Abstract Sculptures

Dutch, b. 1938 Renowned for his monumental sculpture created primarily for open-air public locales, Hans Van de Bovenkamp has been described as an artist-mystic whose work -- with i...

This limited edition sculpture is made using the lost wax method of bronze casting. The patina is ferric nitrate, which gives it a reddish cast, and the artist has chosen to leave to...

This limited edition, abstract bronze sculpture is cast by the lost wax method of bronze casting, and finished by hand. The patina is black and green. ...

Dutch, b. 1938 Renowned for his monumental sculpture created primarily for open-air public locales, Hans Van de Bovenkamp has been described as an artist-mystic whose work -- with i...

Beautiful kinetic out-door sculpture by Gianfranco Meggiato. Bronze. Gianfranco Meggiato was born on August 26, 1963 in Venice, where he studied stone, bronze, wood and ceramics scu...

The "Modern Sphynx" is not merely a bronze sculpture; it is a sublime intersection of ancient mystique and contemporary allure. A testament to the artist's mastery, this monumental ...

"Expansion of the Heart," a Monumental Modern Art bronze sculpture, transcends the realms of aesthetic beauty and investment allure. Its dynamic, co...

Monumental Modern Art bronze sculpture "Deva" is an exeptional beautiful contemporary sculpture that is facinating from every angle. The vertical abs...

"The Guardian" beckons as more than a sculpture; it's a masterpiece waiting to adorn your world with its exceptional beauty. Crafted in contemporary allure, this bronze wonder stands...

Kinetic Bronze Sculpture by Gianfranco Meggiato. In his work, Meggiato gets inspiration from the most mysterious city on Earth, city where he was born, lives and works - Venice. Spa...

This small glazed porcelain sculptural vessel by Jon Puzzuoli features a light blue-green palette and a wave pattern over the surface of the piece. The flared neck is finished with 1...

gilded bronze sculpture with brass base Executed in 1983, the work is an limited edition of three hundred diameter: 5 7/8 in. (15 cm.) height 17 cm hand incised with the artist’s sig...

A 2023 recipient of the Vermont Governor’s Award for Excellence in the Arts, Leslie Fry is represented in this show with fantastical sculptures of female hands, titled the “Cuffed” series. Tensely poised and mannered gestures, inspired by Parmigianino and Caravaggio, cascade into blooms and barnacles, creating a mesmerizing visual dissonance. This elision of romance and rigidity both draws attention to the limitations of the female form and liberates it from the constraints of reality. Leslie Fry’s works have been exhibited internationally at such venues as Kunsthaus in Hamburg, Zwitscher Machine Gallery in Berlin, Hangaram Art Museum in Seoul, Windspiel Galerie in Vienna, Couvent des Cordeliers in Paris, Artists Space and Wave Hill in New York, deCordova Sculpture Park and Museum near Boston, and Centre des Arts Visuels in Montreal. Her public sculptures have been commissioned in New York, South Korea, Montreal, Florida, Wisconsin, and Vermont; public collections include Tufts University, Songchu International Sculpture Park, Freehand New York, Kohler Arts Center, Tampa Museum of Art, Fleming Museum of Art, Musée d’art de Joliette, and St. Petersburg, Florida’s Museum of Fine Arts. Fry’s M.F.A. is from Bard College, and her B.A. is from the University of Vermont, with a Foundation year at the Central School of Art in London. She currently lives and works in Winooski, VT. Artist Statement: #1 My hands reach, touch, and shape. Hands let go and receive; they try to hold things and to hold things together. Some of my images of hands are derived from Mannerist paintings by Parmigianino and Caravaggio, and are ink-washed onto vintage tablecloths...

A 2023 recipient of the Vermont Governor’s Award for Excellence in the Arts, Leslie Fry is represented in this show with fantastical sculptures of female hands, titled the “Cuffed” series. Tensely poised and mannered gestures, inspired by Parmigianino and Caravaggio, cascade into blooms and barnacles, creating a mesmerizing visual dissonance. This elision of romance and rigidity both draws attention to the limitations of the female form and liberates it from the constraints of reality. Leslie Fry’s works have been exhibited internationally at such venues as Kunsthaus in Hamburg, Zwitscher Machine Gallery in Berlin, Hangaram Art Museum in Seoul, Windspiel Galerie in Vienna, Couvent des Cordeliers in Paris, Artists Space and Wave Hill in New York, deCordova Sculpture Park and Museum near Boston, and Centre des Arts Visuels in Montreal. Her public sculptures have been commissioned in New York, South Korea, Montreal, Florida, Wisconsin, and Vermont; public collections include Tufts University, Songchu International Sculpture Park, Freehand New York, Kohler Arts Center, Tampa Museum of Art, Fleming Museum of Art, Musée d’art de Joliette, and St. Petersburg, Florida’s Museum of Fine Arts. Fry’s M.F.A. is from Bard College, and her B.A. is from the University of Vermont, with a Foundation year at the Central School of Art in London. She currently lives and works in Winooski, VT. Artist Statement: #1 My hands reach, touch, and shape. Hands let go and receive; they try to hold things and to hold things together. Some of my images of hands are derived from Mannerist paintings by Parmigianino and Caravaggio, and are ink-washed onto vintage tablecloths...

