Wood Sculptures

Backyard House Wren by Leo E. Osborne Abstract Nature Wall Relief, Unique Carved Mixed Media, primarily wood. 30x16x10" wren with copper leaves on wood ...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

Minimal Abstract Ceramic 36 x 36 inch wall sculpture in glossy and matte white ceramic tiles that are mounted to a white wood panel. A neutral work showcasing an "X" in matte white s...

Susy Hunziker's metal figures are the result of exploring form, colors, and feelings, and reflect a love of life and aesthetics. Rust brown iron wire is wound meticulously in varying thicknesses, creating abstract sculptural figures. Her work is reminiscent of an appreciation for life’s delicacy, human fragility and an aesthetic awareness of change over time. This unique iron wire figure is 18 inches high by 6 inches wide and 6 inches deep. The figure perches atop a wooden base. Size and price include the wooden base. This one-of-a-kind sculpture can be displayed on any flat surface. Convenient local Los Angeles area shipping. Affordable Continental and International shipping are also available. This artwork comes with a certificate of authenticity issued by the art gallery. Swiss artist Suzy Hunziker pursues a deepened analysis of figurative compositions and expresses an overall curiosity for form and figure. Her sculptures integrate staticity and movement as well as lightness of matter. “What began as a hobby about ten years with papier-mâché has become my passion. Today I create finished sculptures from...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

David E. Peterson is a Painter, Sculptor, and Deconstructive Designer. His "Leaners" are stunning and will add a contemporary feel to any space. Peterson sources each exotic wood pie...

Born in Brest and with a scientific background, Haude Bernabé has devoted herself to art since the early 1990s. Her first passion was art, the second one biology. In these two approa...

Girls, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w x...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...

This ceramic buste is made by Spanish artist Pedro Quesada Sierra. The Spanish sculptor, despite his only 39 years, is already a lot of laureate artist. In March 2018 he received, ...

PAUL VILLINSKI has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived and worked in New York City since 1982. A scenic route through the educational system included stops at Phillips Exeter Academy and the Massachusetts College of Art, and a BFA with honors from the Cooper Union for the Advancement of Science and Art in 1984. He lives with his partner, the painter Amy Park, and their son, Lark, in their studios in Long Island City, NY. His work has been included in numerous exhibitions nationally. A mid-career retrospective, “Farther,” is currently on view at The Taubman Museum of Art in Roanoke, VA, through July, 2018. Recent solo exhibitions include “Paul Villinski: Burst” at the McNay Art Museum in San Antonio, TX and “Passage: A Special Installation,” at the Blanton Museum, University of Texas, Austin. Recent group shows include “Material Transformations” at the Montgomery Museum of Art, Montgomery, AL; “Re: Collection,” at the Museum of Arts and Design, New York, NY; “Making Mends,” at the Bellevue Museum of Arts, Bellevue, WA; and “Prospect .1,” an international Biennial in New Orleans, LA. “Emergency Response Studio,” a FEMA trailer transformed into an off-the-grid mobile artist...

Barong Wood Sculpture Bali 19Th Century Measurements: 32″hight, 21″width, 20″depth. Rare Barong (king of spirits, host of the good) 19Th Century Baline...

Carved walnut sculpture of an older man looking majestically off into the distance as his hair streams behind him by Texas artist Charlie Boren in the 1980's. Artist biography: Mr...

Signed lower right: Marco Novati Italo Balbo was one of the key figures of Italian fascism, being among the four quadrumvirs of the March toward Rome whic...

Liz Sweibel primarily makes sculpture, installations, and drawings. She uses a spare, personal language of abstraction to explore liminal spaces and unseen forces: wind, history, va...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

Criswell's dimensional wall sculpture emerged from a study of spatial organization by arranging basic, repetitive shapes into a harmonious balance, while exploring the concept of sim...

36 x 24 x 2 inches acrylic, incised wood Stephen Walling’s painted wood constructions incorporate both a playful usage of color with geometry and a dialogue with nature using an ...

Represented by George Billis Gallery NYC and LA. The works in the series “From the Street” are carefully crafted, carved and painted, trompe l’oeil depictions of everyday common obj...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

This flat shadow puppet was created by an unknown Indonesian artist. This shadow puppet, 26" high with movable arms, was used in Indonesian Wayang Klitik...

