realist artists such as Honoré Daumier exploring social and political issues in biting lithographic prints, while the likes of Gustave Courbet and Jean-François Millet painting people — particularly the working class — with all their imperfections, navigating everyday urban life. This was a response to the dominant academic art tradition that favored grand paintings of myth and history. 

By the turn of the 20th century, European artists, such as the Pre-Raphaelites, were experimenting with nearly photographic realism in their work, as seen in the attention to every botanical attribute of the flowers surrounding the drowned Ophelia painted by English artist John Everett Millais.

Although abstraction was the guiding style of 20th-century art, the realism trend in American modern art endured in Edward Hopper, Andrew Wyeth and other artists’ depictions of the complexities of the human experience. In the late 1960s, Photorealism emerged with artists like Chuck Close and Richard Estes giving their paintings the precision of a frame of film.

Contemporary artists such as Jordan Casteel, LaToya Ruby Frazier and Aliza Nisenbaum are now using the unvarnished realist approach for honest representations of people and their worlds. Alongside traditional mediums, technology such as virtual reality, artificial intelligence and immersive installations are helping artists create new sensations of realism in art.

​​Find authentic realist paintings, sculptures, prints and more art on 1stDibs.

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Style: Realist
Period: 19th Century
19th Century Honey Glazed Provençal Confit Jar.
Located in Cotignac, FR
Exceptional good size 19th century French hand made honey glazed terra cotta confit jar from Provence in the south east of France. Very beautiful patina to both the glaze and the te...
Category

19th Century Realist Sculptures

Materials

Glaze, Terracotta

Antique Dog: Bulldog Playing with a Mouse- Henri Émile Adrien Trodoux ca. 1870s
Located in SANTA FE, NM
Antique Bronze Dog Bulldog Playing with a Mouse on Sheaves of Wheat Henri Émile Adrien Trodoux (1815-1881) 6 1/8 x 3 7/5 inches Signed on the terrace Henri Émile Adrien Trodoux (Fre...
Category

Mid-19th Century Realist Sculptures

Materials

Bronze

Antique: Mare Playing with a Terrier Dog (Good Companions) P. J. Mene 1860
Located in SANTA FE, NM
Antique Horse Bronze: Mare in the Stable Playing with a Dog (Good Companions) Jument à l'écurie jouant avec un chien Pierre-Jules Mene (French, 1810-1879) Bronze 19 x 10 inches One of Mene's most beloved bronze, well-loved early example with beautiful rich patina. A sensitive portrait of a horse nuzzling his companion while the terrier is giving kisses to the horse’s nose. Cast by Mene’s own foundry and is very well detailed with a medium brown patina. Pierre-Jules Mêne (1810-1879) was one of the most successful and prolific animalier sculptors of the 19th century, known for his naturalistic representation of animals. Mêne received no formal education in sculpture but was taught to draw and model by his father and later began casting his own sculptures. He was largely self-taught, possessing a keen observation of nature that enabled him to capture the essence of his animal subjects with remarkable accuracy and vivacity. His work debuted at the Paris Salon in 1838, and from that point onwards, he exhibited his sculptures regularly. Mêne specialized in small-scale domestic animals, his subjects often including horses, dogs, bulls, and sheep. Interestingly, almost no big game are found in Mêne's ouevre. Beginning in 1837 as orders started coming in, Mêne worked as Antoine-Louis Barye before him, opening his own foundry where he personally oversaw the manufacture and production of his art. The work produced there bears the hallmark of extraordinary attention to detail and thoughtfulness shown in every element of presentation and assembly. His mastery in the technical aspects of casting bronze without relying on professional founders for the completion of his models gave him a significant advantage in producing his pieces with fine detail and at a lower cost. This operation was expanded in 1852 to handle the casting of models for his new son-in-law, Auguste Cain. Mêne’s sculptures...
Category

1860s Realist Sculptures

Materials

Bronze

Meissonnier with palette and brushes
Located in Roma, RM
Vincenzo Gemito Meissonnier with palette and brushes cm h 54 Signature on base "Gemito Notes: bears Gemito foundry stamp Vincenzo Gemito (Naples, 1852 - 1929) was placed, as an infa...
Category