A 2023 recipient of the Vermont Governor’s Award for Excellence in the Arts, Leslie Fry is represented in this show with fantastical sculptures of female hands, titled the “Cuffed” series. Tensely poised and mannered gestures, inspired by Parmigianino and Caravaggio, cascade into blooms and barnacles, creating a mesmerizing visual dissonance. This elision of romance and rigidity both draws attention to the limitations of the female form and liberates it from the constraints of reality. Leslie Fry’s works have been exhibited internationally at such venues as Kunsthaus in Hamburg, Zwitscher Machine Gallery in Berlin, Hangaram Art Museum in Seoul, Windspiel Galerie in Vienna, Couvent des Cordeliers in Paris, Artists Space and Wave Hill in New York, deCordova Sculpture Park and Museum near Boston, and Centre des Arts Visuels in Montreal. Her public sculptures have been commissioned in New York, South Korea, Montreal, Florida, Wisconsin, and Vermont; public collections include Tufts University, Songchu International Sculpture Park, Freehand New York, Kohler Arts Center, Tampa Museum of Art, Fleming Museum of Art, Musée d’art de Joliette, and St. Petersburg, Florida’s Museum of Fine Arts. Fry’s M.F.A. is from Bard College, and her B.A. is from the University of Vermont, with a Foundation year at the Central School of Art in London. She currently lives and works in Winooski, VT. Artist Statement: #1 My hands reach, touch, and shape. Hands let go and receive; they try to hold things and to hold things together. Some of my images of hands are derived from Mannerist paintings by Parmigianino and Caravaggio, and are ink-washed onto vintage tablecloths...

William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...

"Land & Sea" Bronze sculpture 16" x 14" inch by Ibrahim Abd Elmalak Double-faced Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic figures of femin...

Original Aircraft Sculpture - Created in Bronze 2nd in the series of the Herringkel in the Aerogenic series of sculptures, This piece is a mela...

Original Aircraft Sculpture - Bronze- Deep Sea Green Patina Part of the Aerogenic series of bronze sculptures, a progression in the HERRINGKEL seri...

Hugh Chapman is an emerging British sculptor who works with some of the finest foundries and bronze experts in the UK to produce bold, dynamic sculptures in bronze and steel. Hugh Chapman's work is inspired by the South Downs in England and his modus as a sculptor is to craft sculpture that creates a positive psychological and emotional impact. His process and intentions are deeply grounded in his desire to establish a dialogue between man’s practices and nature’s dynamics of rhythms and systems. New Landscape is a beautiful work, ideal for a an exquisite centre piece, inspired by the landscape and undulating hills. It has been cast in bronze and hand-finished with a dark almost embody patina by Morris Singer foundry in England. Landscape is the 1st edition of 9 and sits on a white wood panel which contrasts the beauty of the bronze. This works was exhibited and shortlisted at the Royal Western Academy (RWA) Bristol, England in 2019. It has also been exhibited at the Nordic Art Agency...

Hugh Chapman is an emerging British sculptor who works with some of the finest foundries and bronze experts in the UK to produce bold, dynamic sculptures in bronze and steel. Hugh Chapman's work is inspired by the South Downs in England and his modus as a sculptor is to craft sculpture that creates a positive psychological and emotional impact. His process and intentions are deeply grounded in his desire to establish a dialogue between man’s practices and nature’s dynamics of rhythms and systems. Unfurling Maquette is an elegant work, ideal for a an exquisite centre piece, inspired by the forms and shapes of the natural world conceived as a monumental sculpture. It has been cast in bronze and hand-finished with a dark almost embody patina by Morris Singer foundry in England. Unfurling Maquette is the 1st edition of 9 and sits on a discreet black bronze plinth which contrasts the beauty of the bronze. This work was exhibited at the Nordic Art Agency...

Hugh Chapman is an emerging British sculptor who works with some of the finest foundries and bronze experts in the UK to produce bold, dynamic sculptures ...

