Tendai Marowa & Stanley Chideu

"Together Forever, " an Opal Carving by Tendai Marowa & Stanley Chideu

2002

"Newborn Child" is a signed springstone sculpture by Shona artist Tafadzwa Mandala. It weighs approximately 90 pounds and depicts a robed mot...

"Protected Spirits" is a sculpture carved from Opal stone signed Picket, who is part of the Shona tribe in Zimbabwe. It depicts two abstracted figures, presumably spirits, seeming to float upwards. 38 1/2" x 13 1/2" x 7 1/4" Picket Mazhindu Bumhira was born 1968 in the Seke communal lands about 5 km. from Harare, Zimbabwe. Picket had a passion for art from childhood and during his school days he loved drawing and painting. He was very inspired by sculpture of the late John Takawira, one of Zimbabwe's first generation of Shona sculptors, whom he met when Picket went to Chapungu. They then agreed to work together. Later he started to sculpt on his own. Some of his works made the headlines in the newspapers, including "Spirit of Love," which was exhibited in Victoria Falls during Arts Gala. He exhibited in the UK and in Germany. He was among the sculptors who went to China for an exhibition at the Poverty Reduction Summit. Picket likes working on springstone and opal and especially enjoys making abstracts. Shona artists and crafts people have been working in different media for generations. These include paintings, pottery, basket ware, wood carvings, and sculpture done in metal as well as the stone carvings. While there is not a long standing tradition of sculpture in what is now Zimbabwe (formerly Southern Rhodesia), stone carvings dating from the 15th century were seen in Great Zimbabwe, an excavated temple near Bulawayo. Most of the artifacts from this location have been moved to museums in Cape Town, South Africa or London. It is generally agreed that Zimbabwean stone sculpture...

"Judge" is a signed opal sculpture created by Shona artist Luckmore Joseph. It weighs 178lbs and was created in 2004. It depicts an abstracted face coming out of the natural stone. 43" x 15" x 11" sculpture, 178 pounds Luckmore Joseph was born in 1979. He was interested in drawing and weaving baskets before he started carving. Luckmore later found that carving was of paramount importance to him in 1999 when he was employed by Sydney Majengwa as his assistant. He first gained experience working on torsos, then later embarked on creations of street beggars and pregnant women, varying the styles. Luckmore gets the subjects for his sculptures after seeing the shape of the natural stone before he works on it. His sculptures carry messages to people and explain the daily routines of people like him. He carves because he wants people to know the good and the bad, the comedy and tragedy in life circles. His philosophy has directed him to the subject issue of beggars. He wants to let people know that every country in the world has poor and rich people and both of them have the same equality and have the same right to life. Carving has become a way of life for Luckmore, and he never can leave it for very long. When he is not working, he enjoys playing football. Shona artists and crafts people have been working in different media for generations. These include paintings, pottery, basket ware, wood carvings, and sculpture done in metal as well as the stone carvings. While there is not a long standing tradition of sculpture in what is now Zimbabwe (formerly Southern Rhodesia), stone carvings dating from the 15th century were seen in Great Zimbabwe, an excavated temple near Bulawayo. Most of the artifacts from this location have been moved to museums in Cape Town, South Africa or London. It is generally agreed that Zimbabwean stone sculpture...

"Horse Carriage" is hand covered Jaguar Jade created in China during the 20th Century. Intricately carved horse carriage with four horse and a driver. Made to look like the Terracotta Army...

This small and intimate sculpture of an elephant is a heartfelt and doting example of the sculpture of the Shona artists of Zimbabwe, but also demonstrates the clever use of the texture of the stone. The sculpture is stylized, though more naturalistic than many of the sculptures of the Shona artists. The elephant leans backward and reaches its trunk into the air. The use of texture on its body is ingenious, using a series of crossing lines to create a rough surface that mimics the appearance of real elephant skin, adding a lifelike effect to the stationary stone. Unknown Shona artist 'Elephant,' late 20th century springstone 4.5 x 3.87 x 1.63 inches Overall excellent condition; some minor surface abrasions Shona artists and crafts people have been working in different media for generations. These include paintings, pottery, basket ware, wood carvings, and sculpture done in metal as well as the stone carvings. While there is not a long standing tradition of sculpture in what is now Zimbabwe (formerly Southern Rhodesia), stone carvings dating from the 15th century were seen in Great Zimbabwe, an excavated temple near Bulawayo. Most of the artifacts from this location have been moved to museums in Cape Town, South Africa or London. It is generally agreed that Zimbabwean stone sculpture...

1968 3-3/4 x 7 x 6 Construction, mixed media Joseph Rozman was born on December 26, 1944 in Milwaukee, WI. He was the first artist to have a solo exhibition at the David Barnett Gallery...

The artist says of her work... Arrested Symphony is an exhibition incorporating sculptures, reliefs, drawings and hanging works that explore the theme of injustice that is at the roots of the predatory gem and mineral excavation industry. While at a residency in Knoxville, Tennessee, I discovered that Oakridge was only 30 miles away. Oakridge played a key role in the development of the Atom Bomb and the Manhattan Project. I began an exploration and comparison of Uranium and Emeralds. These minerals look very much alike, beautiful but dangerous on their effect on civil conflict. Colombia my birthplace, has the finest Emeralds in the world. The mining of Emeralds was an important element in the continued colonization of the region. Emeralds have helped to fund the more than 60-year conflict which has taken over 450,000 lives and displaced about 5.7 million people. Uranium has brought destruction to a level which altered the future of warfare. The developments made during the Manhattan Project led to the death of about 700,000 people and its effects are still felt around the world. I use Colombia as an example, however this situation is repeating itself in many parts of the world. Sierra Leone, Liberia, the Republic of Congo, the Central African Republic and the Democratic Republic of Congo are all involved in brutal civil conflicts fueled by Blood Diamonds. This project will make visual the human cost extracted with these minerals, once exposed to the light of day they can never be unearthed. My practice is an ongoing object-based exploration through which I create artworks which are organic and improvisational constructions that are infused with hope and renewal. The hand-crafted artworks are poetically and intricately crafted, creating an intimate repository for the individual and collective memory and implement the human body as a symbol and expression of nature, vulnerability and power. The work encourages viewers to reconsider social and historical narratives especially when dealing with the aftermath of Colonialism and raises critical questions about the politics of erasure and exclusion. ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues including Smack Mellon Gallery, Neuberger Museum of Art, Bronx Museum of Art, Queens Museum, El Museo Del Barrio, MoMA PS1, Socrates Sculpture Park and White-box Gallery in New York City. Nationally Cortes exhibitions include Cleveland Art Museum, OH, CSU Galleries at Cleveland University, OH, Helen Day Art Center, VT and The Lorenzo Homar...

This amazing sculpture figures a peacock making the wheel. Each feather is made of a slice of transparent agate, soldered with brass to the rest of the wheel. The agate wheel is me...

Hard Carved Afghani blue Lapis Alia Ali is a Yemeni-Bosnian-US multi-media artist. Her work explores cultural binaries, challenges culturally sanctioned oppression, and confronts th...

Hard Carved Afghani blue Lapis Alia Ali is a Yemeni-Bosnian-US multi-media artist. Her work explores cultural binaries, challenges culturally sanctioned oppression, and confronts th...

Hard Carved Afghani blue Lapis Alia Ali is a Yemeni-Bosnian-US multi-media artist. Her work explores cultural binaries, challenges culturally sanctioned oppression, and confronts th...

Natura gaint amber crystal specimen weight 120 kilograms origin Africa