Woman in Contemplation
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 8
UnknownWoman in Contemplationc.1930's
c.1930's
About the Item
About the Seller
4.9
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2007
1stDibs seller since 2015
315 sales on 1stDibs
Typical response time: 13 hours
More From This SellerView All
- Costa Rican pre-Columbian sculptural figure ca. 1000-1500Located in Wilton Manors, FLMagnificent standing figure, Costa Rica, ca. 1000-1500. Carved volcanic stone. Measures 16.5 x 9 x 5.5 inches. Outstanding condition with no damage. The figure represents a captured...Category
15th Century and Earlier Figurative Sculptures
MaterialsStone
- Reclining Figure (woman)By William King (b.1925)Located in Wilton Manors, FLWilliam King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...Category
Mid-20th Century Abstract Abstract Sculptures
MaterialsBronze
$2,800 Sale Price30% Off - Standing FigureLocated in Wilton Manors, FLTom Cramer (b.1960). Standing Figure, 1988. Carved wood and polymer paint. Measures 11.5 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...Category
Late 20th Century Neo-Expressionist Figurative Sculptures
MaterialsWood, Latex
- Standing FigureLocated in Wilton Manors, FLTom Cramer (b.1960). Standing Figure, 1998. Carved wood and polymer paint. Measures 17.5 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...Category
Late 20th Century Neo-Expressionist Figurative Sculptures
MaterialsWood, Latex
- Standing FigureLocated in Wilton Manors, FLTom Cramer (b.1960). Standing Figure, 1980. Carved wood and polymer paint. Measures 11.5 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...Category
Late 20th Century Neo-Expressionist Figurative Sculptures
MaterialsWood, Latex
- Standing FigureLocated in Wilton Manors, FLTom Cramer (b.1960). Standing Figure, 1998. Carved wood and polymer paint. Measures 10.25 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...Category
Late 20th Century Neo-Expressionist Figurative Sculptures
MaterialsWood, Latex
You May Also Like
- Ancient DeityLocated in Wien, WienANCIENT DEITY Seated representation of God Southern Arabia Pre sabean 2nd - 1st millennium BC. Oolite limestone Height 24,5 cm Comparable works in the British Museum/London ...Category
15th Century and Earlier Figurative Sculptures
MaterialsLimestone
- Fluted FigureLocated in Austin, TXBy Mark P. Williamson 17" x 8" x 6" LimestoneCategory
21st Century and Contemporary Abstract Figurative Sculptures
MaterialsLimestone
- Marble Sculpture of Roman Mythological subject ApolloLocated in Rome, ITFinely carved mythological subject in white Carrara marble of Apollo head . Measurements: Statues cm 150, base cm 85.Category
20th Century Academic Figurative Sculptures
MaterialsLimestone
- Set of Extraordinary Italian Stone Statues Representing the Four SeasonsLocated in Rome, ITMonumental classically draped female figures and their distinguishing symbols on a square base. Autumn, winter, spring and summer. Measures: Heig...Category
20th Century Academic Figurative Sculptures
MaterialsLimestone
- Italian Stone Garden Sculpture of Roman Mythological subject ApolloLocated in Rome, ITFinely carved mythological subject in Vicenza limestone of Apollo and Minerva Excellent condition from an estate of Veneto. Measurements: Statues cm 150, base cm 85.Category
20th Century Academic Figurative Sculptures
MaterialsLimestone
- Italian Limestone Garden Sculptures of Aria a Roman GoddnessLocated in Rome, ITFinely carved mythological subject in Lecce limestone of Aria a Roman Goddness . Excellent condition from an estate of Veneto. Measurements: Statue cm 160, base cm 85.Category
20th Century Academic Figurative Sculptures
MaterialsLimestone