Post-Impressionist Figurative Sculptures

Facile 59 x 30 x 30 cm bronze Facile is a bronze sculpture by Italian contemporary artist Eva Steiner. In her work she focuses on the gracefulness of women. Her sculptures of bronz...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

Zenith Bronze Sculpture Mythology Classic Contemporary Nude Male Figure. Size is including pedestal. The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect comma...

Mixed media artwork - bronze sculpture installed on velvet

Andries Velting is a new artist at Gallerie Bonnard. His moving sculptures of dancers are a special addition tot our existing collection. Velting says: "Ever since childhood I've be...

This Sculpture is made by Dutch artist Antoinette Briet. Her forms always are an abstraction of movement in the world of animals. In this particular sculpture she shows here admirati...

Beyond the Page is a wall sculpture paying tribute to those who like reading and enjoy me-time moments. Edition Size: 25. Sculpture for wall easily hung with 2 screws/nails. BIOGRA...

Was Bleibet Aber Stiften die Dichter Bronze Sculpture Classic Contemporary Poem The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft o...

Sogno di Parole Bronze Sculpture Nude Male Figure Classic Contemporary Mythology The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft ...

A native of Charlotte, North Carolina, Paul Rousso attended the Cleveland Institute of Art in Ohio and went on to earn his BFA from the California College of the Arts in 1981. In his...

Speranza Bronze Sculpture Classic Contemporary Mythology Head Portrait Female The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft of ...

Ferdinand Barbedienne (Saint-Martin-de-Fresnay 1810 – 1892 Paris) after Lorenzo Ghiberti (Florence, 1378 – 1455) Signed at the lower right of the principal relief: F. BARBEDIENNE Provenance: Private Collection, USA. Barbedienne’s “Gates of Paradise” reliefs are one of the triumphs of nineteenth-century bronze casting and patination. The nine panels that comprise our example are half-size reductions of the famous originals by Lorenzo Ghiberti, made for the Baptistery of Florence and now housed in the Museo del Opera del Duomo. Mounted in an impressive, mullioned frame surround, our work is an exceptional exemplar of the Renaissance Revival, the broadly influential style and movement that infused architecture, design, and artistic culture in the latter half of the nineteenth century. The central scene, The Story of Joseph, is perhaps the most celebrated of the entire series depicting as it does seven episodes from the Biblical narrative integrated into a single composition: Joseph cast by his brethren into the well, Joseph sold to the merchants, the merchants delivering Joseph to the pharaoh, Joseph interpreting the pharaoh’s dream, the pharaoh paying him honor, Jacob sending his sons to Egypt, and Joseph recognizes his brothers and returns home. The surrounding reliefs—two vertical figures in niches, two recumbent figures, and four portrait heads in roundels—are as well faithful reductions of Ghiberti’s original bronzes on other parts of the doors. The maker of these casts was the renowned 19th-century French fondeur Ferdinand Barbedienne. Gary Radke has recently written of this great enterprise: “The Parisian bronze caster Ferdinand Barbedienne began making half-sized copies of ancient and Renaissance sculpture in the 1830s. His firm benefitted enormously from the collaboration of Achille Collas, whom Meredith Shedd has shown was one of numerous pioneers in the mechanical reproduction of sculpture. Their competitors largely devoted themselves to reproducing relief sculpture, but Collas devised a process for creating fully three-dimensional copies. A tracing needle, powered by a treadle, moved over the surface of a full-sized plaster cast or bronze of the original and triggered a complementary action in a cutting stylus set over a soft plaster blank…He signed an exclusive contract with Barbedienne on November 29, 1838, and won medals for his inventions in 1839 and 1844. Barbedienne’s half-sized copies of the Gates of Paradise were famous not only for their fidelity to the original, but also for the way their gilding…suggested the glimmering surface that was hidden under centuries of dirt. Some critics even saw Collas’s and Barbedienne’s work as ‘philanthropic, an exemplary adaptation of industry to the requirements of art, the artist, the workers, and the public alike.’ At 25,000 francs, Collas’s and Barbedienne’s reduction of the Gates of Paradise was singularly more expensive than any other item for sale in their shop. All the reliefs, individual statuettes, and busts were cast separately and could be purchased either by the piece or as an ensemble. Fittingly, Barbedienne’s accomplishment earned him the Grand Prix at the 1878 Paris Exposition Universelle, along with numerous other medals.” Three complete examples of the Barbedienne-Ghiberti doors are known. One, first installed in a chapel in the Villa Demidoff of San Donato near Pratolino, was later acquired by William Vanderbilt...