Hugh Chapman is an emerging British sculptor who works with some of the finest foundries and bronze experts in the UK to produce bold, dynamic sculptures in bronze and steel. Hugh Chapman's work is inspired by the South Downs in England and his modus as a sculptor is to craft sculpture that creates a positive psychological and emotional impact. His process and intentions are deeply grounded in his desire to establish a dialogue between man’s practices and nature’s dynamics of rhythms and systems. Morning Maquette is a small scale work inspired by the landscape and rolling hills at first light. It has been cast in bronze and hand-finished with a dark almost embody patina at Morris Singer foundry in England. Morning Maquette is the 1st edition of 9 and sits on a white wood panel which contrasts the beauty of the bronze. This works was exhibited and shortlisted at the Royal Western Academy (RWA) Bristol, England in 2019. It has also been exhibited at the Nordic Art Agency...

35.5 cm high x 13 x 19.5 cm Bronze on a Forest of Dean stone base Series of variations. Stamped with monogram signature and uniquely numbered 728C The edges of the bronze are finely...

46 x 32 x 32 inch bronze sculpture on 32 x 16 x 16 inch black granite base

59 high x 15 x 13 cm Bronze on a circular oxidised brass base Stamped with monogram signature and uniquely numbered 881 The exposed natural bronze tip of the curve is highly polished...

Original Aircraft Sculpture Cast in Bronze on a mild steel base, the sculpture is patinated in a rich “Christmas Island Crab Red “ patina to emphas...

2013 Bronze 18 1/10 x 23 7/10 x 12 inches Edition of 20 Signed, dated, and numbered, base Osvaldo Mariscotti’s art is an art of fundamentals: color, line, and the possibilities inhe...

53 high x 29 x 9.5 cm Bronze on a Jesmonite composite base. Unique Stamped with monogram signature and uniquely numbered 884 The natural bronze edges of the “marquise” shape are fine...

57.5 high x 22 x 15 cm Bronze on a weathered steel base Stamped with monogram signature and uniquely numbered 870 Unique The natural bronze areas are lacquered for protection against...

58 high x 28 x 15 cm Bronze on a circular oxidised brass base Unique variation. Stamped with monogram signature and uniquely numbered 880 The exposed natural bronze elements are high...

52 high x 36 x 33 cm Scorched oak enclosing a “boulder” finished with oxidised silver leaf. Unique Stamped with monogram signature and uniquely numbered 806 The boulder is free to m...

MEDIUM/MATERIALS: Bronze Casting. Polished bronze, patina and crystal. This abstract bronze sculpture is a tribute to the beauty of shells that have been eroded by time and the ocean.

MEDIUM/MATERIALS: Bronze Casting. Polished bronze, patina, and marble. The sculpture is a reminder of the ever-changing environment in which we live and the constant transformation ...

MEDIUM/MATERIALST: Bronze Casting. Polished bronze, patina. This work reflects the beauty and nature as interpreted by the sculptor's life in Florida.

Ancient glacial ice that shapes and carries stones hundreds of kilometers was the inspiration behind these enigmatic sculptures by Shayne Dark. Cast in steel and coated in a veined b...

"Chrysalis" Bronze and Marble sculpture 19" x 15" in by Ibrahim Abd Elmalak Chrysalis, 2005 Bronze & Marble 48 x 39 cm, Signed & Dated Sculptures that mostly depict his character...

Artist Marlene Hilton Moore continues to explore the theme of listening with the creation of more beautiful ‘singing bowls.’ Like ancient vessels they are intended to be objects of h...

8cms high x 24 x 17.5 Bronze Series of variations Stamped with monogram signature and uniquely numbered 851B The edge in natural bronze is finely rubbed and lacquered which prevents...

Bronze Black Sculpture 'O.T. IV' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze sculpture Certificate of authenticity Numbered and signed artwork L...

23.5cms high x 8 x 11 Bronze above a composite base. Unique variation Stamped with monogram signature. Lacquering protects the natural bronze surfaces against tarnishing by touch. We...

Bronze Sculpture 'Bolas IV' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze sculpture Bronze Patina Certific...

MORGAN ROBINSON Swoon Series I • bronze on granite with black patina 2.50w x 15.50h x 2.50d in $2,400.00

White Bronze Sculptures 'OPUS' by Carola Eggeling. Abstract sculptures with beautiful curved lines. German bronze sculptures Bronze Lacquered...

Sculptures 'Wandobjekt' by Carola Eggeling Abstract sculpture with beautiful curved lines. Set of 3 German aluminum and bronze sculptures Finishes: - Aluminum white lacquered - Al...

30 x 30 x 18cms high Bronze on a stainless steel base. Edition of 9 variations Stamped with monogram signature and uniquely numbered 287, 9/9 on underside of base. The edges in natur...

46 high x 10 x 10 cm Bronze on a composite base Stamped with monogram signature and uniquely numbered 873 Unique Natural bronze elements on the edges and face are protected by lacque...