Late 19th Century Realist Sculptures

Materials

Bronze

Carpeaux etnic bronze : Le chinois (1868). N1 (scetch) Observatory fountain
Located in Gent, VOV
JEAN-BAPTISTE CARPEAUX 1827 - 1875 Le Chinois N°1 (study for Asia) (1868). Model from the observatory fountain. Sketch Height ca.60 cm A similar copy auctioned on June 22, 2023, at ...
Category

1860s Realist Sculptures

Materials

Bronze

WIND IN HER HAIR
Located in Tallahassee, FL
American Indian with beaded buckskin dress and moccasins. Part of Artist's Private Collection.
Category

Mid-19th Century Realist Sculptures

Materials

Bronze

Alfred Stevens - 19th Century British Bronze Figure of Judith
Located in London, GB
ALFRED STEVENS (1817-1875) Judith Bronze 22 cm., 8 ¾ in. high Provenance: Handley-Read Collection; Fine Art Society, London, 1979; Collection of Peter Rose and Albert Gallichan. ...
Category

Mid-19th Century Realist Sculptures

Materials

Bronze

"The Farewell Kiss"
By Evgeny Lanceray
Located in Southampton, NY
This is a beautiful original bronze casting by the foremost Russian sculptor of his day Evgeny Lanceray. Artist signed on the base in Cyrillic (image 5) and is also inscribed on the ...
Category

Late 19th Century Realist Sculptures

Materials

Bronze

Chevre Allongee (Reclining Goat)
Located in San Francisco, CA
This artwork "Chevre Allongee (Reclining Goat)" c. 1860, is bronze sculpture after renown French artist Antoine Louis Barye, 1796-1875. Signature is impressed in the bronze. The subject size is 4.25 x 7 x 3.35 inches, including marble base is 5.25 x 4 x 7.75 inches. It is in excellent condition. About the artist: Antoine-Louis Barye lived his entire life in Paris and may never have left France. He was born in 1795 (a date revised in the 1990s from 1796 as a result of Martin Sonnabend's recalculation of the Revolutionary calendar). He is reported to have had minimal formal schooling even in reading, and to have acquired his extensive liberal-arts education on his own. His initial professional training was in metalwork: first with his father, a goldsmith from Lyons, then with a metal engraver in military equipment, and finally with Martin-Guillaume Biennais (active 1800-1832), then master goldsmith to Napoleon. After serving in the army from 1812 to 1814, Barye trained in the fine arts with sculptor François-Joseph Bosio (1768-1845) and painter Baron Gros (1771-1835). He then studied at the Ecole des Beaux-Arts from 1818 to 1823. His miniature medallion, Milo of Crotona Devoured by a Lion, won an honorable mention in metal engraving in 1819, but he failed to win the Prix de Rome. He worked as a craftsman for the goldsmith Jacques-Henri Fauconnier (1779-1839) from 1823 to 1831 and made his Salon debut in 1827 with a selection of busts. Barye made his critical and public mark as a sculptor four years later, in the Salon of 1831, with groups representing predatory violence in the wild. His first government commission came soon after, precisely for such a subject. The Minister of the Interior purchased Barye's monumental plaster Lion (since called Lion Crushing a Serpent), shown in 1833, and had it cast in bronze by Honoré Gonon and shown in 1836, before placing it in the public Tuileries Gardens (now Musée du Louvre, Paris). In 1834 Barye was chosen for a project that was never executed, the colossal eagle as the crowning element of the triumphal arch at the Etoile. Around 1836 the government commissioned him to execute the emblematic animal decoration on the July Column at the place de la Bastille, inaugurated in 1840. He produced a monumental effigy of Saint Clotilde for the Church of the Madeleine, Paris, in the early 1840s. In 1846 the government commissioned a pendant Seated Lion for the Tuileries Lion Crushing a Serpent (1847, bronze, Portal, Pavillon de Flore, Palais du Louvre, Paris). During these same years the royal family began buying and commissioning small-scale works from Barye for their private collections. Around 1834, the duc d'Orléans commissioned a highly publicized surtout de table representing hunts of different regions and historical periods, possibly one of several tabletop projects that he ordered from Barye. The duc's sister Marie d'Orléans allegedly commissioned a lost-wax bronze of Barye's Charles VI Surprised in the Forest of Le Mans (location unknown; later serial variants), a model first shown in the Salon of 1833; his brother, the duc de Montpensier, apparently commissioned a pair of figurative...
Category