Large maple abstract sculpture, geometric spiral, created from one tree trunk. This sculpture is subtracted from the single block using primarily hand tools, not an assembled constru...

"I am influenced and gain insights through the exploration of artists and authors who consider the land and our place within it. This information along with my own investigations, re...

For Nicolas Bourriaud, the flea market is a place where “past production is recycled and switches direction” and where “an object is given a new idea.” On the stalls of the flea mar...

Born in Brest and with a scientific background, Haude Bernabé has devoted herself to art since the early 1990s. Her first passion was art, the second one...

Saguaro Cavern by Leo E. Osborne Abstract Nature Wall Relief, Unique Carved Wood 25x17" (mixed media carved and painted to appear like the cactus) A little desert owl peeks out of it...

Superb mobile by louis Chacallis, french, Ecole de Nice. made by papier maché, it is in his very personal style, as you can see from the Catalogue edited in 2010. Louis Chacallis es...

Leslie Zelamsky's "Point of Departure 5" is a 63.5 x 23 x 22 inch sculpture primarily constructed cedar shingles and shims that are nailed and glued. T...

This painted wood chair by Paul von Ringelheim is a playful synthesis of form and content. The chair, an everyday item, has been transformed by von Ringelheim's imagination.

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

Stainless steel sculpture with wooden base. Liechennay's works are inspired by nature and life, simply put, the forms and shapes he is surrounded by. He creates highly aesthetic pieces embodying artistic balance...

"Draped Figure" is a beautiful example of Tazian's ability to meld the smooth texture of wood and the hard texture of bronze into an exquisite object to view, hold or caress. The piece balances perfectly on its stone base and can be easily turned to enjoy from all angles. Like architects Eliel Saarinan and Albert Kahn and sculptor Corrado Parducci, Tazian is an immigrant creative who has found a home in the city, nurtured by its energy and sheltered by its community. He developed an early ambition to become an artist, even though he had very little exposure to the arts. ““The only person [who encouraged me] was my 5th grade English teacher, Olivia Balian,” he says. “She really opened the doors of art for me. She said, ‘Those students who are interested in art can stay behind after school and I will show you how to paint and draw.’ Somehow [that] changed my life– she gave me that spark.” Tazian came to the U.S. to study at St. Francis College in Fort Wayne, Indiana. He earned a bachelor’s degree in art and a Master’s in Art Education, and then earned and MFA in sculpture from Wayne State University in Detroit. Kegham Tazian is an award-winning sculptor and painter. The Armenian-born artist has gained notoriety for the diversity of his work and the variety of media exemplified in his pieces. A blend of modernism, realism and abstraction are commonly depicted in his paintings and sculptures. His artwork has been represented in more than 40 solo exhibitions and more than 75 group exhibitions throughout the United States, Canada, Europe, and the Middle East. His work adorns the entrances and halls of major corporations, universities and municipalities, including Siemens Corporation, Huntington Bank, Wayne State University and the city halls of Farmington and Farmington Hills...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday archetypes take shape in unexpected combinations of materials. The works emerged as the tactile and visual senses channeled the ritualistic power and materiality of selected artifacts. The resulting objects exist in a space between what they were originally and what they could become. A wheel, for example, is distorted as if seen through a prism. Their collaboration grew out of years of shaping materials into one-of-a-kind objects. Intuitively, the process of creating with their hands took an inward turn. Prism is a travelogue through memories and dreams, yielding abstract forms that capture moments of transformation. Van Wifvat grew up with eight siblings and studied sculpture and environmental design in Minneapolis at MCAD. In 1979, he opened a storefront art gallery to promote the work of local artists. The space featured printed materials—art books, periodicals, fanzines, and postcard’s. Wifvat moved to New York in 1983 to study at the Fashion Institute of Technology and Parsons. In 1987, he co-founded Van Gregory & Norton design studio, specializing in convex mirrors and curtain hardware...

One of a kind sculpture, mixed Technic. Furniture lighting photography

Koji Takei works reference synthetic cubism in the most literal of senses. In cubist artworks, the objects are broken up, analyzed and re-assembled in abstracted form. These pieces...

Born in Brest and with a scientific background, Haude Bernabé has devoted herself to art since the early 1990s. Her first passion was art, the second one...

