Unknown

"Toma Mask, Guinea, " Carved Wood from Africa created circa 1900

c. 1900

"Idgo Nigeria Female Standing" is a wooden statue with blue and white pigment created in Nigeria circa 1930. This figure stands up right with arms out slightly in front of her. A st...

"Senufo Mask of Ceremonies (from Republic Ivory Coast)" is an carved wood artifact from the Senufo people of Africa, in the northeastern cote d'Ivoire. The...

"Dan Mask Ivory Coast" is a mask sculpted out of wood with hair and mud. Slit eyes and an opened mouth with a heart shaped face. 6" x 9" x 2" Da...

"Secret Society Mask-Sierra Leone W. Africa," is a wood sculpture of a woman's head. The hair has been sculpted with intricate detail, and metal hair adornments...

"Hemba Stool-Monkeys Zaire" is a carved wood stool created in Africa circa 1900-1920. The base of the stool is domed in the middle a column goes upwards to...

"Bidjogue Cow Head Portuguese Guinea" is a sculpture made of wood, rope and horns. The carved bull head hangs on the wall looking out the viewer with two eyes not quite looking in th...

This artwork titled "Kwa-Giulth, Thundrbird" 1987 is a wood carving bas-relief by Canadian artist Kevin Cranmer, b.1968 It is signed, titled and dated in...

Rare African art mask in carved wood from the Ivory Coast or Liberia 20th Century. This mask is carved in wood, representing female face in painted ca...

In Indian mythology, Hanuman is a zoomorphic character. As the monkey child of Vayu, God of the Wind and Anjana, he is endowed with great strength and understanding. Hanuman figures ...

Rare African art mask in carved wood from the Ivory Coast or Liberia 20th Century. This mask is carved in wood, representing female face in painted ca...

A large scale and beautifully carved wooden ceremonial mask from Cameroon. There are traces of colour and decoration to the surface and the mask has a magnificent patina giving it a wonderful presence as a sculptural object. The Batcham Mask or simply the Batcham originated in western Cameroon although its name refers to the place where it was first found: Batcham. This is a ceremonial mask from the Bamileke culture in the western Grasslands of Cameroon. This tall crest (76 cm in height) has clearly defined features, a powerful yet calm visage, sharply chiselled diamond and triangular furrows, and nearly perfect symmetry. Such painstaking craftsmanship underscores the sophistication and control of the sculptor in preparing this ceremonial piece. It shares the elements of Batcham masks including: The general morphology is built on two axes: a symmetrical vertical axis with chiseled furrows, stylized eyes, lips, nostrils, mouth and teeth; a horizontal axis presenting swollen cheeks, an ovular mouth showing multiple teeth, and triangular ears supported on a hollow cylindrical base. One interpretation is that the masks depict a hippopotamus emerging from watery depths, conveying nature’s power conferred to enthroned royalty. The Batcham mask represents the pi, or double animal of a great dignitary of the kingdom. It was used by a great dignitary of the Msop society who intervened only on rare occasions: during the funeral and enthronement of the king and the nine notables, and to perform the Royal Tso dance, elephant dance...

Imposing and very large scale mixed media 'assemblage' by French artist Armand Avril. The work includes the French tricolour flag, figures and heads in various poses, his symbolic cat sculptures and large stylised poppies. The work is not signed but comes with a certificate of authenticity from the artist. This montage fully demonstrates Avril's inspiration drawn from tribal art whilst also expressing the humour and joy that he puts into all his work. A very strong sculptural image and a feast for the eyes in searching for and recognising the everyday objects used in making this piece come alive. This montage is made from wood pieces, bottle tops, string, paint, cork, nails buttons, clothes pegs and netting. The more sculpted areas of the piece stand out up to 4cm from the frame. Armand Avril was born in 1926 in Lyon. His father, Marcel Avril was a painter and collector of African art. At 16 Armand became an apprentice shepherd in Provence. Avril could always be seen equipped with a sketchbook and a book on the history of art whilst tending his flock. It was not until the age of 30, in 1956, that Armand embarked on painting as an autodidact, influenced by Raoul Dufy, Pierre Bonnard, Henri Matisse and the Lyonnaise School of Painting. He exhibited for the first time in 1957. In 1960, he left for a one-year trip to Africa. There he met the painter Jean Arène who introduced him to the village of Cotignac in the Var and to Louis Pons...