Mid-19th Century Realist Sculptures

Materials

Bronze

Large Neapolitan 19th Century Hardwood Sculpture of a Crèche Camel.
Located in Cotignac, FR
Large, Neapolitan, late 19th Century hardwood sculpture of a camel. Artist unknown. A beautifully patinated hardwood sculpture. The sculpture is extremely charming and having been handled for over a century has a lovely warm and tactile patina. It is particularly nice too see the work of the craftsperson in the adze and chisel marks along the body of the sculpture. The Italians and most notably the area around Naples has a long and storied tradition in the creation of sculptures for Nativity Scenes. This camel is both an endearing item and a piece of social history. A wonderful addition in its own right to the traditional Christmas scene, by tradition this sculpture was used as a maquette for the production of papier-maché models used in Christmas Creches which have such a long tradition in Italy and throughout the world. Wonderfully carved this piece was used to create hollow models out of papier-maché which were more affordable for this Christmas tradition. Hundreds of strips of papier-maché would be layered onto the figure in all directions. Then using a sharp tool the papier-maché was pushed into all the crevices of the sculpture to give it crisp detail. Once the layers of paper were dry the papier-maché was cut at certain points and lifted off the sculpture. Then finally the resulting body parts were glued back together, painted and patinated ready to be placed in the crèche scene. In the Christian tradition, a nativity scene (also known as a manger scene...
Category

Late 19th Century Realist Sculptures

Materials

Wood

Terracotta Christ with Lamb
Located in San Antonio, TX
Religious sculpture of a bearded Christ holding a lamb. This beautiful sculpture is made from terracotta with a layer of gesso. The sculpture is...
Category

19th Century Realist Sculptures

Materials

Terracotta

Taureau Attaque par un Tigre
Located in New York, NY
An acute observer of nature Barye was fascinated by the dramatic depiction of animals in the wild. These anomalies bronzes can sit on mantles and desks and elevate a room tremendousl...
Category

1840s Realist Sculptures

Materials

Bronze

Le cheval demi-sang arabe
Located in Washington, DC
A nineteenth-century cast of Antoine-Louis Barye's Le cheval demi-sang arabe (no. A125-Poletti; A148-Pivar), with nice patina. Poletti and Richarme, Barye: Catalogue raisonné des sc...
Category

Late 19th Century Realist Sculptures

Materials

Bronze

La cruche cassée
Located in Washington, DC
Nice, 19th-century gilt bronze cast by Emile Francois Carlier Exhibited: Salon, Société des Artistes Français, Paris, 1865 (another cast) Salon, Société des Artistes Français, Pari...
Category

Late 19th Century Realist Sculptures

Materials

Bronze

A la fontaine
By Émile Nestor Joseph Carlier 1
Located in Washington, DC
Nice 19th-century cast with rich, brown patina by French sculptor Emile-Joseph-Nestor Carlier. Carlier frequently created large, multi-figural group sculptures. These are dramatic an...
Category

Late 19th Century Realist Sculptures

Materials

Bronze

Father and Son - Late 19th Century Stone Statue
Located in Carmel, CA
Carved stone sculpture with incredible detail. Father and Son was created by an unknown artist in the Late 19th Century. This sculpture boasts incredible craftsmanship and attention to detail carved throughout the stone. The statue comes with a certificate of authenticity and a letter of appraisal. Shown in the American Art Gallery...
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Late 19th Century Realist Sculptures