"Young Girl Walking With Two Aunties" in an original sculpture by Kaplan Bunce. The piece measures 19"h x 22"w x 2"d and was made using found objects, spray paint, cedar wood, horse hair, deer skin leather, and copper wire. Kaplan Bunce is an artist, wood-maker and President of the Kaua’i Powwow Council in Kauai. The Kaua’i Powwow Council is a non-profit organization. This council was established to provide a cultural event, and a traditional Native American Powwow...

Salvaged in the Philippines. This piece is Satinwood, a very dense wood that is extremely heavy. This piece is very old. A NEW COLLABORATION Tina West + Tucker Robbins...

Translated title: "The narrator". Enamel, wood, charcoal and gauze.

One of a kind mixed Technic sculpture

This miniature paper sculpture titled "GO AWAY" is an original artwork by Drew Leshko made of paper, acrylic, inkjet prints, basswood, wire, PVC plastic, pastel, and clay. Through sc...

Saturated in cerulean—like the colour of a deep blue sky, intersecting lengths of wood form a dramatic sculpture in this abstract piece by Canadian artist, Shayne Dark. From his stud...

Menashe Kadishman (Israeli, 1932-2015) Birth Iron 17-1/2 inches (44.5 cm) high on a 6-1/4 inches (15.9 cm) high wood base Hand signed and Inscribed on base Sculpture with base measur...

The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint. Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect. Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives. Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...

From the Apathy Series, Andrew Smenos' recent body of ceramic sculptures, comes "DESTROYER" – the rusted hulk of a ship is sinking however, itself destro...

Koji Takei works reference synthetic cubism in the most literal of senses. In cubist artworks, the objects are broken up, analyzed and re-assembled in abstracted form. These pieces...

This figurative sculpture titled "Straight Man" is an original artwork by Jedediah Morfit made of plaster, paint, foam, and wood. This piece measures 19.75”h x 8"w x 11.75"d. Please...

Represented by George Billis Gallery NYC and LA. The works in the series “From the Street” are carefully crafted, carved and painted, trompe l’oeil depictions of everyday common obj...

From the collection of Ruth Siegel owner for the Ruth Siegel Gallery in NYC on Madison Ave in the 1980s and 1990s. Katsuhisa Sakai was born in a bomb shelt...

"Leviathan" by Mark Leichliter one-of-a-kind abstract Sculpture 17"x10"x4" Carved Cocobolo wood ABOUT THE ARTIST: ​I was born in Loveland, Colorado and now reside in nearby Fort C...

The small-scale wooden and found object, abstract, free-standing sculpture titled, "Modus Volito 8" is an original artwork by Hyland Mather made from aerosol and laser engraving on f...

This figurative sculpture titled "Deepfake National Monument" is an original artwork by Jedediah Morfit made of plaster, paint, pins, epoxy, adhesive, wood, rope, and hardware. This piece measures 32"h x 11"w x 27”d. Please note: Artwork will be on display at SHOWFIELDS NY (11 Bond St, New York, NY 10012) through the end of November. BIO Jedediah Morfit received his MFA in sculpture from the Rhode Island School of Design in 2005, where he was awarded the Sylvia Leslie Herman Young Scholarship and the Award Of Excellence. He was a Fellow at the Center For Emerging Visual Artists from 2007-2009, and received a New Jersey Council On the Arts Fellowship for sculpture in 2009. He received the Louise Kahn Award for Sculpture from the Woodmere Art Museum in 2006, and was awarded the Dexter Jones Award for Bas Relief from the National Sculpture Society in 2011 and 2012. In 2013, he was commissioned to create a series of new work for Artlantic:Wonder, which was named one of the 50 best...

This blue, grey, and white miniature paper sculpture titled "PUPPIES" is an original artwork by Drew Leshko made of paper, acrylic, inkjet prints, basswood, wire, PVC plastic, pastel...

Les couleurs de la terre is the first joint exhibition by artist duo Hélène et son mari, composed of ceramist Hélène Chouinard and multidisciplinary artist Jean-Robert Drouillard. Co...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

Inspired by both art and science, Eric Johnson creates composite works of pigment, wood and resin that reference a kinship with other artists: to the sensuality of Brancusi, the arch...

Among the Stones by Leo E. Osborne Abstract Nature Wall Relief, best suited for interior placement Carved Canada Goose and Rocks - Unique Carved Mixed...

Black Rock Creek by Leo E. Osborne Abstract Nature Wall Relief, Unique Carved Mixed Media (primarily wood) 20x36x6" nuthatch on wood carved to appear like g...