26 high x 12 x 11 cm Bronze on a Jesmonite base Stamped with monogram signature and uniquely numbered 864 Unique The two distinct colourings are separated by natural bronze edge in a...

37 high x 20 x 10 cm Bronze on a pigmented Bath stone base Stamped with monogram signature and uniquely numbered 872 Unique The two shades of colouring are separated by natural bronz...

34.5cms high x 27.5 x 10 Bronze on a Cumbrian slate base Stamped with monogram signature and uniquely numbered 865 Unique The two shades of colouring are separated by natural bronze ...

37.5cms high x 24.5 x 12 Bronze on a weathered steel base Unique Stamped with monogram signature and uniquely numbered 869 The natural bronze elements are lacquered for protection a...

Adoration is a limited edition, lost wax, bronze sculpture with a dark patina. To the artist, it represents two birds in an amorous embrace.

91 high x 34 x 34 cm Bronze on a circular oxidised brass base Series of variations Stamped with monogram signature and uniquely numbered 694A The sweeping curve on the face is finely...

"AVIRONS, Ensemble" is a free standing steel sculpture. Corrina is inspired by the work of Louise Bourgeois, Louise Nevelson, Albert Pal...

"The Man Without a Rod №3" Bronze Sculpture 26x20x9in Ed. 3/8 by Sergii Shaulis Limited Edition 3/8 From "The man without a rod" series Approximate weight 77 lbs. The artist spent almost ten years of his life in the making of this eight-piece series. It is an introspective representation of what he calls absolute hopelessness. “It's about the emptiness of the soul, but it's also about starting anew; when you feel nothing but finding the power inside of you to stand up and move.” ABOUT ARTIST Born on 27 May 1985 in Kharkiv, Ukraine. From 2005 to 2011 studied at the Kharkiv State Academy of Design and Arts, at the Faculty of "Fine Arts" specialty "Easel and monumental sculpture." Now studying postgraduate at Kharkiv State Academy of Design and Arts. Works are in private collections in Ukraine, Israel, Germany, USA, Australia, Finland, Holland, Spain, Belgium, England. Education 2002‑2005 Faculty of Engineering and Physics (NTU KhPI) 2005‑2011 Easel and monumental sculpture (KSADA) 2012-2016 postgraduate education (KSADA) Exhibitions 2007-15 City exhibition HONSKHU. Kharkiv. 2007-14 Ukrainian Exhibition KONSKHU. Kyiv. 2008-11 "The maestro and his students", KSADA. Kharkiv (Audience Award 2009) 2008 11 International Triennial of sculpture. Kyiv . 2009 “Male portrait”, gallery KSADA. Kharkiv . 2009 "You get SMS ", Kharkiv ( Grand Prix "The best sculpture project "). 2009 “Gogol-fest”, Museum Arsenal. Kyiv. 2016 "Corpus", Come in gallery, Kharkiv. 2016 KSADA "Loft", Kharkiv. 2017 “Art seasons”, M17. Kyiv. 2017 Gallery "Semiradskiy", Kharkiv. 2017 "Mundi contraria", M17. Kyiv. 2018 "More than sculpture", ArtUkraineGallery. Kyiv. 2018 “Auguste Rodin. "Premonition of the future...

Contemporary Geometric Abstract Sculpture Bronze Unique Italian European 1983 Triangle, 1983, bronze. 6 x 12.25 x 2 inches. Signed and dated on both the sculpture and the base BIO Bruno Romeda is a complete artist because all his work always begins by a joining of twigs, rods and sticks, keeping tension and balance. Inspired by primitive geometric forms, as circle, square and triangle, Romeda is playing with projected shadows. As handed-tracks lines, his sculptures and his furniture are casted in bronze in his Italian workshop in Brescia. We find out same figures casted in bronze in bases, retaining structures on which seats, chairs, tables or pedestals are resting. Romeda’s furniture gets perfect shapes from a sort of fossilized nature. The technical perfection, the harmony of proportions and bronze work, summarize Bruno Romeda’s work. Romeda was born in 1933 in Italy and died in 2017. He lived in France, New York and Brescia. The work of Romeda has been exhibited in numerous cities; his first personal exhibition took place in Brussels in 1962, followed by solo shows in Paris, New York, Barcelona, San Francisco, Monte Carlo, Baltimore, berlin, Erbusco (Italy), Venice or Tokyo. A significant number of museums own pieces of the artist such as the Metropolitan Museum of New York, the Kasama Nichido Museum of Art in Japan, the Contemporary Art Museum of Nice, or the Robert College...

"Unfolding the Magic" There is something magical about Kevin Box’s sculptures. Each one of them is an ode to imagination, to simplicity, to childhood fun. Viewers, however, experienc...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...