Materials

Wood

Venus de Milo
Located in Milford, NH
A fine patinated bronze of the iconic classic Greek statue of Venus de Milo, incised by artist on base side (possibly 19th century French sculptor Ron Li...
Category

Late 19th Century Realist Sculptures

Materials

Bronze

Italian Big Scale Hand Carved Table Top Wood Lion Sculpture
Located in Firenze, IT
This 19th century big scale Italian animalier sculpure features a lion striding forward on a root-wood base, snarling with open mouth and expressive eyes enlivening its rippling mane with an extremely realistic sense of motion. The wooden statue, wonderful as a table top, is entirely hand carved in the round in a single block of solid olive wood, sign of high quality and sculptural artisanal mastery. An original whimsical and impressive centerpiece clearly sculpted by a true artist who carved the block of wood creating this figure of the proudest feline boasting a detailed study of the lion's anatomy.The features on the face, mane, muscles, tail and the paws are still distinctive and full of character as well as the beautifully carved stand. This sculpture boasts smooth surface and a warm patina developed over centuries and exudes wonderful quality and timelessness of the ancient world. The rich original patina brings further intrigue to its intricately carved details. This hand carved wooden lion statue is a great looking antique centrepiece...
Category

19th Century Realist Sculptures

Materials

Wood

Antique Horse Bronze Trotting Stallion Isidore Jules Bonheur (France, 1827-1901)
Located in SANTA FE, NM
Antique Horse Bronze Portrait of a Trotting Stallion Isidore Jules Bonheur (France, 1827-1901) Cast bronze mounted on a rectangular plinth with dark brown patina, Signed: I. BONHEUR 17 x 11 3/4 A brilliant exploration of a stallion in full trot. The patina is a deep, warm walnut brown with honey-colored tones. Isidore Bonheur was best known and the most distinguished of the 19th century French animalier sculptors. Isidore, the younger brother of Rosa Bonheur and older brother of Auguste, began his studies of painting initially with his father, who was friends with Francisco Goya. By 1848 he debuted at the Paris Salon having discontinued animal and landscape painting to concentrate on creating sculptures and in 1849, Bonheur enrolled at the Ecole des Beaux Arts. He won medals at the Paris Salon in 1859 and did so again in 1865 and in 1869. After entering the Exposition Universelle 1855, he won the Gold Medal in 1889. In the 1870s exhibited in the London at the Royal Academy of Arts where he earned great prestige and won the coveted Medaille d’Or. After winning numerous other medals and prizes, Bonheur was awarded the Legion d' Honneur in 1895 and he was Knighted in Portugal, Spain and France. Bonheur continued exhibiting at the Paris Salon until 1899. Many of his bronzes were fabricated at the foundry owned by Hippolyte Peyrol, Bonheur's brother-in-law by marriage to Isidore’s youngest sister Juliette Bonheur. The Peyrol casts for both Rosa and Isidore are exceptionally well executed which suggests a strong working relationship between the founder and sculptor. There is little doubt that Isidore Bonheur was an acute observer of nature; his animals were not anthropomorphized but modelled to catch movement or posture characteristics of the particular species he was sculpting. He achieved this most successfully with his sculptures of horses which are usually depicted as relaxed rather than spirited. These figures are among his most renowned works and his equestrian models became very popular, particularly among the British aristocracy. An acute observer of nature, his sculptures reflect his commitment to the Realist school - with precise detailing of the movements of animals in their natural habitats. Ultimately, His naturalistic studies of animals are now some of the most highly sought after works by any of the animalier. He was possibly inspired by his many visits to the Buffalo Bill Wild West Show...
Category

1870s Realist Sculptures

Materials

Bronze

Rare, Antique, Life-Size Dog Bronze of a Chihuahua "Lydie" Charles Valton. 1890s
Located in SANTA FE, NM
Antique Bronze Dog Sculpture Chihuahua "La Petite Belle Lydie" Charles Valton (French, 1851-1918) Circa 15 1/2 x 10 1/4 x 7 Lydie is a Chihuahua making her a very rare image from ...
Category

