Nancy Callan

"Dark Twin", Contemporary, Blown, Glass, Wall Panel, Design, Abstract, Sculpture

2018

Pohlman and Knowles began their collaboration in 1992. They use a variety of materials in their rich assemblages, including hot-sculpted glass, various metal works, found objects and beads, achieving a fine sense of formal balance. Three notable research field trips...

Pohlman and Knowles began their collaboration in 1992. They use a variety of materials in their rich assemblages, including hot-sculpted glass, various metal works, found objects and beads, achieving a fine sense of formal balance. Three notable research field trips...

Jamie Harris straddles the disciplines of painting and glass blowing approaching his work, “more from a painterly perspective than as a traditional glassblower.” His work is primarily about something simple: ”loud splashes of color, capturing the innate way glass transmits, reflects, and absorbs color.” The viewer often witnesses this sensitivity through a number of techniques and forms that Harris has mastered: “from the strictness of my blown work to the organic looseness of my fused panels,” he uses color systems and theory to develop his forms. Yet the other critical layer to Harris’s work is expressive and visceral. The colors are intended to imprint an immediate emotion on the viewer’s experience of his objects as a very direct experience of color. Harris also straddles divergent historical epoch’s: “I merge a classic Venetian sensibility with a modernist approach.” blending the look of Murano glass with Twentieth Century modernism as typified by the Bauhaus, Harris hybridizes the functionality of vessel and the aesthetics of sculpture. Jamie Harris also teaches at UrbanGlass, in Brooklyn, NY. He has studied at the most prestigious glass studios in America: The Pilchuck Glass School, the Rhode Island School of Design, the Penland School off Crafts, the Haystack School, and the Corning Museum of Glass and Tiffany & Co. Selected Collections Sergey Brin, Palo Alto, California Mobile Museum of Art, Mobile, Alabama Museum of American Glass, Millville, New Jersey Brooklyn Borough President Marty Markowitz, Brooklyn, NY "Threaded Infusion Block in Gold, Purple and Red", Blown and Kiln Cast Glass

Pohlman and Knowles began their collaboration in 1992. They use a variety of materials in their rich assemblages, including hot-sculpted glass, various metal works, found objects and...

Jamie Harris straddles the disciplines of painting and glass blowing approaching his work, “more from a painterly perspective than as a traditional glassblower.” His work is primaril...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

A time traverse mechanism with antecedents in mythological Atlantis. Legend speaks of a Minoan connection to Atlantis. The time machine's fictional narrative builds upon the latest in archeological finds and a growing body of circumstantial evidence hinting of an advanced society lost to history. Perchance, dare say, one which developed methods defying the very forward arrow of the space time continuum. The Atlantian Continuum narrative tells of it originally being buried in volcanic ash (thereby preserved) after a catastrophic event altered the earth's magnetic polarity. A broken piece of Minoan-Atlantian continental land mass drifted thousands of miles south (based upon recent real-life scholarly posits), further protecting the device in the permafrost of the Antarctic. Metrics of time manipulation employed are aligned with many of Einstein‘s theories including Relativity, Light Quanta, entanglement, curvature of space and infinite time loops. The sculpture portends an original scientific perspective replete with esoteric symbols, equations, formulai and multi-dimensional geometry, all portending a series of radical posits. These heuristic, intuitive theories expand upon the latest cutting-edge scientific, mathematical and philosophical insights into "visiting" the past. SPECS: Vintage spot welded cast-iron gears, cogs, sprockets and other pieces of used farm implements. Total of 49 individual pieces, all antique and vintage dating as far back as 1920. Antique plano-convex glass ball clock housed in brass. Antique brass transit surveyor. Antique brass car oiler. Antique iron padlock...

Sara Fine-Wilson's "Coming Up for Air" is a mixed media sculpture of multiple ceramic elements that were previously formed, fired, and glazed and the...

Modern-day rendition of the world's oldest computer, the real-life Antikythera Mechanism (c. 205 BC). To our knowledge, the world's first outright, true sculpture that honors the world's oldest computer. The Antikythera Mechanism was a hand-powered astronomical calculator/planetarium consisting of anywhere from 24 to approximately 30 interlocking concentric gears and cogs. It was the most complex man-made instrument ever made until nearly the Renaissance, a fact which demands rewrite on the capabilities of the ancients. The ART-ikythera directly connects Archimedes to the invention of the mechanism by virtue of the symbol for Pi being inscribed on the sculpture base. Also inscribed is a spiral glyph, gleaned from the real-life Archimedes Palimpsest. Another accoutrement is the "eye of Archimedes," a concave mirror which when illuminated casts the illusion of a convex magnifying glass. The shape of the base is a square within a circle, symbolizing how Archimedes "squared the circle" to calculate Pi to the second decimal expansion (3.14). ART-ikythera is an esoteric code generator with clues and ciphers leading to a unique scientific perspective. SPECS: Total of 23 individual pieces, including spot-welded antique and vintage cast-iron gears, cogs and sprockets from used farm implements, antique brass all angle inclinometer (late 19th century), antique padlock...

Sara Fine-Wilson's "Magic Carpet Ride" is a mixed media sculpture incorporating extruded and hand formed glazed and unglazed ceramic elements with epoxy. These elements are created, ...

This free-standing sculpture titled "An Exact Record Of How It Happened" is an original artwork by Jedediah Morfit made of plaster, paint, wax, thermoplastic, epoxy, wood, rope. This piece measures 33.25"h x 10"w x 14"d. Please note: Artwork will be on display at SHOWFIELDS NY (11 Bond St, New York, NY 10012) through the end of November. BIO Jedediah Morfit received his MFA in sculpture from the Rhode Island School of Design in 2005, where he was awarded the Sylvia Leslie Herman Young Scholarship and the Award Of Excellence. He was a Fellow at the Center For Emerging Visual Artists from 2007-2009, and received a New Jersey Council On the Arts Fellowship for sculpture in 2009. He received the Louise Kahn Award for Sculpture from the Woodmere Art Museum in 2006, and was awarded the Dexter Jones Award for Bas Relief from the National Sculpture Society in 2011 and 2012. In 2013, he was commissioned to create a series of new work for Artlantic:Wonder, which was named one of the 50 best...

Title: "After 77 Years, Again in Fear?" - Mixed Media Assemblage on Canvas Discover the powerful and thought-provoking artwork "After 77 Years, Again in Fear?" by acclaimed contemporary artist Irena Orlov. This original mixed media assemblage, measuring H34" x W57", masterfully incorporates various dimensional elements and techniques, including painting and found objects, to create a captivating abstract piece with a profound global message. Medium and Materials: This extraordinary artwork is a mixed media assemblage on fine art canvas, skillfully hand-stretched over 1" deep wood stretched bars. The artist's creative vision weaves together an intriguing combination of materials, including plastic, original World War 2 chemical gas masks, copper mesh, and small metal round container...