Late 19th Century Realist Sculptures

Materials

Bronze

Antique Bronze Portrait Draft Horse by Isidore Jules Bonheur (France, 1827-1901)
Located in SANTA FE, NM
Antique Bronze Portrait of a Draft Horse Isidore Jules Bonheur (France, 1827-1901) Circa 1840s Cast bronze mounted on a rectangular plinth atop a marble s...
Category

1870s Realist Sculptures

Materials

Bronze

An important Russian gilt bronze figure of Mephistopheles, Barbedienne fondeur
Located in Brooklyn, NY
Cast gilt bronze by Ferdinand Barbedienne from Mark Antokolskii, Paris, 1883 The rockwork base inscribed ANTOCOLSKY Mark Matveievich Antokolskii was born in Vilna, the son of a Jewish inn-keeper. Initially trained as an engraver, he studied sculpture at the Academy of Arts in St. Petersburg under Pimenov. In the capital, Antokolskii mixed with the leading representatives of Russian culture: Shishkin, Vasnetsov, Kramskoi, Stasov and became a friend of Repin's. In 1871, after graduating from the Academy, Antokolskii's ill health forced him to go abroad...
Category

Late 19th Century Realist Sculptures

Materials

Granite, Gold, Bronze

Cheval Libre (Free Horse)
Located in San Francisco, CA
Artist: After Pierre Jules Mene (French, 1810-1879) Title: Cheval Libre (Free Horse) Year: 1868 Medium: Cast bronze sculpture with dark brown patina Edition: Unknown Size: Inclu...
Category

Mid-19th Century Realist Sculptures

Materials

Bronze

Salvatore Albano signed dated 19th century figurative italian marble sculpture
Located in Florence, IT
This marble bust, signed S. Albano dated 1890, belongs to his adult age and to the last years of his life, when he was already very requested and he had a prolific workshop in Florence. It represents a young peasant, portrayed with a simple handkerchief covering her hair and a shirt opened on the neckline to let us a see the crucifix cross, symbol of a sincere and innocent faith (the necklace appears in other is Albano’s works, like in the artist’s sister, Evangeline, Marguerite busts and in the Marguerite sculpture, all of them in private collections). The simple and tender subject is made with an exquisite technique, still quoting De Gubernatis “he can be enviable because he gives to the modelled flesh a singular transparency”, as we can see in the delicacy of the cheeks, nose, chin. His skills especially appear in the details: the locks naturally coming out, the light signs of the eyebrows, handkerchief with his thin folding line, the collar of the shirt bending on itself, the use of the drill for the rendering of the curly hair. Born in a small town in the deep South of Italy by a decent but very modest family, he developed artistic inclination since he was a child by modelling Nativity Scene characters for the people of his neighbour until the1858 when, thanks to the help of some oh his fellows recognising his talent, he moved to Naples to follow the lessons of the sculptor Antonio Sorbillo before starting his training at the Fine Art Academy with Tito Angelini...
Category

1890s Realist Sculptures

Materials

Marble

Marble Sculpture 19th Century White Carrara Marble Nude Man Wounded Nude
Located in Miami, FL
Signed and titled at the base, Sloan's Auctioneers, 1998 The work shows a peak moment of drama and is meticulously carved in the neo-classical style. Lion garment in the back with ...
Category

1870s Realist Sculptures

Materials

Marble

Large Fine Bronze Sculpture of Mercury and Original Marble Pedestal
Located in Rochester, NY
Fine Grand Tour bronze sculpture of mercury flying on the wind after Giambologna. Polished rouge marble and bronze attached base. Green marble pedestal. Inscribed Jean de Bologne...
Category

Mid-19th Century Realist Sculptures

Materials

Marble, Bronze

Last Days of Napoleon in St-Helena
Located in Paris, FR
Vincenzo VELA (1820-1891) Last Days of Napoleon in St-Helena Created in 1866 Bronze with brown patina Signed ‘V. Vela F. 1867’ on the terrace. Signed ‘F. Barbedienne Fondeur’. Stamp ...
Category

1860s Realist Sculptures

Materials

Bronze

VALTON Charles. The Griffin Marco. Patinated bronze. Marble base. Signed.
Located in Paris, FR
The Griffin Marco. Patinated bronze. Marble base. Signed and titled. Charles Valton was a French sculptor known for his works created in the animalier style, a 19th-century movement ...
Category

Late 19th Century Realist Sculptures

Materials

Bronze

THE LAST DAYS OF NAPOLÉON BY
Located in New Orleans, LA
This highly evocative bronze by Vincenzo Vela captures the deposed Emperor Napoléon on his deathbed, holding a map of Europe and lost in thought about what might have been. Remarkable among most portrayals of the exiled leader, this highly detailed sculpture depicts Napoléon at his most vulnerable. Nonetheless, Vela perfectly captures his still-heroic bearing, which imparts to this work a monumental quality and quiet dignity. The mate to this figure is the colossal marble at the Musée du Château de Malmaison, which was shown at the Paris Salon of 1867. The founder of the verismo movement in Italy, Vela was one of the great exponents of realism in sculpture. Born in Ligornetto, Switzerland in 1820, he studied under celebrated sculptor, Benedetto Cacciatori. He was also influenced both by the work of Tuscan sculptor Lorenzo Bartolini, who seamlessly combined neoclassicism with naturalism and the romantic painting of Francesco Hayez...
Category

19th Century Realist Sculptures

Materials

Marble, Bronze

Warrior and Wounded Youth. Helmeted mustachioed man holding Wounded - Lion Face
Located in Miami, FL
Signed and titled at the base, Sloan's Auctioneers, 1998 The work shows a peak moment of drama and is meticulously carved in the neo-classical style. Lion garment in the back with ...
Category

1870s Realist Sculptures

Materials

Marble

Mountain Goat
Located in Missouri, MO
Jules Moigniez "Mountain Goat" Bronze approx 11 x 9 x 4 inches Signed Jules Moigniez (1835-1894) Jules Moigniez was born in Senlis sur L'Oise, France ...
Category

1870s Realist Sculptures

Materials

Bronze

Chien Braque (Tom)
Located in Missouri, MO
Pierre Jules Mene "Chien Braque" (Tom) Bronze approx. 5 x 9 x 4.25 Signed PIERRE JULES MENE (1810-1879) Pierre Jules Mene, (P. J. Mene), was born in Pa...
Category

1860s Realist Sculptures

Materials

Bronze

The Age of Innocence - New Sculpture bronze bust by Alfred Drury
Located in London, GB
ALFRED DRURY, RA (1856-1944) The Age of Innocence Signed: A DRURY Bronze on green marble base Height including base 45.5 cm., 18 in. Born in Islington...
Category

1890s Realist Sculptures

Materials

Bronze

Portrait of Lady Lucy Henderson
Located in Saratoga Springs, NY
John Edward Jones (Irish – 1806-1862) “Portrait of Lady Lucy Henderson” Signed and dated London 1858, and inscribed, “Lucy Henderson, Nee Durham” 28 ½” high x 20 ½” wide x 11” deep Provenance: Collection Saratoga Springs, NY About John Edward Jones was born in Dublin on May 2nd, 1806. He was the son of a miniature painter Edward Jones. He was trained as an engineer under Alexander Nimmo and worked with him on many important works in Ireland, including the building of the bridge at Waterford between 1829 in 1832, of which he was in charge. A taste and an aptitude for sculpture induced him to relinquish his prospects as an engineer and he commenced practice in London as a sculptor. He achieved considerable success, especially in portrait busts, and was employed by many notable persons of the time. He first exhibited at the Royal Academy in 1844 and continue to do so until his death. He executed a considerable number of bust of Irish personages. He paid occasional visits to Dublin where he contributed to the Royal Hibernian Academy in 1847, 1852,1853 and 1854. A full-length statue by him of Sir Robert...
Category

Mid-19th Century Realist Sculptures

19th Century Grand Tour Marble Bust of a Young Apollo
Located in Saratoga Springs, NY
Grand Tour Marble Bust of a Young Apollo (Late 19th Century) Marble bust on a swivel marble base Unsigned 24 ½" high x 21" wide x 9 1/2 " deep...
Category

Late 19th Century Realist Sculptures

Materials

Marble

"CIGAR STORE FIGURE" KAISER WILHELM CIRCA 1880'S 75 INCHES TALL ORIGINAL PAINT
Located in San Antonio, TX
Cigar Store Figure "Kaiser Wilhelm" Image Size: 75" Tall X 24" Wide X 20" Deep Medium: Wood Circa 1880's "Kaiser Wilhelm" Nice original paint. Pleas...
Category

1880s Realist Sculptures

Materials

Wood

Lovely Seated Bronze Cat
Located in Wilmington, DE
Lovely Seated Bronze Cat Statue by Emmanuel Frémiet as French Sculptor French, born in 1824. Highlighted by a brown patina the sculpture is charmin...
Category

Late 19th Century Realist Sculptures

Materials

Marble, Bronze

Le Bourgeois qui flâne
Located in New York, NY
Bronze, modeled circa 1860 and cast later. Incised with the artist's initials and numbered 13/30. With the foundry mark Cire perdue Valsuani. Published: Gobin, "Daumier Sculpteur, 1...
Category

1860s Realist Sculptures

Materials

Bronze

Lion and Antelope (No. 23)
Located in Missouri, MO
Alfred Barye (1839-1882) "Lion and Antelope" Bronze Approx. 7.5H x 9W x 4D inches Signed "BARYE.ALF" and Inscribed under base "NO. 23 LION AND ANTELOPE" The son of a goldsmith, Parisian born Antoine-Louis Bayre was a sculptor of animal subjects and acclaimed, not only for his apparent skill, but as the founder of what became known as the French Animaliers School. Among his patrons were representatives of the state government and royalty including the Duke of Orleans and the Dukes of Luynes, Montpensier and Nemours. Well compensated financially, he was able to buy the best of materials and hire the country's most skilled foundry craftsmen. The foundry he hired was owned by Ferdinand Barbedienne, and casts from this period were stamped with the letters, FB. However, he did not make a lot of money from his work because he was such a perfectionist that often he would not sell his work because he thought it was not 'quite right'. In 1848, he declared bankruptcy, and his molds and plaster casts were sold along with the copyrights. Bayre's specialty was aroused, angry seeming wild game such as lions and tigers and elephants, but he also did equestrian groups and mythology figures. In order to do realistic depictions of animal anatomy, he spent much time at the Jardin de Plantes in Paris. His early training was as an apprentice to a metal engraver, but being drafted in the army in 1812, ended that education. In 1832, he had established his own studio, and unique at that time was his method of cold stamping his bronze casts, so that each one had a special number. He had his first entry, The Milo of Croton...
Category

19th Century Realist Sculptures

Materials

Bronze

The Hunter and Hound
Located in Missouri, MO
Pierre-Jules Mene "The Hunter and Hound" (Le Valet de Limier) 1879 Bronze approx. 19 x 8 x 14 inches Signed PIERRE JULES MENE (1810-1879) Pierre...
Category

1870s Realist Sculptures

Materials

Bronze

Jockey On Horseback
By Hans Guradze
Located in Missouri, MO
Hans Guradze (German, 1861-1922) "Jockey On Horseback" Bronze Approx. 19.5 x 17 x 6 inches Signed "H. Guradze Berlin" on Base
Category

1890s Realist Sculptures

Materials

Bronze

Realist sculptures for sale on 1stDibs.

Find a wide variety of authentic Realist sculptures available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add sculptures created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, pink and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Frederick Hart, Gary Alsum, SOPHIE MARTIN, and Peter Brooke. Frequently made by artists working with Metal, and Bronze and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Realist sculptures, so small editions measuring 1 inches across are also available. Prices for sculptures made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $550 and tops out at $935,000, while the average work sells for $7,200.

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